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21
Partitions
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229
Librairie
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160
Matériel
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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Note4Piano
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Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
61134
PIANO & CLAVIERS
Piano seul
18760
Piano, Voix et Guitare
10396
Piano, Voix
8455
Piano Facile
6267
Accompagnement Piano
1835
Instruments en Do
1735
Orgue
1218
1 Piano, 4 mains
756
Piano grosses notes
463
Piano (partie séparée)
264
Accordéon
254
Piano Trio: piano, violon, violoncelle
235
2 Pianos, 4 mains
157
Orgue, Trompette (duo)
89
Piano Quatuor: piano, 2 violons, violoncelle
71
Piano Quatuor: piano, violon, alto, violoncelle
61
1 Piano, 6 mains
41
Orgue, Piano (duo)
41
Piano Quintette: piano, 2 violons, alto, violoncelle
36
Ligne De Mélodie, Piano
30
Clavecin
24
Clavier
18
2 Pianos, 8 mains
17
Instrument seul et Orgue
7
Accordéon, Voix
5
2 Accordéons
3
Accordéon - Piano, Voix, Guitare
2
2 Orgues (duo)
2
Concertina
2
3 Pianos
2
Ensemble d'Accordéons
2
Accordéon et Orchestre
2
Piano Trio: Instruments de chambre mixtes
1
Orgue, Voix
1
Accordéon, Piano
1
Orgue et Orchestre
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
5488
Ligne De Mélodie, (Paroles) et Accords
3097
Guitare
2028
Paroles et Accords
1726
Basse electrique
1248
Ukulele
1109
Guitare (partie séparée)
484
Ukulele Baryton
326
2 Guitares (duo)
166
Dulcimer
84
Mandoline
79
4 Guitares (Quatuor)
78
Banjo
76
Piano, Guitare (duo)
64
Ensemble de guitares
37
3 Guitares (trio)
36
Basse électrique (partie séparée)
17
2 Dulcimers (duo)
13
Mandoline, Piano (duo)
11
Guitare Pedal Steel
9
Partitions De Groupes
9
Mandoline, Guitare (duo)
8
Ensemble de Ukulélés
7
Guitare, Violon, Violoncelle (trio)
7
2 Ukuleles
6
Guitare Tab, Voix, Basse, Batterie
3
2 Mandolines (duo)
3
Dobro
3
Orchestre à Plectres
1
Guitare, Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
8430
Pack Instrumental pour Chorale
3659
Chorale 3 parties
2893
Chorale TTBB
2072
Chorale 2 parties
1954
Chorale SSAA
1050
Chorale Unison
864
Voix seule
845
Voix Baryton, Piano
597
Voix duo, Piano
560
Voix duo
334
Chorale
303
Voix Soprano, Piano
229
Voix haute
150
Voix Alto, Piano
133
Voix Tenor, Piano
131
Voix moyenne, Piano
73
Voix basse, Piano
65
Chorale SSAATTBB
35
Voix Mezzo-Soprano, Piano
26
Voix, Guitare
25
Soli, choeur mixte et accompagnement
22
Voix Baryton
19
Voix Tenor
19
Chorale SSATB
18
Voix basse
16
Chorale SSATTB
14
Chorale SSAB a cappella
12
Voix Soprano
12
Chorale SSAB, Piano
11
Chorale SSATBB
7
Voix d'Enfants
4
Chorale SATBB
3
Chorale, Orchestre
2
Chorale SATTB
2
Male Voice
2
Chorale SATTBB, Clavier
1
Voix Soprano, Orchestre
1
Voix Moyenne
1
Chorale SAATB A Cappella
1
Chorale SSAATB A Cappella
1
Chorale SSAATB
1
Chorale, Orgue
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
26497
Saxophone
17352
Saxophone Alto
12893
Saxophone Tenor
11328
Quatuor de Saxophones: 4 saxophones
11215
Saxophone Alto et Piano
7588
2 Saxophones (duo)
6986
Saxophone Tenor et Piano
5548
Saxophone Soprano et Piano
3345
Quintette de Saxophone: 5 saxophones
2895
3 Saxophones (trio)
2402
Flûte traversière et Piano
2109
Flûte, Hautbois, Clarinette, Basson
2085
Flûte traversière
1659
Saxophone Baryton, Piano
1514
Clarinette
1496
Saxophone Soprano
1377
Clarinette et Piano
1371
Ensemble de saxophones
1355
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1291
Hautbois, Piano (duo)
