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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Loi
Non classifié
3 662
Piano & claviers
Piano, Voix
608
Piano seul
337
Piano, Voix et Guitare
186
Instruments en Do
136
Piano Facile
78
Orgue
27
Accompagnement Piano
23
Piano (partie séparée)
16
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
11
Orgue, Piano (duo)
9
Accordéon
4
Orgue, Trompette (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
Orgue, Voix
1
1 Piano, 6 mains
1
+ 16 instrumentations
Retracter
Guitares
Guitare
64
Guitare notes et tablatures
56
Guitare (partie séparée)
30
Ukulele
20
Ligne De Mélodie, (Paroles) et Accords
11
Basse electrique
8
2 Guitares (duo)
8
4 Guitares (Quatuor)
8
Mandoline
6
Dulcimer
6
Ensemble de guitares
4
Mandoline, Piano (duo)
2
Piano, Guitare (duo)
2
Banjo
2
Paroles et Accords
2
2 Dulcimers (duo)
1
Dobro
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 477
Chorale 3 parties
314
Chorale TTBB
290
Chorale SSAA
148
Chorale 2 parties
113
Chorale Unison
99
Soli, choeur mixte et accompagnement
45
Chorale
31
Voix Soprano, Piano
16
Voix duo
13
Pack Instrumental pour Chorale
12
Voix haute
12
Voix Baryton, Piano
12
Voix duo, Piano
9
Chorale SSAATTBB
9
Voix moyenne, Piano
8
Voix Tenor
7
Voix seule
7
Chorale SSATB
6
Voix Tenor, Piano
6
Male Voice
5
Voix basse, Piano
5
Chorale SSATTB
4
Voix Alto, Piano
4
Chorale SSAB a cappella
1
Voix basse
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
+ 23 instrumentations
Retracter
Vents
Clarinette et Piano
152
Flûte traversière et Piano
146
Saxophone Alto et Piano
111
Saxophone (partie séparée)
110
Hautbois, Piano (duo)
108
Clarinette
86
Flûte traversière
69
Saxophone Tenor et Piano
68
Quatuor de Saxophones: 4 saxophones
57
2 Saxophones (duo)
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Quintette de Saxophone: 5 saxophones
43
Saxophone Soprano et Piano
43
3 Saxophones (trio)
42
Ensemble de saxophones
42
Hautbois
34
Saxophone Tenor
33
Hautbois (partie séparée)
32
Saxophone Baryton, Piano
32
Saxophone Alto
31
Quatuor de Clarinettes: 4 clarinettes
31
Flûte, Hautbois, Clarinette, Basson
31
2 Clarinettes (duo)
28
2 Flûtes traversières, Piano
25
2 Flûtes traversières (duo)
24
Ensemble de Clarinettes
23
Clarinette Basse, Piano
22
2 Flûte à bec (duo)
22
Quatuor de Flûtes : 4 flûtes
20
3 Clarinettes (trio)
20
Saxophone Baryton
19
Quintette de Flûte : 5 flûtes
19
Cor anglais, Piano
19
Quintette de Clarinettes: 5 clarinettes
18
Clarinette Basse
17
2 Hautbois (duo)
17
Ensemble de Flûtes
16
Flute (partie séparée)
14
Flûte à Bec, Piano
13
Trio de Flûtes: 3 flûtes
13
Clarinette (partie séparée)
12
Flûte, Clarinette (duo)
10
Flûte à Bec
8
Flûte à bec Soprano
7
Cor Anglais
6
Flûte et Guitare
6
Saxophone Soprano
6
2 Cors Anglais Et Pianoforte
5
Flûte à bec Alto
5
Harmonica
5
Saxophone
5
Hautbois, Basson (duo)
5
Quatuor de Flûtes à bec
5
Hautbois, Clarinette (duo)
4
Flûte à bec Tenor
4
Flûte, Hautbois, Piano (trio)
3
2 Saxophones, Piano
3
Flûte, Violon et Violoncelle
3
Flûte à bec Alto, Piano
3
Clarinette, Guitare (duo)
3
Clarinette, Basson (duo)
3
Flûte, Violon, Piano
3
Flûte, Hautbois (duo)
3
Instruments en Mib
2
Flûte, Hautbois, Basson
2
Clarinette, Basson, Piano (trio)
2
Flûte à bec Soprano, Piano
2
Hautbois, Clarinette et Piano (Trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
3 Flûtes à bec (trio)
2
Flûte, Violon, Violoncelle et Piano
2
Piccolo
2
Clarinette, Tuba
1
Clarinette, Violoncelle (duo)
1
Saxophone et Guitare
1
Clarinette, Trombone (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon
1
5 Flûtes à bec
1
Clarinette, Orchestre
1
Flûte, Trombone (duo)
1
Flûte traversière, Orchestre
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte de Pan
1
Clarinette, Contrebasse (duo)
1
Hautbois, Harpe
1
Piccolo, Piano
1
+ 85 instrumentations
Retracter
Cuivres
Trompette, Piano
133
Trombone et Piano
114
Cor et Piano
111
