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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Now
Sheetmusicplus
Non classifié
13 413
Piano & claviers
Piano seul
8 688
Piano, Voix
3 756
Piano Facile
3 667
Piano grosses notes
3 359
Orgue
2 441
Piano, Voix et Guitare
2 018
Instruments en Do
954
Accompagnement Piano
299
1 Piano, 4 mains
216
Piano Trio: piano, violon, violoncelle
193
Accordéon
153
Piano Quatuor: piano, 2 violons, violoncelle
78
Piano (partie séparée)
73
Clavier
66
2 Pianos, 4 mains
58
Orgue, Trompette (duo)
40
Piano Quatuor: piano, violon, alto, violoncelle
34
Piano Quintette: piano, 2 violons, alto, violoncelle
27
Orgue, Piano (duo)
16
Clavecin
8
1 Piano, 6 mains
6
Orgue, Voix
4
2 Pianos, 8 mains
4
2 Accordéons
4
Fake Book
1
Accordéon, Voix
1
Ensemble d'Accordéons
1
+ 22 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 452
Guitare
947
Ukulele
631
Ligne De Mélodie, (Paroles) et Accords
601
Mandoline
319
Paroles et Accords
242
Basse electrique
216
Piano, Guitare (duo)
145
Dulcimer
134
Guitare (partie séparée)
100
2 Guitares (duo)
98
Banjo
48
4 Guitares (Quatuor)
40
3 Guitares (trio)
19
2 Dulcimers (duo)
11
Ensemble de guitares
7
Ukulele Baryton
7
2 Ukuleles
6
Basse électrique (partie séparée)
5
Guitare, Violon, Violoncelle (trio)
4
Guitare Pedal Steel
2
Mandoline, Guitare (duo)
2
Ensemble de Ukulélés
1
Guitare, Orchestre
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
4 345
Chorale 3 parties
1 832
Chorale 2 parties
1 748
Chorale Unison
1 388
Chorale TTBB
759
Voix duo, Piano
463
Pack Instrumental pour Chorale
434
Chorale SSAA
383
Voix duo
300
Voix Soprano, Piano
190
Voix Alto, Piano
147
Voix Tenor, Piano
139
Voix seule
79
Voix Baryton, Piano
79
Voix haute
70
Chorale
65
Voix basse, Piano
45
Voix moyenne, Piano
39
Voix Tenor
15
Chorale SSATB
13
Chorale SSAATTBB
11
Chorale SSATTB
8
Soli, choeur mixte et accompagnement
7
Voix basse
7
Chorale, Orgue
6
Voix Soprano
6
Chorale SSAB, Piano
4
Chorale SSAATB
3
Voix, Guitare
3
Chorale SSAB a cappella
3
Voix Moyenne
2
Chorale SSAATB A Cappella
2
Voix Soprano, Orchestre
1
Chorale SATBB
1
Voix Baryton
1
Voix Mezzo-Soprano, Piano
1
+ 31 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 340
Quatuor de Saxophones: 4 saxophones
1 323
Clarinette et Piano
1 230
2 Saxophones (duo)
1 044
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 016
Hautbois, Piano (duo)
966
Flûte, Hautbois, Clarinette, Basson
960
Saxophone Alto et Piano
935
Saxophone Tenor et Piano
841
Saxophone (partie séparée)
816
Flûte traversière
798
Clarinette
708
Saxophone Soprano et Piano
698
Saxophone Alto
672
Quintette de Saxophone: 5 saxophones
607
Quatuor de Clarinettes: 4 clarinettes
562
2 Flûtes traversières (duo)
511
Saxophone Tenor
475
2 Clarinettes (duo)
406
Hautbois (partie séparée)
342
Saxophone Baryton, Piano
306
Clarinette (partie séparée)
292
Quatuor de Flûtes : 4 flûtes
285
Flûte, Clarinette (duo)
270
3 Saxophones (trio)
256
Ensemble de Clarinettes
240
Flûte à bec Soprano
238
Flûte à bec Alto
226
Harmonica
215
Hautbois
204
Ensemble de saxophones
199
2 Hautbois (duo)
168
Quintette de Clarinettes: 5 clarinettes
160
3 Clarinettes (trio)
