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5696
PIANO & CLAVIERS
Piano seul
7102
Piano, Voix
4135
Piano, Voix et Guitare
1203
Piano Facile
733
Orgue
280
Accompagnement Piano
125
Instruments en Do
123
1 Piano, 4 mains
118
Piano Trio: piano, violon, violoncelle
44
Piano grosses notes
34
2 Pianos, 4 mains
26
Accordéon
16
Piano (partie séparée)
14
Clavecin
12
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Trompette (duo)
6
Ligne De Mélodie, Piano
5
Orgue, Piano (duo)
4
Clavier
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Instrument seul et Orgue
1
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GUITARES
Guitare notes et tablatures
681
Guitare
418
Ligne De Mélodie, (Paroles) et Accords
202
Basse electrique
180
Paroles et Accords
134
Ukulele
89
2 Guitares (duo)
26
Banjo
19
Guitare (partie séparée)
19
4 Guitares (Quatuor)
17
Mandoline
16
Dulcimer
10
Piano, Guitare (duo)
7
Ukulele Baryton
7
3 Guitares (trio)
6
Ensemble de guitares
6
Guitare, Quatuor à cordes
2
Mandoline, Guitare (duo)
2
Basse électrique (partie séparée)
2
2 Ukuleles
1
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VOIX
Chorale SATB
2657
Chorale 3 parties
474
Chorale 2 parties
380
Chorale Unison
321
Chorale TTBB
259
Chorale SSAA
142
Voix duo, Piano
94
Voix haute
91
Voix Soprano, Piano
58
Voix Alto, Piano
49
Pack Instrumental pour Chorale
48
Voix seule
46
Voix duo
41
Chorale
38
Voix moyenne, Piano
22
Voix Tenor, Piano
20
Voix Baryton, Piano
15
Voix basse, Piano
9
Chorale SSAATTBB
8
Voix Mezzo-Soprano, Piano
6
Voix Tenor
5
Voix basse
5
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4
Voix Soprano
2
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2
Chorale SSATBB
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Chorale SATTB
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Male Voice
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Flûte traversière et Piano
237
Quatuor de Clarinettes: 4 clarinettes
208
Quatuor de Saxophones: 4 saxophones
204
Flûte traversière
202
Clarinette
195
2 Saxophones (duo)
190
Quintette de Saxophone: 5 saxophones
187
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
183
2 Clarinettes (duo)
157
2 Flûtes traversières (duo)
146
Saxophone Alto
137
Saxophone Tenor
137
Flûte, Hautbois, Clarinette, Basson
136
Clarinette et Piano
132
Saxophone (partie séparée)
129
Ensemble de saxophones
116
Hautbois, Piano (duo)
113
Saxophone Alto et Piano
108
Hautbois (partie séparée)
97
Clarinette, Violon (duo)
86
Ensemble de Clarinettes
80
Saxophone Tenor et Piano
76
Flûte, Violon
76
Flûte, Clarinette (duo)
74
Quatuor de Flûtes : 4 flûtes
58
Saxophone
57
Ensemble de Flûtes
50
Saxophone Soprano et Piano
48
Saxophone, Clarinette (duo)
43
2 Hautbois (duo)
41
Clarinette (partie séparée)
41
3 Clarinettes (trio)
40
Cor anglais, Piano
38
Flûte et Guitare
38
3 Saxophones (trio)
35
Quintette de Flûte : 5 flûtes
31
Trio de Flûtes: 3 flûtes
29
2 Flûte à bec (duo)
27
Clarinette, Trompette (duo)
26
Saxophone Baryton, Piano
25
Clarinette Basse, Piano
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Flûte, Saxophone (duo)
20
Quintette de Clarinettes: 5 clarinettes
20
Hautbois, Flûte
18
Hautbois, Clarinette (duo)
18
Flûte à Bec
17
Hautbois, Basson (duo)
17
Hautbois
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Clarinette et Alto
16
Flute (partie séparée)
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Flûte, Trompette (duo)
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Flûte, Violon et Violoncelle
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Flute, harpe et violon
9
Flûte, Violon, Piano
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3 Hautbois
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Flûte, Alto (duo)
9
Flûte à bec Soprano
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Clarinette, Guitare (duo)
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4 Hautbois
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Flûte, Clarinette et Basson
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Quatuor de Flûtes à bec
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Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Hautbois, Clarinette (trio)
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Harmonica
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Flûte, Violoncelle, Piano (trio)
5
Flûte, Clarinette, Piano (trio)
5
Clarinette, Violoncelle (duo)
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Cor Anglais
4
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Saxophone et Orgue
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Flûte, Alto et Piano
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2 Saxophones, Piano
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Flûte, Hautbois, Piano (trio)
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Flûte, Basson et Piano
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Clarinette, Orgue
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Flûte, Hautbois, Basson
3
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Flûte à Bec, Piano