1116
Quatuor de Clarinettes: 4 clarinettes
1021
2 Flûtes traversières (duo)
983
2 Clarinettes (duo)
806
Saxophone, Clarinette (duo)
674
Clarinette (partie séparée)
622
Hautbois (partie séparée)
499
Quatuor de Flûtes : 4 flûtes
421
Instruments en Mib
414
Flute (partie séparée)
400
Saxophone Baryton
400
Flûte, Clarinette (duo)
394
Clarinette, Violon (duo)
349
Ensemble de Clarinettes
336
Flûte à bec Soprano
304
Ocarina
303
Clarinette, Trompette (duo)
279
Hautbois
271
Flûte, Saxophone (duo)
270
2 Hautbois (duo)
261
Hautbois, Basson (duo)
252
Saxophone et Guitare
243
Ensemble de Flûtes
240
2 Saxophones, Piano
237
3 Clarinettes (trio)
232
Flûte à bec Alto
221
Quintette de Clarinettes: 5 clarinettes
218
Hautbois, Clarinette (duo)
216
Flûte et Guitare
214
Saxophone et Piano
209
Flûte, Violon
185
2 Flûte à bec (duo)
185
Flûte, Trombone (duo)
181
Clarinette et Alto
179
Cor anglais, Piano
161
Hautbois, Flûte
158
Trio de Flûtes: 3 flûtes
158
Flûte, Alto (duo)
146
Flûte, Trompette (duo)
128
Flûte, Violon, Piano
123
Flûte à Bec
123
Clarinette, Trombone (duo)
119
Saxophone, Violon (duo)
110
Clarinette Basse, Piano
110
Quatuor de Flûtes à bec
108
Clarinette, Guitare (duo)
82
Quintette de Flûte : 5 flûtes
79
Clarinette, Basson (duo)
64
Saxophone et Orgue
63
Flûte, Hautbois, Clarinette (trio)
60
Harmonica
58
Flûte, Hautbois (duo)
55
Flûte, Clarinette et Basson
55
Flûte, Violoncelle
54
Hautbois, Violoncelle
53
3 Flûtes à bec (trio)
53
Clarinette, Violoncelle (duo)
52
Hautbois, Clarinette, Basson (trio d'anches)
52
Saxophone, Basson (duo)
49
Hautbois, trombone (duo)
48
Cor Anglais
46
Saxophone et Harpe
44
Ensemble De Flûte à bec
43
Flûte à bec Alto, Piano
42
2 Flûtes traversières, Piano
40
5 Flûtes à bec
36
Saxophone et violoncelle
34
Flûte, Hautbois, Basson
29
Hautbois, Guitare (duo)
26
Cor anglais, Guitare (duo)
25
Ensemble à vent
24
Flûte, Violoncelle, Piano (trio)
23
Flûte à bec Soprano, Piano
22
Piccolo, Piano
22
Piccolo
22
Clarinette Basse
21
Hautbois, violon (duo)
21
Flûte à bec Tenor
19
Flûte, Clarinette, Cor, Basson (Quartet)
19
Flûte, Clarinette, Piano (trio)
18
Flûte, Hautbois, Piano (trio)
18
4 Hautbois
17
Flûte, Violon et Violoncelle
17
Saxophone et Orchestre
15
2 Clarinettes, Piano
14
3 Hautbois
14
Flûte, Basson et Piano
14
Clarinette, Violoncelle, Piano (trio)
13
Clarinette, Harpe (duo)
9
Flûte, Alto et Piano
9
Saxophone, Tuba (duo)
9
Flute, harpe et violon
9
Flûte à Bec, Piano
9
2 Clarinettes, Basson
8
Hautbois et alto (duo)
8
Clarinette, Orgue
7
Clarinette, Basson, Piano (trio)
6
Flûte traversière, Orgue (duo)
6
Flûte et Trio à cordes
6
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
5
Flûte irlandaise
5
Hautbois, Harpe
5
Flûte traversière, Basse continue
4
Flûte, Violon, Violoncelle et Piano
4
2 Cors Anglais Et Pianoforte
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte à bec, Guitare (duo)
4
Flûte, Clarinette, Violon (trio)
4
Clarinette, Saxophone, Piano
3
Flûte, Harpe et Violoncelle
3
Harmonica, Piano
3
Flûte, trombone et piano
3
Clarinette, Tuba
3
Flûte, Guitare, Piano
2
Cornemuse
2
Flûte, Hautbois, Violon
2
Flûte, alto et harpe
2
2 Hautbois et Cor anglais
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette, trompette et piano
2
Clarinette, Alto et Piano (trio)
2
Flûte de Pan
2
Hautbois, Violon, Piano
2
Ensemble de Hautbois
1
Hautbois, Basson et Piano
1
2 Flûtes, Basse continue
1
Flûte à bec Alto, Basse continue
1
2 Flûtes à bec, Guitare
1
Hautbois, Violoncelle et Piano
1
Flûte, Tuba (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois et Orchestre
1
Melodica
