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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ion
Non classifié
98 620
Piano & claviers
Piano seul
85 570
Piano, Voix et Guitare
24 752
Piano Facile
21 645
Piano, Voix
21 068
Instruments en Do
6 824
Accordéon
6 548
Orgue
6 033
Accompagnement Piano
4 154
Piano grosses notes
2 534
1 Piano, 4 mains
2 064
Piano (partie séparée)
815
Piano Trio: piano, violon, violoncelle
757
2 Pianos, 4 mains
386
Clavier
230
Accordéon, Voix
217
Clavecin
166
Orgue, Trompette (duo)
163
Piano Quatuor: piano, violon, alto, violoncelle
163
Piano Quintette: piano, 2 violons, alto, violoncelle
138
Orgue, Piano (duo)
133
Piano Quatuor: piano, 2 violons, violoncelle
107
Ligne De Mélodie, Piano
101
2 Accordéons
78
Instrument seul et Orgue
64
Ensemble d'Accordéons
56
1 Piano, 6 mains
49
Orgue, Voix
20
2 Pianos, 8 mains
17
Accordéon, Piano
13
Accordéon, Corde(s)
12
Accordéon et Orchestre
8
2 Orgues (duo)
6
Fake Book
6
Tous Les Instruments
2
Orgue et Orchestre
2
Concertina
1
Ensemble de Pianos
1
Piano Trio: Instruments de chambre mixtes
1
+ 33 instrumentations
Retracter
Guitares
Guitare notes et tablatures
13 800
Ligne De Mélodie, (Paroles) et Accords
11 588
Guitare
11 220
Basse electrique
5 779
Ukulele
4 731
Paroles et Accords
1 061
Mandoline
851
Guitare (partie séparée)
649
2 Guitares (duo)
645
Banjo
457
Piano, Guitare (duo)
384
Dulcimer
354
4 Guitares (Quatuor)
251
Ukulele Baryton
155
3 Guitares (trio)
148
Ensemble de guitares
84
Guitare Pedal Steel
80
Dobro
56
Basse électrique (partie séparée)
51
Guitare Tab, Voix, Basse, Batterie
40
Mandoline, Piano (duo)
18
Mandoline, Guitare (duo)
14
Ensemble de Ukulélés
12
2 Dulcimers (duo)
12
Guitare, Violon, Violoncelle (trio)
11
Partitions De Groupes
10
2 Ukuleles
10
Guitare, Orchestre
6
Guitare, Quatuor à cordes
5
Guitare, Flûte, Clarinette
4
2 Guitares et Orchestre
4
2 Mandolines (duo)
4
Luth
3
Orchestre à Plectres
3
2 Guitares et Piano
2
Cithare
2
+ 31 instrumentations
Retracter
Voix
Chorale SATB
25 541
Pack Instrumental pour Chorale
17 764
Chorale 3 parties
9 881
Voix seule
6 353
Chorale 2 parties
5 075
Chorale TTBB
4 026
Chorale Unison
2 183
Chorale SSAA
1 919
Voix duo, Piano
898
Voix haute
681
Chorale
547
Voix Soprano, Piano
522
Voix duo
386
Voix Tenor, Piano
288
Voix Alto, Piano
262
Voix Baryton, Piano
217
Chorale SSATB
195
Voix basse, Piano
173
Voix moyenne, Piano
165
Chorale SSAATTBB
160
Chorale SSATTB
112
Voix, Guitare
108
Voix Tenor
59
Soli, choeur mixte et accompagnement
58
Voix Mezzo-Soprano, Piano
58
Voix Soprano
42
Chorale SSAATB
40
Voix d'Enfants
32
Voix basse
32
Voix et basse continue
24
Chorale SSATBB
23
Chorale SSAB, Piano
20
Chorale SSAB a cappella
18
Chorale SATBB
14
Chorale, Orchestre
13
Voix haute, Piano
11
Chorale, Orgue
9
Voix Soprano, Orchestre
8
Chorale SATTBB A Cappella
4
Chorale SATTB
3
Chorale SSAATB A Cappella
2
Chorale SAATB A Cappella
2
Male Voice
2
Voix duo, Orgue
2
Voix Moyenne
2
Voix d'Enfants, Piano
2
+ 41 instrumentations
Retracter
Vents
Saxophone
18 118
Flûte traversière
13 132
Clarinette
12 201
Saxophone (partie séparée)
7 957
Flûte traversière et Piano
5 824
Clarinette (partie séparée)
4 734
Saxophone Alto
4 732
Saxophone Tenor
4 423
Clarinette et Piano
4 325
Quatuor de Saxophones: 4 saxophones
4 113