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Flûte, Violoncelle, Guitare
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2 Clarinettes, Basson
1
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Flûte et Trio à cordes
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Piccolo
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Clarinette Basse
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2 Flûtes traversières, Piano
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5 Flûtes à bec
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Ocarina
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Clarinette, Violoncelle, Piano (trio)
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Saxophone Baryton
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2 Clarinettes, Piano
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2 Flûtes à bec, Guitare
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CUIVRES
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286
Trompette
253
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212
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147
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104
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97
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89
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65
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63
2 Trombones (duo)
62
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57
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Tuba
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Euphonium
18
Quatuor de cuivres: 4 cors
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Ensemble de Cors
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Trio de Cuivres
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Quatuor de cuivres: 4 trompettes
7
4 Tubas
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3 Trombones (trio)
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Cor anglais, Guitare (duo)
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Quatuor de cuivres: 2 trompettes, 2 trombones
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Cor Anglais
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3 Trompettes (trio)
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Trio à Cordes: violon, alto, violoncelle
209
Violoncelle
172
Harpe
161
Quintette à cordes: 2 violons, alto, violoncelle, basse
133
2 Violons (duo)
130
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124
Alto, Piano
107
Alto seul
105
2 Violoncelles (duo)
75
Violon (partie séparée)
61
2 Altos (duo)
61
Alto (partie séparée)
49
Violon, Alto (duo)
49
Trio à Cordes: 2 violons, violoncelle
36
Contrebasse (partie séparée)
33
Ensemble de Violons
29
Ensemble d'Altos
28
Violon, Guitare (duo)
25
2 Contrebasses (duo)
20
4 Violoncelles
19
Alto, Violoncelle (duo)
18
Contre Basse
17
Trio à cordes: 3 violins
16
2 Harpes (duo)
16
Harpe, Flûte (duo)
14
Trio à cordes: 3 altos
13
Trio à Cordes: 3 violoncelles
13
Violoncelle, Contrebasse (duo)
9
Piano Trio: Violon, Alto, Piano
9
Violoncelle (partie séparée)
8
Quatuor à cordes: 4 violons
8
Contrebasse, Piano (duo)
7
Violoncelle , Guitare (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Trio à cordes
6
Violon, Orgue
5
Harpe, Violon, Violoncelle
4
Ensemble de Violoncelles
4
Trio à Cordes: 2 violons, alto
4
Harpe, Violon (duo)
3
Quatuor à cordes : 4 altos
3
3 Harpes
3
2 Violons, Piano
3
Harpe et Piano
3
Harpe, Voix
3
5 Harpes
2
Violon, Basson (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
1
4 Harpes
1
Alto et Basson
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Harpe (partie séparée)
1
Violoncelle, Orgue
1
Alto, Orgue
1
Alto, Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
856
Cloches
663
Batterie
437
Orchestre à Cordes
367
Orchestre
358
Ensemble Jazz
231
Ensemble de cuivres
192
Orchestre de chambre
96
Fanfare
89
Jazz combo
84
Ensemble de Percussions
69
Marimba
35
Percussion (partie séparée)
34
Batterie (partie séparée)
13
Vibraphone
10
Percussion
6
Timbales (partie séparée)
5
Ensemble d'École
4
Piano et Orchestre
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Quintette de Cuivres: autres combinaisons
2
Xylophone
2
Quintette à Vent
2
Quatuor à Vent : 4 instruments à vents
2
2 Xylophones
1
Timbales
1
Instrumentation Flexible
1
Vibraphone (partie séparée)
1
Caisse Claire
1
Orchestre, Violon
1
2 Marimbas
1
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AUTRES
Théorie de la musique
1
Formation musicale - Solfège
1
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Voix Soprano, Piano
Partitions à imprimer
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May The Love of Christ Constrain Me
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1322578 By DLB. By DL…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1322578 By DLB. By DLB. Arranged by DLB. Praise & Worship,Sacred. 7 pages. Glorymusic.us #910871. Published by Glorymusic.us (A0.1322578). May The Love of Christ Constrain Me = Solo.
