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27793
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Piano seul
16378
Piano, Voix
5376
Piano Facile
2321
Piano, Voix et Guitare
1443
Orgue
1174
Instruments en Do
625
1 Piano, 4 mains
590
Accompagnement Piano
555
Piano (partie séparée)
502
Piano Trio: piano, violon, violoncelle
297
2 Pianos, 4 mains
148
Piano Quatuor: piano, 2 violons, violoncelle
136
Orgue, Trompette (duo)
94
Piano Quatuor: piano, violon, alto, violoncelle
74
Accordéon
55
Piano Quintette: piano, 2 violons, alto, violoncelle
55
Clavecin
55
Piano grosses notes
46
Orgue, Piano (duo)
26
Clavier
13
1 Piano, 6 mains
8
2 Pianos, 8 mains
6
Ligne De Mélodie, Piano
5
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4
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3
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3
Concertina
3
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2
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1
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1
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1
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1391
Guitare notes et tablatures
689
Ligne De Mélodie, (Paroles) et Accords
341
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247
Ukulele
155
2 Guitares (duo)
139
Basse électrique (partie séparée)
81
4 Guitares (Quatuor)
78
Paroles et Accords
68
Piano, Guitare (duo)
66
Basse electrique
47
Partitions De Groupes
47
3 Guitares (trio)
46
Mandoline
28
Banjo
23
Ensemble de guitares
13
Dulcimer
6
Guitare, Orchestre
6
Mandoline, Guitare (duo)
6
Guitare, Violon, Violoncelle (trio)
5
Mandoline, Piano (duo)
5
2 Ukuleles
4
Dobro
4
Guitare, Quatuor à cordes
4
2 Guitares et Orchestre
3
Luth
3
2 Mandolines (duo)
2
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1
2 Dulcimers (duo)
1
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1
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VOIX
Chorale SATB
11502
Chorale 3 parties
6803
Pack Instrumental pour Chorale
5510
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5005
Chorale
1912
Chorale TTBB
1286
Voix duo, Piano
1174
Chorale Unison
1002
Voix duo
609
Chorale SSAA
427
Voix haute
245
Voix Soprano, Piano
176
Voix Alto, Piano
92
Voix seule
78
Voix Tenor, Piano
77
Voix Baryton, Piano
51
Voix moyenne, Piano
48
Voix basse, Piano
47
Voix Tenor
26
Voix basse
24
Chorale SSATB
20
Chorale SSAATTBB
18
Chorale SSAB, Piano
11
Chorale SSATTB
9
Voix Mezzo-Soprano, Piano
8
Voix Soprano
8
Soli, choeur mixte et accompagnement
7
Chorale SSAB a cappella
2
Chorale SAATB A Cappella
2
Voix, Guitare
2
Voix Moyenne
1
Chorale SSAATB
1
Chorale SATBB
1
Voix Soprano, Orchestre
1
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VENTS
Saxophone (partie séparée)
11419
Clarinette (partie séparée)
11199
Flute (partie séparée)
4239
Hautbois (partie séparée)
2799
Flûte traversière et Piano
1917
Clarinette et Piano
1689
Quatuor de Saxophones: 4 saxophones
1637
2 Saxophones (duo)
1582
Hautbois, Piano (duo)
1311
Saxophone Alto et Piano
1282
Flûte, Hautbois, Clarinette, Basson
1272
Saxophone Tenor et Piano
1202
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1171
Flûte traversière
1127
Saxophone Soprano et Piano
983
Clarinette
973
2 Flûtes traversières (duo)
913
Quatuor de Clarinettes: 4 clarinettes
837
Hautbois
806
2 Clarinettes (duo)
796
Quatuor de Flûtes : 4 flûtes
576
Flûte, Clarinette (duo)
456
Ensemble de Clarinettes
437
Saxophone Alto
424
Saxophone Tenor
419
Quintette de Saxophone: 5 saxophones
412
3 Saxophones (trio)
365
3 Clarinettes (trio)
348
Saxophone, Clarinette (duo)
339
Clarinette, Violon (duo)
296
2 Hautbois (duo)
288
Piccolo
283
Clarinette Basse
278
Ensemble de saxophones
268
