Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Play On
Non classifié
8 920
Piano & claviers
Piano seul
7 138
Piano grosses notes
3 306
Piano Facile
3 114
Accordéon
2 709
Orgue
2 190
Piano, Voix
1 283
Piano, Voix et Guitare
628
Instruments en Do
520
1 Piano, 4 mains
297
Accompagnement Piano
164
Piano Trio: piano, violon, violoncelle
122
2 Pianos, 4 mains
72
Clavier
66
Piano (partie séparée)
39
Piano Quatuor: piano, violon, alto, violoncelle
34
Orgue, Piano (duo)
14
Piano Quintette: piano, 2 violons, alto, violoncelle
13
Piano Quatuor: piano, 2 violons, violoncelle
12
Clavecin
11
1 Piano, 6 mains
8
Orgue, Trompette (duo)
7
2 Pianos, 8 mains
5
2 Accordéons
2
Accordéon et Orchestre
1
+ 19 instrumentations
Retracter
Guitares
Guitare
1 110
Guitare notes et tablatures
1 105
Basse electrique
926
Ukulele
426
Piano, Guitare (duo)
132
Dulcimer
81
Guitare (partie séparée)
79
Ligne De Mélodie, (Paroles) et Accords
78
2 Guitares (duo)
59
Mandoline
48
Banjo
45
4 Guitares (Quatuor)
29
Paroles et Accords
17
Ukulele Baryton
17
Ensemble de guitares
17
2 Dulcimers (duo)
10
3 Guitares (trio)
9
2 Ukuleles
7
Mandoline, Guitare (duo)
3
Dobro
3
Guitare, Violon, Violoncelle (trio)
2
Cithare
1
Luth
1
Basse électrique (partie séparée)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
559
Chorale 3 parties
336
Voix seule
208
Chorale 2 parties
169
Chorale Unison
112
Chorale TTBB
65
Chorale SSAA
41
Voix duo, Piano
25
Voix duo
21
Voix Soprano, Piano
19
Voix Alto, Piano
17
Voix haute
11
Voix Baryton, Piano
8
Voix Tenor, Piano
6
Chorale
5
Voix moyenne, Piano
3
Voix basse, Piano
3
Voix Tenor
2
Chorale SSAATTBB
2
Voix Mezzo-Soprano, Piano
1
Male Voice
1
Voix Soprano
1
Chorale SSATTB
1
+ 18 instrumentations
Retracter
Vents
Saxophone
1 577
Flûte traversière
1 163
Clarinette
1 107
2 Saxophones (duo)
923
Flûte traversière et Piano
883
Hautbois, Piano (duo)
698
Clarinette et Piano
671
Saxophone Alto
630
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
587
Saxophone Tenor
569
Saxophone Alto et Piano
543
Quatuor de Saxophones: 4 saxophones
537
2 Flûtes traversières (duo)
458
2 Clarinettes (duo)
445
Saxophone Tenor et Piano
406
Saxophone (partie séparée)
395
Quatuor de Clarinettes: 4 clarinettes
364
Flûte, Hautbois, Clarinette, Basson
355
Saxophone, Clarinette (duo)
325
Quintette de Saxophone: 5 saxophones
293
Clarinette, Violon (duo)
261
Saxophone Soprano et Piano
232
Flûte, Clarinette (duo)
213
Hautbois (partie séparée)
206
Clarinette, Trompette (duo)
203
2 Hautbois (duo)
190
Saxophone Baryton, Piano
156
Hautbois, Basson (duo)
150
Flûte, Violon
149
Hautbois, Clarinette (duo)
144
Quatuor de Flûtes : 4 flûtes
131
Flûte à Bec
125
3 Clarinettes (trio)
125
3 Saxophones (trio)
124
Clarinette et Alto
122
Flûte, Saxophone (duo)
120
Flûte, Alto (duo)
113
2 Flûte à bec (duo)
113
Hautbois, Flûte
105
Ensemble de Clarinettes
102
Hautbois
100
Ensemble de saxophones
99
Flûte irlandaise
93
Flûte, Trompette (duo)
91
Trio de Flûtes: 3 flûtes
89
Quintette de Clarinettes: 5 clarinettes
87
Ensemble de Flûtes
85
Flûte à bec Soprano
73
Flûte et Guitare
67
Cor anglais, Piano
62
Saxophone Soprano
60
Harmonica
57
Quintette de Flûte : 5 flûtes
51
Clarinette, Basson (duo)
48
Cor Anglais
47
Flûte, Hautbois, Clarinette (trio)
47
Flûte, Harpe et Violoncelle
43
Flûte, Hautbois (duo)
42
Ensemble De Flûte à bec
42
Flûte, Violoncelle
37
Flûte, Violon, Piano
36
Clarinette, Violoncelle (duo)
36
Flute (partie séparée)
36
Clarinette Basse, Piano
34
Flûte à bec Alto
33
Saxophone Baryton
31
2 Flûtes traversières, Piano
