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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In The Rain
Non classifié
1 945
Piano & claviers
Piano seul
1 461
Piano, Voix
444
Piano, Voix et Guitare
436
Piano Facile
357
Orgue
146
Instruments en Do
114
1 Piano, 4 mains
61
Piano grosses notes
57
Accompagnement Piano
31
Piano Trio: piano, violon, violoncelle
15
Piano Quatuor: piano, violon, alto, violoncelle
8
Accordéon
8
Piano Quintette: piano, 2 violons, alto, violoncelle
6
2 Pianos, 4 mains
6
Piano (partie séparée)
6
Accordéon, Voix
3
Orgue, Piano (duo)
2
Ligne De Mélodie, Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Accordéons
1
Ensemble de Pianos
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
194
Guitare
100
Ligne De Mélodie, (Paroles) et Accords
93
Paroles et Accords
49
Ukulele
23
Basse electrique
21
Dulcimer
13
Guitare (partie séparée)
12
2 Guitares (duo)
6
Banjo
5
3 Guitares (trio)
3
4 Guitares (Quatuor)
2
Guitare Pedal Steel
2
Mandoline
2
Ukulele Baryton
1
Piano, Guitare (duo)
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
878
Chorale 3 parties
209
Chorale 2 parties
117
Chorale Unison
89
Chorale TTBB
75
Chorale SSAA
69
Voix duo, Piano
24
Voix duo
23
Voix Alto, Piano
20
Pack Instrumental pour Chorale
14
Voix haute
14
Voix Tenor, Piano
13
Voix Soprano, Piano
13
Voix seule
11
Voix moyenne, Piano
10
Chorale
5
Voix basse, Piano
4
Voix Tenor
4
Voix Baryton, Piano
4
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
1
Chorale SSAB, Piano
1
Voix, Guitare
1
Voix basse
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
101
Flûte traversière
97
Quatuor de Saxophones: 4 saxophones
95
Flûte traversière et Piano
89
Clarinette
87
Flûte, Hautbois, Clarinette, Basson
79
Saxophone (partie séparée)
75
Clarinette et Piano
67
Quatuor de Clarinettes: 4 clarinettes
60
Saxophone Alto et Piano
58
Saxophone Alto
57
Hautbois, Piano (duo)
51
Ensemble de saxophones
42
Hautbois (partie séparée)
42
2 Flûtes traversières (duo)
42
2 Clarinettes (duo)
42
2 Saxophones (duo)
40
Saxophone Tenor
38
Quatuor de Flûtes : 4 flûtes
32
Quintette de Saxophone: 5 saxophones
32
Saxophone Tenor et Piano
31
Ensemble de Clarinettes
30
Ensemble de Flûtes
24
3 Clarinettes (trio)
21
Clarinette (partie séparée)
18
Saxophone, Clarinette (duo)
13
Saxophone Baryton, Piano
13
Saxophone
12
Flûte, Clarinette (duo)
12
2 Hautbois (duo)
11
Clarinette, Violon (duo)
11
Trio de Flûtes: 3 flûtes
10
Saxophone Soprano et Piano
9
Clarinette, Trompette (duo)
9
3 Saxophones (trio)
9
Quintette de Clarinettes: 5 clarinettes
8
Hautbois, Flûte
7
Flûte, Violon
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Hautbois, Basson (duo)
6
Hautbois
6
Flute (partie séparée)
6
Flûte et Guitare
6
2 Flûte à bec (duo)
6
Hautbois, Clarinette (duo)
6
Clarinette Basse, Piano
5
Instruments en Mib
5
Flûte, Saxophone (duo)
5
Quintette de Flûte : 5 flûtes
5
Harmonica
5
Flûte, Trompette (duo)
5
Clarinette et Alto
4
Cor anglais, Piano
4
Saxophone Baryton
3
Flûte, Clarinette et Basson
3
Clarinette, Harpe (duo)
3
Flûte, Alto (duo)
3
Saxophone Soprano
3
3 Flûtes à bec (trio)
3
Flûte à bec Alto
2
Clarinette, Guitare (duo)
2
Flûte à bec Tenor
2
Ocarina
2
Flûte, Violoncelle
2
Flûte à bec Alto, Piano
2
Flûte irlandaise
2
Flûte, Basson et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble De Flûte à bec
1
Flûte, alto et harpe
1
Flûte, Violon, Piano
1
Hautbois, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Saxophone et Guitare
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone et Harpe
1
Hautbois, Harpe
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
148
Quatuor de Cuivres : 2 trompettes, trombone, tuba
91
Trompette
82
Trompette, Piano
52
Trombone
49
Cor et Piano
48
Trombone (partie séparée)
45
Trompette (partie séparée)
44
Quatuor de Cuivres
41
Trombone et Piano
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Tuba et Piano
27
Quatuor de cuivres: 4 trombones
22
Cor
22
Tuba
21
Euphonium, Piano (duo)
18
2 Trompettes (duo)
15
Trompette, Saxophone (duo)
