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CORNET
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FLUTE
FLUTE A BEC
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FLUTE DE PA…
FORMATION M…
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HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
PERCUSSION
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Partitions
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182
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157
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
59526
PIANO & CLAVIERS
Piano seul
17794
Piano, Voix et Guitare
10224
Piano, Voix
8232
Piano Facile
6333
Accompagnement Piano
1869
Instruments en Do
1557
Orgue
1183
1 Piano, 4 mains
718
Piano grosses notes
442
Piano (partie séparée)
320
Accordéon
251
Piano Trio: piano, violon, violoncelle
211
2 Pianos, 4 mains
148
Orgue, Trompette (duo)
89
Piano Quatuor: piano, 2 violons, violoncelle
71
Piano Quatuor: piano, violon, alto, violoncelle
60
Orgue, Piano (duo)
41
1 Piano, 6 mains
39
Piano Quintette: piano, 2 violons, alto, violoncelle
36
Ligne De Mélodie, Piano
30
Clavecin
24
Clavier
18
2 Pianos, 8 mains
16
Instrument seul et Orgue
7
Accordéon, Voix
5
2 Accordéons
3
Concertina
2
Ensemble d'Accordéons
2
Accordéon et Orchestre
2
Accordéon - Piano, Voix, Guitare
2
2 Orgues (duo)
2
3 Pianos
2
Orgue et Orchestre
1
Orgue, Voix
1
Accordéon, Piano
1
Piano Trio: Instruments de chambre mixtes
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
5331
Ligne De Mélodie, (Paroles) et Accords
3048
Guitare
1972
Paroles et Accords
1707
Basse electrique
1158
Ukulele
1058
Guitare (partie séparée)
526
Ukulele Baryton
250
2 Guitares (duo)
159
Dulcimer
79
Banjo
75
Mandoline
74
4 Guitares (Quatuor)
64
Basse électrique (partie séparée)
64
Piano, Guitare (duo)
62
Ensemble de guitares
37
3 Guitares (trio)
34
2 Dulcimers (duo)
13
Mandoline, Piano (duo)
11
Partitions De Groupes
9
Guitare Pedal Steel
9
Mandoline, Guitare (duo)
8
Ensemble de Ukulélés
7
Guitare, Violon, Violoncelle (trio)
7
2 Ukuleles
6
Dobro
3
Guitare Tab, Voix, Basse, Batterie
3
2 Mandolines (duo)
3
Guitare, Orchestre
1
Orchestre à Plectres
1
Instrumentations suivantes
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VOIX
Chorale SATB
8032
Chorale 3 parties
2796
Chorale TTBB
2003
Chorale 2 parties
1913
Chorale SSAA
1001
Chorale Unison
859
Voix seule
841
Voix duo, Piano
543
Voix duo
333
Chorale
303
Voix Baryton, Piano
195
Voix Soprano, Piano
182
Voix haute
83
Voix moyenne, Piano
62
Voix Alto, Piano
52
Voix basse, Piano
50
Voix Tenor, Piano
45
Chorale SSAATTBB
35
Voix Mezzo-Soprano, Piano
26
Voix, Guitare
25
Soli, choeur mixte et accompagnement
22
Voix Baryton
19
Voix Tenor
19
Chorale SSATB
18
Voix basse
15
Chorale SSATTB
14
Voix Soprano
12
Chorale SSAB a cappella
11
Chorale SSAB, Piano
9
Chorale SSATBB
7
Voix d'Enfants
4
Chorale SATBB
3
Chorale, Orchestre
2
Male Voice
2
Chorale SATTB
2
Chorale, Orgue
1
Chorale SATTBB, Clavier
1
Chorale SAATB A Cappella
1
Chorale SSAATB
1
Voix Soprano, Orchestre
1
Voix Moyenne
1
Chorale SSAATB A Cappella
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
32407
Saxophone
17099
Saxophone Alto
12416
Quatuor de Saxophones: 4 saxophones
10679
Saxophone Alto et Piano
7207
Saxophone Tenor
6706
2 Saxophones (duo)
6684
Saxophone Tenor et Piano
5404
Saxophone Soprano et Piano
3248
Quintette de Saxophone: 5 saxophones
2847
3 Saxophones (trio)
2319
Flûte, Hautbois, Clarinette, Basson
2045
Flûte traversière et Piano
2035
Clarinette
1659
Flûte traversière
1543
Saxophone Baryton, Piano
1467
