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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Minute By Minute
Non classifié
7 288
Piano & claviers
Piano seul
2 363
Piano, Voix
476
Orgue
448
Piano Facile
232
Piano, Voix et Guitare
188
1 Piano, 4 mains
132
Instruments en Do
123
Piano Trio: piano, violon, violoncelle
89
2 Pianos, 4 mains
61
Orgue, Trompette (duo)
38
Clavecin
30
Accompagnement Piano
15
Orgue, Piano (duo)
15
Accordéon
15
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
10
2 Accordéons
7
Piano Quatuor: piano, 2 violons, violoncelle
7
2 Pianos, 8 mains
5
Orgue, Voix
4
Piano (partie séparée)
4
1 Piano, 6 mains
4
Fake Book
2
Ensemble d'Accordéons
2
Piano grosses notes
1
Clavier
1
+ 21 instrumentations
Retracter
Guitares
Guitare
201
Guitare notes et tablatures
117
Ligne De Mélodie, (Paroles) et Accords
49
2 Guitares (duo)
39
Basse electrique
25
Mandoline
10
Ukulele
10
Paroles et Accords
7
Dulcimer
6
4 Guitares (Quatuor)
6
3 Guitares (trio)
5
Banjo
4
Guitare, Quatuor à cordes
4
Ensemble de guitares
3
Guitare (partie séparée)
3
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
2
Guitare, Orchestre
2
Guitare, Violon, Violoncelle (trio)
1
Basse électrique (partie séparée)
1
Dobro
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
1 715
Chorale TTBB
437
Chorale 3 parties
336
Chorale 2 parties
110
Voix Soprano, Piano
109
Chorale SSAA
102
Chorale Unison
81
Chorale SSAATTBB
65
Voix Baryton, Piano
42
Chorale
40
Voix haute
37
Voix Tenor, Piano
35
Voix moyenne, Piano
34
Chorale SSATTB
32
Voix basse, Piano
29
Voix duo, Piano
21
Voix Mezzo-Soprano, Piano
19
Chorale SSATB
16
Soli, choeur mixte et accompagnement
15
Voix Alto, Piano
15
Voix haute, Piano
8
Voix duo
6
Voix seule
5
Voix Soprano, Orchestre
5
Voix Tenor
3
Voix Soprano
3
Chorale SSAATB
3
Voix basse
3
Chorale SATBB
1
Voix duo, Orgue
1
Chorale SATTBB A Cappella
1
Voix, Guitare
1
+ 27 instrumentations
Retracter
Vents
2 Saxophones (duo)
877
2 Clarinettes (duo)
429
Saxophone, Clarinette (duo)
414
Flûte traversière et Piano
375
2 Flûtes traversières (duo)
354
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
307
Clarinette et Piano
304
Saxophone Alto et Piano
303
Clarinette, Violon (duo)
277
Hautbois, Piano (duo)
272
Quatuor de Clarinettes: 4 clarinettes
252
Quatuor de Saxophones: 4 saxophones
251
Clarinette, Trompette (duo)
239
Clarinette
200
2 Hautbois (duo)
193
Flûte, Clarinette (duo)
192
Flûte traversière
170
Flûte, Hautbois, Clarinette, Basson
157
Saxophone Tenor et Piano
149
Hautbois, Clarinette (duo)
144
Hautbois, Basson (duo)
143
Flûte, Violon
142
Hautbois, Flûte
141
Clarinette et Alto
140
Flûte, Saxophone (duo)
135
Flûte, Trompette (duo)
111
Flûte, Alto (duo)
109
Quatuor de Flûtes : 4 flûtes
104
Saxophone Soprano et Piano
94
Ensemble de Flûtes
92
Saxophone (partie séparée)
89
Hautbois (partie séparée)
86
Saxophone Alto
80
Ensemble de Clarinettes
76
2 Flûte à bec (duo)
70
Trio de Flûtes: 3 flûtes
68
3 Clarinettes (trio)
68
Saxophone Tenor
67
Quintette de Saxophone: 5 saxophones
62
Quintette de Clarinettes: 5 clarinettes
53
3 Saxophones (trio)
48
Clarinette Basse, Piano
46
Saxophone Baryton, Piano
45
Flûte à bec Soprano
36
Ensemble de saxophones
34
Clarinette (partie séparée)
24
Cor Anglais
23
Cor anglais, Piano
22
Hautbois, Clarinette, Basson (trio d'anches)
