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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
More And More - Timpani
Non classifié
11 005
Piano & claviers
Piano, Voix
13 029
Piano seul
6 493
Piano grosses notes
3 306
Piano Facile
2 550
Piano, Voix et Guitare
1 937
Orgue
1 877
Instruments en Do
389
1 Piano, 4 mains
245
Accompagnement Piano
110
Piano Trio: piano, violon, violoncelle
104
2 Pianos, 4 mains
97
Accordéon
93
Clavier
65
Piano (partie séparée)
30
Piano Quatuor: piano, violon, alto, violoncelle
29
Orgue, Trompette (duo)
15
Piano Quatuor: piano, 2 violons, violoncelle
10
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Clavecin
9
Orgue, Piano (duo)
6
Orgue, Voix
3
2 Pianos, 8 mains
3
1 Piano, 6 mains
2
Ligne De Mélodie, Piano
2
Accordéon, Voix
1
2 Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 426
Guitare
629
Ligne De Mélodie, (Paroles) et Accords
451
Ukulele
201
Paroles et Accords
160
2 Guitares (duo)
136
Basse electrique
123
Mandoline
58
Dulcimer
38
Banjo
35
Guitare (partie séparée)
34
4 Guitares (Quatuor)
27
Ensemble de guitares
26
Piano, Guitare (duo)
24
3 Guitares (trio)
14
2 Ukuleles
9
Ukulele Baryton
6
Mandoline, Guitare (duo)
4
Dobro
4
Guitare Pedal Steel
2
Guitare, Violon, Violoncelle (trio)
2
Basse électrique (partie séparée)
1
2 Dulcimers (duo)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
2 526
Chorale 3 parties
845
Chorale TTBB
607
Chorale SSAA
506
Chorale Unison
474
Chorale 2 parties
461
Pack Instrumental pour Chorale
177
Voix seule
172
Voix duo, Piano
82
Voix haute
56
Voix Soprano, Piano
46
Voix duo
45
Voix Alto, Piano
31
Voix Baryton, Piano
22
Voix moyenne, Piano
19
Voix Tenor, Piano
17
Chorale
15
Voix basse, Piano
11
Chorale SSAATTBB
9
Voix Soprano, Orchestre
5
Voix Tenor
5
Voix Soprano
5
Chorale SSAB a cappella
4
Voix basse
4
Chorale SSATTB
4
Chorale SSAB, Piano
3
Chorale SSATB
2
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Chorale SAATB A Cappella
1
Chorale SATTB
1
Voix, Guitare
1
Voix Baryton
1
Voix Moyenne
1
+ 29 instrumentations
Retracter
Vents
2 Saxophones (duo)
1 265
Flûte traversière et Piano
960
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
737
Quatuor de Saxophones: 4 saxophones
715
Clarinette et Piano
629
2 Clarinettes (duo)
624
2 Flûtes traversières (duo)
573
Saxophone Alto et Piano
563
Hautbois, Piano (duo)
559
Clarinette
543
Flûte, Hautbois, Clarinette, Basson
501
Flûte traversière
479
Quatuor de Clarinettes: 4 clarinettes
454
Saxophone, Clarinette (duo)
433
Saxophone Tenor et Piano
394
Saxophone Soprano et Piano
367
Saxophone Alto
366
Saxophone (partie séparée)
359
Clarinette, Violon (duo)
346
Quintette de Saxophone: 5 saxophones
335
Flûte, Clarinette (duo)
290
Saxophone Tenor
283
2 Hautbois (duo)
282
Clarinette, Trompette (duo)
266
Saxophone Baryton, Piano
239
Hautbois, Basson (duo)
224
Hautbois (partie séparée)
219
Hautbois, Clarinette (duo)
211
Flûte, Violon
181
Clarinette et Alto
177
3 Saxophones (trio)
175
Flûte, Alto (duo)
168
Ensemble de saxophones
155
Flûte, Saxophone (duo)
153
Quatuor de Flûtes : 4 flûtes
147
Hautbois, Flûte
133
Hautbois
127
Flûte, Trompette (duo)
123
Cor anglais, Piano
116
3 Clarinettes (trio)
114
Ensemble de Flûtes
109
Ensemble de Clarinettes
106
Quintette de Clarinettes: 5 clarinettes
104
2 Flûte à bec (duo)
94
Saxophone Soprano
93
Clarinette (partie séparée)
93
Trio de Flûtes: 3 flûtes
85
Saxophone
83
Quintette de Flûte : 5 flûtes
77
Clarinette Basse, Piano
76
Clarinette, Basson (duo)
68
Flûte à Bec
66
Flûte et Guitare
66
Flûte à bec Soprano
58