Hautbois, Piano (duo)
3 772
Saxophone Alto et Piano
3 472
2 Saxophones (duo)
3 069
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2 853
Flûte, Hautbois, Clarinette, Basson
2 776
Flute (partie séparée)
2 729
Saxophone Tenor et Piano
2 610
2 Flûtes traversières (duo)
2 278
Hautbois (partie séparée)
2 059
2 Clarinettes (duo)
1 908
Quatuor de Clarinettes: 4 clarinettes
1 730
Hautbois
1 565
Flûte à Bec
1 532
Saxophone Soprano et Piano
1 487
Quintette de Saxophone: 5 saxophones
1 175
Saxophone Baryton, Piano
942
Quatuor de Flûtes : 4 flûtes
860
Saxophone Soprano
838
Flûte, Clarinette (duo)
712
Cor anglais, Piano
679
3 Saxophones (trio)
678
2 Hautbois (duo)
659
Ensemble de Clarinettes
625
Instruments en Mib
616
Flûte et Guitare
614
Flûte à bec Soprano
577
3 Clarinettes (trio)
576
2 Flûte à bec (duo)
575
Harmonica
562
Saxophone, Clarinette (duo)
537
Ocarina
524
Clarinette Basse, Piano
509
Clarinette, Violon (duo)
499
Hautbois, Basson (duo)
489
Ensemble de Flûtes
481
Ensemble de saxophones
477
Trio de Flûtes: 3 flûtes
444
Hautbois, Clarinette (duo)
441
Quintette de Clarinettes: 5 clarinettes
441
Flûte à bec Alto
385
Flûte, Violon
379
Piccolo, Piano
306
Flûte à bec Alto, Piano
304
Flûte à bec Soprano, Piano
274
Flûte, Trompette (duo)
274
Clarinette, Trompette (duo)
260
Quatuor de Flûtes à bec
243
Hautbois, Flûte
239
Flûte, Violoncelle
238
Clarinette, Basson (duo)
221
Saxophone Baryton
217
Flûte, Violon, Piano
217
Flûte à bec Tenor
215
Clarinette, Violoncelle (duo)
197
Flûte, Hautbois (duo)
195
Flûte, Hautbois, Clarinette (trio)
188
Quintette de Flûte : 5 flûtes
178
Flûte, Clarinette et Basson
176
Clarinette et Alto
175
Flûte, Saxophone (duo)
170
Hautbois, violon (duo)
168
Flûte à Bec, Piano
162
Flûte, Alto (duo)
158
Clarinette, Guitare (duo)
152
Clarinette Basse
151
Hautbois, Clarinette, Basson (trio d'anches)
151
Saxophone et Guitare
141
3 Flûtes à bec (trio)
137
Piccolo
134
Flûte, Violon et Violoncelle
133
Hautbois, Violoncelle
130
2 Saxophones, Piano
127
Cor Anglais
118
Flûte, Violoncelle, Piano (trio)
115
Flûte, Hautbois, Basson
114
Flûte, Trombone (duo)
96
Hautbois, Trompette (duo)
95
Saxophone, Violon (duo)
92
Clarinette, Trombone (duo)
91
2 Flûtes traversières, Piano
91
Ensemble De Flûte à bec
85
2 Clarinettes, Piano
79
Flûte, Clarinette, Piano (trio)
78
5 Flûtes à bec
60
Clarinette, Violoncelle, Piano (trio)
58
Flûte, Basson et Piano
55
Flûte, Hautbois, Piano (trio)
49
Saxophone et Piano
49
Saxophone, Basson (duo)
47
Flûte traversière, Orgue (duo)
43
Hautbois, Guitare (duo)
42
Flûte à bec Alto, Basse continue
42
Flûte traversière, Basse continue
38
Flûte, Clarinette, Cor, Basson (Quartet)
36
Cor anglais, Guitare (duo)
34
Flûte, Alto et Piano
33
Saxophone et violoncelle
32
3 Hautbois
31
Hautbois, trombone (duo)
26
Clarinette, Harpe (duo)
26
Flûte à bec, Guitare (duo)
25
Clarinette, Alto et Piano (trio)
25
Ensemble à vent
23
Quintette de Clarinette: Clarinette, Quatuor à Cordes
22
2 Clarinettes, Basson
21
Flûte traversière, Orchestre
21
Flûte et Trio à cordes
21
Saxophone et Orgue
20
Clarinette, Basson, Piano (trio)
19
Flute, harpe et violon
19
Hautbois et alto (duo)
17
Flûte, trombone et piano
17
Flûte, Violoncelle, Guitare
16
2 Cors Anglais Et Pianoforte
16
Flûte, Harpe et Violoncelle
16
Saxophone et Orchestre
