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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Including
Non classifié
3 267
Piano & claviers
Piano seul
1 528
Piano, Voix
418
Piano Facile
399
Instruments en Do
219
Piano, Voix et Guitare
193
Orgue
144
1 Piano, 4 mains
45
Accordéon
43
Piano Trio: piano, violon, violoncelle
42
Accompagnement Piano
38
Piano Quatuor: piano, violon, alto, violoncelle
10
2 Pianos, 4 mains
9
Piano (partie séparée)
6
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Accordéons
1
Fake Book
1
2 Pianos, 8 mains
1
+ 15 instrumentations
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Guitares
Guitare notes et tablatures
241
Guitare
184
Ligne De Mélodie, (Paroles) et Accords
44
Ukulele
43
Mandoline
24
Basse electrique
19
2 Guitares (duo)
19
Dulcimer
14
Piano, Guitare (duo)
11
Guitare (partie séparée)
10
Paroles et Accords
9
Banjo
5
Guitare Pedal Steel
3
Ensemble de guitares
3
4 Guitares (Quatuor)
2
Guitare, Violon, Violoncelle (trio)
2
3 Guitares (trio)
2
2 Ukuleles
2
Orchestre à Plectres
1
Ukulele Baryton
1
Cithare
1
Dobro
1
+ 17 instrumentations
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Voix
Chorale SATB
637
Chorale TTBB
214
Chorale 3 parties
185
Chorale 2 parties
182
Chorale Unison
88
Chorale SSAA
66
Voix haute
55
Voix duo, Piano
39
Voix duo
18
Voix Soprano, Piano
15
Voix moyenne, Piano
13
Voix Alto, Piano
6
Voix Baryton, Piano
5
Voix seule
3
Chorale SSAATTBB
2
Voix Tenor, Piano
2
Voix basse, Piano
2
Voix Tenor
2
Voix Baryton
1
Chorale SATBB
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 17 instrumentations
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Vents
Saxophone Alto et Piano
283
Hautbois, Piano (duo)
245
Clarinette et Piano
243
Flûte traversière et Piano
232
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
221
Quatuor de Saxophones: 4 saxophones
205
Saxophone Tenor et Piano
170
2 Saxophones (duo)
154
Flûte, Hautbois, Clarinette, Basson
148
2 Flûtes traversières (duo)
119
Flûte traversière
109
Saxophone Alto
98
Quintette de Saxophone: 5 saxophones
95
Saxophone Baryton, Piano
92
Saxophone Soprano et Piano
91
Quatuor de Clarinettes: 4 clarinettes
91
Clarinette
86
Saxophone (partie séparée)
75
3 Saxophones (trio)
74
Saxophone Tenor
72
Ensemble de saxophones
60
2 Clarinettes (duo)
57
Ensemble de Clarinettes
48
3 Clarinettes (trio)
45
Quatuor de Flûtes : 4 flûtes
44
Hautbois (partie séparée)
43
2 Hautbois (duo)
39
Flûte, Clarinette (duo)
29
Hautbois
27
Trio de Flûtes: 3 flûtes
27
Saxophone Soprano
26
Flûte, Violon, Piano
26
Clarinette (partie séparée)
25
Saxophone Baryton
23
Quintette de Clarinettes: 5 clarinettes
22
Hautbois, Basson (duo)
22
Hautbois, Clarinette (duo)
21
Ensemble de Flûtes
20
Hautbois, Clarinette, Basson (trio d'anches)
19
Flûte, Hautbois, Clarinette (trio)
18
Flute (partie séparée)
15
Flûte, Clarinette, Piano (trio)
14
2 Flûtes traversières, Piano
12
Flûte, Violoncelle, Piano (trio)
12
2 Clarinettes, Piano
11
Cor anglais, Piano
11
Flûte et Guitare
11
Flûte, Basson et Piano
10
Clarinette Basse, Piano
9
Flûte à bec Soprano
9
Clarinette, Violon (duo)
8
2 Flûte à bec (duo)
8
Flûte, Alto et Piano
7
Instruments en Mib
7
Clarinette, Guitare (duo)
7
Flûte à bec Alto, Piano
6
Flûte, Violon et Violoncelle
6
Flûte, trombone et piano
5
Quintette de Flûte : 5 flûtes
5
Flûte, Violon
5
Clarinette, Violoncelle, Piano (trio)
5
Clarinette, Trompette (duo)
5
Clarinette, Basson, Piano (trio)
5
Flûte, Violoncelle
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Clarinette et Basson
4
Flûte, Hautbois, Piano (trio)
4
Flûte à Bec
4
Saxophone, Clarinette (duo)
4
Clarinette, Basson (duo)
4
Flûte, Hautbois, Basson
4
Flûte à bec Alto
4
Harmonica
4
Flûte, Trombone (duo)
3
Ocarina
3
Hautbois, Flûte
3
Clarinette, trompette et piano
3
Flûte, Trompette (duo)
3
2 Hautbois, Piano
3
Quatuor de Flûtes à bec
3
Saxophone et Harpe
3
Flûte à bec, Guitare (duo)
3
Flûte, Hautbois (duo)
3
Saxophone
3
Piccolo
2
Saxophone et Guitare
2
Clarinette, Alto et Piano (trio)
2
Flûte, Saxophone (duo)
2
Flûte à bec Soprano, Piano
2
Hautbois, Harpe
2
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Harpe (duo)
1
Clarinette, Trombone (duo)
1
Hautbois, Violoncelle
1
Cor anglais et Harpe (duo)
1
Flute, Cor (duo)
1
2 Clarinettes, Basson
1
Flûte, Violoncelle, Guitare
1
5 Flûtes à bec
1
2 Saxophones, Piano
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Cor anglais, Guitare (duo)
1
Flûte traversière, Orgue (duo)
1
Flute, harpe et violon
1
Flûte, Clarinette, Violon (trio)
1
Flûte irlandaise