155
Flute (partie séparée)
153
Ensemble de Flûtes
150
2 Flûte à bec (duo)
138
Cor anglais, Piano
129
Saxophone Soprano
124
Quintette de Flûte : 5 flûtes
116
Saxophone, Clarinette (duo)
115
Trio de Flûtes: 3 flûtes
100
Clarinette, Violon (duo)
95
Saxophone Baryton
95
Hautbois, Basson (duo)
94
Flûte et Guitare
78
Hautbois, Clarinette (duo)
76
Flûte, Hautbois, Clarinette (trio)
76
Quatuor de Flûtes à bec
74
Clarinette Basse, Piano
73
Clarinette, Trompette (duo)
70
Flûte, Violon
65
Flûte, Violon, Piano
63
Hautbois, Clarinette, Basson (trio d'anches)
61
Flûte à Bec
51
Flûte, Clarinette et Basson
47
Clarinette, Basson (duo)
44
Clarinette, Guitare (duo)
43
Clarinette et Alto
43
Ensemble De Flûte à bec
41
Flûte, Saxophone (duo)
38
Hautbois, Flûte
36
Cor Anglais
36
Flûte, Alto (duo)
35
Flûte, Hautbois (duo)
31
Flûte, Trompette (duo)
30
Flûte, Clarinette, Piano (trio)
30
Flûte à bec Alto, Piano
29
Flûte, Violoncelle
27
5 Flûtes à bec
26
Flûte, Hautbois, Basson
26
Flûte à bec Tenor
25
Flûte à bec Soprano, Piano
25
Flûte, Violon et Violoncelle
24
2 Saxophones, Piano
23
Flûte, Violoncelle, Piano (trio)
22
3 Flûtes à bec (trio)
22
Piccolo, Piano
20
Flûte, Hautbois, Piano (trio)
20
Clarinette, Violoncelle (duo)
20
Saxophone et Orgue
19
Flûte, Clarinette, Cor, Basson (Quartet)
19
2 Clarinettes, Piano
17
Clarinette, Violoncelle, Piano (trio)
17
Ocarina
16
Hautbois, Violoncelle
14
Clarinette, Harpe (duo)
14
Piccolo
14
Saxophone et Guitare
12
2 Flûtes traversières, Piano
11
Hautbois, Guitare (duo)
11
Instruments en Mib
11
Flûte à Bec, Piano
10
Flûte, Basson et Piano
10
Flûte, Alto et Piano
9
Clarinette Basse
7
4 Hautbois
7
Clarinette, Alto et Piano (trio)
7
2 Clarinettes, Basson
7
Ensemble de Hautbois
6
Clarinette, Trombone (duo)
6
Flûte à bec, Guitare (duo)
5
Saxophone
5
Hautbois, Basson et Piano
5
Flûte irlandaise
5
Saxophone et Harpe
5
Hautbois et alto (duo)
5
Saxophone et Piano
5
Cor anglais, Guitare (duo)
5
Hautbois, Violoncelle et Piano
4
Clarinette, Basson, Piano (trio)
4
Hautbois, Clarinette et Piano (Trio)
4
Flûte traversière, Orgue (duo)
4
Flûte, trombone et piano
4
Hautbois, Harpe
4
Clarinette, trompette et piano
4
Flûte, Trombone (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte et Trio à cordes
4
Hautbois, violon (duo)
4
3 Hautbois
3
Clarinette, Orgue
3
Flute, Cor (duo)
3
Flûte, Harpe et Violoncelle
3
Flute, harpe et violon
2
2 Cors Anglais Et Pianoforte
2
Flûte, Hautbois, Violon
2
2 Hautbois, Piano
2
Flûte à bec Alto, Basse continue
2
Flûte et Quatuor à Cordes
2
Flûte, Clarinette, Violon (trio)
2
Hautbois, Violon, Piano
2
Flûte traversière, Orchestre
1
Ensemble à vent
1
Flûte, alto et harpe
1
Flûte traversière, Basse continue
1
Flûte de Pan
1
Cor anglais et Harpe (duo)
1
2 Flûtes à bec, Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone, Tuba (duo)
1
Flûte, Violoncelle, Guitare
1
2 Flûtes à bec, Piano
1
2 Flûtes, Basse continue
1
2 Flûtes traversières, Harpe
1
Cornemuse
1
+ 141 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 154
Trombone et Piano
1 024
Trompette, Piano
973
Trompette
874
Quatuor de Cuivres : 2 trompettes, trombone, tuba
704
Cor et Piano
634
Trombone