Trio de Flûtes: 3 flûtes
262
Saxophone Baryton, Piano
233
Quintette de Clarinettes: 5 clarinettes
221
Clarinette, Trompette (duo)
214
Ensemble de Flûtes
213
Cor anglais, Piano
207
Hautbois, Basson (duo)
181
Hautbois, Clarinette (duo)
180
Flûte, Violon
157
Clarinette et Alto
154
Flûte, Hautbois, Clarinette (trio)
152
Flûte, Saxophone (duo)
141
Flûte, Clarinette et Basson
140
2 Flûte à bec (duo)
126
Flûte, Alto (duo)
124
Flûte, Violon, Piano
119
Clarinette Basse, Piano
114
Saxophone
113
Hautbois, Flûte
113
Quatuor de Flûtes à bec
108
Flûte, Trompette (duo)
106
Quintette de Flûte : 5 flûtes
103
Flûte, Hautbois, Basson
103
Flûte et Guitare
97
Flûte à Bec
88
Clarinette, Basson (duo)
88
Hautbois, Clarinette, Basson (trio d'anches)
88
Flûte, Violon et Violoncelle
76
Cor Anglais
75
Flûte, Clarinette, Piano (trio)
66
2 Clarinettes, Piano
61
Flûte, Violoncelle
60
2 Saxophones, Piano
58
2 Flûtes traversières, Piano
57
Saxophone Baryton
56
Flûte à bec Soprano
56
Saxophone Soprano
53
Clarinette, Guitare (duo)
53
5 Flûtes à bec
52
Flûte, Hautbois (duo)
48
Clarinette, Violoncelle (duo)
47
Clarinette, Violoncelle, Piano (trio)
41
2 Clarinettes, Basson
39
Flûte, Violoncelle, Piano (trio)
39
Piccolo, Piano
34
Saxophone et Piano
32
Flûte, trombone et piano
32
Flûte, Hautbois, Piano (trio)
29
Ensemble De Flûte à bec
29
4 Hautbois
28
Flûte à bec Soprano, Piano
28
3 Flûtes à bec (trio)
27
Flûte, Alto et Piano
23
Flûte, Basson et Piano
23
Saxophone et Orgue
22
Ensemble à vent
21
3 Hautbois
20
Harmonica, Piano
20
Flûte à bec Alto
19
Flûte à bec Alto, Piano
19
Flûte, Violon, Violoncelle et Piano
18
Flûte traversière, Orchestre
17
Hautbois, violon (duo)
16
Flûte à bec Tenor
16
Clarinette, Trombone (duo)
15
Saxophone et Orchestre
15
Clarinette, Basson, Piano (trio)
15
Cornemuse
15
2 Cors Anglais Et Pianoforte
14
Flûte traversière, Orgue (duo)
13
Clarinette, trompette et piano
13
Quintette de Clarinette: Clarinette, Quatuor à Cordes
12
Clarinette, Orchestre
12
Flûte, Trombone (duo)
12
Hautbois, Guitare (duo)
11
Clarinette, Alto et Piano (trio)
10
Flûte à Bec, Piano
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
Harmonica
9
Hautbois, Violoncelle
8
Clarinette, Harpe (duo)
8
Ocarina
8
Saxophone et Guitare
7
Flûte et Quatuor à Cordes
7
Clarinette, Orgue
7
Flute, harpe et violon
6
Instruments en Mib
6
Flûte, Tuba (duo)
5
Hautbois, Clarinette et Piano (Trio)
5
Saxophone, Violon (duo)
5
Flute, Cor (duo)
5
Flûte, Violoncelle, Guitare
4
Flûte, Clarinette, Violon (trio)
4
Flûte et Trio à cordes
4
Ensemble de Hautbois
4
Hautbois et Orchestre
4
Flûte, Harpe et Violoncelle
3
Flûte, Violon, Guitare
3
Saxophone et Harpe
3
Cor anglais, Guitare (duo)
3
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3
Hautbois, Harpe
3
Flûte à bec Alto, Basse continue
2
Flûte, alto et harpe
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Clarinette, Contrebasse (duo)
2
Flûte à bec, Guitare (duo)
2
2 Flûtes, Basse continue
2
Flûte à bec, Harpe
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Clarinette, Saxophone, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte irlandaise
1
2 Hautbois et Basson
1
Flûte, Hautbois, Violon
1
Cor anglais et Harpe (duo)
1
2 Flûtes à bec, Piano
1
Flûte à bec Soprano, Basse continue
1
3 Flûtes à bec, Piano
1
Flûte traversière, Basse continue
1
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Trombone (partie séparée)
8682
Trompette (partie séparée)
6820
Cor (partie séparée)
4561
Tuba (partie séparée)
3650
Trombone et Piano
1223
Trompette, Piano
1219
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
988
Quatuor de Cuivres : 2 trompettes, trombone, tuba
972
Trompette
904
Cor
891
Cor et Piano
817
Quatuor de Cuivres: 2 trompettes, Cor, trombone