Ensemble de saxophones
1301
Saxophone Soprano
1272
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1255
Clarinette et Piano
1121
Hautbois, Piano (duo)
1067
Quatuor de Clarinettes: 4 clarinettes
992
2 Flûtes traversières (duo)
904
2 Clarinettes (duo)
786
Clarinette (partie séparée)
746
Saxophone, Clarinette (duo)
675
Hautbois (partie séparée)
501
Flute (partie séparée)
428
Instruments en Mib
414
Flûte, Clarinette (duo)
391
Quatuor de Flûtes : 4 flûtes
378
Saxophone Baryton
352
Clarinette, Violon (duo)
349
Ensemble de Clarinettes
335
Flûte à bec Soprano
304
Clarinette, Trompette (duo)
279
Flûte, Saxophone (duo)
269
2 Hautbois (duo)
257
Hautbois
252
Saxophone et Guitare
241
Ensemble de Flûtes
239
Hautbois, Basson (duo)
237
2 Saxophones, Piano
234
3 Clarinettes (trio)
229
Flûte à bec Alto
220
Hautbois, Clarinette (duo)
216
Flûte et Guitare
211
Saxophone et Piano
208
Quintette de Clarinettes: 5 clarinettes
203
Flûte, Violon
185
2 Flûte à bec (duo)
180
Clarinette et Alto
179
Hautbois, Flûte
158
Flûte, Trombone (duo)
158
Trio de Flûtes: 3 flûtes
156
Cor anglais, Piano
153
Flûte, Alto (duo)
143
Flûte, Trompette (duo)
127
Flûte à Bec
120
Saxophone, Violon (duo)
109
Quatuor de Flûtes à bec
102
Clarinette Basse, Piano
96
Clarinette, Guitare (duo)
79
Quintette de Flûte : 5 flûtes
76
Clarinette, Trombone (duo)
68
Clarinette, Basson (duo)
64
Saxophone et Orgue
63
Flûte, Hautbois, Clarinette (trio)
56
Flûte, Violoncelle
54
Flûte, Clarinette et Basson
53
Flûte, Hautbois (duo)
52
3 Flûtes à bec (trio)
52
Clarinette, Violoncelle (duo)
52
Hautbois, Clarinette, Basson (trio d'anches)
50
Hautbois, trombone (duo)
48
Saxophone, Basson (duo)
47
Harmonica
47
Cor Anglais
45
Saxophone et Harpe
43
Flûte à bec Alto, Piano
43
Ensemble De Flûte à bec
40
2 Flûtes traversières, Piano
38
Hautbois, Violoncelle
38
5 Flûtes à bec
36
Saxophone et violoncelle
34
Flûte, Violon, Piano
34
Flûte, Hautbois, Basson
28
Hautbois, Guitare (duo)
26
Cor anglais, Guitare (duo)
25
Ensemble à vent
24
Flûte à bec Soprano, Piano
24
Flûte, Violoncelle, Piano (trio)
23
Piccolo
22
Piccolo, Piano
22
Hautbois, violon (duo)
21
Ocarina
20
Flûte à bec Tenor
19
Flûte, Clarinette, Cor, Basson (Quartet)
19
Clarinette Basse
18
Flûte, Clarinette, Piano (trio)
18
Flûte, Violon et Violoncelle
17
4 Hautbois
17
3 Hautbois
15
Saxophone et Orchestre
15
Flûte, Basson et Piano
14
2 Clarinettes, Piano
13
Clarinette, Violoncelle, Piano (trio)
10
Saxophone, Tuba (duo)
9
Flute, harpe et violon
9
Flûte à Bec, Piano
9
Clarinette, Harpe (duo)
9
Hautbois et alto (duo)
8
2 Clarinettes, Basson
8
Clarinette, Orgue
7
Flûte et Trio à cordes
6
Clarinette, Basson, Piano (trio)
6
Flûte traversière, Orgue (duo)
6
Flûte, Alto et Piano
5
Hautbois, Harpe
5
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
5
Flûte, Clarinette, Violon (trio)
4
Flûte irlandaise
4
Flûte traversière, Basse continue
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
2 Cors Anglais Et Pianoforte
4
Flûte, Violon, Violoncelle et Piano
4
Flûte à bec, Guitare (duo)
4
Clarinette, Saxophone, Piano
3
Clarinette, Tuba
3
Harmonica, Piano
3
Flûte, Harpe et Violoncelle
3
Flûte, Hautbois, Piano (trio)
3
Flûte, trombone et piano
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Hautbois, Violon, Piano
2
Clarinette, trompette et piano
2
Flûte, Guitare, Piano
2
Clarinette, Alto et Piano (trio)
2
2 Hautbois et Cor anglais
2
Cornemuse
2
Flûte de Pan
2
Flûte, alto et harpe
2
Flûte, Hautbois, Violon
2
Hautbois, Violoncelle et Piano
1
Hautbois, Basson et Piano
1
Flûte, Violoncelle, Guitare
1
Melodica
1
2 Hautbois et Basson
1