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Guitare (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 106 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
225
Trombone et Piano
188
Trompette, Piano
168
Cor et Piano
151
Trompette
112
Quatuor de Cuivres : 2 trompettes, trombone, tuba
99
Quatuor de Cuivres: 2 trompettes, Cor, trombone
87
Trombone
68
Trombone (partie séparée)
51
Cor
50
Tuba et Piano
48
2 Trombones (duo)
43
2 Trompettes (duo)
43
Trompette (partie séparée)
40
Tuba
37
Trompette, Trombone (duo)
24
2 Cors (duo)
24
Quatuor de Cuivres
20
Cor (partie séparée)
18
Ensemble de Trombones
16
Quatuor de cuivres: 4 cors
15
Trombone, Tuba (duo)
15
3 Trombones (trio)
14
Quatuor de cuivres: 4 trombones
12
Cor anglais, Piano
11
Trio de Cuivres
11
Euphonium, Piano (duo)
10
Tuba (partie séparée)
9
Instruments en Sib
8
Ensemble de Trompettes
7
Instruments en Fa
7
Bass Clef Instruments
7
Quatuor de cuivres: 4 trompettes
6
2 Euphoniums (duo)
6
Trompette, Violoncelle et Piano
5
Ensemble de Cors
5
2 Tubas (duo)
5
2 Euphoniums et 2 Tubas
4
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Saxophone (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
2 Cors, Piano
3
Trompette, Cor (duo)
3
Trombone basse
3
Tuba et Orgue
2
3 Trompettes (trio)
2
Cor et Harpe
2
Euphonium, Tuba (duo)
2
Cor anglais et Harpe (duo)
1
Clarinette, Cor (duo)
1
Trompette, Harpe
1
Trombone, Orgue
1
4 Tubas
1
Cor anglais, Guitare (duo)
1
Trombone, Violon (duo)
1
2 Cors Anglais Et Pianoforte
1
Trombone basse et Piano
1
Cornet et orchestre
1
Trompette, Basson (duo)
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
609
Violon et Piano
284
Violoncelle, Piano
237
Alto, Piano
211
Violon
192
Violon, Violoncelle (duo)
164
Violoncelle
142
Trio à Cordes: violon, alto, violoncelle
125
Quintette à cordes: 2 violons, alto, violoncelle, basse
98
Harpe
91
Trio à Cordes: 2 violons, violoncelle
85
Alto seul
75
2 Violons (duo)
64
2 Violoncelles (duo)
62
Violon, Alto (duo)
60
Contre Basse
57
Contrebasse, Piano (duo)
51
Violon (partie séparée)
46
2 Altos (duo)
34
Alto (partie séparée)
28
Contrebasse (partie séparée)
25
Piano Trio: Violon, Alto, Piano
21
2 Harpes (duo)
17
Trio à cordes: 3 violins
13
Violon, Basson (duo)
12
Violoncelle (partie séparée)
11
Violon, Guitare (duo)
11
2 Contrebasses (duo)
10
4 Violoncelles
10
Alto, Guitare (duo)
6
Harpe, Flûte (duo)
6
Violoncelle , Guitare (duo)
6
Trio à Cordes: 3 violoncelles
5
Quatuor à cordes: 4 violons
5
Alto, Violoncelle (duo)
5
Harpe, Trombone (duo)
4
Harpe, Violon (duo)
3
Trio à Cordes: 2 violons, alto
3
4 Contrebasses
2
2 Altos, Piano
2
Violon, Clarinette, Piano (trio)
2
2 Violoncelles, Piano
2
Harpe, Violoncelle (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violons
2
Violon, Basse continue
1
Violon, Trompette et Piano
1
Violon, Orgue
1
Violoncelle, Basse continue
1
Violoncelle, Contrebasse (duo)
1
4 Harpes
1
Ensemble d'Altos
1
Violoncelle, Orchestre
1
Alto et Harpe
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 349
Orchestre
252
Orchestre à Cordes
247
Ensemble Jazz
157
Ensemble de cuivres
143
Orchestre de chambre
95
Cloches
87
Batterie
42
Fanfare
41
Jazz combo
40
Percussion (partie séparée)
23
Ensemble de Percussions
14
Vibraphone
11
Batterie (partie séparée)
7
Ensemble d'École
5
Marimba
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone
2
2 Xylophones
1
Instrumentation Flexible
1
Piano et Orchestre
1
Bongos
1
Percussion
1
Caisse Claire
1
+ 19 instrumentations
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1
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
#
AVANCÉ
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Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
I Won't See Him Again
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch
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I Won't See Him Again
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008220 Composed by Music by Helen MacCulloch. Lyrics by Alastair MacCulloch. Musical/Show,Pop. 6 pages. Op...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008220 Composed by Music by Helen MacCulloch. Lyrics by Alastair MacCulloch. Musical/Show,Pop. 6 pages. Optimistic Music Company #5337359. Published by Optimistic Music Company (A0.1008220). I Won't See Him Again is an emotional love ballad from the musical, Amber Avenues, which is set in 1964. The main character, Yvonne, is regretting breaking up with her younger lover, Matthew. This song is suitable for general audiences, including high schools and community theatres.