21
Flute (partie séparée)
20
Flûte et Guitare
20
3 Flûtes à bec (trio)
19
Quatuor de Flûtes à bec
18
2 Clarinettes, Piano
17
Flûte, Clarinette et Basson
14
Flûte, Clarinette, Piano (trio)
14
Quintette de Flûte : 5 flûtes
14
Flûte traversière, Orgue (duo)
13
Flûte, Violoncelle, Piano (trio)
13
Clarinette, Trombone (duo)
12
Flûte à bec Alto
12
Flûte, Violon, Piano
12
Flûte à bec Alto, Piano
11
2 Flûtes traversières, Piano
11
Ensemble à vent
10
Hautbois
10
Clarinette, Orchestre
9
Flûte, Hautbois (duo)
9
Clarinette, Violoncelle (duo)
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
Flûte, Violoncelle
8
Flûte à bec Soprano, Piano
8
Ensemble De Flûte à bec
8
Flûte traversière, Orchestre
7
Flûte, Violon et Violoncelle
7
3 Hautbois
6
2 Cors Anglais Et Pianoforte
6
Clarinette Basse
6
Flûte à bec Tenor
6
Piccolo
6
Clarinette, Basson, Piano (trio)
5
Flûte, Hautbois, Clarinette (trio)
5
5 Flûtes à bec
5
Clarinette, Basson (duo)
5
Flûte, Hautbois, Basson
4
Flûte à Bec
4
Flûte, Hautbois, Piano (trio)
4
2 Flûtes à bec, Piano
4
Hautbois, violon (duo)
4
Hautbois, Quatuor à cordes
4
Flûte à Bec, Piano
4
Clarinette, Harpe (duo)
3
4 Hautbois
3
Flûte, Basson et Piano
3
Clarinette, Alto et Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Contrebasse (duo)
3
Flûte et Quatuor à Cordes
3
Clarinette, Orgue
2
Flûte traversière, Basse continue
2
Flute, Cor (duo)
2
Flûte, Violon, Guitare
2
Hautbois, Guitare (duo)
2
Flûte, Trombone (duo)
2
Saxophone et Orgue
2
Hautbois et Orchestre
2
Hautbois, Orgue
2
Saxophone
2
Hautbois, Basson et Piano
2
Saxophone Soprano
2
Piccolo, Piano
2
Flûte, alto et harpe
2
Flute, harpe et violon
1
Flûte à bec, Harpe
1
2 Saxophones, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Tuba
1
Clarinette, Guitare (duo)
1
Flûte et Trio à cordes
1
2 clarinettes, 2 bassons
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cornemuse
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 Clarinettes, Basson
1
Harmonica
1
Flûte irlandaise
1
Hautbois, Violon, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 124 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
474
Trompette, Saxophone (duo)
288
Trombone et Piano
243
2 Trompettes (duo)
176
Cor et Piano
174
2 Trombones (duo)
174
Trompette
166
Trompette, Piano
155
Trompette, Trombone (duo)
151
Quatuor de Cuivres : 2 trompettes, trombone, tuba
119
Tuba et Piano
113
Ensemble de Trombones
106
Euphonium, Piano (duo)
105
Quatuor de cuivres: 4 trombones
98
Trombone
83
Trompette (partie séparée)
68
Trombone (partie séparée)
67
Cor
58
Quatuor de cuivres: 4 cors
46
2 Cors (duo)
38
Quatuor de Cuivres
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Cor Anglais
23
Cor anglais, Piano
22
Tuba
22
3 Trombones (trio)
18
4 Tubas
17
Trio de Cuivres
16
Euphonium
14
Trombone basse
14
2 Euphoniums (duo)
12
Cornet et Piano
12
Trombone basse et Piano
12
3 Trompettes (trio)
11
Euphonium, Tuba (duo)
10
Cor (partie séparée)
9
2 Euphoniums et 2 Tubas
8
Ensemble de Trompettes
8
Ensemble de Cors
8
Quatuor de cuivres: 4 trompettes
8
Trombone, Orgue
8
2 Cors Anglais Et Pianoforte
6
3 Tubas (trio)
6
Trombone et orchestre
5
Tuba (partie séparée)
5
Trompette, Cor (duo)
4
Cor et Orgue
4
Trombone, Tuba (duo)
3
Trompette, violon (duo)
3
2 Tubas (duo)
3
3 Cors (trio)
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
