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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Nico
Non classifié
929
Piano & claviers
Piano seul
1 544
Piano, Voix et Guitare
298
Piano, Voix
273
Orgue
143
Piano Facile
137
Instruments en Do
43
1 Piano, 4 mains
14
Orgue, Trompette (duo)
7
2 Pianos, 4 mains
5
2 Accordéons
5
Accompagnement Piano
5
Orgue, Piano (duo)
5
Accordéon
5
Piano grosses notes
5
Piano Trio: piano, violon, violoncelle
5
Clavecin
4
Piano (partie séparée)
2
Ligne De Mélodie, Piano
2
Tous Les Instruments
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 18 instrumentations
Retracter
Guitares
Guitare
280
Guitare notes et tablatures
112
2 Guitares (duo)
38
Ligne De Mélodie, (Paroles) et Accords
29
Ensemble de guitares
17
Paroles et Accords
17
Ukulele
16
4 Guitares (Quatuor)
14
Basse electrique
10
3 Guitares (trio)
6
Piano, Guitare (duo)
4
Mandoline
3
Banjo
3
Basse électrique (partie séparée)
2
Mandoline, Piano (duo)
1
Mandoline, Guitare (duo)
1
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
245
Voix seule
110
Chorale 3 parties
62
Chorale TTBB
36
Chorale 2 parties
35
Chorale SSAA
30
Pack Instrumental pour Chorale
28
Chorale
19
Voix Soprano, Piano
17
Voix haute
13
Voix duo, Piano
12
Chorale Unison
11
Voix Alto, Piano
4
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
2
Chorale SSAATTBB
1
Voix, Guitare
1
Chorale SSATTB
1
Voix Tenor
1
Voix duo
1
Voix Baryton, Piano
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière
102
Saxophone
93
Clarinette
81
Flûte traversière et Piano
65
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
58
Quatuor de Saxophones: 4 saxophones
58
Saxophone Alto
54
Clarinette et Piano
39
Flûte, Hautbois, Clarinette, Basson
37
Saxophone Alto et Piano
33
Saxophone Tenor
33
Quatuor de Clarinettes: 4 clarinettes
31
Hautbois, Piano (duo)
29
2 Saxophones (duo)
28
Saxophone (partie séparée)
24
Flûte et Guitare
24
Saxophone Tenor et Piano
23
Quatuor de Flûtes : 4 flûtes
19
2 Flûtes traversières (duo)
17
2 Clarinettes (duo)
16
Saxophone Soprano
15
3 Clarinettes (trio)
15
Cor anglais, Piano
12
Saxophone Soprano et Piano
11
3 Saxophones (trio)
10
Trio de Flûtes: 3 flûtes
10
Hautbois (partie séparée)
10
Clarinette (partie séparée)
10
2 Clarinettes, Basson
9
Flûte, Clarinette et Basson
9
Quintette de Clarinettes: 5 clarinettes
9
Quintette de Saxophone: 5 saxophones
8
Flûte, Clarinette (duo)
8
Ensemble de Flûtes
8
Quatuor de Flûtes à bec
8
Flute (partie séparée)
7
Clarinette, Guitare (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Ensemble de Clarinettes
6
Quintette de Flûte : 5 flûtes
4
Flûte, Hautbois, Clarinette (trio)
4
Saxophone Baryton, Piano
4
Hautbois
4
Ensemble de saxophones
4
Flûte, Violon
3
Flûte, Violon, Piano
3
5 Flûtes à bec
3
Clarinette, Basson (duo)
3
Hautbois, Basson (duo)
2
Flûte à bec Soprano
2
Ensemble à vent
2
Cornemuse
2
Hautbois, Clarinette (duo)
2
Flûte à bec Alto
2
Saxophone, Clarinette (duo)
2
Flûte, Violon et Violoncelle
2
2 Saxophones, Piano
2
3 Flûtes à bec (trio)
2
Instruments en Mib
2
Flûte à Bec
2
Flûte, Basson et Piano
2
2 Hautbois (duo)
2
Flûte, Hautbois, Piano (trio)
1
Clarinette Basse
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Trompette (duo)
1
Hautbois, Flûte
1
Hautbois, Basson et Piano
1
Flûte, Trompette (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Violon (duo)
1
Flûte à Bec, Piano
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Flûte et Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
Hautbois, Harpe
1
Flûte irlandaise
1
Flûte, Alto (duo)
1
2 Flûtes traversières, Piano
1
2 Flûte à bec (duo)
1
+ 77 instrumentations
Retracter
Cuivres
Trombone
85
Trompette
82
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Cor
32
Trompette, Piano
28
Cor et Piano
26
Trombone et Piano
22
