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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
161758
PIANO & CLAVIERS
Piano seul
166649
Piano, Voix et Guitare
104992
Piano, Voix
95502
Piano Facile
65664
Orgue
13557
Instruments en Do
10855
Piano grosses notes
8149
1 Piano, 4 mains
5180
Piano (partie séparée)
2831
Accordéon
2802
Piano Trio: piano, violon, violoncelle
1820
Accompagnement Piano
1583
2 Pianos, 4 mains
1241
Ligne De Mélodie, Piano
564
Piano Quatuor: piano, violon, alto, violoncelle
555
Piano Quintette: piano, 2 violons, alto, violoncelle
525
Piano Quatuor: piano, 2 violons, violoncelle
475
Orgue, Piano (duo)
362
Orgue, Trompette (duo)
344
Clavecin
233
1 Piano, 6 mains
210
Accordéon, Voix
189
Instrument seul et Orgue
164
Clavier
151
2 Pianos, 8 mains
86
Ensemble d'Accordéons
54
2 Accordéons
52
Orgue, Voix
32
2 Orgues (duo)
29
Tous Les Instruments
22
Accordéon, Piano
12
Accordéon, Corde(s)
8
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Ensemble de Pianos
6
Accordéon et Orchestre
5
Concertina
2
Piano Trio: Instruments de chambre mixtes
1
Orgue et Orchestre
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
54059
Ligne De Mélodie, (Paroles) et Accords
30169
Guitare
16757
Ukulele
12096
Paroles et Accords
11388
Basse electrique
6728
Guitare (partie séparée)
3082
2 Guitares (duo)
1846
Banjo
1124
Basse électrique (partie séparée)
902
Piano, Guitare (duo)
863
4 Guitares (Quatuor)
861
Dulcimer
805
Mandoline
767
3 Guitares (trio)
387
Ensemble de guitares
352
Guitare Pedal Steel
136
Ensemble de Ukulélés
112
Ukulele Baryton
102
2 Dulcimers (duo)
83
Mandoline, Piano (duo)
74
Dobro
62
Mandoline, Guitare (duo)
56
Guitare Tab, Voix, Basse, Batterie
40
Guitare, Violon, Violoncelle (trio)
38
2 Ukuleles
31
3 Dulcimers (trio)
21
Guitare, Flûte, Clarinette
14
Guitare, Orchestre
10
Orchestre à Plectres
10
2 Mandolines (duo)
9
Cithare
7
Guitare, Quatuor à cordes
6
Bouzouki
5
Luth
5
2 Guitares et Orchestre
3
2 Guitares, Clarinette (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
53968
Chorale 3 parties
20690
Chorale 2 parties
12838
Chorale TTBB
11262
Chorale SSAA
6119
Chorale Unison
5865
Voix duo, Piano
3529
Chorale
3397
Voix seule
2798
Voix duo
1547
Voix haute
1164
Voix Soprano, Piano
1080
Voix basse, Piano
455
Voix, Guitare
329
Voix Moyenne
247
Voix moyenne, Piano
236
Voix Tenor, Piano
219
Voix Alto, Piano
218
Chorale SSATB
210
Voix Tenor
140
Chorale SSAATTBB
138
Chorale SSATBB
125
Voix Baryton, Piano
99
Voix Mezzo-Soprano, Piano
96
Chorale SATTB
93
Chorale SSATTB
79
Voix Soprano
78
Soli, choeur mixte et accompagnement
62
Chorale SSAB a cappella
53
Voix basse
46
Chorale SSAATB
45
Chorale SSAB, Piano
39
Voix d'Enfants
37
Voix et basse continue
32
Voix haute, Piano
30
Chorale SAATB A Cappella
30
Male Voice
24
Chorale SATBB
19
Voix Baryton
19
Chorale, Orgue
18
Chorale SATTBB, Clavier
11
Chorale SSAATB A Cappella
9
Voix duo, Orgue
6
Chorale SATTBB A Cappella
5
Voix (avec Boîtes d'Accords)
4
Paroles Seulement
3
Voix d'Enfants, Piano
2
Voix Soprano, Orchestre
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
28033
Clarinette (partie séparée)
15670
Flûte traversière et Piano
11979
Flûte traversière
11310
Quatuor de Saxophones: 4 saxophones
10027
Clarinette
9601
Saxophone Alto
9014
Clarinette et Piano
8904
Saxophone Tenor
7824
