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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In Concert! for SSA
Sheetmusicplus
Non classifié
448
Piano & claviers
Piano seul
166
Accompagnement Piano
58
Piano, Voix
50
Orgue
26
Piano Facile
21
Orgue, Trompette (duo)
9
Piano Trio: piano, violon, violoncelle
6
Piano, Voix et Guitare
5
2 Pianos, 4 mains
4
1 Piano, 4 mains
3
Instruments en Do
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
+ 11 instrumentations
Retracter
Guitares
Guitare
20
Guitare notes et tablatures
6
2 Guitares (duo)
4
Guitare (partie séparée)
2
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
Guitare, Orchestre
1
Orchestre à Plectres
1
Mandoline
1
+ 4 instrumentations
Retracter
Voix
Chorale 3 parties
464
Chorale SATB
225
Chorale SSAA
118
Chorale 2 parties
40
Chorale TTBB
25
Voix Tenor, Piano
17
Voix Soprano, Piano
17
Chorale Unison
15
Voix Alto, Piano
10
Chorale SSAATTBB
5
Voix Tenor
5
Voix haute
3
Voix Baryton, Piano
3
Voix basse, Piano
2
Chorale SSATTB
2
Voix duo, Piano
2
Voix seule
2
Voix Soprano
1
Chorale SSATB
1
Voix moyenne, Piano
1
Voix duo
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
66
Quatuor de Saxophones: 4 saxophones
42
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Flûte traversière et Piano
34
2 Clarinettes (duo)
34
Quatuor de Flûtes : 4 flûtes
34
Quatuor de Clarinettes: 4 clarinettes
33
2 Flûtes traversières (duo)
32
Flûte, Hautbois, Clarinette, Basson
30
Saxophone, Clarinette (duo)
26
Clarinette et Piano
22
Quintette de Saxophone: 5 saxophones
20
Clarinette, Violon (duo)
20
Clarinette, Trompette (duo)
17
Saxophone Alto et Piano
17
Hautbois, Piano (duo)
16
2 Hautbois (duo)
15
Clarinette
15
Flûte, Violon
12
Flûte traversière
11
3 Saxophones (trio)
11
Ensemble de Clarinettes
11
3 Clarinettes (trio)
11
Saxophone Alto
11
Hautbois, Basson (duo)
11
Flûte, Clarinette (duo)
10
Hautbois, Clarinette (duo)
10
Flûte, Saxophone (duo)
9
Flûte, Alto (duo)
9
Clarinette et Alto
9
Trio de Flûtes: 3 flûtes
9
Hautbois, Flûte
8
Flûte, Trompette (duo)
8
Saxophone Soprano et Piano
8
Flûte, Hautbois, Clarinette (trio)
8
Saxophone Tenor et Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Saxophone (partie séparée)
5
Flûte et Guitare
5
Quatuor de Flûtes à bec
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Basson (duo)
3
Ensemble de saxophones
3
Flûte, Clarinette et Basson
3
Clarinette (partie séparée)
2
Ensemble de Flûtes
2
Flûte, Hautbois, Basson
2
2 Flûtes traversières, Piano
2
2 Cors Anglais Et Pianoforte
2
Clarinette Basse, Piano
2
5 Flûtes à bec
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
1
Flûte et Quatuor à Cordes
1
Flûte, Violoncelle
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Flûte à bec (duo)
1
Ocarina
1
2 Clarinettes, Piano
1
4 Hautbois
1
Flute (partie séparée)
1
2 Saxophones, Piano
1
+ 60 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trompette, Saxophone (duo)
22
2 Trombones (duo)
20
Trompette
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
2 Trompettes (duo)
14
Cor
14
Trombone et Piano
13
Cor et Piano
12
Trompette, Piano
11
Trompette, Trombone (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trombone
8
Quatuor de Cuivres
6
2 Tubas (duo)
6
Quatuor de cuivres: 4 trombones
4
Ensemble de Trompettes
4
2 Euphoniums (duo)
4
Euphonium, Piano (duo)
4
2 Cors (duo)
4
Ensemble de Trombones
4
Trompette (partie séparée)
3
Trombone (partie séparée)
3
Trio de Cuivres
3
Tuba et Piano
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 cors
3
Tuba
2
Euphonium, Tuba (duo)
2
Euphonium
2
Trompette, Cor (duo)
2
2 Cors Anglais Et Pianoforte
2
Cor anglais, Piano
2
Cor et Harpe
1
Trompette, Euphonium (duo)
1
Trombone et orchestre
1
Trompette, Trombone, Piano
1
4 Tubas
1
Trombone basse
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violon et Piano
43
Violon
34
2 Violoncelles (duo)
22
Violoncelle, Piano
19
2 Violons (duo)
18
Violon, Violoncelle (duo)
18
Alto, Piano
16
Violon, Alto (duo)
15
2 Altos (duo)
15
Violoncelle
14
Harpe
14
Trio à Cordes: violon, alto, violoncelle
12
Violon (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
4 Violoncelles
6
Violon, Guitare (duo)
5
Alto seul
4
Harpe, Flûte (duo)
4
Quatuor à cordes : 4 altos
4
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
3
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 violins
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
Contrebasse (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle (partie séparée)
1
Harpe et Piano
1
Alto et Basson
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
496
Orchestre à Cordes
91
Orchestre
61
Ensemble de cuivres
29
Orchestre de chambre
27
Cloches
25
Ensemble Jazz
19
Ensemble de Percussions
12
Jazz combo
6
Percussion (partie séparée)
2
Marimba
1
Fanfare
1
Batterie (partie séparée)
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Nouveautes
A-Z
difficulté (tous)
débutant
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avec vidéo
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Crtitères actifs :
In Concert! for SSA
SheetMusicPlus
Partitions à imprimer
17 partitions trouvées
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1
VIVALDI Antonio: Nell'orrido albergo, aria from the cantata "Cessate, omai cessate", - Vo
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Nell'orrido a
