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PIANO & CLAVIERS
Piano seul
1700
Piano, Voix
1009
Piano Facile
407
Piano, Voix et Guitare
384
Instruments en Do
91
Orgue
83
Accompagnement Piano
64
1 Piano, 4 mains
42
Piano Trio: piano, violon, violoncelle
22
Piano (partie séparée)
19
2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
11
Accordéon
6
Piano grosses notes
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavecin
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Clavier
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GUITARES
Guitare
241
Guitare notes et tablatures
214
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Basse electrique
51
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41
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32
2 Guitares (duo)
28
Ukulele
23
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19
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7
2 Dulcimers (duo)
6
Mandoline
6
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5
Dulcimer
5
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4
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2
Banjo
1
Ukulele Baryton
1
Basse électrique (partie séparée)
1
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VOIX
Chorale SATB
444
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199
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154
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100
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78
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45
Chorale Unison
30
Voix Soprano, Piano
18
Voix duo, Piano
13
Voix haute
11
Voix moyenne, Piano
9
Voix duo
7
Voix Baryton, Piano
4
Chorale
2
Voix Mezzo-Soprano, Piano
2
Voix Alto, Piano
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1
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Chorale SSATB
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Voix Tenor
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675
Quatuor de Saxophones: 4 saxophones
675
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501
Saxophone Alto
463
Saxophone Alto et Piano
412
Saxophone Tenor
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Flûte traversière et Piano
289
Saxophone Tenor et Piano
267
3 Saxophones (trio)
218
Saxophone Soprano et Piano
217
Quintette de Saxophone: 5 saxophones
210
Clarinette et Piano
183
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
177
Clarinette
138
Flûte, Hautbois, Clarinette, Basson
137
Ensemble de saxophones
137
Hautbois, Piano (duo)
136
2 Flûtes traversières (duo)
116
Saxophone Baryton, Piano
115
Quatuor de Clarinettes: 4 clarinettes
114
2 Clarinettes (duo)
112
Flûte traversière
98
Hautbois
74
Quatuor de Flûtes : 4 flûtes
56
Saxophone Soprano
54
Flûte, Clarinette (duo)
51
Cor anglais, Piano
48
Ensemble de Clarinettes
44
Quintette de Clarinettes: 5 clarinettes
43
2 Hautbois (duo)
39
Saxophone, Clarinette (duo)
36
Hautbois, Basson (duo)
35
Hautbois (partie séparée)
34
Hautbois, Clarinette (duo)
32
3 Clarinettes (trio)
28
Clarinette, Violon (duo)
25
Clarinette Basse, Piano
25
Ensemble de Flûtes
23
Flûte à Bec
22
Clarinette (partie séparée)
22
3 Flûtes à bec (trio)
21
2 Flûte à bec (duo)
21
Flute (partie séparée)
19
Hautbois, Flûte
19
Flûte, Hautbois, Clarinette (trio)
19
Trio de Flûtes: 3 flûtes
18
Quintette de Flûte : 5 flûtes
18
Quatuor de Flûtes à bec
18
Clarinette, Trompette (duo)
17
Clarinette et Alto
17
Saxophone Baryton
16
Hautbois, Clarinette, Basson (trio d'anches)
15
Flûte, Alto (duo)
15
Flûte, Violon
14
Flûte, Saxophone (duo)
14
Flûte et Guitare
13
Flûte à bec Soprano
13
Piccolo, Piano
9
Clarinette, Basson (duo)
9
5 Flûtes à bec
9
Flûte, Trompette (duo)
9
Saxophone et Guitare
9
Clarinette, Guitare (duo)
8
Flûte, Violoncelle
8
Ensemble De Flûte à bec
8
Cor Anglais
8
Flûte, Hautbois, Basson
7
Flûte à bec Tenor
6
Instruments en Mib
6
Piccolo
6
Flûte à bec Alto
6
Saxophone et Piano
6
Flûte à Bec, Piano
5
Flûte à bec Alto, Piano
5
Flûte irlandaise
4
Flûte, Clarinette et Basson
4
Flûte, Hautbois (duo)
4
Harmonica
4
2 Saxophones, Piano
4
Flûte, Trombone (duo)
4
Clarinette, Violoncelle (duo)
4
Flute, harpe et violon
3
3 Hautbois
3
Flûte, Violon et Violoncelle
3
Flûte, Violon, Piano
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte à bec Soprano, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Hautbois, Guitare (duo)
2
2 Clarinettes, Basson