Hautbois, Piano (duo)
6881
Saxophone Alto et Piano
6868
2 Saxophones (duo)
6709
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6704
Flute (partie séparée)
6536
Flûte, Hautbois, Clarinette, Basson
6403
Hautbois (partie séparée)
6160
2 Flûtes traversières (duo)
5512
Quatuor de Clarinettes: 4 clarinettes
5276
Saxophone Tenor et Piano
5263
2 Clarinettes (duo)
4759
Saxophone Soprano et Piano
3259
Quatuor de Flûtes : 4 flûtes
2945
Quintette de Saxophone: 5 saxophones
2800
3 Saxophones (trio)
2419
3 Clarinettes (trio)
2246
Flûte, Clarinette (duo)
1968
Flûte et Guitare
1846
Ensemble de Clarinettes
1787
Trio de Flûtes: 3 flûtes
1750
Hautbois
1570
Saxophone Baryton, Piano
1456
Ensemble de Flûtes
1436
Quintette de Clarinettes: 5 clarinettes
1320
Ensemble de saxophones
1281
2 Hautbois (duo)
1234
Cor anglais, Piano
1072
2 Flûte à bec (duo)
986
Hautbois, Basson (duo)
983
Flûte, Violon
889
Quatuor de Flûtes à bec
828
Clarinette, Violon (duo)
825
Hautbois, Clarinette (duo)
792
Saxophone Soprano
713
Flûte à bec Soprano
711
Harmonica
700
Instruments en Mib
685
Saxophone, Clarinette (duo)
676
Flûte, Hautbois, Clarinette (trio)
667
Flûte, Clarinette et Basson
640
Flûte à Bec
632
Clarinette Basse, Piano
628
Clarinette, Basson (duo)
552
Flûte, Violoncelle
529
Flûte, Hautbois, Basson
510
Flûte, Hautbois (duo)
487
Flûte à bec Alto
458
Hautbois, Clarinette, Basson (trio d'anches)
458
Clarinette, Guitare (duo)
456
Quintette de Flûte : 5 flûtes
413
3 Flûtes à bec (trio)
412
Piccolo
389
Hautbois, Flûte
388
Cor Anglais
362
Clarinette, Violoncelle (duo)
355
Saxophone Baryton
350
Clarinette, Trompette (duo)
341
Piccolo, Piano
329
Flûte, Clarinette, Piano (trio)
327
Flûte, Trompette (duo)
327
Clarinette Basse
323
Flûte, Violon et Violoncelle
305
Clarinette et Alto
304
Flûte, Alto (duo)
302
Flûte, Violoncelle, Piano (trio)
294
Flûte à bec Soprano, Piano
285
2 Saxophones, Piano
270
Flûte, Saxophone (duo)
269
Clarinette, Harpe (duo)
264
5 Flûtes à bec
258
Saxophone
258
Flûte à bec Tenor
255
Flûte à bec Alto, Piano
251
2 Flûtes traversières, Piano
243
Saxophone et Guitare
240
Ensemble De Flûte à bec
229
3 Hautbois
228
Flûte à Bec, Piano
212
Hautbois, violon (duo)
207
Hautbois, Violoncelle
206
Flûte, Violon, Piano
198
Flûte, Basson et Piano
172
2 Clarinettes, Piano
166
Flûte, Trombone (duo)
156
Hautbois, Guitare (duo)
126
Ocarina
114
Flûte, Clarinette, Violon (trio)
113
Saxophone, Violon (duo)
109
Flûte irlandaise
109
Clarinette, Violoncelle, Piano (trio)
108
Flûte, Hautbois, Violon
106
Cor anglais, Guitare (duo)
103
2 Clarinettes, Basson
101
Cornemuse
93
4 Hautbois
86
Ensemble à vent
80
Flûte, Harpe et Violoncelle
79
Clarinette, Basson, Piano (trio)
75
Flûte, Clarinette, Cor, Basson (Quartet)
74
Flûte à bec, Guitare (duo)
74
Flûte, Hautbois, Piano (trio)
74
Clarinette, Trombone (duo)
68
Hautbois et alto (duo)
68
Flute, harpe et violon
68
Saxophone et Orgue
63
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
62
Flûte, Violon, Violoncelle et Piano
61
Flûte traversière, Orgue (duo)
60
Saxophone et Piano
59
Flûte, Alto et Piano
56
Flûte et Trio à cordes
56
Hautbois, trombone (duo)
48
Hautbois, Harpe
47
Saxophone, Basson (duo)
47
Saxophone et Harpe
45
Flûte et Quatuor à Cordes
43
Harmonica, Piano
43
Clarinette, Alto et Piano (trio)
38
Flûte, alto et harpe
37