Flûte, Violoncelle
58
Hautbois, Clarinette, Basson (trio d'anches)
55
Flute (partie séparée)
51
Flûte, Clarinette et Basson
43
Hautbois, Violoncelle
43
Flûte à bec Tenor
42
Clarinette, Violoncelle (duo)
41
Flûte, Hautbois (duo)
39
2 Flûtes traversières, Piano
38
Saxophone Baryton
36
Ensemble De Flûte à bec
36
Flûte à bec Alto
33
Hautbois et alto (duo)
33
Flûte, Hautbois, Clarinette (trio)
31
Quatuor de Flûtes à bec
30
Hautbois, violon (duo)
30
Flûte, Violon, Piano
28
Cor Anglais
28
Flûte à bec Alto, Piano
28
Flûte à bec Soprano, Piano
27
Piccolo, Piano
25
Harmonica
23
Flûte à Bec, Piano
19
3 Flûtes à bec (trio)
18
Clarinette, Guitare (duo)
18
Flûte, Clarinette, Piano (trio)
17
Flûte, Tuba (duo)
17
Clarinette, Tuba
14
Clarinette, Trombone (duo)
14
Hautbois, trombone (duo)
14
Flûte, Trombone (duo)
13
Ocarina
12
Flûte, Violoncelle, Piano (trio)
12
Hautbois, Guitare (duo)
12
Saxophone et Guitare
11
2 Clarinettes, Piano
11
3 Hautbois
10
Flûte, Hautbois, Basson
10
Instruments en Mib
10
5 Flûtes à bec
10
Flûte, Clarinette, Cor, Basson (Quartet)
9
Flûte, Basson et Piano
9
4 Hautbois
8
Flûte irlandaise
8
2 Saxophones, Piano
8
Flûte, Hautbois, Piano (trio)
8
Flûte, Violon et Violoncelle
7
Hautbois, Violin, Alto et Violoncelle (Quatuor)
6
Saxophone et Orgue
5
Flûte et Trio à cordes
5
Hautbois, Basson et Piano
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Flûte, Alto et Piano
4
Clarinette Basse
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette, Alto et Piano (trio)
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Hautbois, Clarinette et Piano (Trio)
3
Piccolo
2
Ensemble à vent
2
Clarinette, Harpe (duo)
2
Clarinette, Basson, Piano (trio)
2
Hautbois, Violoncelle et Piano
2
Flûte, Violoncelle, Guitare
2
2 Flûtes traversières, Guitare
2
2 Clarinettes, Basson
2
Flûte traversière, Orgue (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à bec, Guitare (duo)
1
Flûte à bec Alto, Basse continue
1
2 Hautbois, Piano
1
Flûte traversière, Orchestre
1
Flute, harpe et violon
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone, Basson (duo)
1
Ensemble de Hautbois
1
Cornemuse
1
Cor anglais, Guitare (duo)
1
Flûte, trombone et piano
1
Clarinette, Orgue
1
Flute, Cor (duo)
1
Clarinette, Orchestre
1
Hautbois, Violon, Piano
1
Flûte de Pan
1
Hautbois et Orchestre
1
+ 135 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
847
Trompette
509
Trombone et Piano
506
Trompette, Piano
425
Trombone
348
Cor et Piano
346
Quatuor de Cuivres : 2 trompettes, trombone, tuba
328
2 Trombones (duo)
311
Trompette, Saxophone (duo)
303
2 Trompettes (duo)
260
Cor
243
Tuba et Piano
236
Quatuor de Cuivres: 2 trompettes, Cor, trombone
229
Trompette, Trombone (duo)
228
Trompette (partie séparée)
209
Quatuor de cuivres: 4 cors
208
Trombone (partie séparée)
170
Tuba
143
Quatuor de Cuivres
129
Euphonium, Piano (duo)
122
Cor anglais, Piano
116
2 Cors (duo)
103
Quatuor de cuivres: 4 trombones
101
Ensemble de Cors
70
Cor (partie séparée)
49
Ensemble de Trombones
48
2 Tubas (duo)
48
Ensemble de Trompettes
38
Trompette, Tuba (duo)
37
2 Euphoniums et 2 Tubas
33
Trompette, Cor (duo)
30
Tuba (partie séparée)
28
Cor Anglais
28
Trio de Cuivres
23
Euphonium, Tuba (duo)
22
3 Trombones (trio)
22
Trombone, Violon (duo)
20
3 Trompettes (trio)
18
Trombone, Tuba (duo)
17
2 Euphoniums (duo)
16
Trombone basse et Piano
16
Euphonium
12
Quatuor de cuivres: 4 trompettes
11
Trombone, Cor (duo)
10
Cor, Tuba (duo)
10
Instruments en Sib
10
Bass Clef Instruments
9
4 Tubas
9
Tuba et Orgue
9
Trompette, Violoncelle et Piano