571
Trompette (partie séparée)
492
Trombone (partie séparée)
439
Quatuor de Cuivres: 2 trompettes, Cor, trombone
437
Cor
432
Tuba et Piano
349
Tuba
331
2 Trompettes (duo)
315
2 Trombones (duo)
267
Quatuor de Cuivres
219
Trompette, Trombone (duo)
173
Quatuor de cuivres: 4 trombones
168
Cor (partie séparée)
166
2 Cors (duo)
166
Trompette, Cor (duo)
142
Cor anglais, Piano
129
Euphonium, Piano (duo)
106
Tuba (partie séparée)
102
Quatuor de cuivres: 4 cors
98
Ensemble de Trombones
94
Trompette, Saxophone (duo)
86
Ensemble de Trompettes
77
2 Tubas (duo)
63
Quatuor de cuivres: 4 trompettes
50
2 Euphoniums et 2 Tubas
42
Euphonium
36
Cor Anglais
36
Ensemble de Cors
35
4 Tubas
32
3 Trombones (trio)
28
Quatuor de cuivres: 2 trompettes, 2 trombones
25
Bass Clef Instruments
24
3 Trompettes (trio)
23
Trio de Cuivres
23
Trombone, Orgue
20
Euphonium, Tuba (duo)
16
Trombone basse
15
Tuba et Orgue
14
Trombone, Cor (duo)
14
2 Trompettes, Clavier (piano ou orgue)
12
Trombone, Tuba (duo)
11
3 Tubas (trio)
11
Instruments en Sib
9
3 Cors (trio)
8
Cor et Orgue
7
Cor et Harpe
7
Trombone basse et Piano
7
Trompette, Basson (duo)
5
Trompette, Tuba (duo)
5
2 Euphoniums (duo)
5
Trompette, Trombone, Piano
5
2 Trombones, Piano
5
Cor, Tuba (duo)
5
Cor, Violoncelle (duo)
5
Cor anglais, Guitare (duo)
5
Tuba ou Euphonium ou Saxhorn
4
Trompette, Violoncelle (duo)
4
Clarinette, Cor (duo)
3
Trompette, Harpe
3
2 Cors Anglais Et Pianoforte
2
Trompette, Violoncelle et Piano
2
Cor et Basson (duo)
2
Instruments en Fa
2
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Cornet et orchestre
1
Cornet et Piano
1
2 Cors, Piano
1
3 Euphoniums
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Euphonium (duo)
1
Trompette et Guitare
1
+ 73 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 751
Violon et Piano
1 577
Violoncelle, Piano
1 248
Alto, Piano
1 126
Violon
999
Violoncelle
855
Alto seul
539
Violon, Violoncelle (duo)
521
Harpe
475
Trio à Cordes: violon, alto, violoncelle
428
2 Violons (duo)
401
2 Violoncelles (duo)
358
Quintette à cordes: 2 violons, alto, violoncelle, basse
346
Contrebasse, Piano (duo)
324
Contre Basse
305
Violon (partie séparée)
253
Violon, Alto (duo)
244
2 Altos (duo)
223
Trio à Cordes: 2 violons, violoncelle
160
Piano Trio: Violon, Alto, Piano
153
Alto (partie séparée)
153
Contrebasse (partie séparée)
151
4 Violoncelles
94
Alto, Violoncelle (duo)
76
Trio à cordes: 3 violins
72
2 Harpes (duo)
60
Trio à Cordes: 3 violoncelles
58
Violoncelle (partie séparée)
54
Violon, Guitare (duo)
47
2 Contrebasses (duo)
44
Quatuor à cordes: 4 violons
39
Harpe, Flûte (duo)
35
Violoncelle , Guitare (duo)
34
Quatuor à cordes : 4 altos
33
Harpe, Violon (duo)
33
Trio à cordes: 3 altos
30
Alto, Guitare (duo)
28
Violon, Basson (duo)
25
Quintette à cordes: 2 violons, 2 altos, violoncelle
21
Ensemble de Violons
17
Trio à Cordes: 2 violons, alto
17
Violoncelle, Orgue
15
Ensemble d'Altos
15
Harpe, Voix
12
Violoncelle, Contrebasse (duo)
9
Violon, Clarinette, Piano (trio)
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
2 Violons, Piano
9
Trio à cordes
7
Alto et Basson
7
Violon, Orgue
7
Alto et Harpe
6
Harpe, Violoncelle (duo)