2 Cors Anglais Et Pianoforte
36
Saxophone et violoncelle
34
Flûte, trombone et piano
33
Hautbois, Basson et Piano
30
Clarinette, Tuba
30
Hautbois, Violoncelle et Piano
28
Quintette de Clarinette: Clarinette, Quatuor à Cordes
28
Flûte, Tuba (duo)
27
Flûte, Violoncelle, Guitare
27
Hautbois, Violin, Alto et Violoncelle (Quatuor)
27
Flute, Cor (duo)
25
Clarinette, trompette et piano
25
Clarinette, Orgue
24
2 Hautbois, Piano
22
Flûte traversière, Orchestre
18
Flûte à bec Alto, Basse continue
17
Saxophone et Orchestre
15
Cor anglais et Harpe (duo)
15
2 Flûtes à bec, Piano
15
Hautbois, Violon, Piano
15
Ensemble de Hautbois
14
Flûte, Alto et Violoncelle
13
Hautbois, Clarinette et Piano (Trio)
13
Clarinette, Contrebasse (duo)
13
Flûte, Violon, Guitare
12
Clarinette, Orchestre
11
2 Harmonicas
11
2 Flûtes traversières, Harpe
10
Flûte à bec, Harpe
10
2 Flûtes traversières, Guitare
9
Saxophone, Tuba (duo)
9
2 Hautbois et Cor anglais
9
2 Hautbois et Basson
7
Flûte, Guitare, Piano
7
Clarinette, Quatuor à cordes et Piano
6
Flûte de Pan
6
Hautbois, Orgue
6
2 Flûtes, 2 Clarinettes (Quatuor)
6
Melodica
5
Hautbois, Quatuor à cordes
4
Hautbois, Clarinette, Basson et Piano
3
Hautbois et Orchestre
3
Clarinette, Saxophone, Piano
3
2 Flûtes à bec, Guitare
2
2 Hautbois, 2 Cors et 2 Bassons
1
3 Flûtes à bec, Piano
1
2 Flûtes, Basse continue
1
2 clarinettes, 2 bassons
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette (partie séparée)
19015
Trombone (partie séparée)
18318
Trompette
9203
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8487
Cor (partie séparée)
7797
Trombone
7474
Cor
6361
Trompette, Piano
6339
Trombone et Piano
5590
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4419
Tuba (partie séparée)
4205
Cor et Piano
3984
2 Trompettes (duo)
2640
Tuba
2547
2 Trombones (duo)
2257
Tuba et Piano
1933
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1794
Quatuor de Cuivres
1758
Trompette, Trombone (duo)
1386
Quatuor de cuivres: 4 trombones
1252
Bass Clef Instruments
1180
Euphonium, Piano (duo)
1155
2 Cors (duo)
1130
Cor anglais, Piano
1072
Quatuor de cuivres: 4 cors
931
2 Euphoniums et 2 Tubas
806
Euphonium
777
Trompette, Saxophone (duo)
646
Instruments en Sib
641
Trompette, Cor (duo)
562
Ensemble de Trombones
461
3 Trombones (trio)
453
Trio de Cuivres
431
Tuba ou Euphonium ou Saxhorn
380
Cornet A Pistons
368
Cor Anglais
362
2 Tubas (duo)
341
3 Trompettes (trio)
304
Ensemble de Cors
275
Trombone basse et Piano
272
Ensemble de Trompettes
245
Quatuor de cuivres: 4 trompettes
240
Trombone, Tuba (duo)
229
Trompette, Tuba (duo)
226
4 Tubas
202
Tuba et Orgue
156
2 Trompettes, Clavier (piano ou orgue)
135
Trompette, violon (duo)
133
Euphonium, Tuba (duo)
122
Trombone, Cor (duo)
121
Trompette, Basson (duo)
118
Cor, Violoncelle (duo)
117
Trombone basse
112
Cor, Tuba (duo)
106
Quatuor de cuivres: 2 trompettes, 2 trombones
104
Cor anglais, Guitare (duo)
103
Trombone, Violon (duo)
91
3 Cors (trio)
89
Trompette, Violoncelle (duo)
87
2 Euphoniums (duo)
79
Trombone, Orgue
60
Cor et Harpe
57
Cor et Basson (duo)
49
Trompette, Trombone, Piano
43
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
40
Trompette, Harpe
39
2 Cors Anglais Et Pianoforte
36
Clarinette, Cor (duo)
35
2 Trombones, Piano
35
Trompette et Guitare
35
Trombone, Alto (duo)
27
3 Tubas (trio)
27
Cor et Orgue
