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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DEEJAY
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EUPHONIUM
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HARMONICA
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SAXOPHONE
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TUBA
UKULELE
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Non classifié
1 810
Piano & claviers
Piano seul
913
Piano, Voix
472
Piano Facile
365
Piano, Voix et Guitare
242
Instruments en Do
102
Orgue
70
Accordéon
49
Piano grosses notes
42
2 Pianos, 4 mains
40
Accompagnement Piano
36
1 Piano, 4 mains
28
Piano Trio: piano, violon, violoncelle
10
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano (partie séparée)
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
Clavier
1
Orgue, Piano (duo)
1
Clavecin
1
Accordéon, Voix
1
1 Piano, 6 mains
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
161
Ukulele
126
Guitare
124
Basse electrique
61
Ligne De Mélodie, (Paroles) et Accords
47
Paroles et Accords
14
Banjo
10
Dulcimer
6
Guitare (partie séparée)
6
Mandoline
5
Piano, Guitare (duo)
4
2 Guitares (duo)
3
4 Guitares (Quatuor)
2
Ensemble de guitares
2
Basse électrique (partie séparée)
1
Mandoline, Guitare (duo)
1
+ 11 instrumentations
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Voix
Chorale SATB
382
Chorale 3 parties
196
Chorale 2 parties
117
Chorale Unison
67
Chorale TTBB
50
Chorale SSAA
36
Voix seule
34
Voix duo, Piano
22
Voix duo
16
Pack Instrumental pour Chorale
16
Voix Baryton, Piano
15
Voix basse, Piano
13
Voix Alto, Piano
12
Chorale
10
Voix haute
10
Voix Soprano, Piano
6
Voix Tenor, Piano
4
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
2
Voix Tenor
1
Voix basse
1
Chorale SSAB, Piano
1
Chorale SSATTB
1
Chorale SATBB
1
+ 20 instrumentations
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Vents
Saxophone
186
2 Saxophones (duo)
171
Clarinette
154
Flûte traversière
151
2 Clarinettes (duo)
77
2 Flûte à bec (duo)
74
Flûte traversière et Piano
74
Saxophone Alto
71
Clarinette et Piano
69
Saxophone (partie séparée)
68
Quatuor de Saxophones: 4 saxophones
67
2 Flûtes traversières (duo)
64
Saxophone, Clarinette (duo)
61
Saxophone Tenor
57
Hautbois, Piano (duo)
57
Clarinette, Violon (duo)
44
Hautbois (partie séparée)
43
Quatuor de Clarinettes: 4 clarinettes
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Saxophone Alto et Piano
39
Clarinette, Trompette (duo)
38
Saxophone Tenor et Piano
38
Flûte irlandaise
37
Flûte, Hautbois, Clarinette, Basson
36
Quatuor de Flûtes : 4 flûtes
33
Flûte, Clarinette (duo)
33
Saxophone Soprano et Piano
30
2 Hautbois (duo)
28
Hautbois, Basson (duo)
28
Ensemble de Flûtes
27
Ensemble de saxophones
26
Hautbois, Flûte
25
Clarinette et Alto
25
Flûte, Violon
25
3 Saxophones (trio)
25
Quintette de Saxophone: 5 saxophones
24
Ensemble de Clarinettes
23
Flûte, Alto (duo)
22
Hautbois, Clarinette (duo)
22
Flûte, Saxophone (duo)
20
Saxophone Baryton, Piano
19
Flûte à bec Soprano
18
Flûte à Bec
16
3 Clarinettes (trio)
15
Flûte, Trompette (duo)
15
Flûte à bec Soprano, Piano
10
Flûte à bec Alto
10
Flûte, Violoncelle
10
Quintette de Clarinettes: 5 clarinettes
9
Clarinette, Trombone (duo)
9
Ocarina
9
Cor anglais, Piano
9
Quatuor de Flûtes à bec
9
3 Flûtes à bec (trio)
9
Clarinette (partie séparée)
9
Trio de Flûtes: 3 flûtes
9
Clarinette, Basson (duo)
8
Flûte et Guitare
7
Piccolo, Piano
6
Saxophone Soprano
6
Flûte, Hautbois, Basson
6
Flûte, Clarinette et Basson
6
Hautbois
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Ensemble De Flûte à bec
5
Flute (partie séparée)
5
Flûte, Violon, Piano
5
Flûte, Hautbois (duo)
4
Clarinette, Guitare (duo)
4
Clarinette Basse, Piano
4
Quintette de Flûte : 5 flûtes
4
Flûte, Violon et Violoncelle
3
Hautbois, Guitare (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto, Piano
2
2 Clarinettes, Basson
2
4 Hautbois
2
Harmonica
2
Hautbois, violon (duo)
1
Flûte traversière, Basse continue
1
Flute, harpe et violon
1
Saxophone Baryton
1
2 Saxophones, Piano
1
Melodica
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois et alto (duo)
1
Hautbois, Violoncelle
1
Cor Anglais
1
+ 84 instrumentations
Retracter
Cuivres
Trompette
137
Trombone
116
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Trompette, Piano
50
2 Trombones (duo)
50
Cor
48
2 Trompettes (duo)
47
Trombone et Piano
47
Trompette, Saxophone (duo)
41
Trompette (partie séparée)
35
Cor et Piano
35
Trompette, Trombone (duo)
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Tuba
27
Tuba et Piano
23
Trombone (partie séparée)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Quatuor de Cuivres
17
2 Cors (duo)
11
Euphonium, Piano (duo)
11
2 Euphoniums (duo)
10