$1.99
1.82 €
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Voix Soprano, Piano
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DLB
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DLB
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May The Love of Christ Constrain Me
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Glorymusic.us
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SheetMusicPlus
But Who May Abide - Messiah (F# Minor)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884933 Composed by Ge…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884933 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Christmas,Easter,Sacred. 10 pages. Jonathan Prentice #6591591. Published by Jonathan Prentice (A0.884933). Written as a virtuoso piece for the famous, alto castrato, Guadagni, this aria from Messiah, shows off Handel’s operatic credentials to the full, with the beautiful lilting Larghetto melody, contrasting with the fire and brimstone of the driving Prestissimo sections. In this edition the accompaniment to these fast sections has been arranged to more pianistic. (Here in F# Minor, suitable for sopranos)
$1.99
1.82 €
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Voix Soprano, Piano
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George Frideric Handel
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Jonathan Prentice
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But Who May Abide - Messiah
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Jonathan Prentice
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.76 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.02 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.19 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Halevi Songs (piano/vocal score only)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by El…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
8.22 €
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Voix Soprano, Piano
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Silent Night - Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.882869 Arranged by Ge…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.882869 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff #3896099. Published by Geoffrey Loff (A0.882869). Enjoy this mellifluous and tender arrangement of Silent Night. Arranged for female voice [D-flat 4 - G-flat 5] with piano accompaniment. The harmonies are beautiful, and enchant the ear by mingling the familiar with the unexpected. This song is perfect in a program or as an encore for a Christmas or Holiday party, or to just play with your family; maybe with some eggnog, around a roaring fire..or maybe you're lactose intolerant and afraid of fire. Either way, this arrangement is sure to soothe you into the holiday spirit!Please write a review of my arrangement, and be sure to check out others of mine!
$5.00
4.57 €
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Voix Soprano, Piano
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Geoffrey Loff
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Silent Night - Soprano and Piano
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Geoffrey Loff
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SheetMusicPlus
Amor mundi (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8821-2E C…
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8821-2E Composed by John Conahan. Instrument part. 10 pages. E. C. Schirmer Music Company - Digital #8821-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8821-2E). English.John Conahan's art songs are unique expressions that enable us to understand and explore many things simultaneously. In this collection, you will find settings of texts that speak genuinely to express our shared thoughts and questions, expressing in song why a particular poet’s work may mirror our own tragedies and triumphs.Contents:The Warm Deeps of the Sky:
$4.00
3.66 €
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Voix Soprano, Piano
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John Conahan
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Amor mundi
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
CALDARA Antonio: Alma del core, aria from the opera "La costanza in amor vince l'inganno", arranged
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868846 Composed by An…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868846 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4716145. Published by Really Good Music, LLC. (A0.868846). Alma del core is the aria from the opera-pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed in 1710 and revised in 1716 by Antonio CALDARA (1670 – 1736). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (G4 – F#5) for high voice.
$5.95
5.44 €
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Voix Soprano, Piano
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Antonio CALDARA
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Sergei PICHUGIN
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CALDARA Antonio: Alma del core, aria from the opera "La costanza in amor vince l'inganno", arranged
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Really Good Music, LLC.
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SheetMusicPlus
Life and Art (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8821-6E C…
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8821-6E Composed by John Conahan. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8821-6E. Published by E. C. Schirmer Music Company - Digital (MQ.8821-6E). English.John Conahan's art songs are unique expressions that enable us to understand and explore many things simultaneously. In this collection, you will find settings of texts that speak genuinely to express our shared thoughts and questions, expressing in song why a particular poet’s work may mirror our own tragedies and triumphs.Contents:The Warm Deeps of the Sky:
$3.00
2.74 €
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Voix Soprano, Piano
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John Conahan
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Life and Art
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
ROSSI Luigi: Mio ben, teco il tormento, lament from the opera "Orfeo", - Voice and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869025 Composed by Lu…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869025 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #6400579. Published by Really Good Music, LLC. (A0.869025). Mio ben, teco il tormento is an aria (Euridice's lament) from the opera Orfeo, composed in 1647 by Luigi ROSSI (1597 – 1653), one of the most important Italian composers of the early Baroque. It was carefully realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (D4 – G5) for high voice.
$5.95
5.44 €
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Voix Soprano, Piano
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Luigi ROSSI
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Sergei PICHUGIN
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ROSSI Luigi: Mio ben, teco il tormento, lament from the opera "Orfeo", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Sposa son disprezzata, aria from the opera "Bajazet", - Voice and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868693 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403476. Published by Really Good Music, LLC. (A0.868693). Sposa son disprezzata is an aria, originally composed by Geminiano Giacomelli (1692 – 1740) for his opera La Merope (1734) and borrowed by Antonio VIVALDI (1678 – 1741) for the pasticcio Bajazet, composed – and compiled – in 1735. Most existing publications of voice and piano arrangement of Sposa son disprezzata date back to the version (far enough from the original), first published in the 1880s. On the contrary, the proposed publication has been realized and arranged by Sergei Pichugin for voice and piano directly from the score manuscript of the opera. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – G5) for high voice.
