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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ian Clar
Non classifié
12 898
Piano & claviers
Piano seul
1 692
Piano, Voix et Guitare
888
Piano, Voix
575
Piano Facile
575
Accompagnement Piano
496
Instruments en Do
125
Piano Trio: piano, violon, violoncelle
88
Piano (partie séparée)
46
Orgue
45
Piano grosses notes
27
1 Piano, 4 mains
23
2 Pianos, 4 mains
14
Piano Quatuor: piano, violon, alto, violoncelle
11
2 Pianos, 8 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
3
1 Piano, 6 mains
3
Accordéon et Orchestre
2
Orgue, Trompette (duo)
2
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Fake Book
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
54
Guitare
43
Guitare notes et tablatures
21
Guitare (partie séparée)
12
Paroles et Accords
9
Ukulele
8
Basse electrique
5
Piano, Guitare (duo)
4
Guitare, Flûte, Clarinette
3
Mandoline
3
Dulcimer
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Mandoline, Piano (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
571
Pack Instrumental pour Chorale
503
Chorale 3 parties
181
Chorale 2 parties
110
Chorale Unison
63
Chorale SSAA
56
Voix seule
49
Chorale TTBB
44
Voix duo, Piano
31
Voix Soprano, Piano
25
Voix haute
20
Voix Tenor, Piano
15
Voix duo
15
Voix Alto, Piano
8
Voix moyenne, Piano
7
Voix d'Enfants
6
Voix Mezzo-Soprano, Piano
4
Voix Baryton, Piano
3
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Chorale
1
+ 17 instrumentations
Retracter
Vents
Clarinette et Piano
10 289
Clarinette
10 113
Flûte, Hautbois, Clarinette, Basson
2 650
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2 598
2 Clarinettes (duo)
1 661
Quatuor de Clarinettes: 4 clarinettes
1 548
Flûte, Clarinette (duo)
921
Clarinette Basse, Piano
728
Ensemble de Clarinettes
726
Clarinette (partie séparée)
722
3 Clarinettes (trio)
713
2 Saxophones (duo)
502
Hautbois, Piano (duo)
427
Quintette de Clarinettes: 5 clarinettes
379
Clarinette, Violon (duo)
372
Flûte, Clarinette, Piano (trio)
364
Hautbois, Clarinette (duo)
358
Saxophone, Clarinette (duo)
337
Flûte traversière et Piano
303
Saxophone Alto et Piano
270
Flûte, Clarinette et Basson
215
Saxophone Tenor et Piano
214
Clarinette, Basson (duo)
211
2 Clarinettes, Piano
206
Flûte, Hautbois, Clarinette (trio)
202
Clarinette, Trompette (duo)
196
2 Flûtes traversières (duo)
195
Hautbois, Clarinette, Basson (trio d'anches)
167
Saxophone Soprano et Piano
165
Clarinette et Alto
147
Clarinette, Guitare (duo)
139
Clarinette, Violoncelle, Piano (trio)
132
Clarinette, Violoncelle (duo)
113
2 Hautbois (duo)
107
Hautbois, Basson (duo)
104
Flûte, Violon
97
Flûte, Saxophone (duo)
82
Clarinette, Basson, Piano (trio)
76
Flûte, Trompette (duo)
75
Flûte, Alto (duo)
69
Saxophone (partie séparée)
64
Hautbois, Flûte
63
Quatuor de Saxophones: 4 saxophones
58
Flûte traversière
50
3 Saxophones (trio)
46
Clarinette, Alto et Piano (trio)
44
Flûte, Clarinette, Cor, Basson (Quartet)
35
Saxophone Baryton, Piano
34
Clarinette, Trombone (duo)
33
Trio de Flûtes: 3 flûtes
31
Clarinette, Harpe (duo)
30
Quintette de Saxophone: 5 saxophones
27
Clarinette Basse
25
Clarinette, trompette et piano
25
Flûte à bec Soprano
24
2 Clarinettes, Basson
24
Saxophone Tenor
23
Saxophone Alto
22
Flûte et Guitare
21
Flûte, Clarinette, Violon (trio)
21
Cor anglais, Piano
20
Flûte, Hautbois (duo)
17
Saxophone
16
Flûte à bec Soprano, Piano
16
Cor Anglais
16
Clarinette, Tuba
16
Hautbois, Clarinette et Piano (Trio)
16
Flûte à bec Tenor
15
Quatuor de Flûtes : 4 flûtes
14
Flûte à bec Alto, Piano
14
Hautbois (partie séparée)
12
Flûte à Bec, Piano
11
Hautbois, violon (duo)
11
Flute (partie séparée)
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
Clarinette, Orgue
9
Quintette de Flûte : 5 flûtes
7
Hautbois
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte, Violon, Piano
7
Flûte, Alto et Piano
6
Ensemble à vent
6
2 Flûte à bec (duo)
6
3 Flûtes à bec (trio)
5
Clarinette, Orchestre
5
Flûte, Basson et Piano
5
Flûte, Hautbois, Basson
4
Ensemble de saxophones
4
2 Saxophones, Piano
4
Clarinette, Contrebasse (duo)
4
Hautbois, Clarinette, Basson et Piano
