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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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BLUEGRASS
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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JEUX VIDEOS
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Ventes
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Prix + au -
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A-Z
difficulté (tous)
débutant
facile
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avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
9035
PIANO & CLAVIERS
Piano seul
7170
Piano, Voix et Guitare
3345
Piano, Voix
2404
Piano Facile
2175
Instruments en Do
579
Orgue
319
1 Piano, 4 mains
249
Accompagnement Piano
167
Piano grosses notes
149
Piano (partie séparée)
84
Accordéon
58
2 Pianos, 4 mains
55
Piano Trio: piano, violon, violoncelle
54
Piano Quatuor: piano, violon, alto, violoncelle
29
Orgue, Piano (duo)
18
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Clavier
15
Piano Quatuor: piano, 2 violons, violoncelle
12
Clavecin
11
Orgue, Trompette (duo)
11
Ligne De Mélodie, Piano
10
1 Piano, 6 mains
8
2 Accordéons
7
2 Pianos, 8 mains
3
Accordéon, Voix
2
Orgue, Voix
2
Fake Book
1
Instrument seul et Orgue
1
Ensemble d'Accordéons
1
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GUITARES
Guitare notes et tablatures
1520
Guitare
868
Ligne De Mélodie, (Paroles) et Accords
766
Basse electrique
402
Paroles et Accords
386
Ukulele
356
Guitare (partie séparée)
185
Piano, Guitare (duo)
138
Banjo
34
2 Guitares (duo)
32
Mandoline
28
Dulcimer
23
4 Guitares (Quatuor)
21
3 Guitares (trio)
13
Basse électrique (partie séparée)
11
Ensemble de guitares
8
Mandoline, Guitare (duo)
4
Ensemble de Ukulélés
4
Guitare, Flûte, Clarinette
2
Cithare
1
Ukulele Baryton
1
Partitions De Groupes
1
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
2721
Chorale 3 parties
1103
Chorale TTBB
610
Chorale 2 parties
528
Chorale SSAA
367
Chorale Unison
242
Pack Instrumental pour Chorale
170
Voix seule
95
Chorale
90
Voix duo, Piano
83
Voix haute
47
Voix Soprano, Piano
43
Voix duo
37
Voix Alto, Piano
34
Voix Baryton, Piano
17
Chorale SSAATTBB
17
Voix Tenor, Piano
16
Voix moyenne, Piano
12
Voix basse, Piano
11
Chorale SSATB
10
Voix Mezzo-Soprano, Piano
7
Chorale SSAB a cappella
6
Voix Soprano
6
Soli, choeur mixte et accompagnement
6
Male Voice
5
Chorale SSAB, Piano
5
Chorale SSATTB
5
Voix Tenor
4
Voix, Guitare
3
Chorale SSATBB
2
Chorale SAATB A Cappella
1
Chorale SATTBB, Clavier
1
Voix basse
1
Chorale SSAATB
1
Voix haute, Piano
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
1140
Quatuor de Saxophones: 4 saxophones
688
Flûte traversière
647
Flûte traversière et Piano
636
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
557
Clarinette et Piano
557
Clarinette
556
Hautbois, Piano (duo)
520
2 Saxophones (duo)
488
Saxophone Alto
486
Saxophone Tenor
438
Flûte, Hautbois, Clarinette, Basson
437
Saxophone Alto et Piano
407
Quatuor de Clarinettes: 4 clarinettes
382
Saxophone Tenor et Piano
338
2 Flûtes traversières (duo)
333
Quintette de Saxophone: 5 saxophones
281
2 Clarinettes (duo)
251
Hautbois (partie séparée)
232
Saxophone
225
Ensemble de saxophones
197
Clarinette (partie séparée)
163
Saxophone Soprano et Piano
156
Quatuor de Flûtes : 4 flûtes
149
Flute (partie séparée)
136
Ensemble de Clarinettes
127
3 Saxophones (trio)
114
Flûte, Clarinette (duo)
110
3 Clarinettes (trio)
96
Quintette de Clarinettes: 5 clarinettes
96
2 Hautbois (duo)
96
Ensemble de Flûtes
88
Saxophone Baryton, Piano
83
Clarinette, Violon (duo)
83
Hautbois, Basson (duo)
83
Trio de Flûtes: 3 flûtes
82
Flûte, Violoncelle
68
Hautbois, Clarinette (duo)
67
Cor anglais, Piano
66
Saxophone, Clarinette (duo)
66
Clarinette, Basson (duo)
63
Flûte, Alto (duo)
