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Non classifié
1415
PIANO & CLAVIERS
Piano seul
1504
Piano Facile
976
Piano, Voix
410
Piano, Voix et Guitare
174
Accompagnement Piano
72
Instruments en Do
54
Orgue
44
1 Piano, 4 mains
35
Piano Trio: piano, violon, violoncelle
18
Piano grosses notes
6
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
6
Orgue, Trompette (duo)
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
5
Accordéon
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
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Clavier
1
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GUITARES
Guitare notes et tablatures
778
Guitare
94
Ukulele
74
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25
Basse electrique
14
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12
Guitare (partie séparée)
10
4 Guitares (Quatuor)
7
Mandoline
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Dulcimer
5
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Ensemble de guitares
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Banjo
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2 Ukuleles
2
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Mandoline, Guitare (duo)
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VOIX
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Chorale 3 parties
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Voix duo, Piano
37
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31
Chorale SSAA
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Voix duo
18
Voix Alto, Piano
14
Chorale
9
Voix Soprano, Piano
8
Voix seule
7
Voix haute
5
Voix moyenne, Piano
5
Voix Baryton, Piano
4
Voix Tenor, Piano
4
Chorale SSAATTBB
2
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Chorale SSATTB
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Voix basse
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
150
Clarinette et Piano
133
Flûte traversière et Piano
133
Hautbois, Piano (duo)
131
Flûte traversière
128
Clarinette
125
Saxophone Alto et Piano
115
2 Saxophones (duo)
109
Quatuor de Saxophones: 4 saxophones
103
Saxophone (partie séparée)
103
Quintette de Saxophone: 5 saxophones
102
Saxophone Alto
100
Flûte, Hautbois, Clarinette, Basson
80
Saxophone Tenor
78
Saxophone Tenor et Piano
76
Saxophone Soprano et Piano
68
Hautbois (partie séparée)
65
Saxophone Baryton, Piano
52
Hautbois
49
2 Flûtes traversières (duo)
42
Flûte, Clarinette (duo)
39
2 Clarinettes (duo)
39
2 Hautbois (duo)
31
Hautbois, Basson (duo)
28
Saxophone Soprano
27
Ensemble De Flûte à bec
24
Clarinette (partie séparée)
24
3 Saxophones (trio)
24
Saxophone Baryton
23
2 Flûte à bec (duo)
23
Flûte à bec Soprano
22
Harmonica
18
Ocarina
17
Cor Anglais
17
Flute (partie séparée)
16
Quatuor de Clarinettes: 4 clarinettes
16
Clarinette, Basson (duo)
16
Clarinette, Violoncelle (duo)
15
Flûte à bec Alto
14
Flûte, Violon
14
Ensemble de Clarinettes
14
Cor anglais, Piano
13
Flûte, Violoncelle
13
Quintette de Clarinettes: 5 clarinettes
13
Hautbois, Violoncelle
13
Flûte, Hautbois, Clarinette (trio)
12
Clarinette, Violon (duo)
12
Ensemble de saxophones
11
Ensemble de Flûtes
10
Flûte, Clarinette et Basson
9
3 Clarinettes (trio)
8
Flûte à bec Tenor
7
Quintette de Flûte : 5 flûtes
7
Flûte, Alto (duo)
7
Flûte à Bec
7
Clarinette Basse, Piano
7
Clarinette et Alto
7
Flûte et Guitare
6
Saxophone, Clarinette (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Quatuor de Flûtes : 4 flûtes
6
Hautbois et alto (duo)
5
Flûte irlandaise
5
Hautbois, violon (duo)
5
Flûte, Violon, Piano
5
Trio de Flûtes: 3 flûtes
5
Quatuor de Flûtes à bec
4
Clarinette Basse
4
Hautbois, Clarinette (duo)
4
Hautbois, Flûte
4
Flûte, Clarinette, Piano (trio)
3
Flûte, Basson et Piano
3
2 Clarinettes, Piano
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois, Basson
2
Clarinette, Trompette (duo)
2
Piccolo
2
Flûte, Saxophone (duo)
2
2 Saxophones, Piano
2
2 Flûtes traversières, Piano
2
Clarinette, Alto et Piano (trio)
2
2 Hautbois, Piano
2
Hautbois, Violoncelle et Piano
2
Instruments en Mib
2
Hautbois, Basson et Piano
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Clarinette, Basson, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Alto et Piano
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3 Flûtes à bec (trio)
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Clarinette, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Piano (trio)
2
Ensemble de Hautbois
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Harpe (duo)
1
2 Flûtes à bec, Piano
1
5 Flûtes à bec
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Ensemble à vent
1
Piccolo, Piano
1
Clarinette, Contrebasse (duo)
1
Saxophone et Orgue
1
Flûte, Trompette (duo)
1
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CUIVRES
Trompette, Piano
139
Trompette
125
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
113
Cor et Piano
112
Cor
106
Trombone et Piano
105
Trombone
103
Tuba
93
Tuba et Piano
79
Trombone (partie séparée)
57
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette (partie séparée)
49
2 Trompettes (duo)
38
2 Trombones (duo)
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
2 Cors (duo)
30
Trompette, Trombone (duo)
29
Quatuor de Cuivres
23
Trompette, Cor (duo)
22
Euphonium, Piano (duo)
17
Cor Anglais
17
Cor (partie séparée)
15
2 Tubas (duo)
14
Cor anglais, Piano
13
Tuba (partie séparée)
12
Tuba et Orgue
10
Cor, Violoncelle (duo)
8
2 Euphoniums et 2 Tubas
7
Euphonium
7
Quatuor de cuivres: 4 trombones
5
Cor et Basson (duo)
5
Ensemble de Trombones
5
Trio de Cuivres
4
3 Trombones (trio)
4
Trompette, Saxophone (duo)
4
Ensemble de Trompettes
4
2 Trompettes, Clavier (piano ou orgue)
3
4 Tubas
3
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 4 cors
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Cor, Tuba (duo)
2
2 Cors, Piano
2
Instruments en Sib
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Bass Clef Instruments