Euphonium
10
Cor anglais, Piano
9
Ensemble de Trombones
9
Trompette, Cor (duo)
7
Trombone, Tuba (duo)
7
2 Tubas (duo)
6
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
5
Cor (partie séparée)
4
Ensemble de Trompettes
4
3 Trombones (trio)
4
4 Tubas
3
Ensemble de Cors
3
Euphonium, Tuba (duo)
3
2 Euphoniums et 2 Tubas
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Instruments en Sib
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Cor (duo)
2
Trombone basse
2
Trompette, Tuba (duo)
2
Trio de Cuivres
2
Bass Clef Instruments
1
Clarinette, Cor (duo)
1
3 Trompettes (trio)
1
Cor, Tuba (duo)
1
3 Cors (trio)
1
3 Tubas (trio)
1
Tuba (partie séparée)
1
Cor Anglais
1
+ 46 instrumentations
Retracter
Cordes
Harpe
779
Quatuor à cordes: 2 violons, alto, violoncelle
273
Violon
134
Violon et Piano
123
Violon, Violoncelle (duo)
106
Violoncelle
100
Violoncelle, Piano
67
2 Violons (duo)
66
Alto, Piano
58
Trio à Cordes: violon, alto, violoncelle
56
Alto seul
52
2 Violoncelles (duo)
52
Violon, Alto (duo)
51
2 Altos (duo)
34
Trio à Cordes: 2 violons, violoncelle
34
Contrebasse, Piano (duo)
33
Contre Basse
19
Violoncelle, Contrebasse (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Alto (partie séparée)
13
2 Harpes (duo)
11
Violon (partie séparée)
9
Alto, Violoncelle (duo)
9
Quatuor à cordes: 4 violons
7
Contrebasse (partie séparée)
6
Flûte, Contrebasse (duo)
5
Trio à cordes: 3 violins
5
4 Violoncelles
5
Piano Trio: Violon, Alto, Piano
5
2 Contrebasses (duo)
4
Violon, Basson (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 altos
4
Quatuor à cordes : 4 altos
3
4 Contrebasses
3
Harpe, Voix
3
Violoncelle (partie séparée)
3
Ensemble d'Altos
2
Harpe, Flûte (duo)
2
Ensemble de Violons
2
2 Violons, Piano
2
Violon, Guitare (duo)
2
Violoncelle, Basse continue
1
Violoncelle, Orgue
1
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
Harpe, Trombone (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Ensemble de Violoncelles
1
Trio à cordes
1
Alto et Harpe
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
400
Orchestre à Cordes
134
Cloches
125
Batterie
94
Orchestre
89
Ensemble Jazz
76
Ensemble de cuivres
48
Orchestre de chambre
45
Fanfare
42
Ensemble de Percussions
22
Jazz combo
20
Batterie (partie séparée)
5
Percussion (partie séparée)
4
Marimba
4
Vibraphone
3
Xylophone
2
Percussion
1
Timbales (partie séparée)
1
Quintette à Vent
1
2 Xylophones
1
+ 15 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Voix Soprano, Piano
Partitions à imprimer
6 partitions trouvées
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1
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Breaking
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Abigail Gilson
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Breaking
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Abigail Gilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1024940 Composed by Abigail Gilson. Contemporary. 5 pages. Abigail Gilson #3675473. Published by Abigail Gi...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1024940 Composed by Abigail Gilson. Contemporary. 5 pages. Abigail Gilson #3675473. Published by Abigail Gilson (A0.1024940). The main feeling of this poem is hope, just hope to make the world a better place, to help someone in need. A young girl, so naive and innocent, who believes that she can live a good life by making the lives of others better. But as the song cycle continues we see that for some women, their dreams will never become a reality. We see hints of this in this piece, as in the second section, the piece dips into a minor key. Suggesting that the woman girl has started to give up on her dreams. But the girl keeps singing, saying that she’ll help a fainting robin. She has not given up yet, and will not let her dreams fade.
$4.99
Concentric Circles
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Christy Miranda Kalfas
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Concentric Circles
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Christy Kalfas
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published b...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published by Christy Kalfas (A0.980123). Solo soprano voice with piano accompaniment in a light jazz style. Includes a piano solo that can be played as written or replaced with the pianist's own improvisation using the chords given. The aim is to convey on the piano what the vocalist has just shared through the lyrics. Concentric Circles is track 3 on the album Blessed are the Ones (available on iTunes): https://www.nakedfishrecordings.com/blessed-are-the-ones
$1.99
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
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