1
Flûte, Violoncelle, Guitare
1
2 Hautbois et Basson
1
Clarinette, Contrebasse (duo)
1
Flute, Cor (duo)
1
Clarinette, Orchestre
1
Instrumentations suivantes
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CUIVRES
Trombone (partie séparée)
18493
Trombone
15237
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10179
Trombone et Piano
6116
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4495
2 Trombones (duo)
2743
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1862
Trompette
1857
Quatuor de Cuivres
1771
Quatuor de cuivres: 4 trombones
1472
Trompette, Trombone (duo)
1459
Trompette (partie séparée)
1455
Trompette, Piano
996
Cor et Piano
750
Cor
658
Trompette, Saxophone (duo)
650
Trio de Cuivres
614
Bass Clef Instruments
531
Ensemble de Trombones
502
3 Trombones (trio)
490
Instruments en Sib
470
2 Trompettes (duo)
399
Cor (partie séparée)
389
Tuba ou Euphonium ou Saxhorn
381
Tuba
368
Tuba et Piano
365
Tuba (partie séparée)
299
Euphonium, Piano (duo)
288
Trombone basse et Piano
280
Trombone, Tuba (duo)
231
2 Cors (duo)
173
Cor anglais, Piano
161
Ensemble de Trompettes
153
Trombone, violoncelle (duo)
140
Trompette, Cor (duo)
132
Euphonium
130
Trombone, Cor (duo)
126
Trombone basse
123
Quatuor de cuivres: 4 cors
120
Quatuor de cuivres: 2 trompettes, 2 trombones
114
2 Euphoniums et 2 Tubas
104
Trombone, Violon (duo)
93
2 Tubas (duo)
74
Trompette, Basson (duo)
74
Trombone, Orgue
62
Ensemble de Cors
55
4 Tubas
54
Trompette, Trombone, Piano
50
Cor Anglais
46
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
Quatuor de cuivres: 4 trompettes
43
2 Trombones, Piano
42
3 Trompettes (trio)
35
2 Euphoniums (duo)
30
Euphonium, Tuba (duo)
30
Trombone, Alto (duo)
28
Cor, Violoncelle (duo)
26
Cor anglais, Guitare (duo)
25
Tuba et Orgue
22
Cor, Trompette, Trombone (trio)
20
Trompette, Violoncelle (duo)
18
2 Trompettes, Clavier (piano ou orgue)
15
Cor et Basson (duo)
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Trompette, Tuba (duo)
14
3 Cors (trio)
13
3 Tubas (trio)
12
Instruments en Fa
10
Cor, Tuba (duo)
8
Trompette, Euphonium (duo)
8
Trombone et orchestre
8
Cornet A Pistons
7
Trompette, Violoncelle et Piano
7
Cor et Orgue
6
Trompette et Guitare
5
3 Euphoniums
5
Clarinette, Cor (duo)
4
Trompette, Harpe
4
2 Cors Anglais Et Pianoforte
4
Cor et Harpe
3
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Trompette, Orchestre
2
Ensemble de Tubas
2
Trompette, violon (duo)
2
Euphonium Ou Saxhorn Et Piano
2
Euphonium (partie séparée)
1
Cornet et orchestre
1
Cornet et Piano
1
2 Cors, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
4639
Violon
2149
Violon et Piano
2088
Violoncelle, Piano
1418
Violoncelle
1328
Alto, Piano
1195
Violon, Violoncelle (duo)
1034
Harpe
999
Alto seul
824
Trio à Cordes: violon, alto, violoncelle
748
2 Violons (duo)
647
2 Violoncelles (duo)
500
Contrebasse (partie séparée)
489
Violon (partie séparée)
472
Violon, Alto (duo)
472
Quintette à cordes: 2 violons, alto, violoncelle, basse
383
2 Altos (duo)
349
Contre Basse
295
Contrebasse, Piano (duo)
270
Alto (partie séparée)
270
Trio à Cordes: 2 violons, violoncelle
231
Alto, Violoncelle (duo)
149
Piano Trio: Violon, Alto, Piano
131
4 Violoncelles
127
Violoncelle (partie séparée)
118
Violon, Guitare (duo)
110
Trio à cordes: 3 violins
84
2 Harpes (duo)
71
2 Contrebasses (duo)
65
Violoncelle , Guitare (duo)
62
Trio à Cordes: 3 violoncelles
61
Harpe, Flûte (duo)
59
Trio à cordes: 3 altos
45
Violoncelle, Contrebasse (duo)
43
Alto, Guitare (duo)
42
Quatuor à cordes: 4 violons
40
Quatuor à cordes : 4 altos
38
Violon, Basson (duo)