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Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868940 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868940 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #5029047. Published by Really Good Music, LLC. (A0.868940). Nell'orrido albergo is an aria from the cantata for alto solo Cessate, omai cessate by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – A5) for high voice.
$5.95
Bach / Gounod Ave Maria in C major ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Classique
#
Charles Francois Gounod and Jo
#
Benzaiten Editions
#
Bach / Gounod Ave Maria in C m
#
Benzaiten Editions
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289515 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289515 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880252. Published by Benzaiten Editions (A0.1289515). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C major â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in A flat major [Ab] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Classique
#
Charles Francois Gounod and Jo
#
Benzaiten Editions
#
Bach / Gounod Ave Maria in A f
#
Benzaiten Editions
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289541 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289541 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880277. Published by Benzaiten Editions (A0.1289541). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in A flat major [Ab] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Â Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in B flat major [Bb] ? soprano sheet music with piano accompaniment
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Classique
#
Charles Francois Gounod and Jo
#
Benzaiten Editions
#
Bach / Gounod Ave Maria in B f
#
Benzaiten Editions
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289499 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289499 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880247. Published by Benzaiten Editions (A0.1289499). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in B flat major [Bb] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in C sharp major [C#] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Classique
#
Charles Francois Gounod and Jo
#
Benzaiten Editions
#
Bach / Gounod Ave Maria in C s
#
Benzaiten Editions
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289517 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289517 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880254. Published by Benzaiten Editions (A0.1289517). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C sharp major [C#] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in F sharp major [F#] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Classique
#
Charles Francois Gounod and Jo
#
Benzaiten Editions
#
Bach / Gounod Ave Maria in F s
#
Benzaiten Editions
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289536 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289536 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880272. Published by Benzaiten Editions (A0.1289536). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in F sharp major [F#] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Â Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in C major • soprano sheet music with piano accompaniment and chords
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in C m
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289516 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289516 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880253. Published by Benzaiten Editions (A0.1289516). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C major • soprano sheet music with piano accompaniment and chords The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | piano accompaniment→ Alto voice | piano accompaniment→ Tenor voice | piano accompaniment→ Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in Bb major [Bb] • soprano sheet music with piano accompaniment and chords
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in Bb
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289500 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289500 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880248. Published by Benzaiten Editions (A0.1289500). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in B flat major [Bb] • soprano sheet music with piano accompaniment and chords The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire.  Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | piano accompaniment→ Alto voice | piano accompaniment→ Tenor voice | piano accompaniment→ Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Time Arranged for Soprano soloist and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Salvador Rojo Gamón
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Salvador Rojo Gamón
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Strings.
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Time Arranged for Soprano solo
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Salvador Rojo-Gamon
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemp...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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In Concert! for SSA