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Saxophone, Piano
3
Flute, harpe et violon
3
Flûte, Hautbois, Piano (trio)
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle
3
Flûte à Bec
3
Cor anglais, Guitare (duo)
3
Piccolo, Piano
3
Ensemble de Flûtes
2
5 Flûtes à bec
1
Piccolo
1
Flûte traversière, Orchestre
1
Hautbois, Violoncelle
1
Saxophone et Orgue
1
Flûte, Violon et Violoncelle
1
Flûte à bec Alto
1
2 Cors Anglais Et Pianoforte
1
Instruments en Mib
1
Saxophone Soprano
1
Ensemble De Flûte à bec
1
Cor anglais et Harpe (duo)
1
Hautbois, Violon, Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Basson et Piano
1
+ 112 instrumentations
Retracter
Cuivres
Trompette, Piano
171
Trompette, Saxophone (duo)
157
Trombone et Piano
141
Trompette
135
Trompette, Trombone (duo)
103
2 Trombones (duo)
98
2 Trompettes (duo)
97
Cor et Piano
86
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Tuba et Piano
33
Trombone (partie séparée)
31
Trompette (partie séparée)
29
Instruments en Sib
28
Trombone
26
Euphonium, Piano (duo)
23
Cor anglais, Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor Anglais
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor
11
Clarinette, Cor (duo)
11
Euphonium
10
Cor (partie séparée)
9
Tuba
7
3 Trompettes (trio)
7
2 Cors (duo)
5
Tuba et Orgue
5
Tuba (partie séparée)
5
Quatuor de Cuivres
4
Ensemble de Trombones
4
Trombone basse et Piano
3
2 Tubas (duo)
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
2 Euphoniums (duo)
2
Trio de Cuivres
2
3 Cors (trio)
1
4 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Cor et Orgue
1
Trombone et orchestre
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Cor anglais et Harpe (duo)
1
Trompette, Cor (duo)
1
+ 44 instrumentations
Retracter
Cordes
Violon et Piano
364
Alto, Piano
265
Violoncelle, Piano
233
Quatuor à cordes: 2 violons, alto, violoncelle
176
2 Altos (duo)
118
2 Violoncelles (duo)
118
Violon
112
Violon, Clarinette, Piano (trio)
105
Violon, Alto (duo)
104
Violon, Violoncelle (duo)
98
2 Violons (duo)
96
Violoncelle
71
Alto seul
58
Contrebasse, Piano (duo)
41
4 Violoncelles
38
Harpe
35
Trio à Cordes: violon, alto, violoncelle
31
Harpe, Flûte (duo)
18
Harpe, Violon (duo)
16
Alto et Harpe
15
Violon, Guitare (duo)
14
Harpe, Violoncelle (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Contrebasse (partie séparée)
12
Trio à cordes: 3 violins
10
Piano Trio: Violon, Alto, Piano
9
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: 3 violoncelles
6
Violon (partie séparée)
6
Alto, Guitare (duo)
5
Alto (partie séparée)
4
Contre Basse
4
Violoncelle , Guitare (duo)
4
2 Harpes (duo)
4
Harpe, Voix
4
Violon, Violoncelle, Clarinette
4
Violoncelle (partie séparée)
3
Ensemble d'Altos
2
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Alto et orchestre
1
Ensemble de Violons
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 777
Orchestre
953
Ensemble Jazz
507
Orchestre de chambre
272
Fanfare
78
Ensemble de cuivres
69
Jazz combo
66
Orchestre à Cordes
54
Vibraphone
21
Marimba
18
Batterie
13
Piano et Orchestre
13
Xylophone, Piano
11
Cloches
8
Batterie (partie séparée)
8
Ensemble de Percussions
8
Ensemble d'École
6
Quintette à Vent
5
Big band
2
Percussion (partie séparée)
2
Trio à Vent: 3 instruments à vents
2
Marimba, Piano (duo)
1
Xylophone
1
Xylophone ou Marimba ou Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
2 Xylophones
1
Instrumentation Flexible
1
Timbales (partie séparée)
1
+ 24 instrumentations
Retracter
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ACCORDEON
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CORNET
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FLUTE TRAVERSI…
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MANDOLINE
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Ian Clar
Voix Soprano, Piano
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1
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
My Soul Declares My Lord is Great (arranged for Soprano Solo)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Robert E
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My Soul Declares My Lord is Gr
