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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
See the light
Sheetmusicplus
Non classifié
584
Piano & claviers
Piano seul
362
Piano, Voix
271
Piano Facile
160
Piano, Voix et Guitare
101
Instruments en Do
52
Orgue
20
1 Piano, 4 mains
19
Piano Trio: piano, violon, violoncelle
15
Accompagnement Piano
8
Piano grosses notes
7
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Ukulele
42
Guitare
34
Guitare notes et tablatures
33
Ligne De Mélodie, (Paroles) et Accords
15
Basse electrique
11
Paroles et Accords
9
4 Guitares (Quatuor)
3
Banjo
3
Guitare (partie séparée)
2
3 Guitares (trio)
2
Ensemble de guitares
1
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
258
Chorale 3 parties
66
Chorale 2 parties
36
Chorale SSAA
25
Chorale TTBB
24
Voix duo, Piano
15
Chorale Unison
15
Voix Alto, Piano
11
Voix Soprano, Piano
7
Pack Instrumental pour Chorale
6
Chorale
4
Voix haute
3
Voix duo
2
Voix Baryton, Piano
1
Voix seule
1
Voix moyenne, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
Clarinette et Piano
85
Flûte traversière et Piano
67
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Hautbois, Piano (duo)
59
Quatuor de Saxophones: 4 saxophones
58
Flûte, Hautbois, Clarinette, Basson
52
Flûte traversière
49
Quintette de Saxophone: 5 saxophones
45
Clarinette
43
Saxophone Alto
43
Saxophone Alto et Piano
35
2 Flûtes traversières (duo)
34
Saxophone Tenor
34
Saxophone (partie séparée)
33
Saxophone Soprano et Piano
31
Saxophone Tenor et Piano
30
2 Saxophones (duo)
28
Hautbois (partie séparée)
25
Saxophone Baryton, Piano
25
2 Clarinettes (duo)
18
Hautbois, Basson (duo)
15
Flûte, Clarinette (duo)
14
Hautbois
13
Ensemble de Clarinettes
13
Hautbois, Violoncelle
12
Saxophone Soprano
11
2 Hautbois (duo)
11
3 Saxophones (trio)
10
Hautbois, Clarinette (duo)
10
Saxophone Baryton
10
3 Clarinettes (trio)
10
Flûte, Violon, Piano
9
Clarinette, Basson (duo)
9
Flûte, Violon
8
Ensemble de Flûtes
8
Clarinette, Violoncelle (duo)
8
Flûte, Hautbois (duo)
8
Clarinette, Violon (duo)
8
Flûte, Violoncelle
7
Flûte, Basson et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte, Alto (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte, Hautbois, Clarinette (trio)
6
Hautbois, violon (duo)
6
Hautbois et alto (duo)
5
Flûte et Guitare
5
Cor anglais, Piano
5
Flûte, Alto et Piano
3
Flûte, Violoncelle, Piano (trio)
3
Ensemble de saxophones
3
Clarinette Basse, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette et Alto
3
Flûte, Clarinette et Basson
2
Harmonica
2
Flûte à Bec
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Violon, Piano
1
Flûte et Trio à cordes
1
Flûte, Hautbois, Basson
1
2 Flûte à bec (duo)
1
Flute (partie séparée)
1
Flûte à bec Soprano
1
2 Hautbois, Piano
1
Instruments en Mib
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Trompette (duo)
1
Flûte, Saxophone (duo)
1
2 Clarinettes, Piano
1
Clarinette (partie séparée)
1
2 Flûtes traversières, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
Saxophone
1
Cor Anglais
1
Piccolo, Piano
1
+ 78 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trombone et Piano
46
Trombone
44
Trompette
43
Trompette, Piano
42
Cor et Piano
34
Cor
33
Tuba et Piano
30
Tuba
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quatuor de Cuivres
12
2 Trombones (duo)
11
2 Trompettes (duo)
11
2 Cors (duo)
11
Trompette (partie séparée)
11
Trompette, Trombone (duo)
11
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 cors
5
Cor anglais, Piano
5
Quatuor de cuivres: 4 trombones
5
Trombone (partie séparée)
4
Cor et Basson (duo)
4
Trompette, Cor (duo)
4
Trio de Cuivres
4
2 Tubas (duo)
3
Trompette, Tuba (duo)
3
Tuba et Orgue
2
Trompette, Basson (duo)
2
Trombone, Tuba (duo)
2
Ensemble de Cors
2
Trompette, Violoncelle (duo)
2
Trompette, Harpe
1
Cor et Harpe
1
Instruments en Sib
1
Tuba (partie séparée)
1
2 Euphoniums (duo)
1
2 Cors, Piano
1
Bass Clef Instruments
1
Cor (partie séparée)
1
3 Cors (trio)
1
Trompette, Saxophone (duo)
1
Trompette, Trombone, Piano
1
Cor, Violoncelle (duo)
1
Ensemble de Trompettes
1
Cor Anglais
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
141
Violon et Piano
84
Alto, Piano
67
Violon
63
Violoncelle, Piano
59
Violoncelle
54
Quintette à cordes: 2 violons, alto, violoncelle, basse
48
Alto seul
38
Trio à Cordes: violon, alto, violoncelle
32
2 Violons (duo)
30
Contrebasse, Piano (duo)
28
Violon, Violoncelle (duo)
27
Contre Basse
26
2 Violoncelles (duo)
18
Violon, Alto (duo)
16
2 Altos (duo)
15
Harpe
14
Trio à Cordes: 2 violons, violoncelle
10
Alto (partie séparée)
9
Violon, Basson (duo)
8
Alto et Basson
8
Violon, Guitare (duo)
7
Alto, Violoncelle (duo)
7
Piano Trio: Violon, Alto, Piano
6
Violon (partie séparée)
6
2 Contrebasses (duo)
4
Harpe, Flûte (duo)
3
Violon, Clarinette, Piano (trio)
3
Harpe, Voix
3
Violoncelle (partie séparée)
3
Contrebasse (partie séparée)
2
2 Altos, Piano
2