6
2 Violoncelles, Piano
5
Harpe, Violon, Violoncelle
5
Violoncelle, Orchestre
4
Harpe (partie séparée)
3
Violon, Basse continue
3
4 Harpes
3
Harpe et Piano
3
Harpe, Trombone (duo)
3
Alto, Orgue
2
Flûte, Contrebasse (duo)
2
3 Contrebasses
2
4 Contrebasses
2
Ensemble de Violoncelles
2
Autoharp
2
2 Altos, Piano
2
Violoncelle, Basse continue
1
Violon, Trompette et Piano
1
Violon, Violoncelle, Clarinette
1
2 Violons et Basse continue
1
+ 67 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 840
Orchestre à Cordes
990
Orchestre
759
Fanfare
590
Ensemble Jazz
581
Ensemble de cuivres
576
Cloches
454
Orchestre de chambre
286
Percussion (partie séparée)
253
Batterie
169
Jazz combo
118
Ensemble de Percussions
93
Batterie (partie séparée)
73
Xylophone
45
Vibraphone
39
Timbales (partie séparée)
27
Marimba
21
Xylophone, Piano
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Percussion
11
Timbales
8
Quintette à Vent
4
Quintette de Cuivres: autres combinaisons
3
Quatuor à Vent : 4 instruments à vents
3
Orchestre, Violon
3
Piano et Orchestre
2
2 Xylophones
2
Vibraphone et Marimba
2
Caisse Claire
2
Instrumentation Flexible
1
Bongos
1
Xylophone (partie séparée)
1
Conga
1
2 Marimbas
1
Vibraphone (partie séparée)
1
+ 30 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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176
Then Will I Truly Know - MS Solo with Piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Christian contemporain
#
Bill Fortenberry, Jordan Grigg
#
Then Will I Truly Know - MS So
#
Bill Fortenberry
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.997118 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Praise & Worship,Sacred. 9 pages....
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.997118 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Praise & Worship,Sacred. 9 pages. Bill Fortenberry #6683091. Published by Bill Fortenberry (A0.997118). In his letter to the Corinthians, Paul expressed his longing for a time when he would see God face to face and know the Lord as much as the Lord knows us. Then Will I Truly Know by Bill Fortenberry and Jordan Grigg captures that longing in an enchanting melody that unites all of us in a desire for our heavenly home.Choir version, orchestral score, and backing track are also available.
$2.99
Now thank we all our God (new setting for mezzo & piano)
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Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Malcolm D Robertson
#
Now thank we all our God
#
Mr Malcolm D Robertson
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.927994 Composed by Malcolm D Robertson. Christian,Praise & Worship,Sacred. 6 pages. Mr Malcolm D Robertson ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.927994 Composed by Malcolm D Robertson. Christian,Praise & Worship,Sacred. 6 pages. Mr Malcolm D Robertson #5791375. Published by Mr Malcolm D Robertson (A0.927994). A setting of a well known hymn text. Originally composed for the final service of a local minister at the Church for which I was the keyboard player/organist in July 2002. I made some minor revisions in June 2020.
