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+ 5 instrumentations
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37
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13
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5
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1
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10
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8
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8
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8
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7
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6
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4
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4
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3
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3
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2
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11
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9
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8
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5
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4
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1
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1
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1
+ 9 instrumentations
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Cordes
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21
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15
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12
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12
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10
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10
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9
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5
2 Violons (duo)
4
2 Altos (duo)
2
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
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2
2 Violoncelles (duo)
2
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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1
Harpe
1
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19
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4
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2
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1
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Vous avez sélectionné:
Make Room
Voix Soprano, Piano
Partitions à imprimer
4 partitions trouvées
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You Are Here
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Paige B
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Meral Guneyman
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You Are Here
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Guneyman L'Hommedieu Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005731 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Christmas,Jazz. 4 pages. Gun...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005731 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Christmas,Jazz. 4 pages. Guneyman L'Hommedieu Music #6039565. Published by Guneyman L'Hommedieu Music (A0.1005731). Fans of the Great American Songbook will want to make room for You Are Here--one of four original love songs by Paige B. L'Hommedieu, arranged for piano and voice by celebrated pianist Meral Guneyman. This beautiful waltz captures all of the melodic beauty of a couple in love on a dance floor. The song strikes at the essence of what it means to be in the warm, sparkling, timeless space of a dance at an occasion that glistens with extra magic. .
$4.99
Love Came Calling
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Paige B
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Meral Guneyman
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Love Came Calling
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Guneyman L'Hommedieu Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005732 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Holiday,Jazz,Wedding. 5 page...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005732 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Holiday,Jazz,Wedding. 5 pages. Guneyman L'Hommedieu Music #6039967. Published by Guneyman L'Hommedieu Music (A0.1005732). Fans of the Great American Songbook will want to make room for Love Came Calling--one of Paige B. L'Hommedieu's four original love songs, beautifully arranged for piano and soprano by celebrated pianist Meral Guneyman.
$4.99
In The Morning
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Paige B
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Meral Guneyman
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In The Morning
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Guneyman L'Hommedieu Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005729 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Holiday,Jazz,Love,Wedding. 5...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005729 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Holiday,Jazz,Love,Wedding. 5 pages. Guneyman L'Hommedieu Music #6039969. Published by Guneyman L'Hommedieu Music (A0.1005729). Fans of the Great American Songbook will want to make room for In The Morning--one of Paige B. L'Hommedieu's four original love songs, beautifully arranged for piano and voice by celebrated pianist Meral Guneyman. .
$4.99
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
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