37
Harpe, Violon (duo)
35
Trio à cordes
31
Harpe, Voix
31
Trio à Cordes: 2 violons, alto
25
Ensemble de Violons
24
Alto et Basson
23
Quintette à cordes: 2 violons, 2 altos, violoncelle
21
Ensemble d'Altos
21
Alto et Harpe
21
Harpe, Violoncelle (duo)
20
Harpe, Trombone (duo)
15
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
Flûte, Contrebasse (duo)
11
Violoncelle, Orgue
11
Violon, Orgue
10
Harpe et mandoline
9
2 Violons, Piano
9
Ensemble de Violoncelles
9
Violoncelle, Orchestre
7
Harpe (partie séparée)
7
4 Contrebasses
6
Violon, Clarinette, Piano (trio)
6
Harpe, Violon, Violoncelle
6
3 Harpes
4
Autoharp
4
Harpe et Piano
3
3 Contrebasses
2
2 Violoncelles, Piano
2
Alto et orchestre
2
5 Harpes
2
Violoncelle, Basse continue
2
Violon, Basse continue
2
Violon, Trompette et Piano
2
Harpe, Quatuor à cordes
1
Alto, Orgue
1
4 Harpes
1
Violon, Tuba (duo)
1
Harpe, Orchestre
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
24453
Ensemble Jazz
5436
Fanfare
4255
Orchestre
2971
Ensemble de cuivres
2439
Orchestre à Cordes
1926
Cloches
888
Batterie
807
Jazz combo
787
Orchestre de chambre
745
Xylophone
524
Ensemble de Percussions
394
Percussion (partie séparée)
385
Batterie (partie séparée)
333
Percussion
195
Xylophone, Piano
156
Marimba
81
2 Xylophones
62
Vibraphone
49
Timbales (partie séparée)
48
Xylophone (partie séparée)
35
Quintette de Cuivres: autres combinaisons
22
Timbales
15
Piano et Orchestre
13
Xylophone ou Marimba ou Vibraphone
12
Big band
12
Ensemble d'École
11
Quintette à Vent
11
Instrumentation Flexible
7
Caisse Claire
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Orchestre, Violon
5
2 Marimbas
3
3 Marimbas
3
Quatuor à Vent : 4 instruments à vents
3
Marimba ou Xylophone et Piano
3
Marimba, Piano (duo)
3
Vibraphone et Marimba
3
Orchestre Symphonique
2
Bongos
2
Marimba et Orgue
2
Cajon
2
Batterie-Fanfare
1
3 Percussions
1
Bodhran
1
Vibraphone (partie séparée)
1
Marimba, Saxophone (duo)
1
2 Percussions
1
Instrumentations suivantes
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AUTRES
Papeterie
33
Formation musicale - Solfège
12
Théorie de la musique
2
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Voix Soprano, Piano
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Poor Wand'ring One - The Pirates of Penzance (G Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884802 Composed by Gi…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884802 Composed by Gilbert and Sullivan. Arranged by Jonathan Prentice. Opera,Romantic Period. 8 pages. Jonathan Prentice #5865819. Published by Jonathan Prentice (A0.884802). Mabel's wonderfully exuberant aria from Gilbert and Sullivan's, The Pirates of Penzance. Having had his pleas rejected by her sisters, Mablel takes pity on the reluctant pirate, Frederick (Here a semitone lower than the original in G Major).
$1.99
1.81 €
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Voix Soprano, Piano
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Gilbert and Sullivan
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Jonathan Prentice
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Poor Wand'ring One - The Pirates of Penzance
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Jonathan Prentice
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SheetMusicPlus
O Lonely Watcher of the Skies
