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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ira A
Non classifié
2 820
Piano & claviers
Piano seul
1 483
Piano Facile
1 118
Piano, Voix
553
Piano, Voix et Guitare
441
Instruments en Do
394
Orgue
70
Piano grosses notes
48
Accompagnement Piano
40
1 Piano, 4 mains
33
Piano Trio: piano, violon, violoncelle
30
Accordéon
22
Piano (partie séparée)
19
Piano Quintette: piano, 2 violons, alto, violoncelle
10
2 Pianos, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 8 mains
2
2 Accordéons
1
1 Piano, 6 mains
1
Clavecin
1
Orgue, Piano (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
145
Guitare notes et tablatures
108
Ligne De Mélodie, (Paroles) et Accords
84
Ukulele
48
Guitare (partie séparée)
31
Paroles et Accords
20
2 Guitares (duo)
11
Basse electrique
8
Banjo
6
Ensemble de guitares
4
Piano, Guitare (duo)
4
Mandoline
3
3 Guitares (trio)
2
Ensemble de Ukulélés
2
Basse électrique (partie séparée)
2
4 Guitares (Quatuor)
1
Dulcimer
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
535
Pack Instrumental pour Chorale
153
Chorale 3 parties
125
Chorale TTBB
106
Chorale 2 parties
89
Chorale SSAA
85
Chorale Unison
31
Voix duo, Piano
26
Voix Soprano, Piano
16
Chorale
15
Voix haute
7
Voix Alto, Piano
7
Voix Baryton, Piano
5
Voix seule
4
Voix Tenor, Piano
4
Voix moyenne, Piano
3
Voix basse, Piano
3
Voix duo
3
Chorale SAATB A Cappella
2
Chorale SSAATTBB
2
Voix Tenor
1
Chorale SSAB a cappella
1
Chorale, Orchestre
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Chorale SSATTB
1
Chorale SSAB, Piano
1
+ 22 instrumentations
Retracter
Vents
Flûte traversière et Piano
378
Flûte traversière
357
Clarinette et Piano
354
Saxophone Alto
340
Saxophone Tenor
280
Saxophone (partie séparée)
273
Flûte, Hautbois, Clarinette, Basson
235
Quatuor de Saxophones: 4 saxophones
232
Clarinette
208
Saxophone Alto et Piano
208
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
203
2 Saxophones (duo)
202
Hautbois, Piano (duo)
189
Quintette de Saxophone: 5 saxophones
139
Saxophone Tenor et Piano
132
2 Flûtes traversières (duo)
119
2 Clarinettes (duo)
118
2 Flûte à bec (duo)
104
Saxophone Soprano et Piano
100
Hautbois (partie séparée)
92
Flûte, Clarinette (duo)
64
Quatuor de Clarinettes: 4 clarinettes
64
3 Saxophones (trio)
63
Hautbois, Clarinette (duo)
61
2 Hautbois (duo)
59
3 Clarinettes (trio)
54
Hautbois
46
Flûte, Violon
40
Flûte à bec Soprano
37
Flûte à Bec
37
Flûte, Clarinette et Basson
37
Flûte, Violoncelle
35
Clarinette, Basson (duo)
31
Cor anglais, Piano
31
Hautbois, Basson (duo)
30
Quatuor de Flûtes : 4 flûtes
30
Clarinette, Violon (duo)
27
Flûte, Alto (duo)
27
2 Flûtes traversières, Piano
27
Saxophone
25
Flute (partie séparée)
25
Clarinette (partie séparée)
24
Saxophone Baryton, Piano
21
Clarinette, Violoncelle (duo)
20
Hautbois, Violoncelle
20
Hautbois et alto (duo)
18
Flûte, Hautbois (duo)
15
Clarinette et Alto
15
Flûte, Tuba (duo)
15
Ensemble de Clarinettes
14
Quatuor de Flûtes à bec
13
Flûte, Clarinette, Cor, Basson (Quartet)
12
Flûte, Violon et Violoncelle
12
Saxophone Soprano
12
Flûte, Trombone (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Hautbois, trombone (duo)
11
Clarinette, Tuba
11
Hautbois, Clarinette, Basson (trio d'anches)
11
Ensemble de saxophones
10
Saxophone, Clarinette (duo)
10
Cor Anglais
9
Trio de Flûtes: 3 flûtes
8
Clarinette, Trompette (duo)
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Clarinette, Violon (trio)
6
Ocarina
6
Hautbois, violon (duo)
6
Flûte et Guitare
6
Flûte à bec Alto
5
Flûte, Violon, Piano
5
Saxophone Baryton
5
Harmonica
4
Clarinette, Trombone (duo)
4
Clarinette Basse, Piano
4
Clarinette, Guitare (duo)
4
Ensemble de Flûtes
4
Hautbois, Flûte
4
Flûte, Violoncelle, Piano (trio)
3
Quintette de Flûte : 5 flûtes
3
2 Clarinettes, Piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Saxophone (duo)
3
Flûte, Hautbois, Basson
3
Hautbois, Trompette (duo)
2
Flûte, Trompette (duo)
2
Flûte et Trio à cordes
2
Saxophone et Piano
2
Flûte traversière, Basse continue
2
Flûte, trombone et piano
1
Saxophone, Basson (duo)
1
Flûte, Basson et Piano
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Alto et Piano
1
Flute, harpe et violon
1
Ensemble De Flûte à bec
1
Piccolo
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
3 Flûtes à bec (trio)
1
Instruments en Mib
1