Trompette (partie séparée)
18
Euphonium, Piano (duo)
14
Quatuor de cuivres: 4 trombones
14
Quatuor de cuivres: 4 cors
13
Trombone (partie séparée)
13
Ensemble de Trombones
12
Tuba
12
Cor anglais, Piano
12
2 Trompettes (duo)
12
2 Trombones (duo)
8
3 Trombones (trio)
7
Trompette, Cor (duo)
7
2 Cors (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Euphonium, Tuba (duo)
6
4 Tubas
6
Trompette, Trombone (duo)
6
Quatuor de Cuivres
5
Tuba et Piano
5
Cor (partie séparée)
4
Euphonium
4
Ensemble de Cors
4
3 Trompettes (trio)
3
Tuba (partie séparée)
3
Quatuor de cuivres: 4 trompettes
3
Instruments en Sib
2
Trombone, Orgue
2
Trio de Cuivres
2
2 Tubas (duo)
2
Tuba ou Euphonium ou Saxhorn
2
Trombone basse et Piano
2
Trompette, Saxophone (duo)
2
2 Trombones, Piano
1
Trombone basse
1
Ensemble de Trompettes
1
2 Euphoniums (duo)
1
3 Tubas (trio)
1
Cor, Orchestre
1
Trombone, Cor (duo)
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
221
Violon
120
Violon et Piano
104
Violoncelle
79
Violoncelle, Piano
46
Alto seul
40
Violon (partie séparée)
38
Trio à Cordes: violon, alto, violoncelle
37
Violon, Violoncelle (duo)
36
Alto, Piano
33
2 Violons (duo)
33
Alto (partie séparée)
30
Violon, Alto (duo)
30
Harpe
26
2 Violoncelles (duo)
21
Violon, Guitare (duo)
20
Violoncelle (partie séparée)
15
Trio à Cordes: 2 violons, violoncelle
11
Contre Basse
11
Alto, Violoncelle (duo)
9
2 Altos (duo)
8
Contrebasse, Piano (duo)
8
Violoncelle, Contrebasse (duo)
8
4 Violoncelles
8
Contrebasse (partie séparée)
6
2 Harpes (duo)
5
Quatuor à cordes : 4 altos
5
Harpe, Violon (duo)
4
Trio à cordes
4
Trio à cordes: 3 violins
3
Violoncelle , Guitare (duo)
3
2 Contrebasses (duo)
3
Quatuor à cordes: 4 violons
3
Piano Trio: Violon, Alto, Piano
2
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 altos
1
Violoncelle, Orchestre
1
2 Violons, Piano
1
Violon, Orgue
1
2 Violons et Basse continue
1
Ensemble de Violoncelles
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
144
Orchestre à Cordes
127
Orchestre
101
Fanfare
62
Ensemble de cuivres
53
Orchestre de chambre
43
Ensemble de Percussions
38
Batterie
32
Ensemble Jazz
30
Percussion
23
Jazz combo
9
Cloches
7
Percussion (partie séparée)
5
Timbales
5
Quintette à Vent
2
Xylophone
2
Batterie (partie séparée)
1
Marimba et Orgue
1
Instrumentation Flexible
1
Timbales (partie séparée)
1
Cajon
1
Marimba
1
Piano et Orchestre
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Nico
Voix Soprano, Piano
Partitions à imprimer
17 partitions trouvées
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PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (A maj
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Nicola PORPORA
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Sergei PICHUGIN
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PORPORA Nicola: Già la
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404620. Published by Really Good Music, LLC. (A0.868703). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
SCARLATTI, Domenico: Consolati, e spera, aria from the opera "Ifigenia in Tauri", - Voice
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Domenico SCARLATTI
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Sergei PICHUGIN
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SCARLATTI, Domenico: Consolati
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868642 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,In...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868642 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4365848. Published by Really Good Music, LLC. (A0.868642). Consolati, e spera is an aria from the opera Ifigenia in Tauri (1713) by Domenico SCARLATTI (1685 – 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in B minor (D4 – E5) for high voice. .