3
Trompette, Orchestre
2
Ensemble de Tubas
2
3 Euphoniums
2
Cor, Tuba (duo)
2
Cor et Harpe
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor, Orchestre
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
Cornet et orchestre
1
4 Euphoniums
1
Tuba ou Euphonium ou Saxhorn
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
894
Violon et Piano
537
Violoncelle, Piano
369
Violon, Violoncelle (duo)
326
Violon
321
Alto, Piano
259
Violon (partie séparée)
259
2 Violons (duo)
240
2 Violoncelles (duo)
231
Violon, Alto (duo)
220
Violoncelle
214
2 Altos (duo)
180
Trio à Cordes: violon, alto, violoncelle
134
Alto seul
124
Alto (partie séparée)
123
Alto, Violoncelle (duo)
99
Harpe
96
Trio à Cordes: 2 violons, violoncelle
40
Violoncelle (partie séparée)
39
Trio à cordes: 3 violins
25
4 Violoncelles
22
Contre Basse
22
Harpe, Flûte (duo)
22
Trio à cordes
19
Violon, Orgue
19
Violoncelle, Orchestre
19
Contrebasse, Piano (duo)
18
Contrebasse (partie séparée)
17
Alto et Harpe
17
Trio à Cordes: 3 violoncelles
17
Harpe, Violoncelle (duo)
16
Harpe, Violon (duo)
15
Violoncelle, Orgue
14
Violon, Guitare (duo)
13
Alto et orchestre
10
Trio à cordes: 3 altos
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Piano Trio: Violon, Alto, Piano
10
Quatuor à cordes : 4 altos
7
Ensemble de Violoncelles
7
Violoncelle, Contrebasse (duo)
6
Alto, Orgue
5
Quatuor à cordes: 4 violons
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Voix
3
Violoncelle , Guitare (duo)
3
2 Altos, Piano
2
2 Violons et Basse continue
2
Harpe et Piano
2
2 Violons, Piano
2
Flûte, Contrebasse (duo)
2
2 Harpes (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto et Basson
1
Harpe (partie séparée)
1
4 Contrebasses
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre
754
Orchestre d'harmonie
538
Orchestre à Cordes
456
Ensemble de cuivres
368
Orchestre de chambre
253
Cloches
153
Ensemble Jazz
83
Fanfare
68
Batterie
42
Ensemble de Percussions
36
Jazz combo
23
Piano et Orchestre
21
Orchestre, Violon
18
Percussion (partie séparée)
16
Marimba
12
Percussion
8
Vibraphone
7
Quintette à Vent
5
Batterie (partie séparée)
5
Xylophone
3
Timbales (partie séparée)
2
Caisse Claire
2
Voix Mezzo-Soprano, Orchestre
2
Big band
1
Xylophone, Piano
1
Marimba, Piano (duo)
1
2 Xylophones
1
Orchestre Symphonique
1
Marimba et Orgue
1
3 Percussions
1
+ 25 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Voix Soprano, Piano
Partitions à imprimer
109 partitions trouvées
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101
Six Songs for Soprano and Piano after Poems by Kenneth Patchen
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Voix Soprano, Piano
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AVANCÉ
#
Richard St
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Six Songs for Soprano and Pian
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.939816 Composed by Richard St. Clair. 20th Century,Contemporary. 29 pages. Richard St. Clair #4777713. Publ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.939816 Composed by Richard St. Clair. 20th Century,Contemporary. 29 pages. Richard St. Clair #4777713. Published by Richard St. Clair (A0.939816). Six dynamically expressionist and expressive songs on the modernist poems by Kenneth Patchen, total duration ca 10 minutes.