$4.00
Comfort, Comfort Now My People - Voice and Organ
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Voix Soprano, Piano
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INTERMÉDIAIRE
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1551 - Lyrics: Johan Olearius,
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Phyllis Hopper
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Comfort, Comfort Now My People
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HopSez Productions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.803462 Composed by 1551 - Lyrics: Johan Olearius, Geneva Psalter, original form: J. S. Bach, and trans. Cat...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.803462 Composed by 1551 - Lyrics: Johan Olearius, Geneva Psalter, original form: J. S. Bach, and trans. Catherine Winkworth. Arranged by Phyllis Hopper. Christmas,Classical,Easter,Renaissance,Sacred. 3 pages. HopSez Productions #3011927. Published by HopSez Productions (A0.803462). 2017 Sacred Music Contest EntryComfort, Comfort Now My People is a delightful Renaissance short piece that epitomizes the celebration of Spring and the fresh Life offered by the Resurrection. This rendering for soprano voice and organ can be balanced with the published instrumental prelude of the same piece.
$3.99
Snowdrop: Song for Soprano voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Chris Gordon
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Snowdrop: Song for Soprano voi
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Cool Wind Music Digital
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.841211 Composed by Chris Gordon. 20th Century,Romantic Period. 4 pages. Cool Wind Music Digital #2917227. P...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.841211 Composed by Chris Gordon. 20th Century,Romantic Period. 4 pages. Cool Wind Music Digital #2917227. Published by Cool Wind Music Digital (A0.841211). Snowdrop is the second in a cycle of songs setting poems about Nature.
$3.50
Autumn (from Starting Here, Starting Now)
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Voix Soprano, Piano
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Comédie Musicale
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Autumn
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - SKU: HX.449292 Edited by Richard Walters. This edition: scorch. Broadway,Musical/Show. Scor...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - SKU: HX.449292 Edited by Richard Walters. This edition: scorch. Broadway,Musical/Show. Score. 4 pages. Hal Leonard - Digital #283661. Published by Hal Leonard - Digital (HX.449292).
$4.99
Nobody Knows
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Voix Soprano, Piano
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Nailah Nombeko
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Nobody Knows
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.9142-E Composed by Nailah Nombeko. 16 pages. E. C. Schirmer Music Company - Digital #9142-E. Pu...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.9142-E Composed by Nailah Nombeko. 16 pages. E. C. Schirmer Music Company - Digital #9142-E. Published by E. C. Schirmer Music Company - Digital (MQ.9142-E). English.A deeply moving reflection on being a young, black woman in today's society.
$14.75
Unknown Poets from the Full-Time Jungle
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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William Ortiz
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Unknown Poets from the Full-Ti
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William Ortiz
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008997 Composed by William Ortiz. 20th Century,Contemporary. 56 pages. William Ortiz #6131473. Published b...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008997 Composed by William Ortiz. 20th Century,Contemporary. 56 pages. William Ortiz #6131473. Published by William Ortiz (A0.1008997). A bilingual song cycle (English/Spanish). Nine songs by different poets for Soprano and Piano.
$30.00
Juliet's Aria - Thou know'st the mask of night
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Joel Weiss
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Juliet's Aria - Thou know'st t
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Joel Weiss
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.984234 Composed by Joel Weiss. 20th Century,Concert,Contemporary,Opera,Standards. 4 pages. Joel Weiss #3684...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.984234 Composed by Joel Weiss. 20th Century,Concert,Contemporary,Opera,Standards. 4 pages. Joel Weiss #3684777. Published by Joel Weiss (A0.984234). An aria for soprano and piano from the one-act opera Juliet's Balcony. Music by Joel Weiss, text by William Shakespeare (Act Two of Romeo and Juliet)Good for college students and young artists. Aria is c. 3 minutes long.Composer's website: www.JAWeiss.com
$2.99
There are blows in life, so powerful... I don't know! Op.2
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Manuel Carranza Cueto
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There are blows in life, so po
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Manuel Carranza Cueto
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1014466 Composed by Manuel Carranza Cueto. Contemporary. 14 pages. Manuel Carranza Cueto #3573235. Publishe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1014466 Composed by Manuel Carranza Cueto. Contemporary. 14 pages. Manuel Carranza Cueto #3573235. Published by Manuel Carranza Cueto (A0.1014466). This work is inspired by the poem Los Heraldos Negros by the Peruvian poet César Vallejo. This piece is for soprano and piano.