502
2 Trompettes (duo)
494
Trombone
478
2 Trombones (duo)
433
Tuba
428
Cornet A Pistons
358
Trompette, Trombone (duo)
318
Tuba et Piano
298
Euphonium, Piano (duo)
271
Trompette, Saxophone (duo)
256
Tuba ou Euphonium ou Saxhorn
254
Cor anglais, Piano
207
2 Cors (duo)
206
Trompette, Cor (duo)
168
Quatuor de Cuivres
159
Quatuor de cuivres: 4 cors
154
Quatuor de cuivres: 4 trombones
148
Ensemble de Trompettes
98
Ensemble de Trombones
85
Euphonium (partie séparée)
83
Cor Anglais
75
3 Trompettes (trio)
70
Quatuor de cuivres: 4 trompettes
69
Euphonium
66
2 Tubas (duo)
58
3 Trombones (trio)
51
Quatuor de cuivres: 2 trompettes, 2 trombones
50
Trio de Cuivres
46
4 Tubas
41
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37
Ensemble de Cors
36
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34
Trombone, Tuba (duo)
33
Trompette, Violoncelle et Piano
28
2 Euphoniums et 2 Tubas
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Trombone basse
22
3 Cors (trio)
21
Trombone, Orgue
20
Euphonium, Tuba (duo)
19
2 Trompettes, Clavier (piano ou orgue)
17
Tuba et Orgue
17
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2 Cors Anglais Et Pianoforte
14
Trombone, Cor (duo)
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Trompette, Orchestre
11
Trompette, Violoncelle (duo)
11
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10
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7
Cor, Violoncelle (duo)
7
Cor et Orgue
7
Trompette, Trombone, Piano
6
3 Tubas (trio)
5
2 Trombones, Piano
5
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4
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4
Cor et Harpe
4
Trompette, Euphonium (duo)
3
Cor et Basson (duo)
3
Cor anglais, Guitare (duo)
3
3 Euphoniums
3
Trombone et orchestre
3
Ensemble de Tubas
2
Trompette, Harpe
2
Trompette et Guitare
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Clarinette, Cor (duo)
2
Cornet et orchestre
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1
Trompette, Basson (duo)
1
Cor anglais et Harpe (duo)
1
Cor, Violoncelle et Piano
1
Cornet et Piano
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Quatuor à cordes: 2 violons, alto, violoncelle
3413
Violon et Piano
2657
Violon (partie séparée)
2032
Violoncelle, Piano
1754
Contrebasse (partie séparée)
1666
Alto, Piano
1423
Violon
1409
Violon, Violoncelle (duo)
802
Violoncelle
752
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725
Harpe
702
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692
Alto seul
641
Alto (partie séparée)
637
2 Violoncelles (duo)
619
Trio à Cordes: violon, alto, violoncelle
560
Violon, Alto (duo)
524
Contre Basse
445
2 Altos (duo)
385
Piano Trio: Violon, Alto, Piano
252
Contrebasse, Piano (duo)
235
Alto, Violoncelle (duo)
204
Trio à Cordes: 2 violons, violoncelle
192
4 Violoncelles
138
Trio à cordes: 3 violins
118
Quintette à cordes: 2 violons, alto, violoncelle, basse
106
Quatuor à cordes: 4 violons
101
Violon, Guitare (duo)
92
Violoncelle, Contrebasse (duo)
69
Harpe (partie séparée)
64
Trio à Cordes: 3 violoncelles
62
Harpe, Flûte (duo)
59
Quatuor à cordes : 4 altos
53
Trio à cordes: 3 altos
50
2 Contrebasses (duo)
44
Trio à Cordes: 2 violons, alto
41
Violoncelle , Guitare (duo)
41
Alto, Guitare (duo)
36
Harpe, Violon (duo)
36
Ensemble de Violons
34
2 Violons, Piano
33
Ensemble d'Altos
28
4 Contrebasses
26
2 Harpes (duo)
23
Violoncelle, Orchestre
22
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21
Harpe, Voix
18
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16
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15
Violon, Clarinette, Piano (trio)
15
Violon, Orgue
14
Alto et Harpe
14
Ensemble de Violoncelles
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