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993407 Composed by Ma…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993407 Composed by Matthew C. Schildt. 20th Century,Contemporary. 21 pages. Matthew Schildt #3876903. Published by Matthew Schildt (A0.993407). O Lonely Watcher of the Skies, for soprano and piano, is a 5-song cycle on poems from James Joyce's Chamber Music. Each song has a distinct character, ranging from ethereal and haunting to lilting and carefree. The piece was written in 2008, is approximately 13 minutes in duration, and is registered with ASCAP. More of my music can be viewed and heard at www.matthewschildtmusic.com
$10.00
9.11 €
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Voix Soprano, Piano
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Matthew C
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O Lonely Watcher of the Skies
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Matthew Schildt
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SheetMusicPlus
One Day (Solo Female Version)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.621844 Composed by St…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.621844 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 12 pages. Exultet Music #3570771. Published by Exultet Music (A0.621844). Praise and Worship hymn with a new melody for the traditional hymn One Day. Scored for Soprano Voice with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
4.54 €
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Voix Soprano, Piano
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Stephen DeCesare
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One Day
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Exultet Music
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SheetMusicPlus
In Christ Alone
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1089104 By Margaret B…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1089104 By Margaret Becker. By Keith Getty and Stuart Townend. Arranged by Nancy Frese Tabb. Contemporary,Easter,Praise & Worship,Sacred,Spiritual. 7 pages. Nancy Frese Tabb #693324. Published by Nancy Frese Tabb (A0.1089104). In Christ Alone is arranged as a Solo for a High Voice (Soprano/Tenor). Paired with an excerpt of Amazing Grace, this arrangement is easily learned in a few rehearsals and is perfect for a general church service or sacred concert.
$4.99
4.54 €
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Voix Soprano, Piano
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Margaret Becker
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Nancy Frese Tabb
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In Christ Alone
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Nancy Frese Tabb
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SheetMusicPlus
Civility
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.33 €
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Voix Soprano, Piano
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.11 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Halevi Songs (piano/vocal score only)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by El…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
8.19 €
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Voix Soprano, Piano
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Poems: If I can Stop One Heart
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1024408 Composed by Troy Dicker…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1024408 Composed by Troy Dickerson, poem by Emily Dickinson. Contemporary. 2 pages. Troy Dickerson #6896581. Published by Troy Dickerson (A0.1024408). A setting of a famous poem by Emily Dickinson for soprano voice and piano.