$5.95
Je dis que rien ne m'épouvante (Micaela's Aria) from Carmen - Accessible Accompaniments Edition
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Voix Soprano, Piano
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Classique
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Georges Bizet
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Nicole Elyse DiPaolo
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Je dis que rien ne m'épouva
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Nicole Elyse DiPaolo
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SheetMusicPlus
Composed by Georges Bizet (1838-1875). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 7 pages. Published by Nicole Elyse DiPaolo (S0...
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Composed by Georges Bizet (1838-1875). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 7 pages. Published by Nicole Elyse DiPaolo (S0.180819). - Piano Reduction - Romantic Period,Opera - Nicole Elyse DiPaolo
$8.95
Du bist der Lenz (Sieglinde's Aria) from Die Walküre - Accessible Accompaniments Edition
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Voix Soprano, Piano
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Classique
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Richard Wagner
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Nicole Elyse DiPaolo
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Du bist der Lenz
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Nicole Elyse DiPaolo
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SheetMusicPlus
Composed by Richard Wagner (1813-1883). Arranged by Nicole Elyse DiPaolo. Romantic Period. Piano Reduction. 4 pages. Published by Nicole Elyse DiPaolo (S0.32118...
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Composed by Richard Wagner (1813-1883). Arranged by Nicole Elyse DiPaolo. Romantic Period. Piano Reduction. 4 pages. Published by Nicole Elyse DiPaolo (S0.321181). - Piano Reduction - Romantic Period - Nicole Elyse DiPaolo
$8.95
Batti, batti, o bel Masetto (Zerlina) from Don Giovanni - Accessible Accompaniments Edition
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Voix Soprano, Piano
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Classique
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Batti, batti, o bel Masetto
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Nicole Elyse DiPaolo
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SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Nicole Elyse DiPaolo. Classical Period. Piano Reduction. 7 pages. Published by Nicole Elyse DiPaolo...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Nicole Elyse DiPaolo. Classical Period. Piano Reduction. 7 pages. Published by Nicole Elyse DiPaolo (S0.193447). - Piano Reduction - Classical Period - Nicole Elyse DiPaolo
$8.95
Otto Nicolai: Nun eilt herbei, Witz, heitre Laune, Frau Fluth's aria from the opera "The Merry Wives of Windsor" - soprano & piano
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Voix Soprano, Piano
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FACILE
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Classique
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Otto Nicolai
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Virtualsheetmusic
Instantly printable sheet music by Otto Nicolai for soprano & piano of EASY/MEDIUM skill level. / classical
Instantly printable sheet music by Otto Nicolai for soprano & piano of EASY/MEDIUM skill level. / classical
$4.99
Byzantium
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Voix Soprano, Piano
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Classique
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Nico Muhly
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Byzantium
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Hal Leonard Europe
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SheetMusicPlus
By Nico Muhly. Classical. Vocal Solo. 11 pages. Published by Hal Leonard Europe ...
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By Nico Muhly. Classical. Vocal Solo. 11 pages. Published by Hal Leonard Europe
$7.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Ah! Douce enfant (La Fée's aria) from Cendrillon - La Fée-Only Audition Cut
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Voix Soprano, Piano
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AVANCÉ
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Film Walt Disney
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Jules Massenet
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Nicole Elyse DiPaolo
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Ah! Douce enfant
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SheetMusicPlus
Composed by Jules Massenet (1842-1912). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 5 pages. Published by Nicole Elyse ...
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Composed by Jules Massenet (1842-1912). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 5 pages. Published by Nicole Elyse DiPaolo
$8.95
Nun eilt herbei, Witz, heitre Laune
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Voix Soprano, Piano
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Otto Nicolai
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Wilhelm Lutz
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Nun eilt herbei, Witz, heitre
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Schott Music
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SheetMusicPlus
Frau Fluth's aria from the opera The Merry Wives of Windsor . Composed by Otto Nicolai (1810-1849). Arranged by Wilhelm Lutz. Copyright Schott Music Gmb...
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Frau Fluth's aria from the opera The Merry Wives of Windsor . Composed by Otto Nicolai (1810-1849). Arranged by Wilhelm Lutz. Copyright Schott Music GmbH & Co. KG, Mainz. Published by Schott Music (S9.Q15329). - - - Schott Music
$4.99
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