English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
16
Librairie
Musicale
3
Matériel
de Musique
2 048
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
20195
PIANO & CLAVIERS
Piano seul
461
Piano, Voix
364
Instruments en Do
180
Piano Facile
161
Piano, Voix et Guitare
148
Accompagnement Piano
123
Orgue
39
Accordéon
29
Piano (partie séparée)
22
1 Piano, 4 mains
18
2 Pianos, 4 mains
12
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Accordéon et Orchestre
2
Ensemble d'Accordéons
2
Clavecin
2
1 Piano, 6 mains
2
Accordéon, Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
2 Accordéons
1
Instrumentations suivantes
Retracter
GUITARES
Basse electrique
1248
Guitare notes et tablatures
123
Guitare
108
Ligne De Mélodie, (Paroles) et Accords
74
Guitare (partie séparée)
49
Basse électrique (partie séparée)
17
4 Guitares (Quatuor)
17
Ukulele
14
2 Guitares (duo)
14
Paroles et Accords
13
Piano, Guitare (duo)
10
2 Dulcimers (duo)
9
Ensemble de guitares
8
Dulcimer
6
Mandoline
4
3 Guitares (trio)
3
Guitare Tab, Voix, Basse, Batterie
3
Mandoline, Guitare (duo)
2
2 Mandolines (duo)
1
Ensemble de Ukulélés
1
2 Ukuleles
1
Instrumentations suivantes
Retracter
VOIX
Pack Instrumental pour Chorale
1535
Chorale SATB
1137
Chorale TTBB
579
Chorale 3 parties
349
Chorale SSAA
303
Chorale 2 parties
280
Voix duo, Piano
161
Voix duo
87
Voix basse, Piano
63
Chorale
57
Voix Baryton, Piano
46
Chorale Unison
32
Voix seule
24
Voix Soprano, Piano
16
Voix basse
16
Voix Alto, Piano
9
Voix Tenor, Piano
9
Chorale SSATBB
6
Chorale SSATB
4
Voix d'Enfants
4
Voix haute
3
Chorale SSAATTBB
3
Soli, choeur mixte et accompagnement
2
Voix, Guitare
2
Voix Baryton
2
Voix moyenne, Piano
2
Chorale SATTB
2
Chorale SATBB
1
Chorale SSATTB
1
Voix Tenor
1
Instrumentations suivantes
Retracter
VENTS
Flûte, Hautbois, Clarinette, Basson
2086
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1291
Quatuor de Clarinettes: 4 clarinettes
628
Quintette de Saxophone: 5 saxophones
404
Ensemble de saxophones
398
Quatuor de Saxophones: 4 saxophones
314
Hautbois, Basson (duo)
252
Saxophone (partie séparée)
252
2 Clarinettes (duo)
219
Ensemble de Clarinettes
218
Ensemble de Flûtes
182
Saxophone Tenor et Piano
177
Saxophone Alto et Piano
165
Quintette de Clarinettes: 5 clarinettes
156
2 Saxophones (duo)
153
Clarinette (partie séparée)
126
Hautbois, Piano (duo)
112
Clarinette Basse, Piano
110
3 Clarinettes (trio)
106
Flûte traversière et Piano
92
Quatuor de Flûtes : 4 flûtes
88
3 Saxophones (trio)
81
Clarinette et Piano
74
Clarinette, Basson (duo)
64
Saxophone Soprano et Piano
63
Flûte, Clarinette et Basson
55
2 Flûtes traversières (duo)
53
Hautbois, Clarinette, Basson (trio d'anches)
52
Clarinette
52
Quatuor de Flûtes à bec
50
Saxophone, Basson (duo)
49
Saxophone Alto
48
Trio de Flûtes: 3 flûtes
37
Saxophone Baryton, Piano
35
Saxophone Tenor
34
Flûte, Violon, Piano
34
Flûte, Hautbois, Basson
29
2 Flûte à bec (duo)
29
2 Hautbois (duo)
28
Ensemble De Flûte à bec
27
Flûte traversière
22
Quintette de Flûte : 5 flûtes
22
Clarinette Basse
21
3 Flûtes à bec (trio)
20
Flûte, Clarinette, Cor, Basson (Quartet)
19
Flute (partie séparée)
15
Flûte, Clarinette (duo)
14
Flûte, Basson et Piano
14
Saxophone, Clarinette (duo)
13
Flûte à Bec
13
Hautbois (partie séparée)
12
Saxophone
12
Clarinette, Trompette (duo)
8
Clarinette, Violon (duo)
8
5 Flûtes à bec
8
2 Clarinettes, Basson
8
4 Hautbois
7
3 Hautbois
7
Saxophone Soprano
7
Ensemble à vent
7
Clarinette, Basson, Piano (trio)
6
Hautbois, Flûte
6
Saxophone Baryton
6
Flûte et Guitare
6
Flûte à Bec, Piano
6
Flûte, Saxophone (duo)
5
Clarinette, Violoncelle (duo)
5
Saxophone et Guitare
5
Clarinette et Alto
5
Flûte, Trombone (duo)
5
Instruments en Mib
4
Hautbois, Clarinette (duo)
4
Flûte, Trompette (duo)
4
Flûte traversière, Basse continue
4
Flûte, Violon
4
Flûte, Hautbois, Clarinette (trio)
4
Saxophone et Harpe
3
Saxophone et Orchestre
3
Flûte, Violon et Violoncelle
3
Flûte, Violoncelle
3
Hautbois, Violoncelle
3
Clarinette, Trombone (duo)
2
Clarinette, Guitare (duo)
2
Flûte à bec Tenor
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Alto (duo)