$2.99
2.72 €
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Voix Soprano, Piano
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Troy Dickerson, poem by Emily Dickinson
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Poems: If I can Stop One Heart
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Troy Dickerson
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SheetMusicPlus
Poor Wand'ring One - The Pirates of Penzance (Ab Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884801 Composed by Gi…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884801 Composed by Gilbert and Sullivan. Arranged by Jonathan Prentice. Opera,Romantic Period. 8 pages. Jonathan Prentice #5865817. Published by Jonathan Prentice (A0.884801). Mabel's wonderfully exuberant aria from Gilbert and Sullivan's, The Pirates of Penzance. Having had his pleas rejected by her sisters, Mablel takes pity on the reluctant pirate, Frederick (Here in the original Ab Major).
$1.99
1.81 €
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Voix Soprano, Piano
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Gilbert and Sullivan
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Jonathan Prentice
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Poor Wand'ring One - The Pirates of Penzance
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Jonathan Prentice
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SheetMusicPlus
One Day (song)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.953827 Composed by He…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.953827 Composed by Henryk Pachulski. Arranged by Haydn Reeder. Pop,Romantic Period. 4 pages. Haydn Reeder #3210567. Published by Haydn Reeder (A0.953827). With words by Fiona McEwan, the score is a song for female voice and piano/keyboard. It's based on the Prelude Opus 8 Nr 5 for piano by Pachulski and I have simplified the accompaniment to reveal the basic harmonies. It's quite short, lasting about 2 minutes and I presume it would suit a pop singing voice, or a singer who can imitate that sort of voice.
$4.00
3.64 €
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Voix Soprano, Piano
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Henryk Pachulski
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Haydn Reeder
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One Day
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Haydn Reeder
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SheetMusicPlus
Haleluja (from oratorio Messiah) by Georg F. Handel. Reduction for one voice and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1008210 Composed by G…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1008210 Composed by Georg F. Handel. Arranged by Mariangeles Di Paola. Christian,Easter,Praise & Worship,Wedding,World. 6 pages. Torcaza Azul #4623989. Published by Torcaza Azul (A0.1008210). It works for church services playing piano, piano keyboard, organ, and harmonium.It is appropriate for musicians and advanced students. Title in Spanish: Aleluya, del oratorio El MesÃas. Autor: Georg F. Handel .
$2.00
1.82 €
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Voix Soprano, Piano
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Georg F
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Mariangeles Di Paola
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Haleluja
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Torcaza Azul
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SheetMusicPlus
Someone To Watch Over Me (from Oh, Kay!) [Women's version]
Voix Soprano, Piano
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal (Soprano Voice) - Interactive D…
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal (Soprano Voice) - Interactive Download SKU: HX.440081 By George Gershwin. By George Gershwin. Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Jazz,Standards,Wedding. Score. 5 pages. Hal Leonard - Digital #759240. Published by Hal Leonard - Digital (HX.440081).
$4.99
4.54 €
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Voix Soprano, Piano
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George Gershwin
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Someone To Watch Over Me
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Hal Leonard - Digital
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SheetMusicPlus
Three Children's Tone Poems
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.852613 Composed by Pa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.852613 Composed by Pat Holmberg. Arranged by Patricia Tanttila Holmberg. Children,Concert,Contemporary. 9 pages. Patricia Tanttila Holmberg #4735813. Published by Patricia Tanttila Holmberg (A0.852613). These are settings of three children's poems by renowned American poet Carl Sandburg. Those poems are very charming, and I tried to capture their moods in music.