Flûte à bec Alto, Basse continue
1
2 Flûtes, Basse continue
1
Hautbois et Orchestre
1
Flûte, Tuba (duo)
1
Flute, Cor (duo)
1
Clarinette, Orchestre
1
Ensemble de Hautbois
1
2 Flûtes à bec, Guitare
1
Clarinette, Contrebasse (duo)
1
Instrumentations suivantes
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CUIVRES
Trombone (partie séparée)
19698
Trombone
14808
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9466
Trombone et Piano
5923
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4422
2 Trombones (duo)
2670
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1852
Trompette
1795
Quatuor de Cuivres
1723
Trompette (partie séparée)
1614
Quatuor de cuivres: 4 trombones
1458
Trompette, Trombone (duo)
1411
Trompette, Piano
953
Cor et Piano
711
Trompette, Saxophone (duo)
646
Cor
625
Trio de Cuivres
607
Bass Clef Instruments
531
Cor (partie séparée)
511
Ensemble de Trombones
495
Instruments en Sib
470
2 Trompettes (duo)
387
3 Trombones (trio)
380
Tuba ou Euphonium ou Saxhorn
380
Tuba (partie séparée)
358
Tuba
354
Tuba et Piano
345
Trombone basse et Piano
278
Euphonium, Piano (duo)
277
Trombone, Tuba (duo)
230
2 Cors (duo)
170
Cor anglais, Piano
153
Ensemble de Trompettes
153
Trompette, Cor (duo)
132
Trombone basse
124
Euphonium
123
Trombone, Cor (duo)
121
Quatuor de cuivres: 4 cors
116
Quatuor de cuivres: 2 trompettes, 2 trombones
114
2 Euphoniums et 2 Tubas
103
Trombone, Violon (duo)
92
Trompette, Basson (duo)
74
2 Tubas (duo)
73
Trombone, Orgue
62
Ensemble de Cors
55
4 Tubas
54
Trompette, Trombone, Piano
49
Cor Anglais
45
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
Quatuor de cuivres: 4 trompettes
42
2 Trombones, Piano
35
Euphonium, Tuba (duo)
30
2 Euphoniums (duo)
30
3 Trompettes (trio)
29
Trombone, Alto (duo)
27
Cor, Violoncelle (duo)
26
Cor anglais, Guitare (duo)
25
Tuba et Orgue
22
Cor, Trompette, Trombone (trio)
20
Trompette, Violoncelle (duo)
18
Cor et Basson (duo)
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Trompette, Tuba (duo)
14
2 Trompettes, Clavier (piano ou orgue)
14
3 Cors (trio)
13
3 Tubas (trio)
12
Instruments en Fa
10
Trompette, Euphonium (duo)
8
Trombone et orchestre
8
Cornet A Pistons
7
Cor, Tuba (duo)
7
Cor et Orgue
6
Trompette et Guitare
5
3 Euphoniums
5
Trompette, Harpe
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Cor (duo)
4
Cor et Harpe
3
Ensemble de Tubas
2
Trompette, violon (duo)
2
Euphonium Ou Saxhorn Et Piano
2
Trompette, Orchestre
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Cornet et orchestre
1
2 Cors, Piano
1
Trompette, Violoncelle et Piano
1
Cornet et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
4462
Violon
2056
Violon et Piano
2023
Violoncelle, Piano
1357
Alto, Piano
1134
Violon, Violoncelle (duo)
999
Harpe
980
Violoncelle (partie séparée)
822
Alto seul
778
Trio à Cordes: violon, alto, violoncelle
676
Contrebasse (partie séparée)
642
2 Violons (duo)
623
Violoncelle
590
Violon (partie séparée)
519
2 Violoncelles (duo)
488
Violon, Alto (duo)
462
Quintette à cordes: 2 violons, alto, violoncelle, basse
374
2 Altos (duo)
346
Alto (partie séparée)
300
Contre Basse
283
Contrebasse, Piano (duo)
247
Trio à Cordes: 2 violons, violoncelle
196
Alto, Violoncelle (duo)
144
Piano Trio: Violon, Alto, Piano
130
4 Violoncelles
127
Violon, Guitare (duo)
102
2 Harpes (duo)
71
2 Contrebasses (duo)
64
Violoncelle , Guitare (duo)
62
Trio à Cordes: 3 violoncelles
61
Harpe, Flûte (duo)
59
Trio à cordes: 3 violins
45
Violoncelle, Contrebasse (duo)
43
Quatuor à cordes: 4 violons
40
Quatuor à cordes : 4 altos
38
Alto, Guitare (duo)
36