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Robert E. Benton, Jr.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1460446 Composed by Robert E. Benton, Jr. Advent,Christmas,Contest,Festival,Holiday,Praise & Worship. 7 pag...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1460446 Composed by Robert E. Benton, Jr. Advent,Christmas,Contest,Festival,Holiday,Praise & Worship. 7 pages. Robert E. Benton, Jr. #1039377. Published by Robert E. Benton, Jr. (A0.1460446). This vocal soprano solo arrangement of the hymn reflects Mary’s song and reminds us that our Father cares for us. All of the treasures and honors of this world pale in comparison to the love of God.The soprano arrangement is appropriate for vocal performance at the advanced collegiate or professional level with piano accompaniment. The accompaniment provides a solid platform for the vocalist and builds intensity encouraging the vocalist and the audience to leap together into the graceful and mighty arms of our loving Savior. Vocal Range: Soprano: B3 – B5 For more information…Website: https://TRUSTHYMN.wordpress.comEmail: TRUSTHYMN@yahoo.comFacebook: https://www.facebook.com/TrustHymnInstagram: https://www.instagram.com/trust_hymn/.
$3.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Glory, Glory, Hallelujah
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Spiritual
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Maria Thompson Corley
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Maria Thompson Corley, piano)
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Glory, Glory, Hallelujah
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.845959 Composed by Spiritual. Arranged by Maria Thompson Corley. Christian,Concert,Gospel,Sacred,Spiritual....
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.845959 Composed by Spiritual. Arranged by Maria Thompson Corley. Christian,Concert,Gospel,Sacred,Spiritual. 5 pages. Maria Thompson Corley #6702061. Published by Maria Thompson Corley (A0.845959). This cheerful, gospel-inflected spiritual incorporates I'm Gonna Lay Down My Heavy Load. As recorded on the 2022 Navona release, Soul Sanctuary (Maria Clark, soprano; Maria Thompson Corley, piano).
$8.99
Two Hymns
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Maria Burke-Clark and Maria Th
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Two Hymns
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H. Gabriel. Arrang...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H. Gabriel. Arranged by Maria Thompson Corley and Maria Burke-Clark. Sacred. 14 pages. Maria Thompson Corley #887710. Published by Maria Thompson Corley (A0.1297739). These scores are transcriptions of improvisations recorded for Soul Sanctuary, a collection of my arrangements of hymns and spirituals released by Navona in 2022. They should be performed with great freedom and expression. The metronome marks are only for reference; these pieces should never sound metronomic.
$15.00
Shimmerwords and Idle Songs
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Voix Soprano, Piano
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AVANCÉ
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Kenneth Hesketh
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Shimmerwords and Idle Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6613 (Selected Poems of the Tang Dynasty). Composed by Kenneth Hesketh. This edition: Sheet music....
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Soprano voice and piano - difficult - SKU: S9.Q6613 (Selected Poems of the Tang Dynasty). Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 18 minutes. Schott Music - Digital #Q6613. Published by Schott Music - Digital (S9.Q6613). English.Composed in 2007 for the Leeds Lieder festival, Hesketh's Shimmerwords and Idle Songs for soprano and piano is a 18 minute song cycle made up of six songs in four sections. The text is taken from a collection of Chinese poetry from the 8th and 9th centuries which cover various subjects from nature and travel to life itself. The music is both colourful and direct with an abundance of humour and clarity.
