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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Player
Sheetmusicplus
Non classifié
1 724
Piano & claviers
Piano seul
2 256
Piano Facile
1 149
Piano, Voix
552
Piano, Voix et Guitare
203
1 Piano, 4 mains
174
Accompagnement Piano
146
Piano Trio: piano, violon, violoncelle
119
Piano (partie séparée)
49
2 Pianos, 4 mains
49
Instruments en Do
30
Piano Quatuor: piano, violon, alto, violoncelle
22
Orgue, Piano (duo)
6
Clavier
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue
5
Accordéon
4
1 Piano, 6 mains
3
Clavecin
2
2 Pianos, 8 mains
2
Piano grosses notes
1
Orgue, Trompette (duo)
1
+ 17 instrumentations
Retracter
Guitares
Ukulele
35
Guitare
20
Piano, Guitare (duo)
16
Guitare notes et tablatures
16
2 Guitares (duo)
7
Guitare (partie séparée)
7
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
4
Dulcimer
4
Banjo
2
Paroles et Accords
1
4 Guitares (Quatuor)
1
Mandoline
1
3 Guitares (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
87
Chorale 3 parties
27
Chorale 2 parties
20
Chorale TTBB
10
Voix Soprano, Piano
10
Chorale Unison
9
Voix haute
6
Voix duo, Piano
4
Voix duo
4
Voix basse, Piano
4
Voix Baryton, Piano
4
Voix Tenor, Piano
3
Voix Alto, Piano
3
Male Voice
2
Chorale
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
409
Clarinette et Piano
365
Hautbois, Piano (duo)
308
Saxophone Alto et Piano
228
Saxophone Tenor et Piano
157
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
110
Saxophone Soprano et Piano
94
Flûte irlandaise
80
Saxophone Baryton, Piano
72
Flûte, Hautbois, Clarinette, Basson
65
2 Saxophones (duo)
56
2 Flûtes traversières (duo)
46
Flûte, Violon, Piano
42
Quatuor de Saxophones: 4 saxophones
41
Clarinette
39
Quintette de Saxophone: 5 saxophones
35
Flûte traversière
34
Cor anglais, Piano
33
2 Clarinettes (duo)
32
Quatuor de Clarinettes: 4 clarinettes
31
Saxophone (partie séparée)
29
Flûte à bec Soprano
22
Clarinette Basse, Piano
20
3 Clarinettes (trio)
20
Hautbois (partie séparée)
18
3 Saxophones (trio)
18
Saxophone, Clarinette (duo)
17
Flûte, Clarinette, Piano (trio)
15
Trio de Flûtes: 3 flûtes
15
Quatuor de Flûtes : 4 flûtes
15
Saxophone Alto
14
Flûte, Clarinette (duo)
13
Flûte à bec Alto
13
2 Hautbois (duo)
12
Flûte, Basson et Piano
11
Clarinette, Trompette (duo)
11
Flûte à Bec
11
Flûte, Alto et Piano
11
Flûte à bec Tenor
11
Clarinette, Violon (duo)
10
Clarinette, Violoncelle, Piano (trio)
10
Flûte, Violoncelle, Piano (trio)
10
Flûte à bec Soprano, Piano
10
Flûte à bec Alto, Piano
9
Clarinette, Basson, Piano (trio)
9
2 Flûte à bec (duo)
9
Hautbois, Clarinette (duo)
8
Flûte, Saxophone (duo)
8
Clarinette, Alto et Piano (trio)
8
Quatuor de Flûtes à bec
7
Flûte, Hautbois, Clarinette (trio)
7
Hautbois, Basson (duo)
7
Saxophone Tenor
7
3 Flûtes à bec (trio)
7
Hautbois, Violoncelle et Piano
6
Flûte, Violon
6
Ensemble de Flûtes
6
Hautbois, Flûte
5
Ensemble de Clarinettes
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette et Alto
5
Flûte, Trompette (duo)
5
Hautbois, Clarinette et Piano (Trio)
4
Clarinette (partie séparée)
4
Flûte, Alto (duo)
4
Flûte, Clarinette et Basson
4
Flute (partie séparée)
4
Hautbois, Basson et Piano
4
Flûte et Guitare
4
Hautbois, Violon, Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
3
2 Saxophones, Piano
3
Hautbois
3
2 Clarinettes, Piano
3
Ocarina
3
Flûte, Hautbois, Piano (trio)
3
2 Flûtes à bec, Piano
2
Piccolo, Piano
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Basson
2
Piccolo
2
Saxophone et Orgue
2
Clarinette, Basson (duo)
2
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
Hautbois, Guitare (duo)
1
Saxophone Soprano
1
Flûte, Clarinette, Violon (trio)
1
2 Cors Anglais Et Pianoforte
1
2 Flûtes traversières, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble de saxophones
1
Flûte, Hautbois (duo)
1
Clarinette, Orgue
1
Flûte traversière, Orgue (duo)
1
Saxophone
1
+ 91 instrumentations
Retracter
Cuivres
Trompette, Piano
265
Trombone et Piano
223
Cor et Piano
208
Tuba et Piano
117
Euphonium, Piano (duo)
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trompette
50
Quatuor de Cuivres
35
Cor anglais, Piano
33
Trombone (partie séparée)
21
Trompette (partie séparée)
16
2 Trombones (duo)
16
2 Trompettes (duo)
16
Trombone
14
2 Cors (duo)
11
Tuba
11
Tuba et Orgue
11
Trompette, Saxophone (duo)
10
Cor
10
Trompette, Trombone, Piano
9