$15.00
I Know My Love solo
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Voix Soprano, Piano
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Folklorique/Traditionel
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WR Editions
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I Know My Love solo
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WR Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.866677 Arranged by WR Editions. Folk. 8 pages. WR Editions #3380865. Published by WR Editions (A0.866677). ...
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Soprano voice,Vocal Solo - SKU: A0.866677 Arranged by WR Editions. Folk. 8 pages. WR Editions #3380865. Published by WR Editions (A0.866677). Irish folk song about a young girl and her faithless lover.
$12.00
Let the World Know His Name
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Richard Nye
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Let the World Know His Name
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Riverlight Creative Publishing
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1024340 Composed by Richard Nye. Christian,Contemporary. 7 pages. Riverlight Creative Publishing #2964669. ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1024340 Composed by Richard Nye. Christian,Contemporary. 7 pages. Riverlight Creative Publishing #2964669. Published by Riverlight Creative Publishing (A0.1024340). An anthem for soloist, two voices and piano based on the text from Acts 1:7-10.First performed by the Knighton House Chapel Choir, Ascension Day, 2016.
$2.00
I Know That My Redeemer Liveth - Messiah (E Major)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Jonathan Prentice
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I Know That My Redeemer Liveth
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884944 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Sacred. 8 pages. Jonathan...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884944 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Sacred. 8 pages. Jonathan Prentice #6629833. Published by Jonathan Prentice (A0.884944). This famous aria opens part three of Handel’s iconic oratorio, Messiah,and incorporates words from the books of Job and Paul. Although a reworking of music he had previously used in other works it has become so associated with the composer that it was incorporated into his bust at Westminster Abbey. (Here in the original E Major)
$1.99
I Know It's Today (from Shrek the Musical) (Adult Fiona)
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Voix Soprano, Piano
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Comédie Musicale
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I Know It's Today
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449680 Edited by Richard Walters. This edition: Interactive Dow...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449680 Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Musical/Show. Score. 7 pages. Hal Leonard - Digital #143040. Published by Hal Leonard - Digital (HX.449680).
$4.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
When I am an Old Woman (Downloadable)
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Voix Soprano, Piano
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FACILE
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Libby Larsen
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When I am an Old Woman
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Moderately Easy - SKU: MQ.4827-E Composed by Libby Larsen. 7 pages. E. C. Schirmer Music Company - Digital #4827-E. Publishe...
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Soprano voice solo, piano - Moderately Easy - SKU: MQ.4827-E Composed by Libby Larsen. 7 pages. E. C. Schirmer Music Company - Digital #4827-E. Published by E. C. Schirmer Music Company - Digital (MQ.4827-E). English.In When I am an Old Woman, the character, a soprano, talks about all the different things she will do when she's old including picking flowers from other people's gardens and spitting on them as well. She concludes,I'd better practice a little now, so that people who know me are not too shocked and surprised when suddenly I am old..
$7.75
Jingle Bells for Choir in A major
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Voix Soprano, Piano
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DÉBUTANT
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James Lord Pierpont
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Jps Arrangements
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Jingle Bells for Choir in A ma
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Jps Arrangements
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1476584 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pag...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1476584 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pages. Jps Arrangements #1054095. Published by Jps Arrangements (A0.1476584). Jingle Bells for Choir in A major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchase of choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score has been adapted for soprano. Universal Appeal: Music transcends cultures and languages. It is known throughout the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an affordable and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and get started rehearsing with enthusiasm.The arrangement is in A major and does not have the numbers.
$1.99
Jingle Bells for Choir in B major
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Voix Soprano, Piano
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DÉBUTANT
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James Lord Pierpont
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Jps Arrangements
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Jingle Bells for Choir in B ma
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Jps Arrangements
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1476591 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pag...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1476591 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pages. Jps Arrangements #1054102. Published by Jps Arrangements (A0.1476591). Jingle Bells for Choir in B major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchase of choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score has been adapted for soprano. Universal Appeal: Music transcends cultures and languages. It is known throughout the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an affordable and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and get started rehearsing with enthusiasm.The arrangement is in B major and does not have the numbers.
$1.99
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