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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Last You
Non classifié
610
Piano & claviers
Piano seul
202
Piano, Voix
57
Piano, Voix et Guitare
42
Piano Facile
35
Instruments en Do
16
Orgue
13
Accompagnement Piano
6
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Accordéon
1
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
20
Guitare
12
Basse electrique
7
2 Guitares (duo)
4
Mandoline
4
Banjo
4
3 Guitares (trio)
2
Ligne De Mélodie, (Paroles) et Accords
2
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
89
Chorale 3 parties
27
Chorale TTBB
16
Chorale Unison
10
Chorale SSAA
10
Chorale 2 parties
9
Voix haute
7
Voix Soprano, Piano
5
Voix Baryton, Piano
5
Voix Tenor
2
Voix moyenne, Piano
2
Voix Tenor, Piano
1
Voix duo
1
Voix basse
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
79
Quatuor de Saxophones: 4 saxophones
76
2 Flûtes traversières (duo)
34
Saxophone, Clarinette (duo)
32
2 Clarinettes (duo)
30
Saxophone (partie séparée)
30
Quintette de Saxophone: 5 saxophones
28
Flûte, Hautbois, Clarinette, Basson
28
Saxophone Alto
27
Clarinette
22
Saxophone Alto et Piano
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Clarinette, Violon (duo)
20
Hautbois, Piano (duo)
16
Saxophone Tenor
16
Hautbois (partie séparée)
16
3 Saxophones (trio)
16
Clarinette, Trompette (duo)
15
Quatuor de Clarinettes: 4 clarinettes
15
Flûte, Clarinette (duo)
13
Quatuor de Flûtes : 4 flûtes
13
Flûte, Violon
11
Flûte, Alto (duo)
11
Hautbois, Basson (duo)
10
Flûte traversière
10
Hautbois, Clarinette (duo)
10
Flûte traversière et Piano
9
Hautbois, Flûte
9
Clarinette et Alto
9
Saxophone Tenor et Piano
9
Clarinette et Piano
8
Ensemble de Flûtes
8
Flûte, Saxophone (duo)
8
Flûte, Trompette (duo)
8
Saxophone Soprano et Piano
7
3 Clarinettes (trio)
7
2 Hautbois (duo)
7
Saxophone Baryton, Piano
7
Flûte et Guitare
5
Quintette de Flûte : 5 flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Ensemble de Clarinettes
4
Harmonica
3
Cor Anglais
3
Trio de Flûtes: 3 flûtes
3
Ensemble de saxophones
3
Quatuor de Flûtes à bec
2
Clarinette, Basson (duo)
2
Piccolo
2
Hautbois, violon (duo)
2
Saxophone
2
Flûte, Hautbois (duo)
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flute (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
3 Flûtes à bec (trio)
1
5 Flûtes à bec
1
Flûte à bec Alto
1
2 Flûte à bec (duo)
1
Flute, harpe et violon
1
Ensemble de Hautbois
1
Cor anglais, Piano
1
Clarinette, Violoncelle (duo)
1
Ocarina
1
Flûte à Bec
1
Clarinette Basse
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Orgue
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trombone et Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trombone
23
Trompette, Saxophone (duo)
22
Trombone (partie séparée)
17
Trompette
17
2 Trombones (duo)
14
Quatuor de cuivres: 4 trombones
14
Trompette, Trombone (duo)
12
Quatuor de Cuivres
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
2 Trompettes (duo)
10
Ensemble de Trombones
7
Trompette, Piano
7
Cor et Piano
6
Tuba et Piano
5
3 Trombones (trio)
5
Cor
4
Trompette (partie séparée)
3
Cor Anglais
3
Tuba
3
2 Euphoniums et 2 Tubas
2
3 Cors (trio)
2
3 Tubas (trio)
2
Trio de Cuivres
2
Euphonium, Piano (duo)
2
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
4 Tubas
1
Trombone, Cor (duo)
1
Trombone, Tuba (duo)
1
Ensemble de Cors
1
Cor anglais, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
Quatuor de cuivres: 4 trompettes
1
2 Cors (duo)
1
Trompette, Cor (duo)
1
Trombone basse et Piano
1
Ensemble de Tubas
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon, Violoncelle (duo)
26
Violon
22
Violoncelle
20
Violon et Piano
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Violon, Alto (duo)
16
2 Violons (duo)
15
Harpe
15
Violoncelle, Piano
11
2 Violoncelles (duo)
10
Trio à Cordes: violon, alto, violoncelle
10
Alto, Piano
10
2 Altos (duo)
8
Trio à Cordes: 2 violons, violoncelle
6
Contre Basse
4
Alto seul
4
4 Violoncelles
3
2 Harpes (duo)
3
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 violins
2
Violoncelle (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
188
Ensemble Jazz
38
Orchestre
36
Orchestre à Cordes
27
Ensemble de cuivres
22
Cloches
14
Orchestre de chambre
9
Ensemble de Percussions
9
Jazz combo
7
Fanfare
5
Batterie
3
Marimba
2
Vibraphone
1
Xylophone
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
One Last You
Voix Soprano, Piano
Partitions à imprimer
5 partitions trouvées
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1
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Time Arranged for Soprano soloist and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Salvador Rojo Gamón
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Salvador Rojo Gamón
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Strings.
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Time Arranged for Soprano solo
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Salvador Rojo-Gamon
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemp...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
I Heard the Bells on Christmas Day--vocal solo
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Voix Soprano, Piano
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INTERMÉDIAIRE
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John Baptiste Calkin
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Beka Wilson
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I Heard the Bells on Christmas
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 page...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
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One Last You