30
Hautbois, Violoncelle
28
Clarinette (partie séparée)
27
Quatuor de Flûtes à bec
26
Flûte, Clarinette et Basson
26
Clarinette, Harpe (duo)
25
Hautbois, violon (duo)
24
Hautbois, Clarinette, Basson (trio d'anches)
23
Flûte à bec Tenor
17
Clarinette, Guitare (duo)
17
Ocarina
15
Flûte, Clarinette, Piano (trio)
15
3 Flûtes à bec (trio)
14
Clarinette, Trombone (duo)
14
Flûte, Violon et Violoncelle
12
Clarinette Basse
12
Flûte à bec Soprano, Piano
11
Flûte, Hautbois, Basson
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Hautbois et alto (duo)
9
Clarinette, Violoncelle, Piano (trio)
9
Flûte, Clarinette, Violon (trio)
9
Flûte, Hautbois, Piano (trio)
8
Flute, harpe et violon
8
Flûte à bec Alto, Piano
8
Saxophone et Guitare
8
Flûte, Alto et Piano
8
Flûte, Basson et Piano
7
Hautbois, Guitare (duo)
7
Flûte traversière, Orgue (duo)
7
Flûte, Violoncelle, Piano (trio)
6
Flûte, Hautbois, Violon
6
2 Clarinettes, Piano
5
Flûte, Trombone (duo)
5
Ensemble de Hautbois
5
Clarinette, Contrebasse (duo)
5
2 Clarinettes, Basson
5
Cor anglais, Guitare (duo)
4
5 Flûtes à bec
4
Hautbois, Violon, Piano
4
Saxophone et Harpe
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Saxophone et Orgue
4
4 Hautbois
4
Hautbois, Basson et Piano
3
2 Cors Anglais Et Pianoforte
3
Clarinette, Basson, Piano (trio)
3
Clarinette, Alto et Piano (trio)
3
2 Hautbois et Basson
3
2 Saxophones, Piano
3
Clarinette, Orgue
3
Hautbois, Clarinette et Piano (Trio)
3
Piccolo
3
Piccolo, Piano
3
Hautbois, Harpe
3
Clarinette, Tuba
3
Flûte, Tuba (duo)
2
Hautbois, Violoncelle et Piano
2
Hautbois, Trompette (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte de Pan
2
Flûte, Violoncelle, Guitare
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
3 Hautbois
2
Hautbois, trombone (duo)
2
Flûte et Trio à cordes
1
2 Hautbois, Piano
1
Flûte à Bec, Piano
1
Flûte à bec, Guitare (duo)
1
Clarinette, Orchestre
1
2 Hautbois, 2 Cors et 2 Bassons
1
Saxophone, Violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec, Harpe
1
Flûte et Quatuor à Cordes
1
Saxophone, Tuba (duo)
1
Flûte, trombone et piano
1
Instruments en Mib
1
2 Flûtes traversières, Harpe
1
2 Flûtes à bec, Guitare
1
Cornemuse
1
+ 142 instrumentations
Retracter
Cuivres
Trompette
1 046
Trombone
871
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
525
Trombone et Piano
501
Trompette, Piano
455
Cor et Piano
308
Quatuor de Cuivres : 2 trompettes, trombone, tuba
292
Trompette, Saxophone (duo)
242
2 Trombones (duo)
237
Cor
217
2 Trompettes (duo)
210
Trombone (partie séparée)
186
Trompette (partie séparée)
185
Tuba
172
Tuba et Piano
170
Trompette, Trombone (duo)
155
Quatuor de Cuivres
120
Quatuor de Cuivres: 2 trompettes, Cor, trombone
89
2 Cors (duo)
74
Ensemble de Trompettes
64
Cor anglais, Piano
62
Euphonium
49
Ensemble de Trombones
48
Cor Anglais
47
Euphonium, Piano (duo)
47
Quatuor de cuivres: 4 trombones
43
Cor (partie séparée)
40
Tuba (partie séparée)
37
2 Tubas (duo)
36
Trompette, Cor (duo)
31
3 Trombones (trio)
24
2 Euphoniums (duo)
21
Quatuor de cuivres: 4 cors
21
3 Trompettes (trio)
18
Cor, Violoncelle (duo)
15
2 Euphoniums et 2 Tubas
13
Quatuor de cuivres: 4 trompettes
13
Tuba et Orgue
12
Euphonium, Tuba (duo)
10
Trio de Cuivres
10
Ensemble de Cors
10
Trompette, Basson (duo)
9
Trompette, Violoncelle (duo)
9
Trombone, Tuba (duo)
9
Trombone basse
8
3 Cors (trio)
8
Trombone, Orgue
7
Trompette, Tuba (duo)
7
4 Tubas
7
Cor et Harpe
7
Trompette, Harpe
6
Cor et Basson (duo)
5
Trombone, Cor (duo)
5
3 Tubas (trio)
5
Cor anglais, Guitare (duo)
4