22
Ensemble de Tubas
21
Trompette, Violoncelle et Piano
21
Cor, Trompette, Trombone (trio)
20
4 Euphoniums
20
2 Cors, Piano
17
Cor anglais et Harpe (duo)
15
Cornet et Piano
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
3 Euphoniums
13
Trompette, Orchestre
13
Bugle
12
Trompette, Euphonium (duo)
8
Trombone et orchestre
8
Euphonium (partie séparée)
8
Cor, Violoncelle et Piano
7
Euphonium Ou Saxhorn Et Piano
5
G Instruments
4
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Cor, Orchestre
2
Cornet et orchestre
2
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
30245
Violon et Piano
15640
Violon
14985
Violoncelle
10265
Violoncelle, Piano
10155
Violon (partie séparée)
10073
Alto seul
7947
Alto, Piano
7709
Harpe
7429
Contrebasse (partie séparée)
6626
Violon, Violoncelle (duo)
5458
2 Violons (duo)
4985
Trio à Cordes: violon, alto, violoncelle
4069
Alto (partie séparée)
3883
Violoncelle (partie séparée)
3741
2 Violoncelles (duo)
3562
Violon, Alto (duo)
2486
Quintette à cordes: 2 violons, alto, violoncelle, basse
2060
Contre Basse
2059
2 Altos (duo)
1983
Contrebasse, Piano (duo)
1658
Trio à Cordes: 2 violons, violoncelle
1575
Alto, Violoncelle (duo)
1349
4 Violoncelles
1025
Piano Trio: Violon, Alto, Piano
786
Violon, Guitare (duo)
781
Trio à cordes
728
Trio à Cordes: 3 violoncelles
673
2 Harpes (duo)
637
Trio à cordes: 3 violins
624
Violoncelle , Guitare (duo)
579
Harpe, Flûte (duo)
575
Quatuor à cordes: 4 violons
472
Harpe (partie séparée)
439
Harpe, Violon (duo)
403
2 Contrebasses (duo)
349
Violoncelle, Contrebasse (duo)
322
Alto, Guitare (duo)
319
Trio à Cordes: 2 violons, alto
307
Quatuor à cordes : 4 altos
298
2 Violons, Piano
297
Violon, Basson (duo)
240
Trio à cordes: 3 altos
216
Alto et Basson
166
Quintette à cordes: 2 violons, 2 altos, violoncelle
140
Harpe, Violoncelle (duo)
122
2 Violoncelles, Piano
113
Violon, Clarinette, Piano (trio)
100
Harpe et Piano
98
Harpe, Voix
96
Quintette à cordes : 2 violons, alto et 2 violoncelles
89
Ensemble de Violoncelles
75
Alto et Harpe
73
2 Altos, Piano
70
Violoncelle, Orgue
64
Violon, Orgue
63
4 Contrebasses
59
Flûte, Contrebasse (duo)
57
Harpe, Violon, Violoncelle
47
Ensemble de Violons
47
3 Contrebasses
39
3 Harpes
33
Violon, Tuba (duo)
32
Ensemble d'Altos
31
Violoncelle, Orchestre
25
Violon, Basse continue
20
Autoharp
18
Violon, Contrebasse (duo)
16
Harpe et mandoline
16
Harpe, Trombone (duo)
15
Violon, Violoncelle, Clarinette
15
Alto, Orgue
14
Violon, Trompette et Piano
13
4 Harpes
12
Harpe, Orchestre
6
5 Harpes
6
Alto et orchestre
6
Harpe, Quatuor à cordes
6
Harpe et Orgue
5
Ensemble de Contre basses
3
Violon, Clarinette et Guitare
3
2 Violons et Basse continue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
61027
Orchestre à Cordes
13943
Orchestre
11930
Percussion (partie séparée)
10415
Ensemble Jazz
9766
Fanfare
6563
Cloches
5711
Batterie
5320
Batterie (partie séparée)
5313
Ensemble de cuivres
5313
Orchestre de chambre
2983
Jazz combo
2337
Percussion
2247
Timbales (partie séparée)
1955
Ensemble de Percussions
1524
Marimba
537
Timbales
503
Xylophone
377
Vibraphone
372
Quintette à Vent
245
Xylophone, Piano
146
Caisse Claire
118
Quatuor à Vent : 4 instruments à vents
106
Vibraphone (partie séparée)
102
2 Xylophones
54
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