60
Hautbois
58
Flûte, Violon
58
Flûte, Violon, Piano
50
Clarinette et Alto
48
Quintette de Flûte : 5 flûtes
47
2 Flûte à bec (duo)
45
Saxophone Soprano
45
Clarinette Basse, Piano
45
Hautbois, Violoncelle
44
Flûte et Guitare
42
Clarinette, Violoncelle (duo)
41
Clarinette, Trompette (duo)
39
Flûte à Bec
34
Hautbois et alto (duo)
33
2 Flûtes traversières, Piano
30
Instruments en Mib
29
Flûte à bec Soprano
28
Flûte, Clarinette et Basson
28
Flûte, Trombone (duo)
25
Flûte, Hautbois (duo)
23
Hautbois, Clarinette, Basson (trio d'anches)
22
Hautbois, Flûte
22
Clarinette, Guitare (duo)
22
Flûte, Saxophone (duo)
21
Quatuor de Flûtes à bec
19
Harmonica
18
Flûte, Tuba (duo)
18
Flûte, Trompette (duo)
18
5 Flûtes à bec
15
Flûte, Clarinette, Cor, Basson (Quartet)
15
Cor Anglais
15
Hautbois, violon (duo)
15
Clarinette, Tuba
14
Flûte à bec Alto
14
Flûte, Hautbois, Clarinette (trio)
14
Hautbois, trombone (duo)
14
Saxophone Baryton
14
Ocarina
12
Flûte, Clarinette, Piano (trio)
12
Piccolo
11
Flûte à bec Soprano, Piano
10
Flûte, Basson et Piano
10
Flûte à bec Alto, Piano
9
Clarinette, Harpe (duo)
8
2 Saxophones, Piano
8
3 Hautbois
8
4 Hautbois
7
Clarinette, Trombone (duo)
7
Flûte, Hautbois, Basson
7
Flûte, Violon et Violoncelle
6
2 Clarinettes, Piano
6
Flûte, Violoncelle, Piano (trio)
6
Clarinette Basse
6
Flûte traversière, Orgue (duo)
5
Clarinette, Violoncelle, Piano (trio)
5
3 Flûtes à bec (trio)
5
Flûte et Trio à cordes
4
Flûte, Alto et Piano
4
Flute, harpe et violon
4
Hautbois, Harpe
4
Cor anglais, Guitare (duo)
4
Piccolo, Piano
4
Flûte irlandaise
4
2 Clarinettes, Basson
3
Flûte, Hautbois, Piano (trio)
3
Flûte à bec Tenor
3
Hautbois, Basson et Piano
3
Saxophone et Harpe
3
Flûte, trombone et piano
3
Flûte, Violon, Violoncelle et Piano
3
2 Cors Anglais Et Pianoforte
3
Hautbois, Guitare (duo)
3
Flûte, Clarinette, Violon (trio)
3
Saxophone et Guitare
3
2 Flûtes, 2 Clarinettes (Quatuor)
2
Cornemuse
2
2 Flûtes à bec, Piano
2
Flûte, Hautbois, Violon
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone et Piano
2
Clarinette, Orgue
2
Ensemble De Flûte à bec
1
Flûte à Bec, Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Harpe et Violoncelle
1
Saxophone et Orgue
1
Flûte à bec Alto, Basse continue
1
Saxophone, Basson (duo)
1
Flûte et Quatuor à Cordes
1
Ensemble à vent
1
Clarinette, Contrebasse (duo)
1
Hautbois, Violon, Piano
1
Flûte, Violoncelle, Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, trompette et piano
1
Instrumentations suivantes
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CUIVRES
Trompette (partie séparée)
708
Trombone (partie séparée)
696
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
692
Trompette
627
Trombone
431
Trombone et Piano
420
Quatuor de Cuivres : 2 trompettes, trombone, tuba
355
Trompette, Piano
353
Cor
291
Quatuor de Cuivres: 2 trompettes, Cor, trombone
205
Cor et Piano
198
Quatuor de Cuivres
154
Cor (partie séparée)
135
2 Trombones (duo)
130
Tuba
129
Tuba et Piano
124
Tuba (partie séparée)
113
2 Trompettes (duo)
110
Trompette, Saxophone (duo)
83
Euphonium, Piano (duo)
75
Cor anglais, Piano
66
Ensemble de Trompettes
61
2 Cors (duo)
57
Trompette, Trombone (duo)
57
Euphonium
53
Ensemble de Trombones
52
Quatuor de cuivres: 4 trombones
47
2 Tubas (duo)
40
Bass Clef Instruments
32
Trompette, Tuba (duo)
32
Instruments en Sib
29
Quatuor de cuivres: 4 cors
27
2 Euphoniums et 2 Tubas
23
Trombone, Violon (duo)
21
Trompette, Cor (duo)
20
Trio de Cuivres
17
Cor Anglais
15
2 Euphoniums (duo)
14
Trombone, Tuba (duo)
12
Ensemble de Cors
11
Quatuor de cuivres: 4 trompettes
10
Tuba ou Euphonium ou Saxhorn
8
Quatuor de cuivres: 2 trompettes, 2 trombones
8
3 Trombones (trio)
8
Tuba et Orgue
7
Trombone basse
6
4 Tubas
6
Cor, Violoncelle (duo)
6
Instruments en Fa
5
Trombone basse et Piano
5
Cor anglais, Guitare (duo)
4
3 Trompettes (trio)
4
