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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
S.S.T.
Non classifié
2 994
Piano & claviers
Piano seul
4 424
Piano, Voix
1 442
Piano, Voix et Guitare
651
Piano Facile
506
Accordéon
504
Instruments en Do
217
Piano grosses notes
129
Orgue
90
Piano (partie séparée)
59
1 Piano, 4 mains
44
Piano Trio: piano, violon, violoncelle
28
Accompagnement Piano
24
2 Pianos, 4 mains
8
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Clavier
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 8 mains
3
Clavecin
2
Orgue, Trompette (duo)
1
Ligne De Mélodie, Piano
1
2 Accordéons
1
2 Orgues (duo)
1
Instrument seul et Orgue
1
+ 19 instrumentations
Retracter
Guitares
Guitare
1 135
Guitare notes et tablatures
468
Basse electrique
268
Ligne De Mélodie, (Paroles) et Accords
148
Ukulele
139
Guitare (partie séparée)
104
Paroles et Accords
35
Basse électrique (partie séparée)
17
2 Guitares (duo)
17
Dulcimer
13
Ensemble de Ukulélés
7
Banjo
7
Ensemble de guitares
6
Mandoline
6
Piano, Guitare (duo)
6
2 Ukuleles
5
4 Guitares (Quatuor)
3
2 Dulcimers (duo)
2
3 Guitares (trio)
2
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
Guitare, Quatuor à cordes
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
870
Voix seule
528
Chorale TTBB
276
Chorale 3 parties
254
Chorale SSAA
183
Chorale 2 parties
146
Chorale Unison
73
Voix duo, Piano
37
Chorale
26
Voix duo
17
Voix Soprano, Piano
12
Voix Alto, Piano
12
Voix haute
9
Voix moyenne, Piano
5
Voix Baryton, Piano
5
Voix Tenor, Piano
4
Voix Soprano
4
Voix basse, Piano
4
Pack Instrumental pour Chorale
3
Voix Tenor
2
Chorale SSATTB
2
Chorale SSAB, Piano
2
Chorale SSATB
1
Voix, Guitare
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton
1
Voix et basse continue
1
+ 22 instrumentations
Retracter
Vents
Saxophone
2 180
Flûte traversière
1 138
Clarinette
1 080
Saxophone (partie séparée)
961
Quatuor de Saxophones: 4 saxophones
372
Saxophone Alto
371
Saxophone Tenor
327
Flûte à Bec
321
Ocarina
266
Flûte à bec Soprano
251
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
246
Hautbois (partie séparée)
230
2 Saxophones (duo)
215
Clarinette et Piano
212
Flûte à bec Alto
203
Flûte traversière et Piano
199
Hautbois
188
Clarinette (partie séparée)
186
Flûte, Hautbois, Clarinette, Basson
174
Quintette de Saxophone: 5 saxophones
173
Hautbois, Piano (duo)
158
Saxophone Soprano
141
Saxophone Alto et Piano
140
Saxophone Tenor et Piano
116
2 Flûtes traversières (duo)
107
Saxophone Soprano et Piano
105
Quatuor de Clarinettes: 4 clarinettes
100
Flute (partie séparée)
92
Saxophone Baryton, Piano
88
Quintette de Clarinettes: 5 clarinettes
72
2 Clarinettes (duo)
69
Quatuor de Flûtes : 4 flûtes
62
Quintette de Flûte : 5 flûtes
57
3 Saxophones (trio)
56
2 Hautbois (duo)
52
2 Flûte à bec (duo)
47
Saxophone Baryton
42
Flûte à bec Alto, Piano
37
Cor anglais, Piano
37
Flûte irlandaise
36
Ensemble de Clarinettes
35
Ensemble de saxophones
31
Ensemble de Flûtes
30
Ensemble De Flûte à bec
30
3 Clarinettes (trio)
28
Flûte, Clarinette (duo)
26
Trio de Flûtes: 3 flûtes
22
Flûte et Guitare
22
Flûte à bec Tenor
21
Quatuor de Flûtes à bec
17
Flûte, Clarinette et Basson
16
Flûte, Hautbois, Basson
16
Clarinette Basse, Piano
16
Cor Anglais
15
Clarinette, Guitare (duo)
13
Flûte, Hautbois, Clarinette (trio)
13
Flûte, Hautbois (duo)
11
Hautbois, Clarinette (duo)
11
Clarinette, Basson (duo)
10
Piccolo
9
Hautbois, Basson (duo)
9
Flûte, Hautbois, Piano (trio)
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Saxophone, Clarinette (duo)
8
Clarinette, Trompette (duo)
6
Clarinette, Violon (duo)
6
Flûte à Bec, Piano
6
Piccolo, Piano
5
5 Flûtes à bec
5
Flûte, Alto (duo)
4
Clarinette, Violoncelle (duo)
4
Flûte, Violon
4
Cor anglais, Guitare (duo)
4
Hautbois, Flûte
4
Flûte, Violon et Violoncelle
4
Flûte, Violon, Piano
3
Flute, harpe et violon
3
Clarinette et Alto
3
Flûte, Saxophone (duo)
3
Cornemuse
3
Flûte à bec Soprano, Piano
3
Hautbois, Guitare (duo)
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Basson, Piano (trio)
2
Harmonica
2
Instruments en Mib
2
Flûte, Violoncelle
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Hautbois, Violoncelle
2
Flûte, Tuba (duo)
2
2 Saxophones, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte et Trio à cordes
1
3 Flûtes à bec (trio)
1
Flûte, Trompette (duo)
1
Flûte, Violoncelle, Guitare
1
+ 91 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
1 179
Trompette
1 039
Trombone
907
Trompette (partie séparée)
543
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
294
Cor
253
Tuba
204
Trompette, Piano
177
Quatuor de Cuivres : 2 trompettes, trombone, tuba
143
Trombone et Piano
143
Cor et Piano
130
Euphonium
124
Tuba et Piano
107
Cor (partie séparée)
98
Tuba (partie séparée)
84
Quatuor de Cuivres: 2 trompettes, Cor, trombone
69
2 Trompettes (duo)
55
2 Trombones (duo)
53
Ensemble de Trombones
42
Quatuor de cuivres: 4 trombones
39
Cor anglais, Piano
37
2 Cors (duo)
34
Euphonium, Piano (duo)
27
Quatuor de Cuivres
27
Trompette, Trombone (duo)
24
2 Tubas (duo)
20
Cor Anglais
15
Quatuor de cuivres: 4 cors
13
Trompette, Cor (duo)
12
Quatuor de cuivres: 4 trompettes
12
Trombone basse
11
Trombone basse et Piano
8
Trio de Cuivres
8
Euphonium (partie séparée)
7
4 Tubas
7
3 Trombones (trio)
6
Trompette, Saxophone (duo)
6
Ensemble de Trompettes
6
3 Trompettes (trio)
4
Trombone, Cor (duo)
4
Cor, Tuba (duo)
4
Cor anglais, Guitare (duo)
4
Instruments en Sib
3
2 Euphoniums et 2 Tubas
3
Tuba et Orgue
3
Tuba ou Euphonium ou Saxhorn
2
Euphonium, Tuba (duo)
2
Bass Clef Instruments
2
Trompette, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, Basson (duo)
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
3 Cors (trio)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 52 instrumentations
Retracter
Cordes
Violon
897
Quatuor à cordes: 2 violons, alto, violoncelle
842
Violoncelle
605
Alto seul
505
Violon, Violoncelle (duo)
340
Trio à Cordes: violon, alto, violoncelle
268
Violon (partie séparée)
264
Violon et Piano
212
Violoncelle, Piano
186
Quintette à cordes: 2 violons, alto, violoncelle, basse
171
Alto, Piano
147
Contrebasse (partie séparée)
137
Contre Basse
130
Alto (partie séparée)
122
2 Violons (duo)
107
Contrebasse, Piano (duo)
86
Harpe
73
2 Violoncelles (duo)
71
Violon, Alto (duo)
69
2 Altos (duo)
55
Trio à Cordes: 2 violons, violoncelle
54
Violoncelle (partie séparée)
30
Alto, Violoncelle (duo)
28
4 Violoncelles
15
Quintette à cordes: 2 violons, 2 altos, violoncelle
13
2 Contrebasses (duo)
13
Trio à Cordes: 3 violoncelles
10
Trio à cordes: 3 violins
10
Trio à Cordes: 2 violons, alto
10
Trio à cordes: 3 altos
8
Violon, Guitare (duo)
7
Quatuor à cordes : 4 altos
6
Quatuor à cordes: 4 violons
6
Piano Trio: Violon, Alto, Piano
6
Harpe, Violon (duo)
3
Alto, Guitare (duo)
2
Ensemble de Violons
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à cordes
2
Harpe, Flûte (duo)
2
2 Altos, Piano
1
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orchestre
1
Violon, Basse continue
1
Harpe, Voix
1
Ensemble de Violoncelles
1
Violon, Basson (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 089
Batterie
608
Orchestre à Cordes
341
Orchestre
337
Ensemble Jazz
241
Fanfare
142
Batterie (partie séparée)
123
Percussion (partie séparée)
114
Ensemble de cuivres
95
Orchestre de chambre
66
Cloches
50
Jazz combo
37
Percussion
25
Timbales (partie séparée)
14
Ensemble de Percussions
11
Marimba
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Vibraphone
6
Xylophone
5
Xylophone, Piano
4
2 Marimbas
3
Instrumentation Flexible
2
Xylophone (partie séparée)
1
Timbales
1
2 Xylophones
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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PIANO
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SYNTHETISEUR
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Crtitères actifs :
S.S.T.
Voix Soprano, Piano
Partitions à imprimer
12 partitions trouvées
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1
How Beautiful
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Voix Soprano, Piano
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FACILE
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Musique Sacrée
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Twila Paris
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Nancy Frese Tabb
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How Beautiful
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Nancy Frese Tabb
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1083773 By Twila Paris. By Twila Paris. Arranged by Nancy Frese Tabb. Contemporary,Praise & Worship,Sacred,...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.1083773 By Twila Paris. By Twila Paris. Arranged by Nancy Frese Tabb. Contemporary,Praise & Worship,Sacred,Spiritual. 11 pages. Nancy Frese Tabb #687975. Published by Nancy Frese Tabb (A0.1083773). 'How Beautiful' is arranged as a solo for High Voice (S/T). Paired with an excerpt of the hymn 'Beautiful Savior' this melodic piece by Twila Paris is easy to learn and works well in a general church service or sacred concert.
$4.99
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Un Bel Di Vedremo (from Madama Butterfly) - for Soprano - in C major
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Giacomo Puccini
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Rodrigo Faleiros
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Un Bel Di Vedremo
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1370217 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Pe...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1370217 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score. 6 pages. Rodrigo Faleiros #954492. Published by Rodrigo Faleiros (A0.1370217). Experience the poignant beauty of Giacomo Puccini's masterpiece Madama Butterfly with our arrangement of the aria Un Bel Di Vedremo for solo soprano and piano accompaniment. This emotive rendition allows the soprano to showcase the heart-wrenching beauty and hope encapsulated in the character's yearning for a brighter future. The lush piano accompaniment provides a rich tapestry of harmonies, perfectly complementing the vocal lines to create a powerful and evocative musical experience.Key Features: Soprano Showcase: Tailored for a solo soprano, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: The lush arrangement enhances the emotional depth, creating a compelling backdrop for the soprano's rendition. Key of C Major: The arrangement is thoughtfully crafted in the key of C major, allowing for a resonant and sonorous interpretation. Emotive and Evocative: Immerse your audience in the emotional journey of Madama Butterfly, capturing the essence of the aria's poignant narrative. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply indulging in the beauty of Puccini's operatic masterpiece, this arrangement of Un Bel Di Vedremo offers a captivating interpretation of one of opera's most cherished arias.And don't miss other arias I've arranged for solo soprano by clicking here!
$2.99
Un Bel Di Vedremo (from Madama Butterfly) - for Soprano - in Ab major
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Giacomo Puccini
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Rodrigo Faleiros
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Un Bel Di Vedremo
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1370214 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Pe...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1370214 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score. 6 pages. Rodrigo Faleiros #954489. Published by Rodrigo Faleiros (A0.1370214). Experience the poignant beauty of Giacomo Puccini's masterpiece Madama Butterfly with our arrangement of the aria Un Bel Di Vedremo for solo soprano and piano accompaniment. This emotive rendition allows the soprano to showcase the heart-wrenching beauty and hope encapsulated in the character's yearning for a brighter future. The lush piano accompaniment provides a rich tapestry of harmonies, perfectly complementing the vocal lines to create a powerful and evocative musical experience.Key Features: Soprano Showcase: Tailored for a solo soprano, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: The lush arrangement enhances the emotional depth, creating a compelling backdrop for the soprano's rendition. Key of Ab Major: The arrangement is thoughtfully crafted in the key of Ab major, allowing for a resonant and sonorous interpretation. Emotive and Evocative: Immerse your audience in the emotional journey of Madama Butterfly, capturing the essence of the aria's poignant narrative. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply indulging in the beauty of Puccini's operatic masterpiece, this arrangement of Un Bel Di Vedremo offers a captivating interpretation of one of opera's most cherished arias.And don't miss other arias I've arranged for solo soprano by clicking here!
$2.99
Divertimento 6 / Divertissement 6 / Entertainment 6
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Divertimento 6 / Divertissemen
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
The Birds
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
Sappho ... Five Poems by H.D. (2019) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Sappho ... Five Poems by H.D.
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Publishe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Published by Thomas Oboe Lee (A0.869598). Sappho ... Five Poems by H.D. (2019) is dedicated to Öznur Hasibe Tülüoğlu. I heard her sing at her senior recital at the New England Conservatory of Music this spring and I immediately thought I should write a song cycle for her. I love the poetry of H.D. (aka Hilda Doolittle). My first attempt at setting her poems to music was in 2015. The poems in that song cycle focused on several figures from Greek mythology: Adonis, Circe, Lethe, Daphne, Evadne, etc.The words in this cycle are Ms. Doolittle's poetic musings on fragments left behind by the ancient Greek poet Sappho.1. Fragment 41a ... thou flittest to Andromeda.2. Fragment 41c3. Fragment 40 Love ... bitter sweet4. Fragment 113 Neither honey nor bee for me.5. Fragment 68 ... even in the house of Hades.Music by Thomas Oboe LeePoems by H.D.© Hilda Doolittle, from Collected Poems, 1912-1944, copyright © 1982 by the Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp. © Departed Feathers Music, Inc. - BMI Audio link: https://thomasoboelee.bandcamp.com/album/sappho-five-poems-by-h-d-2019Video link: https://youtu.be/NH8baTZxRzg
$9.99
Mi tradi quell'alma ingrata - Don Giovanni (Eb Major)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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Mi tradi quell'alma ingrata -
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884792 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 12 pages. Jonat...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884792 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 12 pages. Jonathan Prentice #5835499. Published by Jonathan Prentice (A0.884792). A conflicted Donna Elvira despairs that she can't let go of her feelings for the despicable Don Giovanni in this celebrated aria from Mozart's dark and dramatic opera (Here in the original Eb Major).
$1.99
When a Mezzo (x2)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
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