15
Flûte, Violon, Violoncelle et Piano
15
Flûte et Quatuor à Cordes
14
Hautbois, Basson et Piano
14
Flûte, Clarinette, Violon (trio)
14
2 Flûtes à bec, Piano
14
Hautbois, Harpe
13
4 Hautbois
12
Clarinette, Orchestre
12
Hautbois, Violoncelle et Piano
10
Flûte à bec Soprano, Basse continue
10
Clarinette, Orgue
10
Hautbois, Clarinette et Piano (Trio)
10
Clarinette, trompette et piano
9
Flûte irlandaise
9
Saxophone et Harpe
9
Hautbois, Violon, Piano
9
Flûte, alto et harpe
9
Flute, Cor (duo)
7
2 Hautbois, Piano
7
Cornemuse
7
Flûte de Pan
7
Flûte, Hautbois, Violon
7
Clarinette, Contrebasse (duo)
6
Hautbois, Orgue
6
Flûte, Violon, Guitare
6
Harmonica, Piano
6
2 Flûtes, Basse continue
6
Hautbois et Orchestre
4
Hautbois, Quatuor à cordes
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Cor anglais et Harpe (duo)
4
Ensemble de Hautbois
4
Hautbois, Violin, Alto et Violoncelle (Quatuor)
4
Clarinette, Quatuor à cordes et Piano
3
Flûte à bec, Harpe
3
2 Hautbois et Cor anglais
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
3 Flûtes à bec, Piano
2
2 Flûtes traversières, Guitare
2
Melodica
2
Flûte, Alto et Violoncelle
2
Clarinette, Saxophone, Piano
1
Flute, alto, violoncelle et guitare
1
2 clarinettes, 2 bassons
1
Saxophone, Tuba (duo)
1
Clarinette, Tuba
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 Flûtes traversières, Harpe
1
Flûte, Tuba (duo)
1
+ 170 instrumentations
Retracter
Cuivres
Trompette
10 478
Trombone
9 424
Trompette (partie séparée)
7 951
Trombone (partie séparée)
5 679
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4 316
Cor
3 738
Trompette, Piano
2 886
Trombone et Piano
2 838
Cor (partie séparée)
2 256
Cor et Piano
2 148
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2 105
Tuba
1 298
Tuba (partie séparée)
1 231
2 Trombones (duo)
1 192
2 Trompettes (duo)
1 155
Tuba et Piano
1 143
Quatuor de Cuivres
907
Euphonium, Piano (duo)
718
Cor anglais, Piano
679
Instruments en Sib
645
Trompette, Trombone (duo)
619
Quatuor de Cuivres: 2 trompettes, Cor, trombone
581
2 Cors (duo)
540
Euphonium
528
Trompette, Saxophone (duo)
524
Quatuor de cuivres: 4 trombones
436
Quatuor de cuivres: 4 cors
421
Trio de Cuivres
296
Trombone basse et Piano
240
Ensemble de Trombones
217
2 Tubas (duo)
184
Ensemble de Cors
178
Tuba ou Euphonium ou Saxhorn
171
Ensemble de Trompettes
158
Bass Clef Instruments
143
Trombone, violoncelle (duo)
136
Trompette, Cor (duo)
130
Cor Anglais
118
Trombone, Tuba (duo)
114
Trompette, Tuba (duo)
109
2 Euphoniums et 2 Tubas
107
Quatuor de cuivres: 4 trompettes
105
Trompette, Basson (duo)
104
3 Trombones (trio)
103
Trompette, violon (duo)
98
3 Trompettes (trio)
95
Cor, Violoncelle (duo)
78
Euphonium (partie séparée)
77
4 Tubas
73
Trombone, Cor (duo)
72
Quatuor de cuivres: 2 trompettes, 2 trombones
70
Trombone, Violon (duo)
63
2 Euphoniums (duo)
55
Cor, Tuba (duo)
54
Tuba et Orgue
51
Trombone basse
50
Trompette, Violoncelle (duo)
48
2 Trompettes, Clavier (piano ou orgue)
38
Cor et Basson (duo)
37
Euphonium, Tuba (duo)
36
Cor anglais, Guitare (duo)
34
Trompette et Guitare
31
Trombone, Alto (duo)
27
3 Cors (trio)
25
3 Tubas (trio)
25
Trombone, Orgue
22
Trompette, Trombone, Piano
21
Cornet A Pistons
17
2 Cors Anglais Et Pianoforte
16
Cornet et Piano
14
Trompette, Violoncelle et Piano
