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421
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283
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144
Instruments en Do
50
1 Piano, 4 mains
26
Orgue
20
Piano Trio: piano, violon, violoncelle
13
Piano grosses notes
12
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Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
2 Pianos, 4 mains
2
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Piano Quintette: piano, 2 violons, alto, violoncelle
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GUITARES
Ukulele
49
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45
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36
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32
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18
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3
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2
4 Guitares (Quatuor)
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2
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1
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1
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VOIX
Chorale SATB
255
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65
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35
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25
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24
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14
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13
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11
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11
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7
Voix duo
2
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1
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1
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1
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1
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1
Chorale SSAATTBB
1
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VENTS
Clarinette et Piano
83
Flûte traversière et Piano
65
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Hautbois, Piano (duo)
59
Flûte traversière
58
Quatuor de Saxophones: 4 saxophones
52
Clarinette
51
Flûte, Hautbois, Clarinette, Basson
48
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45
Saxophone Alto
45
Saxophone Tenor
37
Saxophone (partie séparée)
33
2 Flûtes traversières (duo)
33
Saxophone Alto et Piano
33
Saxophone Soprano et Piano
29
Saxophone Tenor et Piano
28
2 Saxophones (duo)
28
Hautbois (partie séparée)
25
Saxophone Baryton, Piano
25
2 Clarinettes (duo)
18
Hautbois, Basson (duo)
15
Hautbois
15
Flûte, Clarinette (duo)
14
Saxophone
13
Ensemble de Clarinettes
13
Hautbois, Violoncelle
12
2 Hautbois (duo)
11
Hautbois, Clarinette (duo)
10
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10
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9
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9
3 Clarinettes (trio)
9
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8
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8
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8
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8
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7
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6
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6
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6
Trio de Flûtes: 3 flûtes
6
Cor anglais, Piano
5
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5
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5
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3
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1
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1
Quatuor de Flûtes : 4 flûtes
1
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1
Piccolo, Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Trombone
51
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44
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40
Cor
40
Cor et Piano
34
Tuba et Piano
30
Tuba
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quatuor de Cuivres
12
2 Trompettes (duo)
11
Trompette, Trombone (duo)
11
2 Cors (duo)
11
2 Trombones (duo)
11
Trompette (partie séparée)
11
Euphonium, Piano (duo)
7
Cor anglais, Piano
5
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
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4
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Cor et Basson (duo)
4
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3
2 Tubas (duo)
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Trompette, Tuba (duo)
3
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Trombone, Tuba (duo)
2
Trompette, Basson (duo)
2
Tuba et Orgue
2
Euphonium
2
Trompette, Violoncelle (duo)
2
Instruments en Fa
1
Tuba (partie séparée)
1
Cor, Violoncelle (duo)
1
Trompette, Trombone, Piano
1
Trompette, Saxophone (duo)
1
Cor Anglais
1
Trompette, Harpe
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3 Cors (trio)
1
Cor et Harpe
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2 Cors, Piano
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Cor (partie séparée)
1
2 Euphoniums (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
137
Violon et Piano
82
Violon
70
Alto, Piano
65
Violoncelle
60
Violoncelle, Piano
57
Quintette à cordes: 2 violons, alto, violoncelle, basse
48
Alto seul
45
2 Violons (duo)
32
Contrebasse, Piano (duo)
28
Trio à Cordes: violon, alto, violoncelle
28
Contre Basse
26
Violon, Violoncelle (duo)
25
2 Violoncelles (duo)
18
Violon, Alto (duo)
16
2 Altos (duo)
15
Harpe
14
Trio à Cordes: 2 violons, violoncelle
10
Alto (partie séparée)
9
Violon, Basson (duo)
8
Alto et Basson
8
Alto, Violoncelle (duo)
7
Violon (partie séparée)
7
Violon, Guitare (duo)
7
Piano Trio: Violon, Alto, Piano
6
2 Contrebasses (duo)
4
Violoncelle (partie séparée)
4
Violon, Clarinette, Piano (trio)
3
Harpe, Flûte (duo)
3
Harpe, Voix
3
Violoncelle, Contrebasse (duo)
2
2 Altos, Piano
2
Contrebasse (partie séparée)
2
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
Flûte, Contrebasse (duo)
1
Alto et Harpe
1
Harpe, Violon, Violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
171
Orchestre à Cordes
54
Orchestre
35
Cloches
18
Ensemble Jazz
18
Ensemble de cuivres
15
Orchestre de chambre
9
Jazz combo
6
Ensemble de Percussions
6
Xylophone
5
Marimba
5
Fanfare
4
Xylophone, Piano
2
Batterie
2
Batterie (partie séparée)
2
Percussion (partie séparée)
1
Vibraphone
1
Piano et Orchestre
1
Orchestre, Violon
1
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AUTRES
Vous avez sélectionné:
See the light
Voix Soprano, Piano
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It Is The Hour from Byron Songs
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.843758 Composed by Br…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.843758 Composed by Brian S. Wilson. Contemporary. 9 pages. G. Meredith Publications #2024489. Published by G. Meredith Publications (A0.843758). This is the fifth of six songs from the Song Cycle Byron Songs based on poems of Lord Byron's collection of poems entitled Hebrew Melodies.It is the hour TEXT It is the hour when from the boughs  The nightingale's high note is heard-It is the hour-when lovers' vows  Seem sweet in every whisper'd word-And gentle winds and waters nearMake music to the lonely ear.Each flower the dews have lightly wet,And in the sky the stars are met:And on the wave is deeper blue,And on the leaf a browner hue-And in the Heaven, that clear obscureSo softly dark-and darkly pure,That follows the decline of dayAs twilight melts beneath the moon away.
$7.00
6.33 €
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Voix Soprano, Piano
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Brian S
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It Is The Hour from Byron Songs
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G. Meredith Publications
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.09 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.09 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
9.04 €
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Voix Soprano, Piano
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Richard St
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A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Richard St. Clair
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SheetMusicPlus
Warm Where Snowflakes Lie
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitwell (A0.873026). Composer’s Note - Warm Where Snowflakes LieThrough my music, I try to bring to people a sense of optimism about the world. Music has the power to uplift, to exalt, to fill people with joy and hope, so I am drawn to texts that do a similar thing. Christina Rossetti’s poem ​The Key-Note​ has this optimism, even with a gentle sting in the proverbial tail. She appreciated that everything has a season, that life happens in cycles, that in the face of the darkest Winter there is always the hope of Spring, a hope made real by the appearance of the red-breasted robin in the snow. This song is for anyone who has ever felt hopeless, disenfranchised, or unable to see the light at the end of the tunnel.-- Sally Whitwell
$2.99
2.7 €
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Voix Soprano, Piano
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Sally Whitwell
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Warm Where Snowflakes Lie
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Sally Whitwell
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SheetMusicPlus
HERMIT THRUSH SONG Soprano with Pianoforte
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.903801 Composed by Alan Edgar a…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.903801 Composed by Alan Edgar and Jane Tims. Contemporary. 4 pages. Alan Edgar Ted Moon #6598567. Published by Alan Edgar Ted Moon (A0.903801). I searched for animals singing the harmonic series--this led me to the Hermit Thrush, a native of north America. The singer imitates the bird and sings a setting of a poem about the bird by Jane Tims, who writes: I think your score is as delightful as the bird it is written for. It also helped me see my poetry in a whole different way. Makes me proud to be a poet.
$6.00
5.42 €
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Voix Soprano, Piano
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Alan Edgar and Jane Tims
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HERMIT THRUSH SONG Soprano with Pianoforte
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Alan Edgar Ted Moon
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