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Harpe (duo)
2
2 Flûtes traversières, Piano
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Orgue (duo)
1
Saxophone, Basson (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
Saxophone, Violon (duo)
1
Saxophone et violoncelle
1
Saxophone et Orgue
1
Hautbois et alto (duo)
1
Hautbois, Violoncelle
1
Ensemble de Hautbois
1
Cor anglais, Guitare (duo)
1
2 Clarinettes, Piano
1
Clarinette Basse
1
4 Hautbois
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
726
Trombone
629
Trombone (partie séparée)
513
Trombone et Piano
363
Quatuor de Cuivres : 2 trompettes, trombone, tuba
345
2 Trombones (duo)
162
Trompette
144
Quatuor de cuivres: 4 trombones
107
Quatuor de Cuivres: 2 trompettes, Cor, trombone
95
Trompette, Piano
93
Cor et Piano
92
Quatuor de Cuivres
85
Trompette (partie séparée)
74
Trompette, Trombone (duo)
73
Ensemble de Trombones
61
Euphonium, Piano (duo)
60
Cor anglais, Piano
48
2 Trompettes (duo)
45
Cor
43
Tuba et Piano
41
Trio de Cuivres
36
Tuba
34
Trombone basse et Piano
32
Trompette, Saxophone (duo)
27
3 Trombones (trio)
27
Ensemble de Trompettes
27
2 Cors (duo)
27
Quatuor de cuivres: 4 cors
21
Trombone basse
20
Trombone, Tuba (duo)
16
Trompette, Cor (duo)
16
Tuba (partie séparée)
16
Cor (partie séparée)
15
4 Tubas
14
Quatuor de cuivres: 4 trompettes
13
Euphonium
13
Trombone, Cor (duo)
11
Bass Clef Instruments
10
Instruments en Sib
10
2 Tubas (duo)
9
Cor Anglais
8
Ensemble de Cors
8
Euphonium, Tuba (duo)
7
Tuba ou Euphonium ou Saxhorn
6
Tuba et Orgue
6
Trompette, Trombone, Piano
5
3 Tubas (trio)
5
2 Euphoniums (duo)
5
3 Trompettes (trio)
4
Cor, Tuba (duo)
4
2 Euphoniums et 2 Tubas
4
3 Cors (trio)
3
Cornet A Pistons
3
Trompette et Guitare
3
Trombone, Orgue
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Violon (duo)
3
2 Cors Anglais Et Pianoforte
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
Trompette, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
462
Harpe
318
Violon et Piano
264
Violon
235
Violoncelle, Piano
211
Alto, Piano
167
Violoncelle
129
Violon, Violoncelle (duo)
108
Trio à Cordes: violon, alto, violoncelle
96
Violon, Alto (duo)
67
2 Violons (duo)
66
Alto seul
62
2 Violoncelles (duo)
56
2 Altos (duo)
47
Trio à Cordes: 2 violons, violoncelle
33
Contrebasse (partie séparée)
28
4 Violoncelles
27
Contrebasse, Piano (duo)
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Violon (partie séparée)
19
Violoncelle, Contrebasse (duo)
18
Alto, Violoncelle (duo)
18
Trio à Cordes: 3 violoncelles
17
Harpe, Flûte (duo)
16
Alto (partie séparée)
14
Trio à cordes: 3 violins
14
Violon, Guitare (duo)
13
Contre Basse
12
Quatuor à cordes: 4 violons
11
Quatuor à cordes : 4 altos
10
2 Harpes (duo)
10
Trio à cordes: 3 altos
9
Alto, Guitare (duo)
7
2 Contrebasses (duo)
7
Violoncelle , Guitare (duo)
7
Piano Trio: Violon, Alto, Piano
7
Violoncelle (partie séparée)
6
Trio à Cordes: 2 violons, alto
5
Flûte, Contrebasse (duo)
5
Harpe, Voix
5
Harpe, Violon (duo)
4
Ensemble de Violons
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
5 Harpes
2
Ensemble d'Altos
2
3 Harpes
2
4 Contrebasses
2
Harpe, Quatuor à cordes
1
Violoncelle, Basse continue
1
Alto et Harpe
1
Ensemble de Violoncelles
1
Violon, Basson (duo)
1
Violon, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
740
Orchestre
377
Orchestre à Cordes
253
Ensemble Jazz
217
Ensemble de cuivres
197
Orchestre de chambre
83
Batterie
58
Cloches
50
Jazz combo
46
Fanfare
38
Percussion
36
Batterie (partie séparée)
24
Marimba
21
Ensemble de Percussions
20
Percussion (partie séparée)
10
2 Xylophones
7
Xylophone
5
Xylophone, Piano
5
Quintette de Cuivres: autres combinaisons
3
Vibraphone
3
Piano et Orchestre
2
Marimba, Piano (duo)
1
Timbales (partie séparée)
1
Marimba et Orgue
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Instrumentation Flexible
1
Instrumentations suivantes
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AUTRES
Papeterie
5
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Voix Soprano, Piano
Partitions à imprimer