13
Cor et Harpe
10
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
8
Cor, Orchestre
7
Bugle
7
Trompette, Harpe
7
Trombone et orchestre
7
2 Cors, Piano
7
Clarinette, Cor (duo)
6
Trompette, Orchestre
6
4 Euphoniums
5
Cor et Orgue
5
G Instruments
4
Cor anglais et Harpe (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Trompette, Euphonium (duo)
3
Instruments en Fa
3
3 Euphoniums
3
2 Trombones, Piano
2
Cornet et orchestre
2
Ensemble de Tubas
2
Cor, Violoncelle et Piano
1
Cor, Trompette, Trombone (trio)
1
Euphonium Ou Saxhorn Et Piano
1
+ 90 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
11 011
Violon
10 656
Violon et Piano
7 652
Violoncelle
7 503
Alto seul
6 147
Violoncelle, Piano
5 116
Violon (partie séparée)
4 103
Alto, Piano
4 058
Harpe
2 960
2 Violons (duo)
2 224
Violon, Violoncelle (duo)
2 111
Trio à Cordes: violon, alto, violoncelle
1 805
Contrebasse (partie séparée)
1 694
2 Violoncelles (duo)
1 626
Alto (partie séparée)
1 308
Contre Basse
1 296
Violoncelle (partie séparée)
1 016
Contrebasse, Piano (duo)
946
2 Altos (duo)
846
Quintette à cordes: 2 violons, alto, violoncelle, basse
839
Violon, Alto (duo)
815
Trio à Cordes: 2 violons, violoncelle
649
Alto, Violoncelle (duo)
540
4 Violoncelles
269
Trio à cordes: 3 violins
260
Violon, Guitare (duo)
260
Harpe, Flûte (duo)
237
Piano Trio: Violon, Alto, Piano
236
Violoncelle , Guitare (duo)
202
Trio à Cordes: 3 violoncelles
162
2 Contrebasses (duo)
160
2 Harpes (duo)
151
Violon, Basson (duo)
140
Alto et Basson
121
Quatuor à cordes: 4 violons
116
2 Violons, Piano
94
Violoncelle, Contrebasse (duo)
91
Trio à cordes
88
Quatuor à cordes : 4 altos
88
Trio à cordes: 3 altos
81
Harpe, Violon (duo)
76
Trio à Cordes: 2 violons, alto
73
Quintette à cordes: 2 violons, 2 altos, violoncelle
68
Alto, Guitare (duo)
66
Harpe (partie séparée)
64
Violon, Basse continue
43
Quintette à cordes : 2 violons, alto et 2 violoncelles
42
Violoncelle, Basse continue
41
Violoncelle, Orchestre
40
Violon, Orgue
39
2 Violons et Basse continue
38
Violoncelle, Orgue
36
Harpe, Voix
35
Violon, Clarinette, Piano (trio)
32
Ensemble de Violons
31
2 Violoncelles, Piano
29
Harpe, Violoncelle (duo)
28
Ensemble d'Altos
27
4 Contrebasses
27
Alto et Harpe
26
Ensemble de Violoncelles
26
Harpe et Piano
22
Flûte, Contrebasse (duo)
18
2 Altos, Piano
18
Violoncelle et Marimba
15
Harpe, Violon, Violoncelle
13
Harpe et mandoline
13
Alto et orchestre
13
Autoharp
8
Alto, Orgue
6
4 Harpes
6
Harpe, Trombone (duo)
6
3 Contrebasses
5
Violon, Violoncelle, Clarinette
5
5 Harpes
5
3 Harpes
5
Harpe, Quatuor à cordes
4
Harpe et Orgue
4
Violon, Tuba (duo)
2
Harpe, Orchestre
2
Violon, Trompette et Piano
1
+ 76 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
26 048
Batterie
7 368
Ensemble Jazz
6 693
Orchestre
6 606
Orchestre à Cordes
5 188
Fanfare
4 540
Percussion (partie séparée)
3 474
Cloches
2 534
Ensemble de cuivres
2 062
Orchestre de chambre
1 281
Batterie (partie séparée)
981
Jazz combo
917
Percussion
815
Timbales (partie séparée)
572
Ensemble de Percussions
438
Timbales
393
Marimba
244
Instrumentation Flexible
240
Vibraphone
111
Xylophone
102
Piano et Orchestre
85
Caisse Claire
80
Xylophone, Piano
63
Big band
47
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
43
Orchestre, Violon
42