50
Big band
48
Instrumentation Flexible
47
Quintette de Cuivres: autres combinaisons
40
Batterie-Fanfare
32
Piano et Orchestre
27
2 Marimbas
23
Ensemble d'École
22
Vibraphone et Marimba
21
Xylophone (partie séparée)
18
3 Marimbas
17
Trio à Vent: 3 instruments à vents
17
Orchestre, Violon
16
Marimba, Piano (duo)
14
Xylophone ou Marimba ou Vibraphone
11
Marimba et Orgue
11
3 Percussions
9
Bongos
7
Voix et Orchestre
6
2 Caisses Claires (duo)
4
Conga
3
2 Percussions
3
Bodhran
2
Cajon
2
Orchestre Symphonique
2
Marimba ou Xylophone et Piano
1
Marimba, Saxophone (duo)
1
Caisse Claire, Piano
1
Vibraphone, Piano
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
226
Théorie de la musique
46
Papeterie
32
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Voix Soprano, Piano
Soprano voice and continuo - Digital Download Composed by John Eccles. Baroque Period…
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Soprano voice and continuo - Digital Download Composed by John Eccles. Baroque Period, Early Music. Score. 3 pages. Published by Early Music Scores
Voice and continuo<br> Composed by John Eccles (1668-1735). From A Collection of Songs, 1704. Edited by Felipe Dias. 3 pages.
$6.99
6.29 €
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Voix Soprano, Piano
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John Eccles
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Restless in thought
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Early Music Scores
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.85 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.05 €
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Voix Soprano, Piano
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Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.54 €
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Voix Soprano, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.05 €
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Voix Soprano, Piano
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Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.05 €
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Voix Soprano, Piano
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.05 €
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Voix Soprano, Piano
#
Maurice Ravel
#
Nicole Elyse DiPaolo
#
Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
#
SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.05 €
#
Voix Soprano, Piano
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
Accept God's Love (piano/soprano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993100 Composed by Me…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993100 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 6 pages. Melody Mills #3686891. Published by Melody Mills (A0.993100). Sacred solo for church service. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Lepers came to Christ,They could not be touched,Till their humbled heartsReached out, reached out for love.We are all embraced,God's own cherished man,Nothing can impede God's holy plan.[refrain]Accept God's love, allow yourself to feeltender comfort deep inside;Accept God's love, acknowledge Love is real,and an ever-present guide;Accept God's love, soon you will see you are free!