$24.95
Truth, A Song for Soprano and Piano (Poem by Muriel Rada)
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Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Richard St
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Truth, A Song for Soprano and
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.939877 Composed by Richard St. Clair. 20th Century,Concert,Holiday,Wedding. 7 pages. Richard St. Clair #634...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.939877 Composed by Richard St. Clair. 20th Century,Concert,Holiday,Wedding. 7 pages. Richard St. Clair #6348601. Published by Richard St. Clair (A0.939877). This song, under 3 minutes duration, is completely tonal, and the feeling is celebratory. The poem, Truth, is by the Nebraska poet, Muriel Rada.
$12.99
Five Poems by Friedrich Rückert
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Voix Soprano, Piano
#
Classique
#
Richard Strauss
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Five Poems by Friedrich Rü
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Fürstner Musikverlag - Digital
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SheetMusicPlus
Soprano voice and piano - SKU: S9.Q50019 No. 4 The Dawn (Bb major). Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 46/...
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Soprano voice and piano - SKU: S9.Q50019 No. 4 The Dawn (Bb major). Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 46/4. Duration 3 minutes. Fürstner Musikverlag - Digital #Q50019. Published by Fürstner Musikverlag - Digital (S9.Q50019). Key: B flat major. German • English.
$6.99
Shimmerwords and Idle Songs
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Voix Soprano, Piano
#
AVANCÉ
#
Kenneth Hesketh
#
Shimmerwords and Idle Songs
#
Schott Music - Digital
#
SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6613 (Selected Poems of the Tang Dynasty). Composed by Kenneth Hesketh. This edition: Sheet music....
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Soprano voice and piano - difficult - SKU: S9.Q6613 (Selected Poems of the Tang Dynasty). Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 18 minutes. Schott Music - Digital #Q6613. Published by Schott Music - Digital (S9.Q6613). English.Composed in 2007 for the Leeds Lieder festival, Hesketh's Shimmerwords and Idle Songs for soprano and piano is a 18 minute song cycle made up of six songs in four sections. The text is taken from a collection of Chinese poetry from the 8th and 9th centuries which cover various subjects from nature and travel to life itself. The music is both colourful and direct with an abundance of humour and clarity.
$25.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Night-Leaves, a Song for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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Night-Leaves, a Song for Sopra
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939815 Composed by Richard St. Clair. 20th Century,Concert. 7 pages. Richard St. Clair #4776077. Published ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939815 Composed by Richard St. Clair. 20th Century,Concert. 7 pages. Richard St. Clair #4776077. Published by Richard St. Clair (A0.939815). This 2-minute neo-impressionistic song is a sentimental setting of a short poem by William C. Mullen. It was composed in the winter of 1969.
$12.95
TO HEAR AN ORIOLE SING for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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TO HEAR AN ORIOLE SING for Sop
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939904 Composed by Richard St. Clair. 20th Century,Concert,Contemporary,Holiday,Wedding. 6 pages. Richard S...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939904 Composed by Richard St. Clair. 20th Century,Concert,Contemporary,Holiday,Wedding. 6 pages. Richard St. Clair #6684759. Published by Richard St. Clair (A0.939904). This 2-minute song is a setting of Emily Dickinson's poem by that title. It was originally composed in 1964 but was for decades lost: reconstructed from memory and re-arranged in 2022. Completely traditional lieder style, suitable for almost any occasion.
$8.99
Tasty Other: A Dramatic Song Cycle for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Victor Labenske
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Katie Manning, poet
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Tasty Other: A Dramatic Song C
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Labenske Music Services
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SheetMusicPlus
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, poet. 20th Centu...
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Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, poet. 20th Century,Broadway,Contemporary,Jazz. Score and parts. 58 pages. Labenske Music Services #6285603. Published by Labenske Music Services (A0.844203). Veteran composer and arranger, Victor Labenske, (ASCAP), weaves together the award-winning poetry of Katie Manning to create a dramatic song cycle, with speaking and singing parts for both soloist and accompanist who serve as actors in a musical theatre inspired cycle that joins both classical and popular styles. The 22 minute work with 9 songs, explores feelings of a mother-to-be and young mother dealing with pregnancy and birth in both humorous and touching ways.Appropriate for recital settings; songs may be used independently of the cycle as well. YouTube playlist: https://youtube.com/playlist?list=PLeFVMSU4Y57wZ4lm-zl1_xpeNZKyNSSJ0 VictorLabenske.comKatieManningPoet.com
$19.99
ARISE, SHINE (Isaiah 60:1-3) for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Richard St
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ARISE, SHINE
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.939907 Composed by Richard St. Clair. 20th Century,Contemporary,Praise & Worship. 4 pages. Richard St. Clai...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.939907 Composed by Richard St. Clair. 20th Century,Contemporary,Praise & Worship. 4 pages. Richard St. Clair #6705475. Published by Richard St. Clair (A0.939907). This 2-minute peaceful song will find itself appropriate in Church as an Offertory as well as in concert.