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
1
Harpe, Violoncelle (duo)
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Harpe, Violon, Violoncelle
1
Harpe, Violon (duo)
1
Flûte, Contrebasse (duo)
1
Alto et Harpe
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
173
Orchestre à Cordes
54
Orchestre
35
Ensemble Jazz
20
Cloches
16
Ensemble de cuivres
15
Orchestre de chambre
9
Jazz combo
9
Ensemble de Percussions
6
Marimba
5
Fanfare
4
Xylophone
3
Batterie
2
Batterie (partie séparée)
2
Xylophone, Piano
2
Orchestre, Violon
1
Vibraphone
1
Piano et Orchestre
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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BALALAIKA
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BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
See the light
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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1
It Is The Hour from Byron Songs
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian S
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It Is The Hour from Byron Song
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G. Meredith Publications
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.843758 Composed by Brian S. Wilson. Contemporary. 9 pages. G. Meredith Publications #2024489. Published by ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.843758 Composed by Brian S. Wilson. Contemporary. 9 pages. G. Meredith Publications #2024489. Published by G. Meredith Publications (A0.843758). This is the fifth of six songs from the Song Cycle Byron Songs based on poems of Lord Byron's collection of poems entitled Hebrew Melodies.It is the hour TEXT It is the hour when from the boughs  The nightingale's high note is heard-It is the hour-when lovers' vows  Seem sweet in every whisper'd word-And gentle winds and waters nearMake music to the lonely ear.Each flower the dews have lightly wet,And in the sky the stars are met:And on the wave is deeper blue,And on the leaf a browner hue-And in the Heaven, that clear obscureSo softly dark-and darkly pure,That follows the decline of dayAs twilight melts beneath the moon away.
$7.00
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
#
Classique
#
Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
#
Classique
#
Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
Richard St
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A Night-Piece for Mezzo-Sopran
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Richard St. Clair
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richa...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
Warm Where Snowflakes Lie
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Warm Where Snowflakes Lie
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Sally Whitwell
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitw...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitwell (A0.873026). Composer’s Note - Warm Where Snowflakes LieThrough my music, I try to bring to people a sense of optimism about the world. Music has the power to uplift, to exalt, to fill people with joy and hope, so I am drawn to texts that do a similar thing. Christina Rossetti’s poem ​The Key-Note​ has this optimism, even with a gentle sting in the proverbial tail. She appreciated that everything has a season, that life happens in cycles, that in the face of the darkest Winter there is always the hope of Spring, a hope made real by the appearance of the red-breasted robin in the snow. This song is for anyone who has ever felt hopeless, disenfranchised, or unable to see the light at the end of the tunnel.-- Sally Whitwell
$2.99
HERMIT THRUSH SONG Soprano with Pianoforte
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Voix Soprano, Piano
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Contemporain
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Alan Edgar and Jane Tims
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HERMIT THRUSH SONG Soprano wit
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Alan Edgar Ted Moon
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.903801 Composed by Alan Edgar and Jane Tims. Contemporary. 4 pages. Alan Edgar Ted Moon #6598567. Published by Alan E...
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Soprano voice,Vocal Solo - SKU: A0.903801 Composed by Alan Edgar and Jane Tims. Contemporary. 4 pages. Alan Edgar Ted Moon #6598567. Published by Alan Edgar Ted Moon (A0.903801). I searched for animals singing the harmonic series--this led me to the Hermit Thrush, a native of north America. The singer imitates the bird and sings a setting of a poem about the bird by Jane Tims, who writes: I think your score is as delightful as the bird it is written for. It also helped me see my poetry in a whole different way. Makes me proud to be a poet.
$6.00
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