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Apparently with no surprise (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8645-2E Composed by Jul…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8645-2E Composed by Juliana Hall. 5 pages. E. C. Schirmer Music Company - Digital #8645-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8645-2E). English.Poet Emily Dickinson loved writing about nature and wrote many poems about flowers, three of which are celebrated in this song cycle. Flowers of various descriptions and personalities are included in this colorful collection, one of two song cycles in which composer Juliana Hall has set Dickinsinon's flower poems to music. Duration: 6:00Contents:Perhaps you’d like to buy a flower?Apparently with no surpriseWhen roses cease to bloom, dear.
$7.00
6.36 €
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Voix Soprano, Piano
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Juliana Hall
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Apparently with no surprise
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Civility
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.31 €
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Voix Soprano, Piano
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.67 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.94 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.13 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.13 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.13 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.13 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
The exploding Head
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment fr…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
15.43 €
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Voix Soprano, Piano
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Take My Life, and Let It Be - soprano solo, organ
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by To…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con Spirito Music (A0.726103). Frances Ridley Havergal (1836-1879) published several volumes of poems and hymns, devotions, and other prose writings. She is best known for the consecration hymn text, Take My Life and Let It Be, which here receives a new setting for soprano and organ. Take my life, and let it be consecrated, Lord, to thee;take my moments and my days, let them flow in ceaseless praise.Take my hands, and let them move at the impulse of thy love;take my heart, it is thine own; it shall be thy royal throne. Take my voice, and let me sing always, only, for my King;take my intellect, and use every power as thou shalt choose.Take my will and make it thine; it shall be no longer mine.Take myself, and I will be ever, only, all for thee. Thus my life will truly be consecrated, Lord, to Thee. Amen. ©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
4.53 €
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Voix Soprano, Piano
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Todd Marchand
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it shall be thy royal throne
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Take My Life, and Let It Be - soprano solo, organ
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Con Spirito Music
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SheetMusicPlus
"Wardaton w dumu3"art song in Arabic
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.979719 Composed by Iy…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.979719 Composed by Iyad KANAAN. 20th Century,Concert,Opera,Romantic Period,Standards. 6 pages. Iyad kanaan #4626815. Published by iyad kanaan (A0.979719). Art song in Arabic for soprano and piano op. 19 No 14. Lyrics by famous Lebanese poet Said AKL. very expressive and contains oriental spirit. But no quarter tone involved.
$10.00
9.08 €
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Voix Soprano, Piano
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Iyad KANAAN
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"Wardaton w dumu3"art song in Arabic
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iyad kanaan
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SheetMusicPlus
3aSifa (storm) art song in Arabic
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.979711 Composed by Iyad KANAAN.…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.979711 Composed by Iyad KANAAN. 20th Century,Concert,Opera,Romantic Period,World. 11 pages. Iyad kanaan #4622997. Published by iyad kanaan (A0.979711). Art song in Arabic for soprano and piano op. 19 No 12. Lyrics by famous Lebanese poet Said AKL. very expressive and contains oriental spirit. But no quarter tone involved.