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Cor, Orchestre
5
Trompette, Trombone, Piano
5
4 Euphoniums
4
2 Trompettes, Clavier (piano ou orgue)
4
3 Cors (trio)
4
Trompette, Basson (duo)
4
2 Cors Anglais Et Pianoforte
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Trombone basse
3
Trompette, violon (duo)
3
3 Tubas (trio)
3
Trompette, Violoncelle (duo)
2
Trombone, Orgue
2
Cor, Violoncelle (duo)
2
3 Euphoniums
2
Trompette, Orchestre
1
Cor anglais, Guitare (duo)
1
Trompette et Guitare
1
Cor et Orgue
1
Clarinette, Cor (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trombone et orchestre
1
+ 68 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 288
Violon et Piano
1 088
Violoncelle, Piano
843
Violon
843
Violon, Violoncelle (duo)
706
Alto, Piano
619
Trio à Cordes: violon, alto, violoncelle
537
Violoncelle
503
2 Violons (duo)
432
2 Violoncelles (duo)
376
Violon, Alto (duo)
343
2 Altos (duo)
328
Harpe
310
Quintette à cordes: 2 violons, alto, violoncelle, basse
305
Alto seul
299
Contrebasse, Piano (duo)
262
Contre Basse
164
Trio à Cordes: 2 violons, violoncelle
94
Violon (partie séparée)
86
Alto (partie séparée)
85
Alto, Violoncelle (duo)
81
Contrebasse (partie séparée)
65
2 Harpes (duo)
45
4 Violoncelles
44
Trio à cordes: 3 violins
42
Violon, Basson (duo)
40
2 Contrebasses (duo)
40
Violon, Guitare (duo)
36
Trio à Cordes: 3 violoncelles
35
Violoncelle (partie séparée)
29
Trio à cordes: 3 altos
27
Piano Trio: Violon, Alto, Piano
25
Trio à Cordes: 2 violons, alto
23
Violoncelle, Contrebasse (duo)
22
Violon, Tuba (duo)
22
Quatuor à cordes: 4 violons
21
Violoncelle , Guitare (duo)
21
Quatuor à cordes : 4 altos
20
Violoncelle, Orchestre
13
Harpe, Flûte (duo)
13
Alto, Guitare (duo)
11
Harpe (partie séparée)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Violon, Clarinette, Piano (trio)
8
Harpe, Voix
7
Ensemble d'Altos
7
Harpe, Violon (duo)
6
Ensemble de Violoncelles
6
Ensemble de Violons
6
Violoncelle, Orgue
5
Flûte, Contrebasse (duo)
5
2 Violoncelles, Piano
5
Harpe et mandoline
4
Harpe, Quatuor à cordes
3
3 Contrebasses
3
Violon, Orgue
3
Alto, Orgue
3
Harpe et Piano
2
2 Violons, Piano
2
Alto et Basson
2
Autoharp
2
4 Contrebasses
2
Harpe, Violon, Violoncelle
2
4 Harpes
1
Violoncelle, Basse continue
1
Harpe, Trombone (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Altos, Piano
1
Violon, Basse continue
1
Violon, Violoncelle, Clarinette
1
Alto et Harpe
1
+ 66 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 314
Orchestre
1 068
Ensemble Jazz
853
Orchestre à Cordes
788
Cloches
726
Ensemble de cuivres
392
Jazz combo
254
Orchestre de chambre
253
Fanfare
199
Batterie
188
Ensemble de Percussions
128
Percussion (partie séparée)
46
Marimba
45
Piano et Orchestre
37
Vibraphone
36
Batterie (partie séparée)
27
Xylophone, Piano
27
Orchestre, Violon
19
Xylophone
16
Percussion
12
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Big band
7
Ensemble d'École
6
Instrumentation Flexible
3
Caisse Claire
3
Quintette de Cuivres: autres combinaisons
3
3 Marimbas
2
2 Xylophones
2
Marimba, Piano (duo)
2
Marimba et Orgue
1
Voix et Orchestre
1
Marimba ou Xylophone et Piano
1
Batterie-Fanfare
1
2 Marimbas
1
Vibraphone et Marimba
1
+ 30 instrumentations
Retracter
Autres
Formation musicale - Solfège
87
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Vous avez sélectionné:
More And More - Timpani
Voix Soprano, Piano
Partitions à imprimer
46 partitions trouvées
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1
26
THE BELLS. For voice and piano. High voice.