$3.50
Scarborough Fair - folk/jazz version for voice and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Traditional
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Chrissy Ricker
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Scarborough Fair - folk/jazz v
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Chrissy Ricker
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.742265 Composed by Traditional. Arranged by Chrissy Ricker. Concert,Contemporary,Folk,Jazz,Standards. 6 pag...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.742265 Composed by Traditional. Arranged by Chrissy Ricker. Concert,Contemporary,Folk,Jazz,Standards. 6 pages. Chrissy Ricker #4292387. Published by Chrissy Ricker (A0.742265). This updated version of the traditional folk song Scarborough Fair begins in folk style and quickly turns jazzy. This unique arrangement is appropriate for the developing singer and would be a fun recital or festival song.Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Neil A. Kjos Music Company and Piano Pronto Publishing. Her piano music has appeared on the contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com
$3.99
The Secret History of Water, set 2 (Music by Judith Cloud)
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
This Kind of Friendship
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch & Ly
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This Kind of Friendship
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008235 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. 20th Century,Musical/Show. 8...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008235 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. 20th Century,Musical/Show. 8 pages. Optimistic Music Company #5373397. Published by Optimistic Music Company (A0.1008235). This Kind of Friendship is a gentle ballad in a classical style from the musical Under the Same Sky which is set in 1964. Suitable for general audiences including high schools and community theatres.
$3.50
More Than Just A Friend
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch & Ly
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More Than Just A Friend
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008225 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Latin,Pop. 10 pages. Optimis...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008225 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Latin,Pop. 10 pages. Optimistic Music Company #5354969. Published by Optimistic Music Company (A0.1008225). More Than Just A Friend is an upbeat romantic ballad with a Latin feel from the musical Amber Avenues which is set in 1964. Suitable for general audiences, including high schools and community theatres.
$3.50
If I Find the Time
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch & Ly
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If I Find the Time
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008239 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Concert,Jazz,Musical/Show. 6...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008239 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Concert,Jazz,Musical/Show. 6 pages. Optimistic Music Company #5374919. Published by Optimistic Music Company (A0.1008239). If I Find the Time Is a romantic ballad from the musical Under the Same Sky which is set in 1964. Suitable for general audiences including high schools and community theatres.
$3.50
When I am an Old Woman (Downloadable)
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Voix Soprano, Piano
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FACILE
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Libby Larsen
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When I am an Old Woman
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Moderately Easy - SKU: MQ.4827-E Composed by Libby Larsen. 7 pages. E. C. Schirmer Music Company - Digital #4827-E. Publishe...
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Soprano voice solo, piano - Moderately Easy - SKU: MQ.4827-E Composed by Libby Larsen. 7 pages. E. C. Schirmer Music Company - Digital #4827-E. Published by E. C. Schirmer Music Company - Digital (MQ.4827-E). English.In When I am an Old Woman, the character, a soprano, talks about all the different things she will do when she's old including picking flowers from other people's gardens and spitting on them as well. She concludes,I'd better practice a little now, so that people who know me are not too shocked and surprised when suddenly I am old..
$7.75
Bring me a Rainbow
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Voix Soprano, Piano
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Barbara Graff
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Bring me a Rainbow
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Barbara H Graff
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Gr...
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Piano,Soprano voice - SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Graff #4582357. Published by Barbara H Graff (A0.1070364). Review from MainlyPiano, Piano review website www.mainlypiano.comBring me a Rainbow is a piano and vocal piece by Barbara Graff that features the lovely vocals of Chloe Boelter. A sad and lonely story of unrequited love, the words are sung to an indifferent lover who refuses to be swayed by the passion of the singer, frequently causing her deep pain. The instrumental accompaniment is a spare piano part that expresses as much emotion as the words do. I especially like the piano solo near the end of the song. Bring me a Rainbow is also downloaded and streamed as an instrumental-only piece on Barbara's Beginnings album. Both the vocal and instrumental-only versions are heard and streamed on over 40 radio stations including Pandora Radio and Spotify. It is part of Barbara's popular Into the Light EP.
$2.99
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