Harpe, Violon (duo)
35
Trio à cordes
31
Harpe, Voix
31
Trio à cordes: 3 altos
29
Trio à Cordes: 2 violons, alto
25
Ensemble de Violons
24
Violon, Basson (duo)
22
Ensemble d'Altos
21
Alto et Harpe
21
Quintette à cordes: 2 violons, 2 altos, violoncelle
21
Alto et Basson
20
Harpe, Violoncelle (duo)
20
Harpe (partie séparée)
19
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
Flûte, Contrebasse (duo)
11
Violoncelle, Orgue
11
Violon, Orgue
10
Harpe et mandoline
9
Ensemble de Violoncelles
9
Harpe, Trombone (duo)
9
Violoncelle, Orchestre
7
2 Violons, Piano
7
4 Contrebasses
6
Violon, Clarinette, Piano (trio)
6
Harpe, Violon, Violoncelle
6
Autoharp
4
3 Harpes
4
Harpe et Piano
3
Alto et orchestre
2
Violon, Basse continue
2
Violoncelle, Basse continue
2
3 Contrebasses
2
5 Harpes
2
2 Violoncelles, Piano
2
Alto, Orgue
1
Violon, Tuba (duo)
1
Violon, Trompette et Piano
1
Harpe, Orchestre
1
4 Harpes
1
Harpe, Quatuor à cordes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
21666
Ensemble Jazz
3436
Orchestre
2804
Ensemble de cuivres
2270
Orchestre à Cordes
1829
Fanfare
1390
Cloches
838
Batterie
761
Jazz combo
724
Orchestre de chambre
689
Batterie (partie séparée)
562
Xylophone
521
Percussion (partie séparée)
517
Ensemble de Percussions
390
Percussion
195
Xylophone, Piano
152
Marimba
77
2 Xylophones
54
Vibraphone
47
Timbales (partie séparée)
45
Quintette de Cuivres: autres combinaisons
21
Xylophone (partie séparée)
18
Timbales
15
Piano et Orchestre
13
Big band
12
Xylophone ou Marimba ou Vibraphone
12
Ensemble d'École
11
Quintette à Vent
11
Instrumentation Flexible
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Caisse Claire
6
Orchestre, Violon
5
Quatuor à Vent : 4 instruments à vents
3
Marimba ou Xylophone et Piano
3
2 Marimbas
3
3 Marimbas
3
Vibraphone et Marimba
3
Marimba et Orgue
2
Cajon
2
Marimba, Piano (duo)
2
Bongos
2
Orchestre Symphonique
2
2 Percussions
1
Batterie-Fanfare
1
Marimba, Saxophone (duo)
1
Vibraphone (partie séparée)
1
Bodhran
1
Instrumentations suivantes
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AUTRES
Papeterie
33
Formation musicale - Solfège
12
Théorie de la musique
2
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Voix Soprano, Piano
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Poor Wand'ring One - The Pirates of Penzance (G Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884802 Composed by Gi…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884802 Composed by Gilbert and Sullivan. Arranged by Jonathan Prentice. Opera,Romantic Period. 8 pages. Jonathan Prentice #5865819. Published by Jonathan Prentice (A0.884802). Mabel's wonderfully exuberant aria from Gilbert and Sullivan's, The Pirates of Penzance. Having had his pleas rejected by her sisters, Mablel takes pity on the reluctant pirate, Frederick (Here a semitone lower than the original in G Major).
$1.99
1.83 €
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Voix Soprano, Piano
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Gilbert and Sullivan
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Jonathan Prentice
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Poor Wand'ring One - The Pirates of Penzance
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Jonathan Prentice
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SheetMusicPlus
O Lonely Watcher of the Skies