$50.00
45.41 €
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Voix Soprano, Piano
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Iyad KANAAN
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3aSifa
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iyad kanaan
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SheetMusicPlus
A Woman's Work
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1024943 Composed by Abigail Gil…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1024943). The final piece in the three-part song cycle, the young girl has grown up and has taken on the role of a woman. The piece itself is very slow moving, as the woman’s life has significantly slowed down, she’s no longer the young girl filled with hope, she knows what her duty is. The piano itself is always rising, sometimes in major thirds but then followed by clunky seconds and thirds. With a feeling of rush but also as if the whole piece is about to end and resolve, yet it continues in this cycle. Still, there’s reward in her work, a woman gets to see her child grow, and their dreams become her own. As any woman can tell you, there is a reward to being a good mother, wife, and woman. But it is only one that a woman can recognize.
$4.99
4.53 €
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Voix Soprano, Piano
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Abigail Gilson
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A Woman's Work
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Abigail Gilson
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Soprano or Tenor solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1308592 Composed by J…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1308592 Composed by Johann Sebastian Bach. Arranged by John Ross. Baroque,Religious,Sacred,Wedding. 14 pages. John Ross #897833. Published by John Ross (A0.1308592). Jesu, Joy of Man's Desiring is one of Bach's best loved choruses. It comes from his Cantata no.147, written in 1723 during his first year as Thomaskantor of Leipzig.It is here arranged for Soprano or Tenor solo, Flute and Piano. The flute part is designed to interweave with Bach's original accompaniment, which features almost continuous triplet movement.The words are by the British Poet Laureate Robert Bridges (1844-1930). This piece is a great choice for performance at weddings and in concerts generally.Similar arrangements (for 2 Sopranos, and for Soprano and Tenor duet) are available on this website.
$1.99
1.81 €
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Voix Soprano, Piano
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Johann Sebastian Bach
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John Ross
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Jesu, Joy of Man's Desiring - Soprano or Tenor solo
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John Ross
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SheetMusicPlus
O Holy Night (for SAB - High Key - Soprano Part Rehearsal Track)
Voix Soprano, Piano
Piano,Soprano voice - Digital Download SKU: A0.1052342 Composed by Adolphe-Charles …
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Piano,Soprano voice - Digital Download SKU: A0.1052342 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 235. Exultet Music #4980689. Published by Exultet Music (A0.1052342). (French: Cantique de Noël) One of the most popular and beloved Christmas carols ever written. This is the Soprano part only (computer generated) with the Piano accompaniment. Accessible for all levels of singing and can be easily used in any church or concert setting. (Key of Db).
$3.99
3.62 €
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Voix Soprano, Piano
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Adolphe-Charles Adam
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Stephen DeCesare
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O Holy Night
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Exultet Music
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SheetMusicPlus
O Holy Night (for SAB - Medium/Low Key - Soprano Part Rehearsal Track)
Voix Soprano, Piano
Piano,Soprano voice - Digital Download SKU: A0.1052337 Composed by Adolphe-Charles …
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Piano,Soprano voice - Digital Download SKU: A0.1052337 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 235. Exultet Music #4980679. Published by Exultet Music (A0.1052337). (French: Cantique de Noël) One of the most popular and beloved Christmas carols ever written. This is the Soprano part only (computer generated) with the Piano accompaniment. Accessible for all levels of singing and can be easily used in any church or concert setting. (Key of Bb).
$3.99
3.62 €
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Voix Soprano, Piano
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Adolphe-Charles Adam
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Stephen DeCesare
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O Holy Night
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Exultet Music
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SheetMusicPlus
Divertimento 6 / Divertissement 6 / Entertainment 6
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by R…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
2.72 €
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Voix Soprano, Piano
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Rudesindo Soutelo
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Divertimento 6 / Divertissement 6 / Entertainment 6
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
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