3 Contrebasses
11
Trio à cordes
10
2 Violoncelles, Piano
8
Alto et orchestre
7
Flûte, Contrebasse (duo)
7
Violoncelle, Basse continue
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Alto, Orgue
6
Alto et Basson
5
Harpe, Violon, Violoncelle
5
Harpe et Piano
4
Violon, Basse continue
4
Violon, Violoncelle, Clarinette
3
2 Altos, Piano
2
Violon, Trompette et Piano
2
Harpe, Orchestre
1
Harpe, Quatuor à cordes
1
2 Violons et Basse continue
1
3 Harpes
1
Harpe, Trombone (duo)
1
Autoharp
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
76544
Percussion (partie séparée)
6566
Orchestre
4078
Orchestre à Cordes
3431
Timbales (partie séparée)
1905
Percussion
1482
Ensemble de cuivres
1180
Ensemble Jazz
1064
Orchestre de chambre
967
Cloches
655
Fanfare
531
Batterie
418
Timbales
385
Batterie (partie séparée)
285
Ensemble de Percussions
219
Jazz combo
165
Piano et Orchestre
73
Xylophone
54
Orchestre, Violon
38
Marimba
35
Xylophone, Piano
32
Vibraphone
30
Xylophone (partie séparée)
21
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Ensemble d'École
7
Instrumentation Flexible
7
Vibraphone (partie séparée)
6
Quintette de Cuivres: autres combinaisons
5
Quintette à Vent
4
Bongos
3
Vibraphone et Marimba
3
Caisse Claire
2
2 Xylophones
2
Marimba et Orgue
1
Big band
1
Voix et Orchestre
1
Quatuor à Vent : 4 instruments à vents
1
Trio à Vent: 3 instruments à vents
1
Vibraphone, Piano
1
2 Marimbas
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
3
Théorie de la musique
2
Vous avez sélectionné:
Once
Voix Soprano, Piano
Partitions à imprimer
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This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1047252 Composed by A…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. Daniel Carter #651799. Published by Daniel Carter (A0.1047252). Based on the anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, this tune was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's Second Coming to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring, a delightful special musical number for worship, concert settings, historical music and hymn studies. Arranged as high-range and medium-range vocal solos. Obbligato part included on the last page.
$5.99
5.49 €
#
Voix Soprano, Piano
#
Anonymous
#
Daniel Carter
#
This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
#
Daniel Carter
#
SheetMusicPlus
Concentric Circles
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.980123 Composed by Ch…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published by Christy Kalfas (A0.980123). Solo soprano voice with piano accompaniment in a light jazz style. Includes a piano solo that can be played as written or replaced with the pianist's own improvisation using the chords given. The aim is to convey on the piano what the vocalist has just shared through the lyrics. Concentric Circles is track 3 on the album Blessed are the Ones (available on iTunes): https://www.nakedfishrecordings.com/blessed-are-the-ones
$1.99
1.82 €
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Voix Soprano, Piano
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Christy Miranda Kalfas
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Concentric Circles
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Christy Kalfas
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SheetMusicPlus
The Human Heart (from Once on This Island)
Voix Soprano, Piano
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: …
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449305 Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Musical/Show. Score. 10 pages. Hal Leonard - Digital #55113. Published by Hal Leonard - Digital (HX.449305).