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993407 Composed by Ma…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993407 Composed by Matthew C. Schildt. 20th Century,Contemporary. 21 pages. Matthew Schildt #3876903. Published by Matthew Schildt (A0.993407). O Lonely Watcher of the Skies, for soprano and piano, is a 5-song cycle on poems from James Joyce's Chamber Music. Each song has a distinct character, ranging from ethereal and haunting to lilting and carefree. The piece was written in 2008, is approximately 13 minutes in duration, and is registered with ASCAP. More of my music can be viewed and heard at www.matthewschildtmusic.com
$10.00
9.21 €
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Voix Soprano, Piano
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Matthew C
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O Lonely Watcher of the Skies
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Matthew Schildt
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SheetMusicPlus
One Day (Solo Female Version)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.621844 Composed by St…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.621844 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 12 pages. Exultet Music #3570771. Published by Exultet Music (A0.621844). Praise and Worship hymn with a new melody for the traditional hymn One Day. Scored for Soprano Voice with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
4.59 €
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Voix Soprano, Piano
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Stephen DeCesare
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One Day
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Exultet Music
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SheetMusicPlus
In Christ Alone
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1089104 By Margaret B…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1089104 By Margaret Becker. By Keith Getty and Stuart Townend. Arranged by Nancy Frese Tabb. Contemporary,Easter,Praise & Worship,Sacred,Spiritual. 7 pages. Nancy Frese Tabb #693324. Published by Nancy Frese Tabb (A0.1089104). In Christ Alone is arranged as a Solo for a High Voice (Soprano/Tenor). Paired with an excerpt of Amazing Grace, this arrangement is easily learned in a few rehearsals and is perfect for a general church service or sacred concert.
$4.99
4.59 €
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Voix Soprano, Piano
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Margaret Becker
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Nancy Frese Tabb
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In Christ Alone
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Nancy Frese Tabb
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SheetMusicPlus
Civility
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.37 €
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Voix Soprano, Piano
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.21 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Halevi Songs (piano/vocal score only)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by El…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
8.28 €
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Voix Soprano, Piano
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Poems: If I can Stop One Heart
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1024408 Composed by Troy Dicker…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1024408 Composed by Troy Dickerson, poem by Emily Dickinson. Contemporary. 2 pages. Troy Dickerson #6896581. Published by Troy Dickerson (A0.1024408). A setting of a famous poem by Emily Dickinson for soprano voice and piano.