Quintette à Vent
39
Vibraphone, Piano
29
Orchestre Symphonique
25
Xylophone (partie séparée)
17
Vibraphone et Marimba
16
2 Marimbas
15
2 Xylophones
14
Vibraphone (partie séparée)
12
Quatuor à Vent : 4 instruments à vents
9
Ensemble d'École
8
2 Percussions
7
Quintette de Cuivres: autres combinaisons
7
Voix et Orchestre
7
Marimba, Piano (duo)
6
Marimba et Orgue
6
3 Marimbas
5
Trio à Vent: 3 instruments à vents
4
Cajon
3
Mariachi
3
2 Caisses Claires (duo)
3
3 Percussions
3
Bongos
3
Voix Mezzo-Soprano, Orchestre
2
Marimba ou Xylophone et Piano
2
4 Percussions
2
Conga
2
Marimba, Saxophone (duo)
1
Xylophone ou Marimba ou Vibraphone
1
Bodhran
1
+ 50 instrumentations
Retracter
Autres
Formation musicale - Solfège
421
Papeterie
33
Théorie de la musique
7
Eveil Musical
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Prix + au -
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A-Z
difficulté (tous)
débutant
facile
intermédiaire
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expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Ion
Voix Soprano, Piano
Partitions à imprimer
522 partitions trouvées
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Scarborough Fair - folk/jazz version for voice and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Traditional
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Chrissy Ricker
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Scarborough Fair - folk/jazz v
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Chrissy Ricker
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.742265 Composed by Traditional. Arranged by Chrissy Ricker. Concert,Contemporary,Folk,Jazz,Standards. 6 pag...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.742265 Composed by Traditional. Arranged by Chrissy Ricker. Concert,Contemporary,Folk,Jazz,Standards. 6 pages. Chrissy Ricker #4292387. Published by Chrissy Ricker (A0.742265). This updated version of the traditional folk song Scarborough Fair begins in folk style and quickly turns jazzy. This unique arrangement is appropriate for the developing singer and would be a fun recital or festival song.Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Neil A. Kjos Music Company and Piano Pronto Publishing. Her piano music has appeared on the contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com
$3.99
Three Psalm Portions
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Barber Music Company
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Richard Joseph Barber
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Three Psalm Portions
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Barber Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. 21 pages. Barber Music Company #4775083. Published by Barber Music Company (A0.915703). A three-part setting of Psalms for soprano solo, or treble or children's choir.I. Lord, I Cry Unto Thee (Psalm 141:1-2) is a somber prayer in a simple ABA form that concludes on a poignant note.II. Great is the Lord (Psalm 48:1-2) is a frolicking and hopeful celebration of God's holiness. It too follows a simple ABA form, with an especially melodic contrasting B section.III. He That Dwelleth (Psalm 91:1-4) brings a serene resolution to the tension and energy of the first two parts.