Flûte, Violon, Violoncelle et Piano
1
3 Hautbois
1
Flûte, Violoncelle, Guitare
1
Saxophone, Violon (duo)
1
Saxophone et violoncelle
1
+ 104 instrumentations
Retracter
Cuivres
Trompette
325
Trombone
261
Trompette, Piano
227
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
217
Trombone et Piano
149
Quatuor de Cuivres : 2 trompettes, trombone, tuba
122
Cor
112
Cor et Piano
111
Trombone (partie séparée)
97
Trompette (partie séparée)
97
Tuba et Piano
95
Quatuor de Cuivres
91
2 Trompettes (duo)
76
2 Trombones (duo)
64
Tuba
62
2 Cors (duo)
56
Trompette, Trombone (duo)
49
2 Tubas (duo)
44
Quatuor de Cuivres: 2 trompettes, Cor, trombone
42
Cor anglais, Piano
31
Trompette, Tuba (duo)
19
Cor (partie séparée)
17
Euphonium
15
Quatuor de cuivres: 4 trombones
15
Trombone, Violon (duo)
14
Trompette, Cor (duo)
13
Tuba (partie séparée)
12
Trio de Cuivres
10
Euphonium, Piano (duo)
9
Cor Anglais
9
Quatuor de cuivres: 4 cors
9
Trompette, Saxophone (duo)
8
Ensemble de Trombones
6
Quatuor de cuivres: 4 trompettes
6
Trombone, Tuba (duo)
5
Tuba et Orgue
5
Trompette, Basson (duo)
4
Trombone, Cor (duo)
3
4 Tubas
3
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
2
Cor, Tuba (duo)
2
3 Trompettes (trio)
2
Cor, Violoncelle (duo)
2
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Trombone, violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, violon (duo)
1
Instruments en Fa
1
Ensemble de Cors
1
2 Trombones, Piano
1
Cor et Basson (duo)
1
Instruments en Sib
1
Trombone, Alto (duo)
1
Ensemble de Trompettes
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
444
Violon
429
Violon et Piano
413
Violoncelle
371
Violoncelle, Piano
358
Alto, Piano
314
Alto seul
146
2 Violons (duo)
140
Violon, Violoncelle (duo)
135
Quintette à cordes: 2 violons, alto, violoncelle, basse
110
2 Violoncelles (duo)
100
2 Altos (duo)
89
Violon, Alto (duo)
84
Contre Basse
81
Contrebasse, Piano (duo)
77
Trio à Cordes: violon, alto, violoncelle
51
Harpe
45
2 Contrebasses (duo)
40
Trio à Cordes: 2 violons, violoncelle
40
Violon (partie séparée)
34
Contrebasse (partie séparée)
32
Alto, Violoncelle (duo)
28
Alto (partie séparée)
23
Violon, Basson (duo)
21
Quintette à cordes : 2 violons, alto et 2 violoncelles
20
Violon, Tuba (duo)
15
4 Violoncelles
12
Trio à cordes: 3 violins
9
Trio à Cordes: 3 violoncelles
9
Piano Trio: Violon, Alto, Piano
6
Trio à Cordes: 2 violons, alto
6
Quatuor à cordes : 4 altos
5
Violoncelle (partie séparée)
5
Violoncelle, Contrebasse (duo)
5
Quatuor à cordes: 4 violons
4
Violon, Guitare (duo)
3
Trio à cordes: 3 altos
3
Alto et Basson
2
Harpe, Violon, Violoncelle
2
Violon, Clarinette, Piano (trio)
1
Harpe, Voix
1
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
Harpe et Piano
1
4 Contrebasses
1
Alto, Guitare (duo)
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
427
Orchestre à Cordes
170
Orchestre
114
Ensemble Jazz
106
Orchestre de chambre
75
Ensemble de cuivres
46
Fanfare
32
Cloches
29
Batterie (partie séparée)
24
Percussion (partie séparée)
21
Jazz combo
19
Xylophone
12
Ensemble de Percussions
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
9
Xylophone, Piano
8
Batterie
6
Vibraphone
5
2 Xylophones
5
Timbales (partie séparée)
4
Instrumentation Flexible
2
Marimba
1
Quintette à Vent
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Ira A
Voix Soprano, Piano
Partitions à imprimer
16 partitions trouvées
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1
Poor Wand'ring One - The Pirates of Penzance (G Major)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gilbert and Sullivan
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Jonathan Prentice
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Poor Wand'ring One - The Pirat
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884802 Composed by Gilbert and Sullivan. Arranged by Jonathan Prentice. Opera,Romantic Period. 8 pages. Jon...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884802 Composed by Gilbert and Sullivan. Arranged by Jonathan Prentice. Opera,Romantic Period. 8 pages. Jonathan Prentice #5865819. Published by Jonathan Prentice (A0.884802). Mabel's wonderfully exuberant aria from Gilbert and Sullivan's, The Pirates of Penzance. Having had his pleas rejected by her sisters, Mablel takes pity on the reluctant pirate, Frederick (Here a semitone lower than the original in G Major).