Trompette et Guitare
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Cor, Tuba (duo)
4
Bass Clef Instruments
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Violon (duo)
3
2 Cors Anglais Et Pianoforte
3
Instruments en Sib
3
Trompette, Violoncelle et Piano
2
Trombone basse et Piano
2
Trompette, violon (duo)
2
Trompette, Euphonium (duo)
1
2 Cors, Piano
1
Cor, Trompette, Trombone (trio)
1
Ensemble de Tubas
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Trombone, Piano
1
+ 67 instrumentations
Retracter
Cordes
Harpe
1 681
Quatuor à cordes: 2 violons, alto, violoncelle
1 388
Violon
1 343
Violon et Piano
1 021
Violoncelle
851
Violoncelle, Piano
711
Alto, Piano
666
Alto seul
577
Violon, Violoncelle (duo)
457
2 Violons (duo)
372
Trio à Cordes: violon, alto, violoncelle
254
Violon, Alto (duo)
243
2 Violoncelles (duo)
215
2 Altos (duo)
204
Contrebasse, Piano (duo)
200
Contre Basse
179
Quintette à cordes: 2 violons, alto, violoncelle, basse
168
2 Harpes (duo)
158
Harpe, Flûte (duo)
142
Trio à Cordes: 2 violons, violoncelle
130
Harpe, Violon (duo)
122
Alto (partie séparée)
81
Violon (partie séparée)
58
Contrebasse (partie séparée)
56
Trio à cordes: 3 violins
47
Alto, Violoncelle (duo)
44
4 Violoncelles
42
Harpe et Piano
40
Violon, Guitare (duo)
33
Piano Trio: Violon, Alto, Piano
29
Violoncelle, Contrebasse (duo)
27
Quatuor à cordes: 4 violons
21
Violon, Basson (duo)
20
Trio à cordes: 3 altos
18
Trio à Cordes: 3 violoncelles
18
Alto et Basson
18
2 Contrebasses (duo)
17
Ensemble de Violons
16
Ensemble d'Altos
13
Harpe, Voix
11
Trio à Cordes: 2 violons, alto
10
Quatuor à cordes : 4 altos
10
Violoncelle (partie séparée)
9
Flûte, Contrebasse (duo)
9
Violoncelle , Guitare (duo)
9
Alto et Harpe
9
2 Violons, Piano
8
Violoncelle, Orgue
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Alto, Guitare (duo)
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Harpe, Violon, Violoncelle
5
Harpe, Violoncelle (duo)
5
Violon, Clarinette, Piano (trio)
4
Autoharp
4
Violon, Tuba (duo)
4
4 Contrebasses
4
Violoncelle, Orchestre
3
Violon, Violoncelle, Clarinette
3
Harpe et mandoline
2
Ensemble de Violoncelles
2
3 Contrebasses
2
4 Harpes
1
3 Harpes
1
Violon, Basse continue
1
Alto, Orgue
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
+ 63 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 736
Ensemble Jazz
667
Orchestre à Cordes
665
Batterie
619
Orchestre
543
Cloches
454
Ensemble de cuivres
347
Orchestre de chambre
208
Ensemble de Percussions
133
Jazz combo
103
Fanfare
71
Marimba
60
Batterie (partie séparée)
39
Xylophone
32
Xylophone, Piano
23
Percussion (partie séparée)
18
Vibraphone
16
2 Xylophones
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Ensemble d'École
8
Percussion
5
2 Marimbas
4
Quintette de Cuivres: autres combinaisons
3
Instrumentation Flexible
3
Vibraphone et Marimba
3
Conga
2
Bongos
2
Caisse Claire
2
Timbales
1
Orchestre, Violon
1
Bodhran
1
Piano et Orchestre
1
+ 27 instrumentations
Retracter
Autres
Formation musicale - Solfège
3
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
19
Librairie Musicale
49
Matériel de Musique
16 277
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Play On
Voix Soprano, Piano
Partitions à imprimer
19 partitions trouvées
<
1
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
#
Voix Soprano, Piano
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
(+)
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lass&ug
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
#
Voix Soprano, Piano
#
AVANCÉ
#
Opera