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3 Trompettes (trio)
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Trompette, Orchestre
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Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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Euphonium, Tuba (duo)
1
Trompette, Tuba (duo)
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3 Tubas (trio)
1
Trombone, Tuba (duo)
1
Trompette, Basson (duo)
1
Trompette, Harpe
1
Instruments en Fa
1
Ensemble de Cors
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Trompette, Violoncelle (duo)
1
Trompette, Trombone, Piano
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3 Euphoniums
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3 Cors (trio)
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2 Euphoniums (duo)
1
Trombone, Orgue
1
Trombone, Cor (duo)
1
Cor et Harpe
1
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CORDES
Violon et Piano
198
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon
163
Violoncelle, Piano
151
Alto, Piano
143
Violoncelle
126
Alto seul
103
Contre Basse
87
Contrebasse, Piano (duo)
77
Quintette à cordes: 2 violons, alto, violoncelle, basse
69
Violon, Violoncelle (duo)
57
2 Violons (duo)
52
Harpe
47
Violon, Alto (duo)
45
2 Violoncelles (duo)
37
2 Altos (duo)
33
Alto (partie séparée)
22
Violon, Basson (duo)
22
Trio à Cordes: violon, alto, violoncelle
19
Contrebasse (partie séparée)
14
Piano Trio: Violon, Alto, Piano
12
Violon (partie séparée)
12
Alto, Violoncelle (duo)
11
Trio à Cordes: 2 violons, violoncelle
9
2 Contrebasses (duo)
9
Alto et Basson
8
Violoncelle, Contrebasse (duo)
7
Violoncelle (partie séparée)
6
Violon, Clarinette, Piano (trio)
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Harpes (duo)
4
2 Violoncelles, Piano
4
4 Violoncelles
3
Harpe, Voix
3
2 Violons, Piano
2
Harpe, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
Trio à cordes: 3 violins
2
Flûte, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
3 Harpes
1
Violon, Violoncelle, Clarinette
1
Violoncelle , Guitare (duo)
1
Violoncelle, Basse continue
1
Harpe, Flûte (duo)
1
2 Altos, Piano
1
Violon, Guitare (duo)
1
Harpe, Violon (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Violon, Violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
795
Cloches
146
Orchestre à Cordes
108
Orchestre
81
Ensemble de cuivres
53
Ensemble Jazz
52
Orchestre de chambre
27
Jazz combo
24
Fanfare
13
Marimba
12
Percussion (partie séparée)
11
Ensemble de Percussions
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Xylophone
6
Batterie
6
Xylophone, Piano
5
Batterie (partie séparée)
4
Percussion
4
Caisse Claire
2
Timbales (partie séparée)
2
Bodhran
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Vibraphone (partie séparée)
1
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AUTRES
Théorie de la musique
4
Formation musicale - Solfège
1
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Music By Thos
Voix Soprano, Piano
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I Grew In Those Seasons for Soprano Solo and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1004829 Composed by Leslie Klee…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1004829 Composed by Leslie Kleen. Contemporary. 5 pages. Music From Riverside #4805281. Published by Music From Riverside (A0.1004829). I Grew In Those Seasons is a Soprano solo set to the words of Henry Thoreau. It is from a collection called 'WALDEN' (titled after his book about his stay there) which consists of readings and musical settings of words by all by Henry Thoreau. This is one of the sixteen songs from that collection. It is a celebration of Thoreau and Nature. The complete orchestral score as well as a piano-vocal score is also available.
$1.99
1.81 €
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Voix Soprano, Piano
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Leslie Kleen
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I Grew In Those Seasons for Soprano Solo and Piano
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Music From Riverside
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.11 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.7 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.97 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.15 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Man I Love
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.955836 Composed by Ge…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
9.1 €
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Voix Soprano, Piano
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Three Children's Tone Poems
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.852613 Composed by Pa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.852613 Composed by Pat Holmberg. Arranged by Patricia Tanttila Holmberg. Children,Concert,Contemporary. 9 pages. Patricia Tanttila Holmberg #4735813. Published by Patricia Tanttila Holmberg (A0.852613). These are settings of three children's poems by renowned American poet Carl Sandburg. Those poems are very charming, and I tried to capture their moods in music.
$8.95
8.15 €
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Voix Soprano, Piano
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Pat Holmberg
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Patricia Tanttila Holmberg
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Three Children's Tone Poems
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Patricia Tanttila Holmberg
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SheetMusicPlus
The Birds
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
3.63 €
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Voix Soprano, Piano
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
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