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TRI ET FILTRES
Tri et filtres :
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Accompagnement Piano
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1 Piano, 4 mains
26
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20
Orgue
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9
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
60
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49
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Dulcimer
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7
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6
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4
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4
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2
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2
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2
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1
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VOIX
Chorale SATB
178
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32
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21
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17
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17
Voix duo, Piano
7
Chorale SSAA
6
Voix duo
5
Voix Soprano, Piano
3
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3
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
90
2 Saxophones (duo)
71
Flûte traversière et Piano
60
Hautbois, Piano (duo)
59
3 Saxophones (trio)
58
2 Flûtes traversières (duo)
55
Clarinette et Piano
54
Ensemble de saxophones
52
Flûte, Hautbois, Clarinette, Basson
50
Quatuor de Saxophones: 4 saxophones
46
2 Clarinettes (duo)
45
Clarinette
36
Saxophone, Clarinette (duo)
35
Flûte, Hautbois, Clarinette (trio)
32
Saxophone Tenor et Piano
28
Saxophone Alto et Piano
28
Quatuor de Clarinettes: 4 clarinettes
27
3 Clarinettes (trio)
27
Quintette de Saxophone: 5 saxophones
27
Flûte traversière
27
Clarinette, Violon (duo)
25
Ensemble de Clarinettes
25
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22
Flûte, Violon et Violoncelle
21
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21
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19
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19
Hautbois (partie séparée)
18
2 Hautbois (duo)
17
Flûte, Clarinette et Basson
15
Flûte, Violon
15
Flûte, Clarinette (duo)
14
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14
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13
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12
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12
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11
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10
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10
Quatuor de Flûtes : 4 flûtes
10
Hautbois, Flûte
10
Hautbois
7
Saxophone Soprano et Piano
7
2 Clarinettes, Basson
6
Flûte, Violoncelle
6
Flûte, Violon, Piano
5
Clarinette (partie séparée)
5
Quintette de Clarinettes: 5 clarinettes
5
Cor anglais, Piano
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4
2 Flûte à bec (duo)
4
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4
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4
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4
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3
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Clarinette Basse, Piano
3
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3
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2
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
72
Trompette
42
Trombone et Piano
41
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41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Cor et Piano
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
Cor
29
Trompette, Saxophone (duo)
24
Trombone
21
2 Trombones (duo)
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Trombone (partie séparée)
19
2 Trompettes (duo)
19
Tuba et Piano
18
Quatuor de cuivres: 4 trombones
18
Trompette, Trombone (duo)
17
Tuba
16
Ensemble de Trombones
14
Quatuor de Cuivres
13
Ensemble de Trompettes
11
Euphonium, Piano (duo)
11
Trompette (partie séparée)
9
Quatuor de cuivres: 4 trompettes
6
Ensemble de Cors
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Cor (partie séparée)
5
Tuba (partie séparée)
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Cor anglais, Piano
5
Quatuor de cuivres: 4 cors
4
2 Cors (duo)
3
3 Trompettes (trio)
3
Trio de Cuivres
3
Trompette, Violoncelle (duo)
3
Trompette, Basson (duo)
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
2 Tubas (duo)
2
Clarinette, Cor (duo)
1
Trombone basse et Piano
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3 Trombones (trio)
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Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
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Cor, Violoncelle (duo)
1
Euphonium
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Trompette, Euphonium (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
118
Violon et Piano
80
Violon
65
Alto, Piano
59
2 Violons (duo)
39
Violon, Violoncelle (duo)
39
Violoncelle, Piano
38
Violon, Alto (duo)
37
Harpe
26
2 Violoncelles (duo)
25
Trio à Cordes: violon, alto, violoncelle
24
Alto seul
24
Violoncelle (partie séparée)
18
2 Altos (duo)
17
Contrebasse, Piano (duo)
14
Trio à Cordes: 2 violons, violoncelle
14
Contre Basse
11
Violoncelle
10
4 Violoncelles
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Alto (partie séparée)
8
Trio à Cordes: 3 violoncelles
5
Ensemble d'Altos
4
Ensemble de Violons
4
Trio à cordes: 3 violins
4
Violon (partie séparée)
4
Alto et Basson
3
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
3
Contrebasse (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, alto
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violoncelles
2
Violon, Clarinette, Piano (trio)
2
2 Harpes (duo)
2
Violon, Basson (duo)
2
Harpe, Voix
2
2 Violons, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Contrebasses (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Violon, Orgue
1
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1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
110
Orchestre à Cordes
71
Ensemble Jazz
54
Ensemble de cuivres
39
Orchestre
32
Batterie
26
Orchestre de chambre
25
Cloches
14
Ensemble de Percussions
14
Jazz combo
11
Marimba
10
Xylophone, Piano
4
Instrumentation Flexible
4
Percussion (partie séparée)
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Batterie (partie séparée)
2
Xylophone
2
Percussion
1
Timbales (partie séparée)
1
Caisse Claire
1
Fanfare
1
2 Marimbas
1
Piano et Orchestre
1
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AUTRES
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Nat-Ayer
Voix Soprano, Piano
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Blasons anatomiques du corps féminin
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q53430 2. Zyklus
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q53430 2. Zyklus. Composed by Wilhelm Killmayer. This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q53430. Published by Schott Music - Digital (S9.Q53430). French.
$16.99
15.63 €
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Voix Soprano, Piano
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Wilhelm Killmayer
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Blasons anatomiques du corps féminin
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Schott Music - Digital
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.23 €
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Voix Soprano, Piano
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.23 €
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Voix Soprano, Piano
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
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