#
Classique
#
Maurice Ravel
#
Nicole Elyse DiPaolo
#
Arrière! Je réch
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
#
Voix Soprano, Piano
#
AVANCÉ
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
En proie à la tristesse
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
#
Voix Soprano, Piano
#
AVANCÉ
#
Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Daybreak (Downloadable)
#
Voix Soprano, Piano
#
Tawnie Olson
#
Daybreak
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E...
(+)
Soprano voice and piano - Moderately Difficult - SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8701-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8701-3E). English.Commissioned by the Canadian Art Song Project for soprano Magali Simard-Galdès, winner of the Jeunesses Musicales Maureen Forrester Tour. This piece won second prize in the 2018 NATS Art Song Composition Competition.This song cycle is, in part, a meditation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in time from evening to mid-day to dawn. Images from each poem are woven into the music; the first movement is full of sewing imagery, so in places the pianist imitates the ebb and flow of a sewing machine's ostinato. The playful second movement depicts icicles melting, opening with their unpredictable drips. In the third movement, clouds bloom. Duration: 14:15Contents:I. DuskII. Hubbard's CoveIII. Daybreak.
$9.00
Concentric Circles
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Christy Miranda Kalfas
#
Concentric Circles
#
Christy Kalfas
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published b...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published by Christy Kalfas (A0.980123). Solo soprano voice with piano accompaniment in a light jazz style. Includes a piano solo that can be played as written or replaced with the pianist's own improvisation using the chords given. The aim is to convey on the piano what the vocalist has just shared through the lyrics. Concentric Circles is track 3 on the album Blessed are the Ones (available on iTunes): https://www.nakedfishrecordings.com/blessed-are-the-ones
$1.99
"Eulalie," for Soprano and Piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Steven Shade
#
"Eulalie," for Sopra
#
Steve Shade
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
La Périchole's Tipsy Waltz (A quel diner)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Jacques Offenbach
#
Scott S
#
La Périchole's Tipsy Wa
#
Scott S. Stewart
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Pe...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 3 pages. Scott S. Stewart #6622323. Published by Scott S. Stewart (A0.955879). The Tipsy Waltz (Ah! quel diner!) by Jacques Offenbach, from this operetta La Périchole, is a favorite comedic scene that is played for laughs. It has become a favored, character piece on many a mezzo-soprano’s rep list. Alone it stands on its own as a masterful, humorous tour de force. The new English text has been updated and expanded to give more depth of character; and the accompaniment enhanced to provide more color and substance to the musical background. This new arrangement is scored for mezzo-soprano with piano accompaniment. Performance time: 1:45+
$12.99
The long journey
#
Voix Soprano, Piano
#
Peter Eotvos
#
The long journey
#
Schott Music - Digital
#
SheetMusicPlus
Soprano voice and piano - SKU: S9.Q32132 Ballad from the opera The Golden Dragon. Composed by Peter Eotvos. This edition: Sheet music. Downloadab...