$4.50
Lamentationes Jeremiae Prophetae: Feriae Quintae in Coena Domini, Lectio Prima (Soprano version)
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Voix Soprano, Piano
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Giacomo Carissimi
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Early Music Scores
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Lamentationes Jeremiae Prophet
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Early Music Scores
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.805193 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque,Sacred. 5 pages. Early Music Scores #41...
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Soprano voice,Vocal Solo - SKU: A0.805193 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque,Sacred. 5 pages. Early Music Scores #412231. Published by Early Music Scores (A0.805193). Voice and continuo Incipit lamentatio Jeremiae prophetae. Composed by Giacomo Carissimi (c.1605-1674). From Museo internazionale e biblioteca della musica di Bologna, MS Q43, ff.1v-5r. Edited by Felipe Dias. 5 pages. Transposed a fourth higher.
$7.99
Saved from Sin - for soprano solo and piano - orchestral version sold separately
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christopher Schwinger
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Saved from Sin - for soprano s
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Christopher Schwinger
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.938523 Composed by Christopher Schwinger. Christian,Sacred. 27 pages. Christopher Schwinger #25915. Publish...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.938523 Composed by Christopher Schwinger. Christian,Sacred. 27 pages. Christopher Schwinger #25915. Published by Christopher Schwinger (A0.938523). The 6th Christian vocal solo I have written, about original sin, the Virgin Birth, and what the Gospel means. Contains piano and soprano parts and composer's notes explaining the creation process and musical things to pay attention to. The piano part is intermediate or advanced and the soprano part goes from D a whole-step above middle C to B above the treble clef staff.
$10.00
Ah! Douce enfant (La Fée's aria) from Cendrillon - La Fée-Only Audition Cut
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Voix Soprano, Piano
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AVANCÉ
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Film Walt Disney
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Jules Massenet
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Nicole Elyse DiPaolo
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Ah! Douce enfant
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SheetMusicPlus
Composed by Jules Massenet (1842-1912). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 5 pages. Published by Nicole Elyse ...
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Composed by Jules Massenet (1842-1912). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 5 pages. Published by Nicole Elyse DiPaolo
$8.95
Settings of Two Thomas Campion Love Poems
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Voix Soprano, Piano
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Contemporain
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John Partridge
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Settings of Two Thomas Campion
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John W Partridge
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.980979 Composed by John Partridge. Contemporary. 9 pages. John W Partridge #6012109. Published by John W Partridge (A...
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Soprano voice,Vocal Solo - SKU: A0.980979 Composed by John Partridge. Contemporary. 9 pages. John W Partridge #6012109. Published by John W Partridge (A0.980979). Two Elizabethan love poems by Thomas Campion set to music by John Partridge. For mezzo - soprano and piano.
$5.00
The Pursuit (soprano version)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Maria Lord-Kniveton
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The Pursuit
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MaLoMaLo Press
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008949 Composed by Maria Lord-Kniveton. Concert,Contemporary,Easter,Sacred. 11 pages. MaLoMaLo Press #5720...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008949 Composed by Maria Lord-Kniveton. Concert,Contemporary,Easter,Sacred. 11 pages. MaLoMaLo Press #5720843. Published by MaLoMaLo Press (A0.1008949). The Pursuit recounts a beautiful story of estrangement and reconciliation found in Hosea 6:1-3. The piece emphasizes a commitment to seek God and alludes to resurrection, corresponding to the liturgical seasons of Lent and Easter. It would also be appropriate for a student with a strong rhythmic foundation. The audio sample is a version for mezzo-soprano, also available on sheetmusicplus.com. To request versions in other keys or to learn more about the composer and her other works, visit marialordknivetonmusic.com.Duration: 5:45
$5.00
I Know It's Today (from Shrek the Musical) (Adult Fiona)
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Voix Soprano, Piano
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Comédie Musicale
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I Know It's Today
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449680 Edited by Richard Walters. This edition: Interactive Dow...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449680 Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Musical/Show. Score. 7 pages. Hal Leonard - Digital #143040. Published by Hal Leonard - Digital (HX.449680).