2
Cor anglais, Guitare (duo)
2
Flûte à bec Soprano
2
Cor anglais, Piano
2
Flûte, Hautbois (duo)
2
Harmonica
1
2 Flûtes à bec, Guitare
1
Piccolo
1
Clarinette, Harpe (duo)
1
2 Flûtes, Basse continue
1
Flûte à bec Alto, Basse continue
1
Cornemuse
1
Flûte à bec Alto
1
2 Hautbois et Basson
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Soprano, Piano
1
Saxophone et Piano
1
Hautbois, Basson et Piano
1
Ensemble de Hautbois
1
2 Saxophones, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Contrebasse (duo)
1
Hautbois, Harpe
1
Flûte, Clarinette, Violon (trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
611
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
550
Bass Clef Instruments
478
Quatuor de cuivres: 4 trombones
446
Trombone et Piano
319
Trombone basse et Piano
281
Quatuor de Cuivres : 2 trompettes, trombone, tuba
232
Trombone
174
Ensemble de Trombones
173
2 Trombones (duo)
140
Trombone basse
123
Tuba et Piano
112
Trompette (partie séparée)
92
Trompette, Basson (duo)
74
Cor et Piano
70
3 Trombones (trio)
58
Trompette, Piano
54
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Quatuor de Cuivres
46
Euphonium, Piano (duo)
44
Trompette, Trombone (duo)
41
Trompette
36
Tuba
32
Trio de Cuivres
32
2 Trompettes (duo)
30
2 Tubas (duo)
27
Trombone, Tuba (duo)
26
2 Cors (duo)
24
Euphonium
18
2 Euphoniums et 2 Tubas
17
Quatuor de cuivres: 4 cors
15
Cor et Basson (duo)
15
Euphonium, Tuba (duo)
13
Cor
13
Cor (partie séparée)
11
2 Euphoniums (duo)
11
Trompette, Saxophone (duo)
11
Tuba (partie séparée)
10
Tuba et Orgue
8
4 Tubas
6
Ensemble de Trompettes
4
3 Trompettes (trio)
4
Trombone, Orgue
3
Trombone, Cor (duo)
3
Trompette, Euphonium (duo)
3
Trombone et orchestre
3
Instruments en Sib
3
3 Tubas (trio)
2
3 Cors (trio)
2
Ensemble de Cors
2
Cor anglais, Guitare (duo)
2
Cor anglais, Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor, Trompette, Trombone (trio)
1
Trompette, Trombone, Piano
1
Cornet et orchestre
1
2 Cors Anglais Et Pianoforte
1
Cor et Harpe
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
534
Contrebasse (partie séparée)
489
Quintette à cordes: 2 violons, alto, violoncelle, basse
379
Contre Basse
296
Contrebasse, Piano (duo)
270
Violon
202
Violon, Violoncelle (duo)
172
Trio à Cordes: violon, alto, violoncelle
151
Violoncelle, Piano
127
Violon et Piano
97
Alto, Piano
87
2 Contrebasses (duo)
65
Violoncelle
59
2 Violoncelles (duo)
56
Violoncelle, Contrebasse (duo)
43
Violon, Basson (duo)
37
Harpe
36
2 Violons (duo)
30
2 Altos (duo)
28
Alto et Basson
23
Violon, Alto (duo)
23
Violon (partie séparée)
17
Harpe, Flûte (duo)
16
Alto et Harpe
15
Alto seul
15
Harpe, Violon (duo)
15
4 Violoncelles
15
Harpe, Violoncelle (duo)
14
Trio à Cordes: 3 violoncelles
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
Flûte, Contrebasse (duo)
11
Trio à cordes: 3 altos
11
Trio à Cordes: 2 violons, violoncelle
10
Trio à cordes: 3 violins
10
Alto (partie séparée)
7
4 Contrebasses
6
Violoncelle (partie séparée)
5
Alto, Violoncelle (duo)
5
Harpe, Voix
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à cordes
4
2 Harpes (duo)
4
Piano Trio: Violon, Alto, Piano
3
Violoncelle, Orchestre
3
3 Contrebasses
2
Violoncelle , Guitare (duo)
2
Violoncelle, Basse continue
2
Harpe, Trombone (duo)
2
Ensemble de Violons
2
Quatuor à cordes: 4 violons
2
Ensemble d'Altos
2
Violon, Basse continue
2
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3990
Ensemble Jazz
2767
Orchestre
1201
Fanfare
895
Ensemble de cuivres
715
Orchestre à Cordes
505
Jazz combo
469
Orchestre de chambre
223
Ensemble de Percussions
112
Batterie
77
Cloches
74
Batterie (partie séparée)
30
Percussion (partie séparée)
16
Xylophone, Piano
14
Big band
12
Ensemble d'École
11
Piano et Orchestre
10
Instrumentation Flexible
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Percussion
3
Vibraphone et Marimba
2
Orchestre, Violon
2
Marimba
2
Vibraphone
1
3 Marimbas
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
Retracter
AUTRES
Papeterie
5
Formation musicale - Solfège
2
Vous avez sélectionné:
One by One Bass