$8.95
8.15 €
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Voix Soprano, Piano
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Pat Holmberg
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Patricia Tanttila Holmberg
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Three Children's Tone Poems
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Patricia Tanttila Holmberg
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SheetMusicPlus
SONGS FOR ROSIE
Voix Soprano, Piano
Soprano Voice, Piano. - Advanced - Digital Download Composed by Tim Jones music, Kare…
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Soprano Voice, Piano. - Advanced - Digital Download Composed by Tim Jones music, Karen Armstrong lyrics. 21st Century. Score. 23 pages. Published by Black Cockatoo Music
5 Songs for Soprano and Piano about Love and overcoming Adversity.<br> Composed by Tim Jones with Lyrics by Karen Armstrong<br> Exquisite Art Music for sopranos of all vocal genres.<br> Range Bb3 to G55 Songs for Soprano and Piano about Love and overcoming Adversity.<br> Composed by Tim Jones with Lyrics by Karen Armstrong<br> Exquisite Art Music for sopranos of all vocal genres.<br> Range Bb3 to G5
$14.99
13.65 €
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Voix Soprano, Piano
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Tim Jones music, Karen Armstrong lyrics
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SONGS FOR ROSIE
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Black Cockatoo Music
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SheetMusicPlus
Lamentationes Jeremiae Prophetae: Feriae Quintae in Coena Domini, Lectio Prima (Soprano version)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.805193 Composed by Giacomo Cari…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.805193 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque,Sacred. 5 pages. Early Music Scores #412231. Published by Early Music Scores (A0.805193). Voice and continuo Incipit lamentatio Jeremiae prophetae. Composed by Giacomo Carissimi (c.1605-1674). From Museo internazionale e biblioteca della musica di Bologna, MS Q43, ff.1v-5r. Edited by Felipe Dias. 5 pages. Transposed a fourth higher.
$7.99
7.28 €
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Voix Soprano, Piano
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Giacomo Carissimi
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Early Music Scores
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Lamentationes Jeremiae Prophetae: Feriae Quintae in Coena Domini, Lectio Prima
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Early Music Scores
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SheetMusicPlus
Yellowstone Joan (in E flat) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958502 Composed by Jo…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958502 Composed by Joseph Dillon Ford. 20th Century,Contemporary,Folk. 4 pages. David Warin Solomons2 #3859485. Published by David Warin Solomons2 (A0.958502). This Country Tune was composed many years ago primarily for my own amusement, although the lyrics weren't written until I prepared these songs for publication in 2001. It is music of the popular sort I occasionally heard on the
$5.00
4.55 €
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Voix Soprano, Piano
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Joseph Dillon Ford
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Yellowstone Joan
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David Warin Solomons2
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SheetMusicPlus
Due liriche (CM 2015)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1012954 Composed by Carmelo Man…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699. Published by Carmelo Mantione (A0.1012954). These two pieces are based on texts by the great twentieth century poet Eugenio Montale, from Le occasioni and Ossi di seppia collections. The first Non recidere forbice tries to evoke the drama of the text through a melodic line with an articulate profile characterized by taglient intervallari jumps, and a harmony often scarce as thin and desolate is sometimes the poetic text. Antico sono ubriacato della voce is the second text, more extensive, on which the other lyric develops, characterized by the presence of an almost continuous rhythmic movement in the piano part in order to make the one, incessant and deep, of the waters of the sea , protagonist of this poetic song. There are numerous madrigalisms and musical devices designed to underline the expressive climate of each single text expression while trying to maintain a basic unity for the whole composition.
$3.99
3.63 €
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Voix Soprano, Piano
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Carmelo Mantione
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Ossi di seppia collections
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Due liriche
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Carmelo Mantione
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.7 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.97 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.15 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.15 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.15 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Ah! spietato - Amadigi di Gaula (Eb Minor)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884883 Composed by Ge…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884883 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Opera. 5 pages. Jonathan Prentice #6089671. Published by Jonathan Prentice (A0.884883). One of Handel's most beautiful arias, Ah! spietato (Ah! cruel one) is sung by the infatuated sorceress, Melissa in act 1 of Amadigi di Gaula. Here a semitone lower than the original (baroque pitch).
$1.99
1.81 €
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Voix Soprano, Piano
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George Frideric Handel
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Jonathan Prentice
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Ah! spietato - Amadigi di Gaula
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Jonathan Prentice
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SheetMusicPlus
The Secret History of Water, set 2 (Music by Judith Cloud)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Ju…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
13.66 €
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Voix Soprano, Piano
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Judith Cloud
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The Secret History of Water, set 2
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Judith Cloud
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SheetMusicPlus
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