$4.27
3.84 €
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Voix Soprano, Piano
#
Melody Mills
#
Jon Burr
#
Accept God's Love
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Melody Mills
#
SheetMusicPlus
Accept God's Love (organ/soprano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993099 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993099 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 9 pages. Melody Mills #3686817. Published by Melody Mills (A0.993099). Sacred solo for church service. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Lepers came to Christ,They could not be touched,Till their humbled heartsReached out, reached out for love.We are all embraced,God's own cherished man,Nothing can impede God's holy plan.[refrain]Accept God's love, allow yourself to feeltender comfort deep inside;Accept God's love, acknowledge Love is real,and an ever-present guide;Accept God's love, soon you will see you are free!
$4.27
3.84 €
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Voix Soprano, Piano
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Melody Mills
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Jon Burr
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Accept God's Love
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Melody Mills
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SheetMusicPlus
O give thanks to the Lord
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.983765 Composed by Al…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.983765 Composed by Allan Leslie McDougall. Christian,Praise & Worship,Sacred. 11 pages. Allan Leslie McDougall #6861409. Published by Allan Leslie McDougall (A0.983765). A Christian worship song suitable for soprano. It is based on Psalms 105 & 106 & 119. The lyrics are additionally written on the last page.
$4.00
3.6 €
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Voix Soprano, Piano
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Allan Leslie McDougall
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106 &
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O give thanks to the Lord
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Allan Leslie McDougall
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SheetMusicPlus
"Annabel Lee," for Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.834328 Composed by St…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.834328 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. 17 pages. Steve Shade #3210489. Published by Steve Shade (A0.834328). Annabel Lee is a song composed for Soprano Voice and Piano. Poe's heart wrenching poem, Annabel Lee, is set to music in the dramatic key of E minor. This purchase includes a cover page, program notes, the complete Annabel Lee poem, and the full score to the piece. Duration: About 4 minutesDifficulty: AdvancedScored for: Soprano Voice and Piano
$1.99
1.79 €
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Voix Soprano, Piano
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Steven Shade
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"Annabel Lee," for Soprano and Piano
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Steve Shade
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SheetMusicPlus
Kindness (high voice solo with piano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.907126 Composed by Em…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by Emily Sue Wood (A0.907126). I admire you for your kindness. This song may be interpreted as a romantic love song or a song honoring someone inspirational. Vocal pitch ranges from the A sharp below middle C to the A sharp above treble C. Original music and text. About two minutes long, written in 2018. (My Facebook page: Music by Emily Wood; eswoodmusic@gmail.com).
$4.99
4.49 €
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Voix Soprano, Piano
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Emily Wood
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eswoodmusic@gmail.com).
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Kindness
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Emily Sue Wood
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SheetMusicPlus
To be Called Children of God (organ/soprano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993102 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993102 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages. Melody Mills #3686959. Published by Melody Mills (A0.993102). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
3.84 €
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Voix Soprano, Piano
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Melody Mills
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Jon Burr
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To be Called Children of God
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Melody Mills
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SheetMusicPlus
To be Called Children of God (piano/soprano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993103 Composed by Me…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993103 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 8 pages. Melody Mills #3686969. Published by Melody Mills (A0.993103). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
3.84 €
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Voix Soprano, Piano
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Melody Mills
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Jon Burr
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To be Called Children of God
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Melody Mills
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SheetMusicPlus
This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1047252 Composed by A…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. Daniel Carter #651799. Published by Daniel Carter (A0.1047252). Based on the anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, this tune was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's Second Coming to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring, a delightful special musical number for worship, concert settings, historical music and hymn studies. Arranged as high-range and medium-range vocal solos. Obbligato part included on the last page.
$5.99
5.39 €
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Voix Soprano, Piano
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Anonymous
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Daniel Carter
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This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
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Daniel Carter
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SheetMusicPlus
Quasi Un Madrigale for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.987854 Composed by Ro…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by Robert M. Greenberg (A0.987854). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 23 minutes Year of composition: 1999 Program Note: Quasi Un Madrigale sets the poetry of three 20th century Italian poets: Salvatore Quasimodo, Aldo Palazzeschi and Corrado Govoni. These expressive, evocative poems deal variously with states of memory, nostalgia, and longing. The four songs are conceived as a cycle. The first three songs are true duets, with the piano a full partner of the soprano. The fourth and final song, from which the cycle draws its name, constitutes the emotional core of the set. It is at once a resigned lament of personal loss and an affirmation of new life. Quasi Un Madrigale was composed between February and September 1985. All poems used with permission.
