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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
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In Too Deep
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63
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39
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12
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8
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6
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6
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1
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1
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1
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1
+ 4 instrumentations
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6
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1
Ukulele
1
4 Guitares (Quatuor)
1
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21
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3
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3
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2
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2
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1
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1
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30
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13
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11
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9
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9
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7
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6
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5
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5
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5
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4
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4
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4
Saxophone Soprano et Piano
4
Saxophone Baryton, Piano
4
Saxophone Tenor et Piano
4
Saxophone Soprano
3
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte et Guitare
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Violoncelle (duo)
1
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1
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1
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Flûte irlandaise
1
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1
Flûte, Clarinette (duo)
1
Saxophone et Guitare
1
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7
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5
Cor et Piano
5
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Trompette, Piano
4
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4
Tuba
4
Tuba et Piano
4
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3
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2
Quatuor de cuivres: 4 cors
1
2 Trombones (duo)
1
Cor (partie séparée)
1
+ 8 instrumentations
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6
2 Violons (duo)
6
Violoncelle, Piano
5
Violon
5
Violoncelle
5
Contre Basse
5
Quatuor à cordes: 2 violons, alto, violoncelle
5
Alto, Piano
4
Contrebasse, Piano (duo)
4
Alto seul
4
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Violon, Alto (duo)
1
2 Altos (duo)
1
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14
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3
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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BASSE
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Vous avez sélectionné:
In Too Deep
Voix Soprano, Piano
Partitions à imprimer
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Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Poems of Queen Mary Stuart
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Voix Soprano, Piano
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AVANCÉ
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Robert Schumann
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Robert Schumann
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Aribert Reimann
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Poems of Queen Mary Stuart
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edi...
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Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
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In Too Deep