11
2 Trombones (duo)
10
Cor (partie séparée)
9
Ensemble de Trombones
9
Euphonium
8
Trompette, Trombone (duo)
8
Tuba (partie séparée)
7
Trio de Cuivres
5
Quatuor de cuivres: 4 cors
5
Instruments en Sib
5
Ensemble de Trompettes
4
Cor anglais, Piano
4
2 Euphoniums et 2 Tubas
4
Ensemble de Cors
3
2 Cors (duo)
3
Bass Clef Instruments
3
3 Trombones (trio)
3
Trombone basse
2
3 Trompettes (trio)
2
Trompette, Harpe
1
4 Tubas
1
Cor et Harpe
1
Trombone basse et Piano
1
Trompette, Trombone, Piano
1
Cor et Basson (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
234
Violon et Piano
140
Violoncelle, Piano
123
Violon
119
Violoncelle
72
Alto, Piano
72
Harpe
65
Trio à Cordes: violon, alto, violoncelle
44
2 Violons (duo)
39
2 Violoncelles (duo)
35
Alto seul
33
Violon, Violoncelle (duo)
32
Contrebasse, Piano (duo)
23
Violon (partie séparée)
21
Alto (partie séparée)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Contrebasse (partie séparée)
16
Trio à Cordes: 2 violons, violoncelle
13
Violon, Alto (duo)
10
Contre Basse
10
2 Altos (duo)
9
2 Harpes (duo)
7
Harpe, Flûte (duo)
7
4 Violoncelles
5
Violon, Guitare (duo)
5
Violoncelle (partie séparée)
5
Trio à cordes: 3 violins
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Violon (duo)
3
Alto, Violoncelle (duo)
3
Piano Trio: Violon, Alto, Piano
3
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
Ensemble de Violons
2
Harpe, Violoncelle (duo)
2
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Alto et Harpe
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
2 Violons, Piano
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
758
Orchestre à Cordes
143
Orchestre
140
Ensemble Jazz
87
Ensemble de cuivres
64
Orchestre de chambre
47
Cloches
40
Jazz combo
23
Batterie
20
Percussion (partie séparée)
18
Fanfare
16
Ensemble de Percussions
13
Percussion
8
Batterie (partie séparée)
8
Marimba
6
Ensemble d'École
4
Vibraphone
4
Xylophone, Piano
3
Timbales (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
+ 15 instrumentations
Retracter
Autres
Instruments
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
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Vous avez sélectionné:
In The Rain
Voix Soprano, Piano
Partitions à imprimer
13 partitions trouvées
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1
These days – soprano, piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Rain Worthington
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These days – soprano, pi
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SR Worthington
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.916261 Composed by Rain Worthington. 20th Century,Concert,Contemporary. 9 pages. SR Worthington #3055991. P...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.916261 Composed by Rain Worthington. 20th Century,Concert,Contemporary. 9 pages. SR Worthington #3055991. Published by SR Worthington (A0.916261). Version for soprano and piano.Soprano, Minkyung Lee beautifully captures the emotional essence of this song in her stunning performance (with piano, viola, and cello). https://youtu.be/oLejLLT5PQIIn These Days, with words and music by Rain Worthington, the texture is woven inseparably with the color – a most unusual and fascinating technique that allows for subtle, almost spectral shifts and emotional intensity. It is an extraordinary work. – Mark Greenfest, Journal of International Alliance for Women in MusicPublisher: SR Worthington/ASCAP
$3.99
The Man I Love
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Voix Soprano, Piano
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AVANCÉ
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instruct...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
DO NOT STAND ON MY GRAVE. Version for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Gabriel Ruiz-Bernal
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DO NOT STAND ON MY GRAVE. Vers
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabr...