$5.95
5.44 €
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Voix Soprano, Piano
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Sposa son disprezzata, aria from the opera "Bajazet", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
Please Spend Christmas With Me - Soprano Solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Ch…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Charles E. Davis & Kara E.Trotter. Christmas,Pop,Praise & Worship,Sacred,Standards. 8 pages. Charles E. & Maria A. Davis #2363207. Published by Charles E. & Maria A. Davis (A0.836586). This easy-listening song, written for soprano solo in contemporary style, invites us to remember that Christ is the true meaning of Christmas, and to hear His silent plea to Please spend Christmas with me. This song will be an instant favorite, and may be used at home, church, or in public performance. A baritone/bass solo version is also available.
$3.99
3.65 €
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Voix Soprano, Piano
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Charles E
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Please Spend Christmas With Me - Soprano Solo
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Charles E. & Maria A. Davis
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SheetMusicPlus
Holy Holy Holy--vocal soprano solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Re…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.39 €
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Voix Soprano, Piano
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano solo
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Beka Wilson
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SheetMusicPlus
VIVALDI Antonio: Nell'orrido albergo, aria from the cantata "Cessate, omai cessate", - Vo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868940 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868940 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #5029047. Published by Really Good Music, LLC. (A0.868940). Nell'orrido albergo is an aria from the cantata for alto solo Cessate, omai cessate by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – A5) for high voice.
$5.95
5.44 €
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Voix Soprano, Piano
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Nell'orrido albergo, aria from the cantata "Cessate, omai cessate", - Vo
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Really Good Music, LLC.
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SheetMusicPlus
PASQUINI Bernardo: Quanto è folle quell’amante, canzonetta, - Voice and Piano (A major
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868701 Composed by Be…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868701 Composed by Bernardo PASQUINI (1637 –1710). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 3 pages. Really Good Music, LLC. #4404616. Published by Really Good Music, LLC. (A0.868701). The canzonetta Quanto è folle quell’amante was composed by Bernardo PASQUINI (1637 –1710), an eminent Italian composer. It has been arranged by Sergei Pichugin for voice and piano. The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A major (E4 – A5) for high voice.
$5.95
5.44 €
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Voix Soprano, Piano
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Bernardo PASQUINI
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Sergei PICHUGIN
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PASQUINI Bernardo: Quanto è folle quell’amante, canzonetta, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
The Gift (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8821-1E C…
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8821-1E Composed by John Conahan. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8821-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8821-1E). English.John Conahan's art songs are unique expressions that enable us to understand and explore many things simultaneously. In this collection, you will find settings of texts that speak genuinely to express our shared thoughts and questions, expressing in song why a particular poet’s work may mirror our own tragedies and triumphs.Contents:The Warm Deeps of the Sky:
$3.00
2.74 €
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Voix Soprano, Piano
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John Conahan
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The Gift
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
MANCINI Francesco: Ingoiatelo, aria from solo cantata "L'Arianna", - Voice and Piano (F m
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869009 Composed by Fr…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869009 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #6326645. Published by Really Good Music, LLC. (A0.869009). Ingoiatelo is an Aria 3 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F major (C4 – A5) for high voice.
$5.95
5.44 €
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Voix Soprano, Piano
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Ingoiatelo, aria from solo cantata "L'Arianna", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868943 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868943 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033541. Published by Really Good Music, LLC. (A0.868943). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
5.44 €
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Voix Soprano, Piano
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
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Really Good Music, LLC.
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SheetMusicPlus
Jacopo MELANI: Bionde chiome, aria from the opera "Il Girello", - Voice and Piano (B mino
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868735 Composed by Ja…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4409121. Published by Really Good Music, LLC. (A0.868735). Bionde chiome is an aria from the opera (dramma musicale burlesco) Il Girello, composed in 1668 by Jacopo MELANI (1623 – 1676). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E4 – G5) for high voice.
$5.95
5.44 €
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Voix Soprano, Piano
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Jacopo MELANI
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Sergei PICHUGIN
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Jacopo MELANI: Bionde chiome, aria from the opera "Il Girello", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
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