Euphonium, Tuba (duo)
4
Trompette, Basson (duo)
4
Trompette, Violoncelle (duo)
3
2 Cors Anglais Et Pianoforte
3
Trombone, Orgue
3
Trombone, Cor (duo)
2
Cor et Basson (duo)
2
2 Cors, Piano
2
Cor et Harpe
2
Trompette, Harpe
2
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais et Harpe (duo)
1
Clarinette, Cor (duo)
1
Ensemble de Tubas
1
3 Tubas (trio)
1
Trompette, Euphonium (duo)
1
3 Euphoniums
1
2 Trombones, Piano
1
Trompette, Violoncelle et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1765
Violon
752
Violon et Piano
748
Violoncelle
590
Violoncelle, Piano
518
Alto, Piano
518
Alto seul
408
Violon, Violoncelle (duo)
294
Harpe
291
Trio à Cordes: violon, alto, violoncelle
257
2 Violons (duo)
239
2 Violoncelles (duo)
205
Contrebasse (partie séparée)
184
Violon (partie séparée)
151
2 Altos (duo)
145
Alto (partie séparée)
141
Violon, Alto (duo)
140
Contre Basse
118
Quintette à cordes: 2 violons, alto, violoncelle, basse
113
Contrebasse, Piano (duo)
102
Trio à Cordes: 2 violons, violoncelle
88
Alto, Violoncelle (duo)
58
Violon, Basson (duo)
56
2 Contrebasses (duo)
39
4 Violoncelles
37
Violoncelle (partie séparée)
37
Trio à cordes: 3 violins
33
Trio à Cordes: 3 violoncelles
24
Violon, Tuba (duo)
23
Ensemble de Violons
21
Ensemble d'Altos
21
Harpe, Flûte (duo)
19
Trio à cordes: 3 altos
19
Piano Trio: Violon, Alto, Piano
17
Violon, Guitare (duo)
17
Quatuor à cordes: 4 violons
17
2 Harpes (duo)
15
Trio à Cordes: 2 violons, alto
14
Harpe, Violon (duo)
13
Quatuor à cordes : 4 altos
12
Violoncelle , Guitare (duo)
9
Violoncelle, Contrebasse (duo)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Alto et Basson
8
Harpe, Voix
7
Alto, Guitare (duo)
6
Violon, Orgue
5
Alto et Harpe
5
Violon, Clarinette, Piano (trio)
5
Flûte, Contrebasse (duo)
4
2 Violons, Piano
3
Harpe (partie séparée)
3
Harpe, Violoncelle (duo)
3
2 Violoncelles, Piano
2
Violoncelle, Orchestre
2
4 Contrebasses
2
Trio à cordes
2
Violoncelle, Orgue
2
Harpe et mandoline
2
Harpe, Violon, Violoncelle
2
Ensemble de Violoncelles
1
3 Contrebasses
1
Harpe et Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2698
Ensemble Jazz
1203
Orchestre à Cordes
712
Orchestre
607
Fanfare
560
Ensemble de cuivres
428
Batterie
396
Cloches
265
Jazz combo
188
Orchestre de chambre
142
Batterie (partie séparée)
141
Percussion (partie séparée)
111
Ensemble de Percussions
102
Percussion
40
Marimba
16
Vibraphone
15
Timbales (partie séparée)
12
Xylophone
6
Xylophone, Piano
5
Vibraphone et Marimba
5
Timbales
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Big band
3
2 Xylophones
3
Xylophone ou Marimba ou Vibraphone
3
Quintette à Vent
2
Conga
2
Instrumentation Flexible
2
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
2
2 Percussions
1
3 Percussions
1
Xylophone (partie séparée)
1
Piano et Orchestre
1
Caisse Claire
1
3 Marimbas
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
1
Vous avez sélectionné:
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Voix Soprano, Piano
Partitions à imprimer
43 partitions trouvées
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"I Heard a Voice Like the Salted Air" and other songs for mezzo soprano & piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.867174 Composed by Ju…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.867174 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary,Sacred. 43 pages. Juliettamusic #1750223. Published by Juliettamusic (A0.867174). I Heard a Voice Like the Salted Air and other songs for mezzo soprano & piano are a set of pieces inspired by nature themes. These are at an intermediate level, and they are expressive pieces that are ideal for undergraduate voice majors and anyone who loves to sing. Contents include Against the Sky song cycle, The Wild Ashe Deer, Wyoming Songs song cycle, and I Heard a Voice Like the Salted Air.