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Gabriel Ruiz-Bernal
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THE BELLS. For voice and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by Gabriel Ruiz-Bernal (A0.893949). Music set to the poem 'THE BELLS by Edgar Allan Poe (public domain).Award nominated at the 2019 International Edgar Allan Poe Festival. Baltimore, Maryland.1- Silver Bells2- Golden Bells3- Brazen Bells4- Iron BellsMore information about the composition, original poem, perusal score, and The making of 'The Bells' at:https://www.gabrielruizbernal.com/the-bells.html
$9.99
Quando m’en vo - La Bohème (D Major)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Giacomo Puccini
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Jonathan Prentice
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Quando m’en vo - La Boh&
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884803 Composed by Giacomo Puccini. Arranged by Jonathan Prentice. 20th Century,Opera. 5 pages. Jonathan Pr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884803 Composed by Giacomo Puccini. Arranged by Jonathan Prentice. 20th Century,Opera. 5 pages. Jonathan Prentice #5866765. Published by Jonathan Prentice (A0.884803). Musetta sing's this wonderfully flirtatious waltz, When I Go Along, in Act 2 of Puccini's La Bohème, where she delights in causing her jealous ex-lover, Marcello, as much embarrassment as possible. (Here a tone lower than the original, in D Major, more suitable for mezzos and younger sopranos).
$1.99
From the Musical Show "Nauvoo Adventure" about the Martyrdom of the Prophet Joseph Smith and his bro
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Nonie N
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The Composer
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From the Musical Show "Na
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Nonie N. Sorensen
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.916003 Composed by Nonie N. Sorensen. Arranged by The Composer. Folk,Sacred. 2 pages. Nonie N. Sorensen #35...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.916003 Composed by Nonie N. Sorensen. Arranged by The Composer. Folk,Sacred. 2 pages. Nonie N. Sorensen #3532967. Published by Nonie N. Sorensen (A0.916003). Composed by Nonie Sorensen while on a special mission to the Mormon History Cultural Center theaters at Nauvoo, Il. with her husband where they produced and directed daily musical shows during the summer months between 1988 and 2002. the historical show, Nauvoo Adventure was the premier offering and together with the show, Rendezvous in Old Nauvoo were produced to packed audiences for a period of more than 15 years.
$2.50
Crying Oceans (Soprano Solo and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Cody Weinmann
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Crying Oceans
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Cody Weinmann
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.835147 Composed by Cody Weinmann. Contemporary,Standards. 17 pages. Cody Weinmann #5777789. Published by Co...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.835147 Composed by Cody Weinmann. Contemporary,Standards. 17 pages. Cody Weinmann #5777789. Published by Cody Weinmann (A0.835147). This piece was originally written in 2010 and 2011 over a few months. It experiments with moderately advanced string techniques such as wailing slides and highly dissonant and chromatic figures. In the beginning, the piece starts off with a murmuring like that of an ocean and gets more intense as the piece goes on.
$10.99
More Than Just A Friend
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch & Ly
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More Than Just A Friend
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008225 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Latin,Pop. 10 pages. Optimis...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008225 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Latin,Pop. 10 pages. Optimistic Music Company #5354969. Published by Optimistic Music Company (A0.1008225). More Than Just A Friend is an upbeat romantic ballad with a Latin feel from the musical Amber Avenues which is set in 1964. Suitable for general audiences, including high schools and community theatres.
$3.50
LIED DER BAVARIA - Song of Bavaria for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Rainer Fabich
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LIED DER BAVARIA - Song of Bav
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Fajora Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.889791 Composed by Rainer Fabich. Contemporary,Opera,World. 25 pages. Fajora Music #3425841. Published by F...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.889791 Composed by Rainer Fabich. Contemporary,Opera,World. 25 pages. Fajora Music #3425841. Published by Fajora Music (A0.889791). Funny and ironic song of the huge statue and symbol Bavaria, atop the Theresienwiese, where the Oktoberfest in Munich takes place every year. It contains elements of the folk song Erherzog-Johann-Jodler. Orginalversion (bavarian/german language) from the CD Rainer Fabich z-Minga III (Music for Munich). For sopran, piano and special effects in G-major and F-major version. Popular from tv- and radiobroadcasts and live concerts. Score and parts 24 pages. Duration: ca. 4:30 min Music of the famous bavarian/german composer Rainer Fabich. More informations and audiofiles: www.rainer-fabich.de, www.fajora.com, itunes, amazon and CDbaby.