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Trombone (partie séparée)
89
Trompette
81
Trompette (partie séparée)
70
Cor
67
Tuba
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Tuba et Piano
43
Trombone
42
Ensemble de Trompettes
41
Euphonium, Piano (duo)
28
2 Trombones (duo)
22
Ensemble de Trombones
22
2 Cors (duo)
19
Cor (partie séparée)
19
Cor anglais, Piano
19
Euphonium, Tuba (duo)
17
Quatuor de cuivres: 4 trombones
14
Quatuor de cuivres: 4 cors
14
Quatuor de Cuivres
13
2 Trompettes (duo)
13
Tuba (partie séparée)
13
Trompette, Trombone (duo)
12
2 Euphoniums et 2 Tubas
10
2 Tubas (duo)
7
3 Trombones (trio)
7
Cor Anglais
6
Ensemble de Cors
6
4 Tubas
6
Trompette, Cor (duo)
5
2 Cors Anglais Et Pianoforte
5
Quatuor de cuivres: 4 trompettes
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone et orchestre
4
Trombone basse et Piano
3
Trombone, Cor (duo)
3
3 Trompettes (trio)
3
3 Cors (trio)
3
Cornet et orchestre
2
3 Tubas (trio)
2
Instruments en Sib
2
Trio de Cuivres
2
Trombone basse
2
Cor, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Orgue
1
Euphonium
1
Trompette, Euphonium (duo)
1
Trombone, Orgue
1
Tuba et Orgue
1
+ 48 instrumentations
Retracter
Cordes
Violon et Piano
159
Quatuor à cordes: 2 violons, alto, violoncelle
121
Violoncelle, Piano
116
Violon
93
Alto, Piano
93
Violoncelle
70
Trio à Cordes: violon, alto, violoncelle
44
2 Violons (duo)
44
Alto seul
41
Contrebasse, Piano (duo)
38
Violon, Violoncelle (duo)
34
Contre Basse
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
27
Contrebasse (partie séparée)
26
2 Violoncelles (duo)
24
Violon (partie séparée)
18
Harpe
18
Trio à cordes: 3 violins
16
2 Altos (duo)
11
Violon, Alto (duo)
9
Violon, Guitare (duo)
8
Alto (partie séparée)
7
Harpe, Violon (duo)
5
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Ensemble d'Altos
4
Violoncelle (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
Ensemble de Violons
3
Trio à cordes: 3 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
2
Alto et orchestre
2
Violoncelle, Orchestre
2
Harpe, Flûte (duo)
2
4 Violoncelles
2
Ensemble de Violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Quatuor à cordes
1
4 Contrebasses
1
2 Violoncelles, Piano
1
Harpe, Violoncelle (duo)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
648
Ensemble Jazz
375
Orchestre
307
Orchestre de chambre
235
Orchestre à Cordes
175
Ensemble de cuivres
93
Cloches
61
Jazz combo
44
Marimba
43
Vibraphone
24
Fanfare
21
Ensemble de Percussions
19
Batterie (partie séparée)
16
Percussion (partie séparée)
10
Batterie
7
Xylophone, Piano
6
Ensemble d'École
5
Piano et Orchestre
3
Percussion
3
Instrumentation Flexible
2
Orchestre, Violon
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
+ 19 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Vous avez sélectionné:
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Voix Soprano, Piano
Partitions à imprimer
16 partitions trouvées
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1
Vers toi qui es si loin (soprano version) - Study Score
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Voix Soprano, Piano
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Classique
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Kaija Saariaho
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Vers toi qui es si loin
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Hal Leonard - Digital
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SheetMusicPlus
Chamber Orchestra,Performance Ensemble - SKU: HX.1518169 Composed by Kaija Saariaho. This edition: scorch. Classical. 27 pages. Hal Leonard - Digital #5...
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Chamber Orchestra,Performance Ensemble - SKU: HX.1518169 Composed by Kaija Saariaho. This edition: scorch. Classical. 27 pages. Hal Leonard - Digital #50606932_VERS_TOI_QUI_ES_SI_LOIN_SOP_STUDY_SCORE. Published by Hal Leonard - Digital (HX.1518169).