$20.00
18.34 €
#
Voix Soprano, Piano
#
Julietta Anne Rabens
#
"I Heard a Voice Like the Salted Air" and other songs for mezzo soprano & piano
#
Juliettamusic
#
SheetMusicPlus
Love is Like A Color Wheel
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1172580 Composed by C…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1172580 Composed by Clemencio M. Bascar. Arranged by Andres Montecillo Bascar, Jr. A Cappella,Christian,Country,Folk,Pop. 2 pages. Clem & Jun Bascar #772811. Published by Clem & Jun Bascar (A0.1172580). A song that describes what really love is like. A realistic, true to life piece written by a Filipino composer Mr. Clemencio M. Bascar. A song for the 2023 Valentine season.
$4.99
4.58 €
#
Voix Soprano, Piano
#
Clemencio M
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Andres Montecillo Bascar, Jr
#
Love is Like A Color Wheel
#
Clem & Jun Bascar
#
SheetMusicPlus
My Love is Like a Red, Red Rose
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.732141 Composed by Tr…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.732141 Composed by Traditional Scottish Air/ Lyrics by Robert Burns. Arranged by Thomas Quigley. Celtic,Concert,Folk. 4 pages. Thomas Quigley #5044741. Published by Thomas Quigley (A0.732141). A convincing and sensitive arrangement! The piano part is a pleasure to play with its variety of beautiful harmonies and the rippling semiquavers in the second verse. This professionally arranged version is particularly suitable for a concert of Scottish/Celtic music. Highly recommended!
$3.99
3.66 €
#
Voix Soprano, Piano
#
Traditional Scottish Air/ Lyrics by Robert Burns
#
Thomas Quigley
#
My Love is Like a Red, Red Rose
#
Thomas Quigley
#
SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.21 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Two Songs
Voix Soprano, Piano
Soprano voice and piano - Digital Download SKU: S9.Q40373 After poems by Friedri…
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Soprano voice and piano - Digital Download SKU: S9.Q40373 After poems by Friedrich Hölderlin. Composed by Detlev Mueller-Siemens. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q40373. Published by Schott Music - Digital (S9.Q40373). German.Two poems of Friedrich Hölderlin bearing almost the same title form the basis of the text for 'Zwei Lieder' (Two Songs): 'Die Aussicht' and 'Aussicht'. Unlike as with common musical settings of poems, Detlev Müller-Siemens has split the vocal part in two levels. On the one hand, Hölderlin's text is recited, on the other hand, fragments of the poems are sung at a lower, contemplative level. 'Like vague memories, ascending from the inside from afar. An idyll that becomes entangled in its own images.'.
$16.99
15.58 €
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Voix Soprano, Piano
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Detlev Mueller-Siemens
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Two Songs
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Schott Music - Digital
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.79 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.04 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.21 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.21 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.21 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
When a Mezzo (x2)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Ga…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
5.49 €
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Voix Soprano, Piano
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
You Are Here
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005731 Composed by P…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005731 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Christmas,Jazz. 4 pages. Guneyman L'Hommedieu Music #6039565. Published by Guneyman L'Hommedieu Music (A0.1005731). Fans of the Great American Songbook will want to make room for You Are Here--one of four original love songs by Paige B. L'Hommedieu, arranged for piano and voice by celebrated pianist Meral Guneyman. This beautiful waltz captures all of the melodic beauty of a couple in love on a dance floor. The song strikes at the essence of what it means to be in the warm, sparkling, timeless space of a dance at an occasion that glistens with extra magic. .