$11.95
Time Arranged for Soprano soloist and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Salvador Rojo Gamón
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Salvador Rojo Gamón
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Strings. 
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Time Arranged for Soprano solo
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Salvador Rojo-Gamon
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemp...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
Whales Weep Not! - setting for soprano and piano
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Voix Soprano, Piano
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Samuel Stokes, D
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Whales Weep Not! - setting for
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SamuelStokesMusic.com
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.562734 Composed by Samuel Stokes, D.H. Lawrence. 20th Century,Concert,Contemporary. 3 pages. SamuelStokesMusic.com #6067...
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High Voice,Vocal Solo - SKU: A0.562734 Composed by Samuel Stokes, D.H. Lawrence. 20th Century,Concert,Contemporary. 3 pages. SamuelStokesMusic.com #6067115. Published by SamuelStokesMusic.com (A0.562734). This is a setting for soprano and piano accompaniment based on an excerpt from the D.H. Lawrence poem Whales Weep Not! Learn more about the composer Samuel Stokes at https://www.SamuelStokesMusic.com.
$4.99
Gli sguardi trattieni
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Voix Soprano, Piano
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Christoph Willibald von Gluck
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Wolfgang Birtel
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Gli sguardi trattieni
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Schott Music
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SheetMusicPlus
'Aria di Amore' from 'Orfeo ed Euridice'. Composed by Christoph Willibald von Gluck (1714-1787). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Cop...
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'Aria di Amore' from 'Orfeo ed Euridice'. Composed by Christoph Willibald von Gluck (1714-1787). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. 5 pages. Published by Schott Music (S9.Q13878). - - - Schott Music
$3.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Victory
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Voix Soprano, Piano
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AVANCÉ
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Maria Thompson Corley
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Victory
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.845963 Composed by Maria Thompson Corley. Concert,Contemporary. 13 pages. Maria Thompson Corley #6871033. P...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.845963 Composed by Maria Thompson Corley. Concert,Contemporary. 13 pages. Maria Thompson Corley #6871033. Published by Maria Thompson Corley (A0.845963). Victory begins starkly, in keeping with the text by Susanna Musser, which talks about standing nakedly in front of gazing eyes, then being approached and harassed by cruelty, whose attempts to beat [her] up and beat [her] down are overcome by love, which leaves her instead softer, more playful, and more fiercely tender. Love has won!.
$9.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Peace on Earth
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Voix Soprano, Piano
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Juliana Hall
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Peace on Earth
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.9230-E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #9230-E. Publ...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.9230-E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #9230-E. Published by E. C. Schirmer Music Company - Digital (MQ.9230-E). English.Peace on Earth was commissioned by Richard Lee and Karen Lerner as a gift for their daughter, Katherine Lerner Lee, a beautiful soprano. My husband and I had known Richard and Karen from our time as fellow graduate students at the Yale School of Music; Richard had studied composition and Karen piano, both very talented musicians and lovely people, so I was touched to be asked and very happy to write Peace on Earth as a gift for their daughter Katie, who was graduating from Oberlin Conservatory. Katie patiently waited out the coronavirus pandemic and on April 16, 2023 she and pianist Nomin Samdan premiered Peace on Earth on her masters degree recital at the Bard College Conservatory, where she was wrapping up her studies in the Vocal Arts Program. She wrote about Peace on Earth in her recital program notes that, “Hall responds to Williams’ catalog of constellations through slowly shifting harmonies and smooth, swung rhythms. The composer imagines the night sky as though one is dreaming it, ‘...whether it’s really up there above us or just taking place within the sleeping person’s soul.’ Through this luscious song, we are invited to daydream collectively and to come into a more unified consciousness.â€.