$28.00
25.18 €
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Voix Soprano, Piano
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Robert M
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Quasi Un Madrigale for soprano and piano
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Robert M. Greenberg
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SheetMusicPlus
"Eulalie," for Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by St…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
1.79 €
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Voix Soprano, Piano
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Steven Shade
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"Eulalie," for Soprano and Piano
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Steve Shade
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SheetMusicPlus
Pastorale
Voix Soprano, Piano
Soprano voice and piano - Digital Download SKU: S9.Q1693 For soprano and piano
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Soprano voice and piano - Digital Download SKU: S9.Q1693 For soprano and piano. Composed by Igor Stravinsky. This edition: Sheet music. Soprano - vocal music - contemporary music. Downloadable. Duration 4 minutes. Schott Music - Digital #Q1693. Published by Schott Music - Digital (S9.Q1693). Russian • French.Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$11.99
10.78 €
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Voix Soprano, Piano
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Igor Stravinsky
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Pastorale
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Schott Music - Digital
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SheetMusicPlus
Neue Freuden, neue Schmerzen
Voix Soprano, Piano
Soprano voice and piano - Digital Download SKU: S9.Q51986 Pagen-Arie aus Die Hoc…
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Soprano voice and piano - Digital Download SKU: S9.Q51986 Pagen-Arie aus Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q51986. Published by Schott Music - Digital (S9.Q51986). German • Italian.
$4.99
4.49 €
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Voix Soprano, Piano
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Wolfgang Amadeus Mozart
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Neue Freuden, neue Schmerzen
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Schott Music - Digital
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SheetMusicPlus
Si tocchi tamburo (Il Palazzo Incantato)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1392212 Composed by Luigi Rossi…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1392212 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 5 pages. Early Music Scores #975707. Published by Early Music Scores (A0.1392212). Voice and continuoComposed by Luigi Rossi (c.1597-1653). From Il Palazzo Incantato, Biblioteca Apostolica Vaticana, Barb.lat.4388. Edited by Felipe Dias. 5 pages.
$6.99
6.29 €
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Voix Soprano, Piano
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Luigi Rossi
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Early Music Scores
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Si tocchi tamburo
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Early Music Scores
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SheetMusicPlus
Dove mi spingi Amor (Il Palazzo Incantato)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1393175 Composed by Luigi Rossi…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1393175 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 8 pages. Early Music Scores #976670. Published by Early Music Scores (A0.1393175). Voice and continuoComposed by Luigi Rossi (c.1597-1653). From Il Palazzo Incantato, Biblioteca Apostolica Vaticana, Chig.Q.V.51. Edited by Felipe Dias. 8 pages.
$7.99
7.18 €
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Voix Soprano, Piano
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Luigi Rossi
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Early Music Scores
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Dove mi spingi Amor
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Early Music Scores
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SheetMusicPlus
Sol per breve momento (Il Palazzo Incantato)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1390876 Composed by Luigi Rossi…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1390876 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 2 pages. Early Music Scores #974415. Published by Early Music Scores (A0.1390876). Voice and continuoComposed by Luigi Rossi (c.1597-1653). From Il Palazzo Incantato, Biblioteca Apostolica Vaticana, Barb.lat.4388. Edited by Felipe Dias. 2 pages.
$6.99
6.29 €
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Voix Soprano, Piano
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Luigi Rossi
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Early Music Scores
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Sol per breve momento
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Early Music Scores
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SheetMusicPlus
Se non corre una speranza
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1383565 Composed by Luigi Rossi…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1383565 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque. 7 pages. Early Music Scores #968019. Published by Early Music Scores (A0.1383565). Voice and continuoComposed by Luigi Rossi (c.1597-1653). From Modena, Biblioteca Estense Universitaria, MUS.G.0257, fol. 10r-15v. Edited by Felipe Dias. 7 pages.
$6.99
6.29 €
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Voix Soprano, Piano
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Luigi Rossi
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Early Music Scores
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Se non corre una speranza
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Early Music Scores
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SheetMusicPlus
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