$8.99
GREAT IS THE LORD for Soprano and Piano (Psalm 40)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Richard St
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GREAT IS THE LORD for Soprano
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939909 Composed by Richard St. Clair. 20th Century,Contemporary,Praise & Worship,Sacred. 10 pages. Richard ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939909 Composed by Richard St. Clair. 20th Century,Contemporary,Praise & Worship,Sacred. 10 pages. Richard St. Clair #6705485. Published by Richard St. Clair (A0.939909). This 3 1/2-minute song will work nicely in both worship and concert settings.
$8.99
The Primal Vow (Buddhist), for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Richard St
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The Primal Vow
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.939838 Composed by Richard St. Clair. Contemporary,Praise & Worship,Sacred. 4 pages. Richard St. Clair #531...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.939838 Composed by Richard St. Clair. Contemporary,Praise & Worship,Sacred. 4 pages. Richard St. Clair #5310233. Published by Richard St. Clair (A0.939838). This ca. 3-minute song sets to music the Primal Vow of Amida Buddha, the Buddha of Infinite Light and Life. The text is found in the Sutra on the Buddha of Infinite Life, also called the Larger Sukhavati-vyuha Sutra. Here is the full text:
$10.00
AND THEY SHALL PROPHESY for Soprano and Keyboard
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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AND THEY SHALL PROPHESY for So
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Richard St. Clair
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Piano,Voice - Level 4 - SKU: A0.939905 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Sacred. Score...
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Small Ensemble Harpsichord,Organ,Piano,Voice - Level 4 - SKU: A0.939905 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Sacred. Score and parts. 9 pages. Richard St. Clair #6694509. Published by Richard St. Clair (A0.939905). This 4-minute song is a setting of Acts 2:16-21, the words of St. Peter on the occasion of the Pentecost. The style is completely tonal and traditional, suitable for church and/or concert venues.
$8.99
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Richard St
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A Night-Piece for Mezzo-Sopran
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richa...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
Poems of Queen Mary Stuart
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Voix Soprano, Piano
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AVANCÉ
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Robert Schumann
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Robert Schumann
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Aribert Reimann
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Poems of Queen Mary Stuart
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edi...
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Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
One Day (song)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Henryk Pachulski
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Haydn Reeder
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One Day
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Haydn Reeder
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.953827 Composed by Henryk Pachulski. Arranged by Haydn Reeder. Pop,Romantic Period. 4 pages. Haydn Reeder #...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.953827 Composed by Henryk Pachulski. Arranged by Haydn Reeder. Pop,Romantic Period. 4 pages. Haydn Reeder #3210567. Published by Haydn Reeder (A0.953827). With words by Fiona McEwan, the score is a song for female voice and piano/keyboard. It's based on the Prelude Opus 8 Nr 5 for piano by Pachulski and I have simplified the accompaniment to reveal the basic harmonies. It's quite short, lasting about 2 minutes and I presume it would suit a pop singing voice, or a singer who can imitate that sort of voice.
$4.00
The exploding Head
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Voix Soprano, Piano
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AVANCÉ
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edi...
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Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
O Mio Babbino Caro - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Puccini, Giaccomo
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Anne Christopherson GRSM ARCM
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Piano
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O Mio Babbino Caro - Voice and
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Music-Scores.com
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.722177 Composed by Puccini, Giaccomo. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,Love,Opera...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.722177 Composed by Puccini, Giaccomo. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,Wedding. 4 pages. Music-Scores.com #6013137. Published by Music-Scores.com (A0.722177). O Mio Babbino Caro, from the comic opera Gianni Scicchi. Lauretta is pleading with her father to patch up the bad feeling with the family of her true love.For Voice & Piano.Duration 2 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
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