3 Trompettes (trio)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trio de Cuivres
6
Trompette, Trombone (duo)
6
Cor (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
3 Trombones (trio)
5
Euphonium
4
Tuba (partie séparée)
4
Trombone, Tuba (duo)
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trombones
1
2 Tubas (duo)
1
Ensemble de Trompettes
1
2 Cors Anglais Et Pianoforte
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Euphonium (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Trombone basse et Piano
1
2 Cors, Piano
1
+ 37 instrumentations
Retracter
Cordes
Violon et Piano
587
Alto, Piano
346
Violoncelle, Piano
326
Quatuor à cordes: 2 violons, alto, violoncelle
151
Contrebasse, Piano (duo)
131
Quintette à cordes: 2 violons, alto, violoncelle, basse
57
Violon
52
2 Violons (duo)
38
Piano Trio: Violon, Alto, Piano
28
Violon, Alto (duo)
28
Violoncelle
26
Alto seul
24
Trio à Cordes: violon, alto, violoncelle
21
2 Altos (duo)
18
2 Violoncelles (duo)
16
Contre Basse
14
Violon, Violoncelle (duo)
14
Violon, Clarinette, Piano (trio)
13
Trio à cordes: 3 violins
11
Contrebasse (partie séparée)
9
Violon (partie séparée)
9
Harpe
8
Trio à Cordes: 2 violons, violoncelle
7
2 Violons, Piano
5
Quatuor à cordes: 4 violons
5
4 Contrebasses
5
Alto (partie séparée)
5
2 Contrebasses (duo)
4
Violoncelle (partie séparée)
4
4 Violoncelles
4
Violoncelle, Contrebasse (duo)
3
2 Harpes (duo)
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Alto, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
1
2 Violoncelles, Piano
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
Alto, Orgue
1
Ensemble de Violoncelles
1
Violoncelle, Orgue
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
153
Orchestre d'harmonie
130
Ensemble Jazz
123
Orchestre
117
Orchestre de chambre
54
Cloches
45
Jazz combo
40
Ensemble de cuivres
35
Vibraphone, Piano
27
Xylophone, Piano
23
Ensemble de Percussions
18
Marimba
9
Ensemble d'École
8
Percussion (partie séparée)
4
Batterie (partie séparée)
4
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Mariachi
4
Fanfare
2
2 Xylophones
2
2 Marimbas
1
Vibraphone
1
Batterie
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Partitions à imprimer
10 partitions trouvées
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1
"Eulalie," for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Steven Shade
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"Eulalie," for Sopra
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Steve Shade
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
Now thank we all our God (new setting for mezzo & piano)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Malcolm D Robertson
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Now thank we all our God
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Mr Malcolm D Robertson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.927994 Composed by Malcolm D Robertson. Christian,Praise & Worship,Sacred. 6 pages. Mr Malcolm D Robertson ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.927994 Composed by Malcolm D Robertson. Christian,Praise & Worship,Sacred. 6 pages. Mr Malcolm D Robertson #5791375. Published by Mr Malcolm D Robertson (A0.927994). A setting of a well known hymn text. Originally composed for the final service of a local minister at the Church for which I was the keyboard player/organist in July 2002. I made some minor revisions in June 2020.
$4.00
Maple's Song
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brendon G
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Maple's Song
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Brendon Holden
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1021977 Composed by Brendon G.M.C. Holden. Broadway,Children,Jazz,Musical/Show,Pop. 8 pages. Brendon Holden...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1021977 Composed by Brendon G.M.C. Holden. Broadway,Children,Jazz,Musical/Show,Pop. 8 pages. Brendon Holden #6302605. Published by Brendon Holden (A0.1021977). Maples song is a recently written song, (2021) I wrote Maples song to be placed in a 2021 book, Bity Nightmare Byte. This song is lovely, one of my favorites. I would recommend this song for advanced piano players who would desire to have a spark of youth in their collection of sheet music.
$6.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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