$19.99
Time Arranged for Soprano soloist and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Salvador Rojo Gamón
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Salvador Rojo Gamón
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Strings.
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Time Arranged for Soprano solo
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Salvador Rojo-Gamon
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemp...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
Lois Spears from "Spoon River"
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Kevin Jeffers
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Lois Spears from "Spoon R
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kevinjeffersvocalmusic
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005421 Composed by Kevin Jeffers. Broadway,Classical,Contemporary,Musical/Show,Opera. 6 pages. Kevinjeffer...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005421 Composed by Kevin Jeffers. Broadway,Classical,Contemporary,Musical/Show,Opera. 6 pages. Kevinjeffersvocalmusic #6247899. Published by kevinjeffersvocalmusic (A0.1005421). Piano/vocal score for Soprano voice; poem from Edgar Lee Masters' Spoon River Anthologyexcerpted from the musical/opera by Kevin Jeffers; Spoon River: a musical anthologyOriginal stage production performed Off Broadway. Licensing for production coming soon.
$5.00
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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I am worth nothing
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Adrienne Inglis
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Voix Soprano, Piano
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AVANCÉ
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. Jame...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Let the World Know His Name
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Richard Nye
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Let the World Know His Name
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Riverlight Creative Publishing
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1024340 Composed by Richard Nye. Christian,Contemporary. 7 pages. Riverlight Creative Publishing #2964669. ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1024340 Composed by Richard Nye. Christian,Contemporary. 7 pages. Riverlight Creative Publishing #2964669. Published by Riverlight Creative Publishing (A0.1024340). An anthem for soloist, two voices and piano based on the text from Acts 1:7-10.First performed by the Knighton House Chapel Choir, Ascension Day, 2016.
$2.00
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Three Solos for Advent, Christmas, Epiphany - soprano, organ
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Noël
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Traditional
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Todd Marchand
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Three Solos for Advent, Christ
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Con Spirito Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.726105 Composed by Traditional (public domain). Arranged by Todd Marchand. Advent,Christian,Christmas,Sacre...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.726105 Composed by Traditional (public domain). Arranged by Todd Marchand. Advent,Christian,Christmas,Sacred. 12 pages. Con Spirito Music #6102553. Published by Con Spirito Music (A0.726105). Three Solos: Advent, Christmas, Epiphany, for soprano and organ, offers the church soloist three new arrangements of texts and tunes that are fitting for the season. Blest Mary Walks Amid the Thorn is a German folk carol that references the Virgin Mary's journey to visit her cousin Elizabeth, with symbolic allusions to promises of new life in Christ. (Range D4-Eb5)Lo, How a Rose E'er Blooming references the Old Testament prophecies that foretell the Incarnation of Christ and his lineage in the House of David. The familiar melody and harmonization by Michael Praetorius are adapted and expanded in this new setting. (Range C4-D5)Saw You Never in the Twilight? tells of the Wise Men's (Magi) journey to the crib of the Christ Child and of the manifestation of Christ to the world, which is celebrated in the season of Epiphany. The Welsh lullaby, Suo Gan, is used as accompaniment to the text in this arrangement. (Range F4-F5)All three pieces may be accompanied by the organist using manuals only.©Copyright 2019 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$10.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Tasty Other: A Dramatic Song Cycle for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Victor Labenske
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Katie Manning, poet
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Tasty Other: A Dramatic Song C
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Labenske Music Services
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SheetMusicPlus
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, poet. 20th Centu...
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Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, poet. 20th Century,Broadway,Contemporary,Jazz. Score and parts. 58 pages. Labenske Music Services #6285603. Published by Labenske Music Services (A0.844203). Veteran composer and arranger, Victor Labenske, (ASCAP), weaves together the award-winning poetry of Katie Manning to create a dramatic song cycle, with speaking and singing parts for both soloist and accompanist who serve as actors in a musical theatre inspired cycle that joins both classical and popular styles. The 22 minute work with 9 songs, explores feelings of a mother-to-be and young mother dealing with pregnancy and birth in both humorous and touching ways.Appropriate for recital settings; songs may be used independently of the cycle as well. YouTube playlist: https://youtube.com/playlist?list=PLeFVMSU4Y57wZ4lm-zl1_xpeNZKyNSSJ0 VictorLabenske.comKatieManningPoet.com
$19.99
"Eulalie," for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Steven Shade
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"Eulalie," for Sopra
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Steve Shade
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
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