Voix Soprano, Piano
Partitions à imprimer
16 partitions trouvées
<
1
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.75 €
#
Voix Soprano, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.01 €
#
Voix Soprano, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
#
Voix Soprano, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
#
Voix Soprano, Piano
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lassù
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
#
Voix Soprano, Piano
#
Maurice Ravel
#
Nicole Elyse DiPaolo
#
Arrière! Je réchauffe les bons
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Please Spend Christmas With Me - Soprano Solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Ch…
(+)
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Charles E. Davis & Kara E.Trotter. Christmas,Pop,Praise & Worship,Sacred,Standards. 8 pages. Charles E. & Maria A. Davis #2363207. Published by Charles E. & Maria A. Davis (A0.836586). This easy-listening song, written for soprano solo in contemporary style, invites us to remember that Christ is the true meaning of Christmas, and to hear His silent plea to Please spend Christmas with me. This song will be an instant favorite, and may be used at home, church, or in public performance. A baritone/bass solo version is also available.
$3.99
3.65 €
#
Voix Soprano, Piano
#
Charles E
#
Please Spend Christmas With Me - Soprano Solo
#
Charles E. & Maria A. Davis
#
SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
#
Voix Soprano, Piano
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.18 €
#
Voix Soprano, Piano
#
Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Christ the Lord is Risen Today--vocal solo (treble clef)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Ch…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 8 pages. Beka Wilson #6322519. Published by Beka Wilson (A0.786607). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)8 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.39 €
#
Voix Soprano, Piano
#
Charles Wesley, Robert Williams
#
Beka Wilson
#
Christ the Lord is Risen Today--vocal solo
#
Beka Wilson
#
SheetMusicPlus
God Rest Ye Merry Gentlemen--vocal solo (treble clef)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Tr…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6408755. Published by Beka Wilson (A0.786725). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service.Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.39 €
#
Voix Soprano, Piano
#
Traditional
#
Beka Wilson
#
God Rest Ye Merry Gentlemen--vocal solo
#
Beka Wilson
#
SheetMusicPlus
Holy Holy Holy--vocal soprano solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Re…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.39 €
#
Voix Soprano, Piano
#
Reginald Heber, John B
#
Beka Wilson
#
Holy Holy Holy--vocal soprano solo
#
Beka Wilson
#
SheetMusicPlus
I Heard the Bells on Christmas Day--vocal solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by Jo…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.39 €
#
Voix Soprano, Piano
#
John Baptiste Calkin
#
Beka Wilson
#
I Heard the Bells on Christmas Day--vocal solo
#
Beka Wilson
#
SheetMusicPlus
The Light of the World is Jesus/This Little Light of Mine--vocal solo (treble clef)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P.…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 pages. Beka Wilson #6382347. Published by Beka Wilson (A0.786703). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events.Length: around 3 minutes9 pages (includes score and separate vocal part)Like the arrangement, but it's too high or too low for your voice? Contact me at bekmars10@gmail.com about getting a custom arrangement up on Sheet Music Plus for you! Please allow at least 24-48 hours as uploading time varies.This arrangement is also available as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
6.39 €
#
Voix Soprano, Piano
#
P
#
Beka Wilson
#
The Light of the World is Jesus/This Little Light of Mine--vocal solo
#
Beka Wilson
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale