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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ravel Classical
Non classifié
193
Piano & claviers
Piano seul
245
Piano, Voix
67
Piano Facile
34
1 Piano, 4 mains
6
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
5
Piano, Voix et Guitare
4
2 Pianos, 4 mains
4
Orgue
3
Accordéon
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
Piano grosses notes
1
+ 10 instrumentations
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Guitares
Guitare
31
Guitare notes et tablatures
20
Ligne De Mélodie, (Paroles) et Accords
4
4 Guitares (Quatuor)
3
Ukulele
3
2 Guitares (duo)
1
Basse electrique
1
Mandoline
1
+ 3 instrumentations
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Voix
Chorale SATB
16
Chorale 3 parties
3
Voix Soprano, Piano
2
Voix haute
2
Chorale Unison
2
Chorale TTBB
1
Voix duo, Piano
1
Chorale 2 parties
1
+ 3 instrumentations
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Vents
Clarinette et Piano
19
Saxophone Alto et Piano
17
Clarinette (partie séparée)
16
Flûte traversière et Piano
15
Saxophone (partie séparée)
13
2 Saxophones (duo)
12
Hautbois, Piano (duo)
12
2 Flûte à bec (duo)
11
Quatuor de Saxophones: 4 saxophones
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Flute (partie séparée)
8
Quatuor de Clarinettes: 4 clarinettes
8
Quatuor de Flûtes : 4 flûtes
8
Saxophone Soprano et Piano
8
2 Flûtes traversières (duo)
7
Flûte traversière
7
Hautbois (partie séparée)
7
Clarinette
7
Flûte, Hautbois, Clarinette, Basson
7
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Alto
4
Flûte et Guitare
3
Saxophone Tenor et Piano
3
Flûte, Clarinette, Piano (trio)
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
Flûte à bec Soprano
3
Saxophone
3
Flûte à bec Soprano, Piano
2
Ensemble de Clarinettes
2
Cor anglais, Piano
2
2 Clarinettes (duo)
2
2 Hautbois (duo)
2
Flûte à bec Tenor
2
Ensemble de Flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Clarinette (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
3 Saxophones (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à Bec
1
Hautbois, Basson (duo)
1
Flûte à bec Alto
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Tenor
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette et Basson
1
Flûte et Trio à cordes
1
Clarinette, Basson (duo)
1
3 Hautbois
1
Clarinette, Guitare (duo)
1
Clarinette Basse, Piano
1
Quintette de Saxophone: 5 saxophones
1
Saxophone et Guitare
1
Flûte, Basson et Piano
1
Harmonica
1
Saxophone Baryton, Piano
1
Ensemble de saxophones
1
Clarinette, Basson, Piano (trio)
1
Ensemble De Flûte à bec
1
Piccolo
1
Cor Anglais
1
Clarinette Basse
1
+ 59 instrumentations
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Cuivres
Trombone (partie séparée)
16
Trompette, Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Tuba (partie séparée)
8
Trompette (partie séparée)
7
Trombone et Piano
7
Cor (partie séparée)
6
Trompette
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor
5
Tuba
4
Cor et Piano
4
Tuba et Piano
4
Trombone
3
Quatuor de cuivres: 4 trombones
2
Trompette, Trombone (duo)
2
Instruments en Sib
2
2 Cors (duo)
2
Cor anglais, Piano
2
2 Trompettes (duo)
2
Trompette, Trombone, Piano
2
Trompette, Tuba (duo)
2
Trompette, Cor (duo)
2
Trombone, Cor (duo)
1
Trombone, Tuba (duo)
1
Cor, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
3 Trompettes (trio)
1
2 Trombones (duo)
1
Trombone basse et Piano
1
Bass Clef Instruments
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres
1
Ensemble de Trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor Anglais
1
+ 31 instrumentations
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Cordes
Violon et Piano
32
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violoncelle, Piano
19
Alto, Piano
12
Violon
12
Violon (partie séparée)
11
Harpe
9
Alto seul
8
2 Violons (duo)
7
Quatuor à cordes : 4 altos
6
Violoncelle
6
Violoncelle (partie séparée)
5
Contrebasse, Piano (duo)
5
Contrebasse (partie séparée)
4
2 Harpes (duo)
4
Contre Basse
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
2
Violon, Violoncelle (duo)
2
2 Violoncelles (duo)
2
Violon, Alto (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 altos
1
2 Altos (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 violins
1
2 Contrebasses (duo)
1
3 Contrebasses
1
Alto, Guitare (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
136
Orchestre à Cordes
33
Orchestre
18
Percussion (partie séparée)
9
Orchestre de chambre
4
Timbales (partie séparée)
4
Percussion
3
Ensemble de cuivres
1
Caisse Claire
1
Ensemble de Percussions
1
Orchestre, Violon
1
Ensemble Jazz
1
+ 7 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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METHODE : TECHNIQUES
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Crtitères actifs :
Ravel Classical
Voix Soprano, Piano
Partitions à imprimer
2 partitions trouvées
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Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
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