$2.99
2.75 €
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Voix Soprano, Piano
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Troy Dickerson, poem by Emily Dickinson
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Poems: If I can Stop One Heart
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Troy Dickerson
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SheetMusicPlus
Poor Wand'ring One - The Pirates of Penzance (Ab Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884801 Composed by Gi…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884801 Composed by Gilbert and Sullivan. Arranged by Jonathan Prentice. Opera,Romantic Period. 8 pages. Jonathan Prentice #5865817. Published by Jonathan Prentice (A0.884801). Mabel's wonderfully exuberant aria from Gilbert and Sullivan's, The Pirates of Penzance. Having had his pleas rejected by her sisters, Mablel takes pity on the reluctant pirate, Frederick (Here in the original Ab Major).
$1.99
1.83 €
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Voix Soprano, Piano
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Gilbert and Sullivan
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Jonathan Prentice
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Poor Wand'ring One - The Pirates of Penzance
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Jonathan Prentice
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SheetMusicPlus
One Day (song)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.953827 Composed by He…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.953827 Composed by Henryk Pachulski. Arranged by Haydn Reeder. Pop,Romantic Period. 4 pages. Haydn Reeder #3210567. Published by Haydn Reeder (A0.953827). With words by Fiona McEwan, the score is a song for female voice and piano/keyboard. It's based on the Prelude Opus 8 Nr 5 for piano by Pachulski and I have simplified the accompaniment to reveal the basic harmonies. It's quite short, lasting about 2 minutes and I presume it would suit a pop singing voice, or a singer who can imitate that sort of voice.
$4.00
3.68 €
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Voix Soprano, Piano
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Henryk Pachulski
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Haydn Reeder
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One Day
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Haydn Reeder
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SheetMusicPlus
Haleluja (from oratorio Messiah) by Georg F. Handel. Reduction for one voice and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1008210 Composed by G…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1008210 Composed by Georg F. Handel. Arranged by Mariangeles Di Paola. Christian,Easter,Praise & Worship,Wedding,World. 6 pages. Torcaza Azul #4623989. Published by Torcaza Azul (A0.1008210). It works for church services playing piano, piano keyboard, organ, and harmonium.It is appropriate for musicians and advanced students. Title in Spanish: Aleluya, del oratorio El MesÃas. Autor: Georg F. Handel .
$2.00
1.84 €
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Voix Soprano, Piano
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Georg F
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Mariangeles Di Paola
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Haleluja
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Torcaza Azul
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SheetMusicPlus
Someone To Watch Over Me (from Oh, Kay!) [Women's version]
Voix Soprano, Piano
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal (Soprano Voice) - Interactive D…
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal (Soprano Voice) - Interactive Download SKU: HX.440081 By George Gershwin. By George Gershwin. Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Jazz,Standards,Wedding. Score. 5 pages. Hal Leonard - Digital #759240. Published by Hal Leonard - Digital (HX.440081).
$4.99
4.59 €
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Voix Soprano, Piano
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George Gershwin
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Someone To Watch Over Me
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Hal Leonard - Digital
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SheetMusicPlus
Three Children's Tone Poems
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.852613 Composed by Pa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.852613 Composed by Pat Holmberg. Arranged by Patricia Tanttila Holmberg. Children,Concert,Contemporary. 9 pages. Patricia Tanttila Holmberg #4735813. Published by Patricia Tanttila Holmberg (A0.852613). These are settings of three children's poems by renowned American poet Carl Sandburg. Those poems are very charming, and I tried to capture their moods in music.