$4.99
4.57 €
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Voix Soprano, Piano
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The Human Heart
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Hal Leonard - Digital
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SheetMusicPlus
Quasi Un Madrigale for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.987854 Composed by Ro…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by Robert M. Greenberg (A0.987854). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 23 minutes Year of composition: 1999 Program Note: Quasi Un Madrigale sets the poetry of three 20th century Italian poets: Salvatore Quasimodo, Aldo Palazzeschi and Corrado Govoni. These expressive, evocative poems deal variously with states of memory, nostalgia, and longing. The four songs are conceived as a cycle. The first three songs are true duets, with the piano a full partner of the soprano. The fourth and final song, from which the cycle draws its name, constitutes the emotional core of the set. It is at once a resigned lament of personal loss and an affirmation of new life. Quasi Un Madrigale was composed between February and September 1985. All poems used with permission.
$28.00
25.65 €
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Voix Soprano, Piano
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Robert M
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Quasi Un Madrigale for soprano and piano
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Robert M. Greenberg
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SheetMusicPlus
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (A maj
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868703 Composed by Ni…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404620. Published by Really Good Music, LLC. (A0.868703). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
5.45 €
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Voix Soprano, Piano
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Nicola PORPORA
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Sergei PICHUGIN
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PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
They Say That Hope Is Happiness
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.843770 Composed by Br…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.843770 Composed by Brian S. Wilson. Contemporary. 10 pages. G. Meredith Publications #2025123. Published by G. Meredith Publications (A0.843770). This is the fourth of six songs from the Song Cycle Byron Songs based on poems of Lord Byron's collection of poems entitled Hebrew Melodies. There is an optional flute descant (part sold separately). There is also an arrangement of this song with strings and piano (sold separately). They Say That Hope Is Happiness TEXT They say that Hope is happiness-  But genuine Love must prize the past;And mem'ry wakes the thoughts that bless  They rose the first-they set the last.And all that mem'ry loves the most  Was once our only hope to be:And all that hope adored and lostHath melted into memory.Alas! it is delusion all-  The future cheats us from afar,Nor can we be what we recall,  Nor dare we think on what we are.
$7.00
6.41 €
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Voix Soprano, Piano
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Brian S
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They Say That Hope Is Happiness
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G. Meredith Publications
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SheetMusicPlus
When the South Wind Sings: Child Moon (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Jul…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Music Company - Digital #8574-6E. Published by E. C. Schirmer Music Company - Digital (MQ.8574-6E). English.This collection follows a narrative in which the first two poems shine bright light on reality after both a literal and a metaphorical storm, after which that light is amplified and changed into a more mysterious atmosphere by a fog that allows the speaker to feel free to confess his sins. The regular cycles of nature provide the winds that blow away that sin from the speaker, once it is confessed, after which the gentle light of a harvest moon provides the healing softness that allows even Death to whisper as a friend. Purification continues as we are reminded of the innocence of children to look up and stare in awe and wonder at the moon’s light, and finally the daily cycle of nature brings night to the town, where the forgiveness of that confessed sin allows its inhabitants to enjoy perfect peace and sleep.Contents1. Follies2. Mask3. Pearl Fog4. The South Wind Says So5. Under The Harvest Moon6. Child Moon7. Between Two Hills.
$6.00
5.5 €
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Voix Soprano, Piano
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Juliana Hall
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When the South Wind Sings: Child Moon
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Chansons de Verlaine
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
18.31 €
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Voix Soprano, Piano
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Halevi Songs (piano/vocal score only)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by El…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
8.24 €
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Voix Soprano, Piano
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.16 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Prairie Songs
Voix Soprano, Piano
Soprano voice and piano - Moderately Easy - Digital Download SKU: MQ.8994-E Compose…
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Soprano voice and piano - Moderately Easy - Digital Download SKU: MQ.8994-E Composed by Gwyneth W. Walker. National Songs/Patriotic. 39 pages. E. C. Schirmer Music Company - Digital #8994-E. Published by E. C. Schirmer Music Company - Digital (MQ.8994-E). English.A collection of songs based upon the writings of Will Cather and Carl Sandburg. Originally conceived as a set, but pieces may also used individually. The Sandberg texts which connect the Cather poems are all excerpted from the poem “Prairie.†The music and the Sandburg writing is personal, narrative and expressive and contrasts with Cather’s style of descriptive imagery.