$25.99
Morning Has Broken
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Cat Stevens
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Brenda Dillon
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Morning Has Broken
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Dillon's Music Group
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1360482 By Cat Stevens. By Cat Stevens and Eleanor Farjeon. Arranged by Brenda Dillon. Standards. 5 pages. ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1360482 By Cat Stevens. By Cat Stevens and Eleanor Farjeon. Arranged by Brenda Dillon. Standards. 5 pages. Dillon's Music Group #944979. Published by Dillon's Music Group (A0.1360482). Brenda Dillon has a background in both academia and the music industry. She is best known for her expertise in teaching group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S., and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$4.99
My Lord, What a Morning
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional Spiritual
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Brenda Dillon
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My Lord, What a Morning
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Dillon's Music Group
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1360448 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Sacred. 4 pages. Dillon's Music Group...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1360448 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Sacred. 4 pages. Dillon's Music Group #944942. Published by Dillon's Music Group (A0.1360448). Brenda Dillon has a background in both academia and the music industry. She is best known for her expertise in teaching group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S. and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$1.99
There Is a Balm in Gilead
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Gospel Spirituel
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Jazz
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Traditional Spiritual
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Brenda Dillon
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There Is a Balm in Gilead
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Dillon's Music Group
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1360461 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. 6 pages. Dillon's Music Gr...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1360461 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. 6 pages. Dillon's Music Group #944955. Published by Dillon's Music Group (A0.1360461). Bremda Dillon has a background in both academia and the music industry. She is best known for her expertise in group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S., and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$1.99
Beneath the Cross of Jesus
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Frederick Charles Maker
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Brenda Dillon
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Beneath the Cross of Jesus
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Dillon's Music Group
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1360437 Composed by Frederick Charles Maker. Arranged by Brenda Dillon. Sacred. 5 pages. Dillon's Music Gro...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1360437 Composed by Frederick Charles Maker. Arranged by Brenda Dillon. Sacred. 5 pages. Dillon's Music Group #944932. Published by Dillon's Music Group (A0.1360437). Brenda Dillon has a background in both academia and the music industry. She is best known for her expertise in teaching group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S., and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$1.99
Holy Holy Holy--vocal soprano solo
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritua...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
I Heard the Bells on Christmas Day--vocal solo
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Voix Soprano, Piano
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INTERMÉDIAIRE
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John Baptiste Calkin
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Beka Wilson
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I Heard the Bells on Christmas
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 page...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
God Rest Ye Merry Gentlemen--vocal solo (treble clef)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Traditional
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Beka Wilson
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God Rest Ye Merry Gentlemen--v
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka W...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6408755. Published by Beka Wilson (A0.786725). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service.Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
The Light of the World is Jesus/This Little Light of Mine--vocal solo (treble clef)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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P
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Beka Wilson
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The Light of the World is Jesu
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 p...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 pages. Beka Wilson #6382347. Published by Beka Wilson (A0.786703). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events.Length: around 3 minutes9 pages (includes score and separate vocal part)Like the arrangement, but it's too high or too low for your voice? Contact me at bekmars10@gmail.com about getting a custom arrangement up on Sheet Music Plus for you! Please allow at least 24-48 hours as uploading time varies.This arrangement is also available as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
Christ the Lord is Risen Today--vocal solo (treble clef)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Charles Wesley, Robert William
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Beka Wilson
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Christ the Lord is Risen Today
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 8 pages. Beka Wilson #6322519. Published by Beka Wilson (A0.786607). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)8 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Our Lady's Minstrel
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Naji Hakim
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Our Lady's Minstrel
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate - SKU: S9.Q48143 Three Poems. Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 12...
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Soprano voice and piano - intermediate - SKU: S9.Q48143 Three Poems. Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q48143. Published by Schott Music - Digital (S9.Q48143). English.The edition is the second part of the commissioned work Our Lady’s Minstrel. The through-composed music of Three Poems takes up verses from the English translation of Le Jongleur de Notre-Dame, a tale from medieval France. The piece Prelude and Dance for clarinet and organ (ED 22298) is the first part of the whole work and separately available.
$21.99
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