$1.99
Ah! chi mi dice mai - Don Giovanni (Db Major)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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Ah! chi mi dice mai - Don Giov
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884896 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 9 pages. Jonath...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884896 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 9 pages. Jonathan Prentice #6111525. Published by Jonathan Prentice (A0.884896). Accompanied by his long suffering servant, Leporello, the serial seducer, Don Giovanni looks on admiringly, as a vengeful Donna Elvira sings about her lust for justice against the man who has betrayed her, unaware that it's in fact him she's ranting about. From Act 1 of Mozart's famous opera, Ah, who could ever tell me is a wonderfully dramatic and fiery aria. (Here in Db Major, a tone lower than the original, suitable for younger sopranos).
$1.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Mi tradi quell'alma ingrata - Don Giovanni (Eb Major)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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Mi tradi quell'alma ingrata -
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884792 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 12 pages. Jonat...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884792 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 12 pages. Jonathan Prentice #5835499. Published by Jonathan Prentice (A0.884792). A conflicted Donna Elvira despairs that she can't let go of her feelings for the despicable Don Giovanni in this celebrated aria from Mozart's dark and dramatic opera (Here in the original Eb Major).
$1.99
From Earth To Heaven
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Voix Soprano, Piano
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AVANCÉ
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Nicholas White
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From Earth To Heaven
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Nicholas White Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas W...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas White Music #847244. Published by Nicholas White Music (A0.1253593). Six Middle English lyrics for soprano and organ - or strings - performable as a set, or as individual pieces.Cuckoo Song - A FrolicI Have A Yong Suster - A RantSay Me, Wight In The Broom - A TiradeI Sing Of A Maiden - A Love SongAdam Lay Bound - An OstinatoThe Corpus Christi Carol - A Lament.
$6.00
Existing
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Comédie Musicale
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Natalie Rebecca Lovejoy
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Existing
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Natalie Rebecca Lovejoy
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.993468 Composed by Natalie Rebecca Lovejoy. Musical/Show,Pop,Rock. 7 pages. Natalie Rebecca Lovejoy #647595...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.993468 Composed by Natalie Rebecca Lovejoy. Musical/Show,Pop,Rock. 7 pages. Natalie Rebecca Lovejoy #6475951. Published by Natalie Rebecca Lovejoy (A0.993468). Praised by military veterans as spot on, authentic, completely new, and a phenomenal piece, Home/Front is a new musical about an idealistic U.S. Army soldier set on serving his country whose principles are put to the test when his marries an ambitious, young dancer in pursuit of her own dream, amidst the Iraq war and an increasingly divided America. It first premiered Off-Off Broadway in 2014 at the Gene Frankel Theater.
$4.99
Lascia Ch'io Pianga - From Opera 'Rinaldo' - G.F. Handel ( Soprano Voice and Piano)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Raymond Fenech
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Lascia Ch'io Pianga - From Ope
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Raymond Fenech
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.759987 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Praise & Wo...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.759987 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Praise & Worship,Standards. 12 pages. Raymond Fenech #3478575. Published by Raymond Fenech (A0.759987). Lascia ch’io pianga, originally Lascia la spina, cogli la rosa, is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece. Its melody is first found in Act III of Handel’s 1705 opera Almira as a sarabande. This aria is arranged for Soprano Voice and Piano . The Duration is approx. 4 minutes and the level is Advanced Intermediate.
$4.99
Divertimento 6 / Divertissement 6 / Entertainment 6
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Divertimento 6 / Divertissemen
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
Concentric Circles
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Christy Miranda Kalfas
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Concentric Circles
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Christy Kalfas
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published b...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published by Christy Kalfas (A0.980123). Solo soprano voice with piano accompaniment in a light jazz style. Includes a piano solo that can be played as written or replaced with the pianist's own improvisation using the chords given. The aim is to convey on the piano what the vocalist has just shared through the lyrics. Concentric Circles is track 3 on the album Blessed are the Ones (available on iTunes): https://www.nakedfishrecordings.com/blessed-are-the-ones
$1.99
Three Valentines (2017) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Three Valentines
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869524 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 39 pages. ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869524 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 39 pages. Thomas Oboe Lee #3106055. Published by Thomas Oboe Lee (A0.869524). A song cycle of four poems and two translations by Elizabeth Bishop.1. Valentine2. In the Middle of the Road (Carlos Drummond de Andrade, trans. by EB)3. Valentine4. My Last Poem (Manuel Bandeira, trans. by EB)5. Valentine6. The ReprimandUsed of poems by Elizabeth Bishop granted by Farrar, Straus and Giroux.Bandcamp link: https://thomasoboelee.bandcamp.com/album/three-valentines-2017
$9.99
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