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High Voice,Vocal Solo - Level 3 - SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabriel Ruiz-Bernal (A0.893972). Music by Gabriel Ruiz-Bernal. Text by Mary Elizabeth FryeSung at the demo by Allison Hughes, soprano. Gabriel Ruiz-Bernal, piano.POEM:Do not stand at my grave and weepI am not there.I do not sleep.I am a thousand winds that blow.I am the diamond glints on snow.I am the sunlight on ripened grain.I am the gentle autumn rain.When you awaken in the morning's hushI am the swift uplifting rushof quiet birds in circled flight.I am the soft starlight at night.Do not stand at my grave and cry;I am not there.I did not die.
$4.50
Rilke-Fragmente
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Voix Soprano, Piano
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AVANCÉ
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Aribert Reimann
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Rilke-Fragmente
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q18644 Lyrics by Rainer Maria Rilke. Composed by Aribert Reimann. This edition: Sheet music. Downlo...
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Soprano voice and piano - difficult - SKU: S9.Q18644 Lyrics by Rainer Maria Rilke. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Digital #Q18644. Published by Schott Music - Digital (S9.Q18644). German • French.German and French fragments by Rilke from the years 1911 to 1921 form the basis of the text of this composition. Reimann sees Rilke in affinity with Kafka. The tonal language is not lost in dreams, as is often the case in Rilke settings, but dramatic and confrontational, culminating in the percussive hammering of the piano at the text passage: 'with two faces on the two fists'.
$23.99
LIED DER BAVARIA - Song of Bavaria for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Rainer Fabich
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LIED DER BAVARIA - Song of Bav
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Fajora Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.889791 Composed by Rainer Fabich. Contemporary,Opera,World. 25 pages. Fajora Music #3425841. Published by F...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.889791 Composed by Rainer Fabich. Contemporary,Opera,World. 25 pages. Fajora Music #3425841. Published by Fajora Music (A0.889791). Funny and ironic song of the huge statue and symbol Bavaria, atop the Theresienwiese, where the Oktoberfest in Munich takes place every year. It contains elements of the folk song Erherzog-Johann-Jodler. Orginalversion (bavarian/german language) from the CD Rainer Fabich z-Minga III (Music for Munich). For sopran, piano and special effects in G-major and F-major version. Popular from tv- and radiobroadcasts and live concerts. Score and parts 24 pages. Duration: ca. 4:30 min Music of the famous bavarian/german composer Rainer Fabich. More informations and audiofiles: www.rainer-fabich.de, www.fajora.com, itunes, amazon and CDbaby.
$11.95
Accept God's Love (piano/soprano)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Melody Mills
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Jon Burr
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Accept God's Love
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Melody Mills
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.993100 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 6 pages. Melody Mills #3...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.993100 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 6 pages. Melody Mills #3686891. Published by Melody Mills (A0.993100). Sacred solo for church service. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Lepers came to Christ,They could not be touched,Till their humbled heartsReached out, reached out for love.We are all embraced,God's own cherished man,Nothing can impede God's holy plan.[refrain]Accept God's love, allow yourself to feeltender comfort deep inside;Accept God's love, acknowledge Love is real,and an ever-present guide;Accept God's love, soon you will see you are free!
$4.27
Accept God's Love (organ/soprano)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melody Mills
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Jon Burr
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Accept God's Love
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Melody Mills
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.993099 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 9 pages. Melody Mills #3...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.993099 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 9 pages. Melody Mills #3686817. Published by Melody Mills (A0.993099). Sacred solo for church service. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Lepers came to Christ,They could not be touched,Till their humbled heartsReached out, reached out for love.We are all embraced,God's own cherished man,Nothing can impede God's holy plan.[refrain]Accept God's love, allow yourself to feeltender comfort deep inside;Accept God's love, acknowledge Love is real,and an ever-present guide;Accept God's love, soon you will see you are free!
$4.27
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In The Rain