$4.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Jacopo MELANI: Bionde chiome, aria from the opera "Il Girello", - Voice and Piano (B mino
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jacopo MELANI
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Sergei PICHUGIN
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Jacopo MELANI: Bionde chiome,
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruc...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4409121. Published by Really Good Music, LLC. (A0.868735). Bionde chiome is an aria from the opera (dramma musicale burlesco) Il Girello, composed in 1668 by Jacopo MELANI (1623 – 1676). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E4 – G5) for high voice.
$5.95
Freundliche Vision (High Voice)
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Freundliche Vision
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Hal Leonard
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SheetMusicPlus
Composed by Richard Strauss (1864-1949). This edition: scorch. Classical. Score. 3 pages. Hal Leonard #315264. Published by Hal Leonard...
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Composed by Richard Strauss (1864-1949). This edition: scorch. Classical. Score. 3 pages. Hal Leonard #315264. Published by Hal Leonard
$4.99
On Mighty Pens - The Creation (F Major)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Jonathan Prentice
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On Mighty Pens - The Creation
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.884812 Composed by Franz Joseph Haydn. Arranged by Jonathan Prentice. Classical,Sacred. 14 pages. Jonathan ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.884812 Composed by Franz Joseph Haydn. Arranged by Jonathan Prentice. Classical,Sacred. 14 pages. Jonathan Prentice #5869513. Published by Jonathan Prentice (A0.884812). In this beautiful aria and introductory recitative from his celebrated oratorio, Haydn combines both the majesty and delicacy of God's creation. A mainstay of the soprano oratorio repertoire. (Here in the original F Major).
$1.99
Passion from Emily!
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Gwyneth W
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Passion from Emily!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8317-5E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital...
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Soprano voice and piano - Medium - SKU: MQ.8317-5E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-5E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the boat of passion riding the waves and then settling into its mooring (Passion). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Vers toi qui es si loin (soprano version) - Study Score
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Voix Soprano, Piano
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Classique
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Kaija Saariaho
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Vers toi qui es si loin
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Hal Leonard - Digital
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SheetMusicPlus
Chamber Orchestra,Performance Ensemble - SKU: HX.1518169 Composed by Kaija Saariaho. This edition: scorch. Classical. 27 pages. Hal Leonard - Digital #5...
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Chamber Orchestra,Performance Ensemble - SKU: HX.1518169 Composed by Kaija Saariaho. This edition: scorch. Classical. 27 pages. Hal Leonard - Digital #50606932_VERS_TOI_QUI_ES_SI_LOIN_SOP_STUDY_SCORE. Published by Hal Leonard - Digital (HX.1518169).
$19.99
Someone To Watch Over Me (from Oh, Kay!) [Women's version]
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Voix Soprano, Piano
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George Gershwin
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Someone To Watch Over Me
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal (Soprano Voice) - Interactive Download SKU: HX.440081 By George Gershwin. By George Gershwin. ...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal (Soprano Voice) - Interactive Download SKU: HX.440081 By George Gershwin. By George Gershwin. Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Jazz,Standards,Wedding. Score. 5 pages. Hal Leonard - Digital #759240. Published by Hal Leonard - Digital (HX.440081).
$4.99
When He Sees Me [Solo version] (from Waitress the Musical)
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Voix Soprano, Piano
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Comédie Musicale
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When He Sees Me [Solo version]
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449678 Edited by Richard Walters. This edition: Interactive Dow...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449678 Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Musical/Show. Score. 10 pages. Hal Leonard - Digital #269516. Published by Hal Leonard - Digital (HX.449678).
$4.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Illuminations: Enfance (2016) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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V.
Audio link.
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Illuminations: Enfance
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869432 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 34 pages. ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869432 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 34 pages. Thomas Oboe Lee #2548825. Published by Thomas Oboe Lee (A0.869432). Setting of five poems from Arthur Rimbaud's Illuminations.Enfance: I, II, III, IV & V.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/illuminations-enfance-2016
$9.99
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