$4.99
4.58 €
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Voix Soprano, Piano
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Paige B
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Meral Guneyman
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You Are Here
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Guneyman L'Hommedieu Music
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SheetMusicPlus
The Birds
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
3.66 €
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Voix Soprano, Piano
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
[Costinescu] Nine Portraits from the Wild
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.952256 Composed by Gheorge Cost…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.952256 Composed by Gheorge Costinescu. Contemporary. 21 pages. American Composers Alliance Inc. #4575911. Published by American Composers Alliance Inc. (A0.952256). Nine songs for soprano and piano on texts by the composer. Include: 1. Cricket, 2. Bullfrog, 3. Snail-Likeness, 4. Cheetah-Champ, 5. Fishing-Fish, 6. Butterfly, 7. Sneaky-Snake, 8. Elephant-King, 9. Mockingbird.
$15.95
14.63 €
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Voix Soprano, Piano
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Gheorge Costinescu
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[Costinescu] Nine Portraits from the Wild
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American Composers Alliance Inc.
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SheetMusicPlus
Drei Arietten
Voix Soprano, Piano
Soprano voice and piano - advanced - Digital Download SKU: S9.Q25046 Nach der â…
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Soprano voice and piano - advanced - Digital Download SKU: S9.Q25046 Nach der „Schönen Lau - Märchen in Musik. Composed by Peter Michael Braun. This edition: score for voice and/or instruments. Downloadable, Vocal and performing score. Duration 17 minutes. Schott Music - Digital #Q25046. Published by Schott Music - Digital (S9.Q25046). German.In vier Liedern für Sopran und Klavier verarbeitet Peter Michael Braun das Märchen um die „Schöne Lau von Eduard Mörike – jeder Teil ist einer anderen Figur zugeordnet und hat einen eigenen musikalischen Charakter.
$16.99
15.58 €
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Voix Soprano, Piano
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Peter Michael Braun
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Drei Arietten
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Schott Music - Digital
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SheetMusicPlus
Fuoco e lagrime
Voix Soprano, Piano
Soprano voice and piano - advanced to difficult - Digital Download SKU: S9.Q52732
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Soprano voice and piano - advanced to difficult - Digital Download SKU: S9.Q52732 Canti per soprano e pianoforte. Composed by Anno Schreier. This edition: single sheet. Downloadable, Separate edition. Duration 20 minutes. Schott Music - Digital #Q52732. Published by Schott Music - Digital (S9.Q52732). German • Italian.Im Jahr 2010 habe ich als Stipendiat der Villa Massimo in Rom gelebt. Während meiner Zeit dort bin ich auf ein paar Gedichte von Michelangelo gestoßen, die mich sehr berührt haben, und hatte bald den Plan, einige davon zu vertonen. Ich wollte sie aber mit etwas zeitgenössischem kombinieren – so wie ja auch in Rom dauernd das Alte und das Neue aufeinandertreffen. Der Lyriker Marcel Beyer, den ich in Rom kennengelernt habe, hat dann für mich den Gedichtzyklus Die Grillmeisterin geschrieben, der viele Motive aus den Michelangelo-Texten aufgreift (Feuer, Tränen, Verbranntwerden, Einsamkeit etc.). Ich habe dann diesen Gedichtzyklus abwechselnd mit den Michelangelo-Gedichten kombiniert. Die italienischen Lieder haben einen manchmal melancholischen, manchmal dramatischen Charakter, während die deutschen eher bizarr, manchmal sogar humoristisch sind. Trotz dieser Kontraste im Charakter gibt es aber auch viele musikalische Verknüpfungen zwischen den deutschen und den italienischen Liedern. Einzelne Motive und Akkordfolgen kehren manchmal in völlig anderen Zusammenhängen wieder, und zwischen dem ersten und letzten Lied gibt es sogar einen direkten Bezug, indem die selbe Gesangslinie jeweils mit einem völlig anderen Text unterlegt wird. So ensteht ein musikalischer Rahmen, der die sehr heterogene Textauswahl zusammenhält. Anno Schreier.
$21.99
20.17 €
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Voix Soprano, Piano
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Anno Schreier
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Fuoco e lagrime
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Schott Music - Digital
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SheetMusicPlus
Nightpiece
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q20899 Nach einem…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q20899 Nach einem Gedicht von James Joyce. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 16 minutes. Schott Music - Digital #Q20899. Published by Schott Music - Digital (S9.Q20899). English.Night-like sounds are explored in a variety of ways in the three parts of this wide-ranging scene. Ornamental and playful, the piano entwines with the singing voice in the first part. In the recitative-like second part, the grace and grandeur of Seraphim manifestations are derived from the sound of plucked piano strings. The third part is characterized by the death knell: 'voidward from the adoring waste of souls'.