$8.95
8.24 €
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Voix Soprano, Piano
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Pat Holmberg
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Patricia Tanttila Holmberg
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Three Children's Tone Poems
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Patricia Tanttila Holmberg
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SheetMusicPlus
SONGS FOR ROSIE
Voix Soprano, Piano
Soprano Voice, Piano. - Advanced - Digital Download Composed by Tim Jones music, Kare…
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Soprano Voice, Piano. - Advanced - Digital Download Composed by Tim Jones music, Karen Armstrong lyrics. 21st Century. Score. 23 pages. Published by Black Cockatoo Music
5 Songs for Soprano and Piano about Love and overcoming Adversity.<br> Composed by Tim Jones with Lyrics by Karen Armstrong<br> Exquisite Art Music for sopranos of all vocal genres.<br> Range Bb3 to G5
$14.99
13.8 €
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Voix Soprano, Piano
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Tim Jones music, Karen Armstrong lyrics
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SONGS FOR ROSIE
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Black Cockatoo Music
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SheetMusicPlus
Lamentationes Jeremiae Prophetae: Feriae Quintae in Coena Domini, Lectio Prima (Soprano version)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.805193 Composed by Giacomo Cari…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.805193 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque,Sacred. 5 pages. Early Music Scores #412231. Published by Early Music Scores (A0.805193). Voice and continuo Incipit lamentatio Jeremiae prophetae. Composed by Giacomo Carissimi (c.1605-1674). From Museo internazionale e biblioteca della musica di Bologna, MS Q43, ff.1v-5r. Edited by Felipe Dias. 5 pages. Transposed a fourth higher.
$7.99
7.36 €
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Voix Soprano, Piano
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Giacomo Carissimi
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Early Music Scores
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Lamentationes Jeremiae Prophetae: Feriae Quintae in Coena Domini, Lectio Prima
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Early Music Scores
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SheetMusicPlus
Yellowstone Joan (in E flat) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958502 Composed by Jo…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958502 Composed by Joseph Dillon Ford. 20th Century,Contemporary,Folk. 4 pages. David Warin Solomons2 #3859485. Published by David Warin Solomons2 (A0.958502). This Country Tune was composed many years ago primarily for my own amusement, although the lyrics weren't written until I prepared these songs for publication in 2001. It is music of the popular sort I occasionally heard on the
$5.00
4.6 €
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Voix Soprano, Piano
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Joseph Dillon Ford
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Yellowstone Joan
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David Warin Solomons2
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SheetMusicPlus
Due liriche (CM 2015)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1012954 Composed by Carmelo Man…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699. Published by Carmelo Mantione (A0.1012954). These two pieces are based on texts by the great twentieth century poet Eugenio Montale, from Le occasioni and Ossi di seppia collections. The first Non recidere forbice tries to evoke the drama of the text through a melodic line with an articulate profile characterized by taglient intervallari jumps, and a harmony often scarce as thin and desolate is sometimes the poetic text. Antico sono ubriacato della voce is the second text, more extensive, on which the other lyric develops, characterized by the presence of an almost continuous rhythmic movement in the piano part in order to make the one, incessant and deep, of the waters of the sea , protagonist of this poetic song. There are numerous madrigalisms and musical devices designed to underline the expressive climate of each single text expression while trying to maintain a basic unity for the whole composition.
$3.99
3.67 €
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Voix Soprano, Piano
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Carmelo Mantione
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Ossi di seppia collections
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Due liriche
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Carmelo Mantione
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.85 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.08 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Ah! spietato - Amadigi di Gaula (Eb Minor)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884883 Composed by Ge…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884883 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Opera. 5 pages. Jonathan Prentice #6089671. Published by Jonathan Prentice (A0.884883). One of Handel's most beautiful arias, Ah! spietato (Ah! cruel one) is sung by the infatuated sorceress, Melissa in act 1 of Amadigi di Gaula. Here a semitone lower than the original (baroque pitch).
$1.99
1.83 €
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Voix Soprano, Piano
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George Frideric Handel
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Jonathan Prentice
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Ah! spietato - Amadigi di Gaula
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Jonathan Prentice
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SheetMusicPlus
The Secret History of Water, set 2 (Music by Judith Cloud)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Ju…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
13.81 €
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Voix Soprano, Piano
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Judith Cloud
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The Secret History of Water, set 2
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Judith Cloud
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SheetMusicPlus
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