$14.00
12.83 €
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Voix Soprano, Piano
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Gwyneth W
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Prairie Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Civility
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.35 €
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Voix Soprano, Piano
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
I Heard the Bells on Christmas Day--vocal solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by Jo…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.4 €
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Voix Soprano, Piano
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John Baptiste Calkin
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Beka Wilson
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I Heard the Bells on Christmas Day--vocal solo
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Beka Wilson
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.78 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.03 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.2 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.2 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.2 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.2 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
Jingle Bells for Choir in A major
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476584 Composed by J…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476584 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pages. Jps Arrangements #1054095. Published by Jps Arrangements (A0.1476584). Jingle Bells for Choir in A major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchase of choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score has been adapted for soprano. Universal Appeal: Music transcends cultures and languages. It is known throughout the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an affordable and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and get started rehearsing with enthusiasm.The arrangement is in A major and does not have the numbers.
$1.99
1.82 €
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Voix Soprano, Piano
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James Lord Pierpont
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Jps Arrangements
#
Jingle Bells for Choir in A major
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Jps Arrangements
#
SheetMusicPlus
Jingle Bells for Choir in B major
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476591 Composed by J…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476591 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pages. Jps Arrangements #1054102. Published by Jps Arrangements (A0.1476591). Jingle Bells for Choir in B major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchase of choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score has been adapted for soprano. Universal Appeal: Music transcends cultures and languages. It is known throughout the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an affordable and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and get started rehearsing with enthusiasm.The arrangement is in B major and does not have the numbers.
$1.99
1.82 €
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Voix Soprano, Piano
#
James Lord Pierpont
#
Jps Arrangements
#
Jingle Bells for Choir in B major
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Jps Arrangements
#
SheetMusicPlus
Jingle Bells for Choir in A major
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476558 Composed by J…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476558 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pages. Jps Arrangements #1054072. Published by Jps Arrangements (A0.1476558). Jingle Bells for Choir in A major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchase of choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score has been adapted for soprano. Universal Appeal: Music transcends cultures and languages. It is known throughout the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an affordable and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and get started rehearsing with enthusiasm.The arrangement is in A major and has the numbers.
$1.99
1.82 €
#
Voix Soprano, Piano
#
James Lord Pierpont
#
Jps Arrangements
#
Jingle Bells for Choir in A major
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Jps Arrangements
#
SheetMusicPlus
Jingle Bells for Choir in F major
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476581 Composed by J…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476581 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pages. Jps Arrangements #1054092. Published by Jps Arrangements (A0.1476581). Jingle Bells for Choir in F major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchase of choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score has been adapted for soprano. Universal Appeal: Music transcends cultures and languages. It is known throughout the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an affordable and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and get started rehearsing with enthusiasm.The arrangement is in F major and has the numbers.
$1.99
1.82 €
#
Voix Soprano, Piano
#
James Lord Pierpont
#
Jps Arrangements
#
Jingle Bells for Choir in F major
#
Jps Arrangements
#
SheetMusicPlus
Jingle Bells for Choir in B major
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476566 Composed by J…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476566 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pages. Jps Arrangements #1054081. Published by Jps Arrangements (A0.1476566). Jingle Bells for Choir in B major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchase of choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score has been adapted for soprano. Universal Appeal: Music transcends cultures and languages. It is known throughout the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an affordable and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and get started rehearsing with enthusiasm.The arrangement is in G major and has the numbers.
$1.99
1.82 €
#
Voix Soprano, Piano
#
James Lord Pierpont
#
Jps Arrangements
#
Jingle Bells for Choir in B major
#
Jps Arrangements
#
SheetMusicPlus
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