$17.99
16.5 €
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Voix Soprano, Piano
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Aribert Reimann
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Nightpiece
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Schott Music - Digital
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SheetMusicPlus
El Angel Guardian (Tres Poemas de Gabriela Mistral)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.866663 Composed by Wayland Roge…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.866663 Composed by Wayland Rogers. Contemporary. 6 pages. WR Editions #3070481. Published by WR Editions (A0.866663). This is the second song of the cycle Tres Poemas de Gabriela Mistral written for and sung here by Michelle Areyzaga, with Dana Brown, pianist. It is true, it isn't a story; there is a Guardian Angelwho takes you, carries you like the wind and goes with children wherever children go.
$12.00
11.01 €
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Voix Soprano, Piano
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Wayland Rogers
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El Angel Guardian
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WR Editions
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SheetMusicPlus
Holy Holy Holy--vocal soprano solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Re…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.41 €
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Voix Soprano, Piano
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano solo
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Beka Wilson
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SheetMusicPlus
Apparently with no surprise (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8645-2E Composed by Jul…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8645-2E Composed by Juliana Hall. 5 pages. E. C. Schirmer Music Company - Digital #8645-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8645-2E). English.Poet Emily Dickinson loved writing about nature and wrote many poems about flowers, three of which are celebrated in this song cycle. Flowers of various descriptions and personalities are included in this colorful collection, one of two song cycles in which composer Juliana Hall has set Dickinsinon's flower poems to music. Duration: 6:00Contents:Perhaps you’d like to buy a flower?Apparently with no surpriseWhen roses cease to bloom, dear.
$7.00
6.42 €
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Voix Soprano, Piano
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Juliana Hall
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Apparently with no surprise
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
On the Edge of Tomorrow
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1379783 By Ken Medema…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1379783 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 8 pages. Ken Medema Music #956360. Published by Ken Medema Music (A0.1379783). Solo PianoStanding on the edge of tomorrow,Standing on the edge of adventure,Standing in the place of discovery,Learning every step on the way,Thankful for the pathways behind us,Looking to the future before us,Guided by the Spirit among us,Standing at the dawn of the day.Verse 1Holy Spirit guide us, worshiping we come,Draw us ever closer to our God our home.Fill us with God’s presence, mold and change and turn,Till with holy fire hearts like torches burn.Â
$3.99
3.66 €
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Voix Soprano, Piano
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Ken Medema
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Ken Medema
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On the Edge of Tomorrow
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Ken Medema Music
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SheetMusicPlus
Under the Greenwood Tree
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1030878 Composed by F…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1030878 Composed by Franco Bertucci. Arranged by Lexia Christante. Folk,Musical/Show,Renaissance. 4 pages. Franco Bertucci #3876739. Published by Franco Bertucci (A0.1030878). Simple, singable and catchy arrangement of Shakespeare's song from As You Like It. Performed many times by young actors in an actual production of the play. Piano, vocal and chords included.
$4.99
4.58 €
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Voix Soprano, Piano
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Franco Bertucci
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Lexia Christante
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Under the Greenwood Tree
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Franco Bertucci
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SheetMusicPlus
Five Finnish Songs of Loss with sing-able English and Finnish lyrics
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.916304 Composed by tr…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.916304 Composed by traditional Finnish. Arranged by Lani K. Thompson. Folk. 9 pages. Lani K Thompson #3046891. Published by Lani K Thompson (A0.916304). These traditional songs contain melody lines, chords, Finnish lyrics and sing-able English lyrics along with chord charts for kantele, a zither like instrument from Finland. Song titles are: On the Clifftop (Kalliolle Kukkulalle), I Walked Along a Beautiful Forest (Käin Minä Kaunista Kangasta Myöten), My Darling (Minun Kultani), Do Not Cry My Mother (Älä Itke, Äitini), A Cuckoo Cuckoos Beautifully (Käki Kukkuu Kultarinta). 8 pp.
$4.99
4.58 €
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Voix Soprano, Piano
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traditional Finnish
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Lani K
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Five Finnish Songs of Loss with sing-able English and Finnish lyrics
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Lani K Thompson
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SheetMusicPlus
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