$10.95
La Périchole's Tipsy Waltz (A quel diner)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jacques Offenbach
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Scott S
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La Périchole's Tipsy Wa
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Pe...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 3 pages. Scott S. Stewart #6622323. Published by Scott S. Stewart (A0.955879). The Tipsy Waltz (Ah! quel diner!) by Jacques Offenbach, from this operetta La Périchole, is a favorite comedic scene that is played for laughs. It has become a favored, character piece on many a mezzo-soprano’s rep list. Alone it stands on its own as a masterful, humorous tour de force. The new English text has been updated and expanded to give more depth of character; and the accompaniment enhanced to provide more color and substance to the musical background. This new arrangement is scored for mezzo-soprano with piano accompaniment. Performance time: 1:45+
$12.99
The Silver Swan
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Voix Soprano, Piano
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Classique
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Apostolos Paraskevas
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The Silver Swan
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Silver Sickle Publications
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SheetMusicPlus
Piano/Vocal/Chords, Soprano Voice, Soprano and Voice - Composed by Apostolos Paraskevas (1964-). Romantic Period, Impressionistic, World, New Age. S...
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Piano/Vocal/Chords, Soprano Voice, Soprano and Voice - Composed by Apostolos Paraskevas (1964-). Romantic Period, Impressionistic, World, New Age. Score. 5 pages. Published by Silver Sickle Publications
I composed this song back in the early nineties while I wasexperimenting with extended tonality. The text of this anonymous poet propelledme to use a more pensive style but without deviating from the romantic style Ihad envision for this song.
The song form isalmost an announcement without repeats or technical remedies for a cyclic formas we mostly are accustomed from the romantic period or in general from songwriting. It is a simple story that was told once.
Dedicated to composer Jakov Jakoulov who made me see that the fineprint of my music.
$5.99
When a Mezzo (x2)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Franz Schubert - Gretchen am Spinnrade Op.2 D.118 piano accompaniment
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Voix Soprano, Piano
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Classique
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Franz Schubert
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Dimitris Anousis
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Franz Schubert - Gretchen am S
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Dimitris Anousis
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1069309 Composed by Franz Schubert. Arranged by Dimitris Anousis. Classical,Concert,Romantic Period,Standards. Accompanime...
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Piano,Soprano voice - SKU: A0.1069309 Composed by Franz Schubert. Arranged by Dimitris Anousis. Classical,Concert,Romantic Period,Standards. Accompaniment. Duration 200. Dimitris Anousis #5711577. Published by Dimitris Anousis (A0.1069309). Gretchen am Spinnrade Op.2 D.118 - Franz Schubert (1797 - 1828). Performed and recorded on an amazing quality Steinway & Sons grand piano by Dimitris Anousis. This is the ideal piano accompaniment of the original classical and well known lieder for soprano. More info & contact: https://www.dimitrisanousis.com/ Feel free to contact me, for your own piano accompaniment for any piece you like. Your comments below are always welcome.
$2.99
Deh vieni, non tardar - Le nozze di Figaro (Eb Major)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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Deh vieni, non tardar - Le noz
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.884866 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 6 pages. Jonath...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.884866 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 6 pages. Jonathan Prentice #5981531. Published by Jonathan Prentice (A0.884866). The beauty of the melody sung by Susanna in this Act 4 aria from Mozart's Marriage of Figaro belies the fact that she is in fact pretty cross with her new husband, Figaro and teases him by pretending to sing to a lover. (Here in Eb Major, a tone lower than the original, more suitable for young sopranos or mezzos).
$1.99
Batti, batti, o bel Masetto - Don Giovanni (Eb Major)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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Batti, batti, o bel Masetto -
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884864 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonath...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884864 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonathan Prentice #5970871. Published by Jonathan Prentice (A0.884864). A contrite Zerlina tries to win back the affection of her simple minded husband in this beautiful aria from Mozart's wonderfully dark and melodramatic opera, Don Giovanni. (Here in Eb Major, a tone lower than the original, more suitable for younger singers).
$1.99
Schwips-lied (The Tipsy Polka)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Scott S
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Schwips-lied
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Pe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 7 pages. Scott S. Stewart #6622319. Published by Scott S. Stewart (A0.955877). The Schwips-Lied ('Tipsy Song') is actually the 'Annen-Polka' (an orchestral polka originally composed by Johann Strauss, ‘Sohn,’ in 1852) with a vocal part added above, inserted in his 1883 operetta, Eine Nacht in Venedig (One Night in Venice). It is sung by a proper Victorian-era woman who finds herself slightly drunk. This arrangement of The Schwips-lied is a masterful, humorous, musical tour de force. The new English text has been updated and expanded to give more depth of character (the girl who wants to be naughty, but still be nice looking for a long drawn out kiss), complete with an extended cadenza. This new arrangement is scored for soprano with piano accompaniment. Performance time: 2:30+
$12.99
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