(+)
Soprano voice and piano - SKU: S9.Q32132 Ballad from the opera The Golden Dragon. Composed by Peter Eotvos. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q32132. Published by Schott Music - Digital (S9.Q32132). German • English.The Long Journey, the final monologue of the opera The Golden Dragon based on the eponymous play by Roland Schimmelpfennig, has been given the air of a ballad. A young Chinese works illegally in an Asian restaurant of Anytown. Not having a health insurance, he bleeds to death after a botched dental operation. His colleagues throw his body into the river which runs through the town and carries the body to the sea. He floats back to his home country – this last journey is the theme of the monologue.
$11.99
Der Blick war's, der mich ins Verderben riss
#
Voix Soprano, Piano
#
AVANCÉ
#
Aribert Reimann
#
Der Blick war's, der mich ins
#
Schott Music - Digital
#
SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q43075 Zweiter Monolog der Stella. Composed by Aribert Reimann. This edition: single sheet. Downloa...
(+)
Soprano voice and piano - difficult - SKU: S9.Q43075 Zweiter Monolog der Stella. Composed by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q43075. Published by Schott Music - Digital (S9.Q43075). German.Aribert Reimann chose a monologue from Goethe's play Stella as the basis for the text of this work for soprano and piano. Unusual tonal and rhythmic structures in the vocal part are joined by extended techniques on the piano.
$27.99
Oppekepe all over the world Op.178
#
Voix Soprano, Piano
#
Kohei KONDO
#
Oppekepe all over the world Op
#
Kohei KONDO
#
SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Published by Kohei K...
(+)
Soprano voice,Vocal Solo - SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Published by Kohei KONDO (A0.886071). June.23.2018~Aug.28.2018 Premiere: Nov.11.2018 Chigasaki-city Kanagawa JAPAN Pf,& Vocal: Tomomi SHIMIZU 10 minutes YouTube:https://youtu.be/tbkyTmVTBKg?t=1139  Pf,& Vocal: Tomomi SHIMIZUIn this composition, the pianist sing Japanese old famous pop song Oppekepe bushi in Meiji-era playing piano. Oppekepe-bushi can not be write on sheet music. So, please listen Oppekepe-bushi on videos or live performances and learn to sing it.Please refer to this video. https://youtu.be/8TuMWzJd6RM
$9.00
After You Hear Me Out from Glory Denied (Downloadable)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Tom Cipullo
#
After You Hear Me Out from Glo
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #860...
(+)
Soprano voice and piano - Medium - SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609D-2E). Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling Jim, writing a letter to her husband prior to his being taken prisoner during the Vietnam War. The first aria captures emotions through a brief snapshot of everyday life. The second takes place after his return from captivity. Alyce has moved on with her life with another man. The aria is painful and moving as she suggests that, while he can see the kids, he certainly doesn't have to see her face ever again.Contents:1. My Darling Jim2. After You Hear Me Out.
$5.00
Jasmine Flowers for Low Voice
#
Voix Soprano, Piano
#
AVANCÉ
#
Julia Tsien
#
Jasmine Flowers for Low Voice
#
Julia Tsien
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
Jasmine Flowers for High Voice
#
Voix Soprano, Piano
#
AVANCÉ
#
Julia Tsien
#
Jasmine Flowers for High Voice
#
Julia Tsien
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien (A0.944857). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
Little David Play on your Harp
#
Voix Soprano, Piano
#
Contemporain
#
Roy Jennings
#
Little David Play on your Harp
#
SheetMusicPlus
Composed by Roy Jennings. For Piano Accompaniment,Voice,Soprano Voice. 21st Century,Contemporary Classical,Christian,Spiritual,Sacred. 4 pages. Published by Pub...
(+)
Composed by Roy Jennings. For Piano Accompaniment,Voice,Soprano Voice. 21st Century,Contemporary Classical,Christian,Spiritual,Sacred. 4 pages. Published by Published by Arch Angel
$3.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale