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TRI ET FILTRES
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CLARINETTE
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CORNEMUSE
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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Non classifié
10748
PIANO & CLAVIERS
Piano seul
7148
Piano, Voix
3411
Piano Facile
2121
Piano, Voix et Guitare
1931
Orgue
1055
Instruments en Do
639
Accompagnement Piano
188
1 Piano, 4 mains
161
Piano Trio: piano, violon, violoncelle
122
Accordéon
114
2 Pianos, 4 mains
80
Piano (partie séparée)
58
Piano grosses notes
55
Piano Quatuor: piano, violon, alto, violoncelle
31
Piano Quatuor: piano, 2 violons, violoncelle
22
Orgue, Trompette (duo)
19
Orgue, Piano (duo)
17
Clavier
15
Clavecin
14
Ligne De Mélodie, Piano
13
Piano Quintette: piano, 2 violons, alto, violoncelle
8
2 Pianos, 8 mains
4
1 Piano, 6 mains
4
2 Accordéons
2
Instrument seul et Orgue
1
Accordéon, Piano
1
Accordéon, Voix
1
Accordéon, Corde(s)
1
Ensemble d'Accordéons
1
Orgue, Voix
1
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GUITARES
Guitare notes et tablatures
884
Guitare
780
Ligne De Mélodie, (Paroles) et Accords
482
Basse electrique
207
Ukulele
172
Paroles et Accords
138
Mandoline
67
Guitare (partie séparée)
64
2 Guitares (duo)
61
Banjo
28
4 Guitares (Quatuor)
26
Dulcimer
24
Piano, Guitare (duo)
18
3 Guitares (trio)
15
Basse électrique (partie séparée)
13
Ensemble de guitares
11
2 Ukuleles
6
2 Dulcimers (duo)
4
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
3
Mandoline, Piano (duo)
2
Guitare Pedal Steel
2
Dobro
2
2 Mandolines (duo)
1
Cithare
1
Ensemble de Ukulélés
1
Ukulele Baryton
1
Orchestre à Plectres
1
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VOIX
Chorale SATB
3269
Chorale 3 parties
1170
Chorale Unison
817
Chorale 2 parties
514
Chorale TTBB
477
Chorale SSAA
311
Voix seule
197
Voix Soprano, Piano
147
Voix duo, Piano
132
Voix Alto, Piano
128
Voix Tenor, Piano
114
Voix Baryton, Piano
97
Voix haute
94
Chorale
78
Voix duo
78
Voix Tenor
40
Voix moyenne, Piano
30
Voix Soprano
27
Voix basse, Piano
20
Chorale SSATTB
19
Chorale SSATB
16
Voix Mezzo-Soprano, Piano
15
Chorale SSAATTBB
14
Voix basse
7
Soli, choeur mixte et accompagnement
6
Voix, Guitare
5
Chorale SSAATB
4
Voix haute, Piano
4
Chorale SSAB, Piano
3
Chorale SATBB
2
Chorale SAATB A Cappella
2
Voix Moyenne
1
Chorale SATTBB A Cappella
1
Chorale, Orgue
1
Chorale SSAB a cappella
1
Voix Baryton
1
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VENTS
Flûte traversière et Piano
767
2 Saxophones (duo)
764
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
689
Flûte traversière
639
Quatuor de Saxophones: 4 saxophones
639
Clarinette et Piano
630
Clarinette
616
Hautbois, Piano (duo)
585
Saxophone (partie séparée)
478
Saxophone Alto et Piano
474
Flûte, Hautbois, Clarinette, Basson
473
Saxophone Alto
459
Quintette de Saxophone: 5 saxophones
431
2 Flûtes traversières (duo)
402
Saxophone Tenor et Piano
342
Saxophone Tenor
342
2 Clarinettes (duo)
337
Flûte à bec Soprano
320
Hautbois (partie séparée)
282
Ocarina
274
Saxophone Soprano et Piano
265
Quatuor de Clarinettes: 4 clarinettes
257
Flûte à bec Alto
226
Harmonica
213
Saxophone Baryton, Piano
208
2 Flûte à bec (duo)
207
Hautbois
172
2 Hautbois (duo)
166
Saxophone
159
3 Saxophones (trio)
156
Flûte, Clarinette (duo)
144
Quatuor de Flûtes : 4 flûtes
131
Clarinette, Violon (duo)
129
Saxophone, Clarinette (duo)
127
Clarinette (partie séparée)
120
Hautbois, Basson (duo)
112
Ensemble de Clarinettes
101
Hautbois, Clarinette (duo)
101
Flûte à Bec
100
Saxophone Soprano
97
Quintette de Clarinettes: 5 clarinettes
90
Clarinette, Trompette (duo)
87
Saxophone Baryton
86
Flûte, Violon
82
Cor anglais, Piano
82
3 Clarinettes (trio)
70
Flûte et Guitare
69
Flute (partie séparée)
68
Ensemble de Flûtes
68
Clarinette, Basson (duo)
67
Flûte, Alto (duo)
64
Clarinette et Alto
63
Quatuor de Flûtes à bec
62
Trio de Flûtes: 3 flûtes
60
Ensemble de saxophones
59
Flûte, Saxophone (duo)
57
Clarinette Basse, Piano
55
Flûte, Hautbois (duo)
51
Flûte, Violoncelle
50
Quintette de Flûte : 5 flûtes
49
Hautbois, Clarinette, Basson (trio d'anches)
48
Flûte, Hautbois, Clarinette (trio)
47
Flûte à bec Alto, Piano
45
Clarinette, Violoncelle (duo)
44
Flûte, Trompette (duo)
44
Ensemble De Flûte à bec
39
Hautbois, Violoncelle
39
Hautbois, Flûte
39
5 Flûtes à bec
34
Flûte, Clarinette et Basson
33
Hautbois, violon (duo)
27
Cor Anglais
27
Flûte à bec Tenor
26
Flûte, Hautbois, Basson
25
Piccolo, Piano
21
Flûte, Violoncelle, Piano (trio)
21
3 Flûtes à bec (trio)
20
Instruments en Mib
20
Flûte, Violon, Piano
18
Clarinette, Guitare (duo)
17
Flûte, Basson et Piano
16
Clarinette, Trombone (duo)
15
Hautbois et alto (duo)
15
Flûte, Clarinette, Piano (trio)
14
2 Saxophones, Piano
12
Flûte à Bec, Piano
10
Piccolo
10
Flûte à bec Soprano, Piano
10
Clarinette, Harpe (duo)
10
Clarinette, Violoncelle, Piano (trio)
10
Flûte, Clarinette, Cor, Basson (Quartet)
9
Flûte, Violon et Violoncelle
9
2 Clarinettes, Piano
9
Flûte irlandaise
9
Flûte, Trombone (duo)
8
Flûte, Harpe et Violoncelle
6
Clarinette Basse
6
Saxophone et Guitare
6
Flûte traversière, Basse continue
5
Cor anglais, Guitare (duo)
5
3 Hautbois
5
2 Flûtes traversières, Piano
5
Flûte, Alto et Piano
5
Flûte, Violon, Violoncelle et Piano
4
Saxophone et Harpe
3
Saxophone et Orgue
3
Flûte, Hautbois, Violon
3
Hautbois, Harpe
3
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Hautbois, Piano (trio)
2
Flute, harpe et violon
2
4 Hautbois
2
Clarinette, Basson, Piano (trio)
2
Flûte, Violoncelle, Guitare
2
Flute, Cor (duo)
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte traversière, Orgue (duo)
2
Flûte, Clarinette, Violon (trio)
2
2 Clarinettes, Basson
2
Clarinette, Alto et Piano (trio)
2
Flûte, Tuba (duo)
2
Flûte à bec Soprano, Basse continue
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Hautbois, trombone (duo)
2
Hautbois, Violon, Piano
2
2 Hautbois, Piano
2
Hautbois, Basson et Piano
2
Clarinette, Contrebasse (duo)
2
Flûte de Pan
1
Flûte et Trio à cordes
1
Saxophone, Basson (duo)
1
Saxophone et Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cornemuse
1
2 Cors Anglais Et Pianoforte
1
2 Flûtes traversières, Guitare
1
2 Flûtes traversières, Harpe
1
Flûte à bec, Harpe
1
Cor anglais et Harpe (duo)
1
Saxophone, Violon (duo)
1
Saxophone et violoncelle
1
Clarinette, Orgue
1
Clarinette, trompette et piano
1
Hautbois, Orgue
1
Clarinette, Tuba
1
Ensemble à vent
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
711
Trompette
570
Trompette, Piano
515
Trombone et Piano
501
Trombone
435
Cor et Piano
402
Cor
355
Tuba
316
Quatuor de Cuivres : 2 trompettes, trombone, tuba
287
Tuba et Piano
283
Trompette (partie séparée)
268
Trombone (partie séparée)
263
2 Trombones (duo)
212
2 Trompettes (duo)
209
Quatuor de Cuivres: 2 trompettes, Cor, trombone
163
Quatuor de Cuivres
159
Trompette, Trombone (duo)
138
2 Cors (duo)
128
Trompette, Saxophone (duo)
102
Quatuor de cuivres: 4 trombones
87
Cor anglais, Piano
82
Euphonium, Piano (duo)
79
Cor (partie séparée)
79
2 Tubas (duo)
62
Tuba (partie séparée)
47
Euphonium
44
Quatuor de cuivres: 4 cors
42
Trompette, Cor (duo)
34
Ensemble de Trombones
30
Ensemble de Trompettes
27
Cor Anglais
27
Quatuor de cuivres: 4 trompettes
26
3 Trombones (trio)
23
Ensemble de Cors
23
Instruments en Sib
21
3 Trompettes (trio)
20
Trombone, Cor (duo)
19
Bass Clef Instruments
18
Cor, Violoncelle (duo)
17
2 Euphoniums et 2 Tubas
17
4 Tubas
17
Trombone, Tuba (duo)
15
Tuba et Orgue
14
Trombone basse et Piano
14
2 Euphoniums (duo)
13
Trompette, Violoncelle (duo)
13
Trompette, Tuba (duo)
12
Euphonium, Tuba (duo)
9
3 Tubas (trio)
8
Trompette, Trombone, Piano
8
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Cor, Tuba (duo)
8
Cor et Basson (duo)
8
Trombone basse
7
Trompette, Basson (duo)
7
Trombone, Orgue
6
Trio de Cuivres
6
3 Cors (trio)
5
Cor anglais, Guitare (duo)
5
Trompette, violon (duo)
5
Trompette, Harpe
3
Cor et Harpe
3
Trompette et Guitare
3
Trombone, Violon (duo)
3
Instruments en Fa
2
Trombone et orchestre
2
Tuba ou Euphonium ou Saxhorn
2
2 Trompettes, Clavier (piano ou orgue)
1
2 Trombones, Piano
1
2 Cors, Piano
1
2 Cors Anglais Et Pianoforte
1
Cor anglais et Harpe (duo)
1
Cor et Orgue
1
Trombone, Alto (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
3 Euphoniums
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Violoncelle et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1488
Violon et Piano
1049
Violon
829
Violoncelle, Piano
676
Violoncelle
622
Alto, Piano
594
Alto seul
419
Harpe
405
Violon, Violoncelle (duo)
335
2 Violons (duo)
300
Quintette à cordes: 2 violons, alto, violoncelle, basse
273
Contre Basse
265
2 Violoncelles (duo)
258
Contrebasse, Piano (duo)
236
2 Altos (duo)
209
Trio à Cordes: violon, alto, violoncelle
187
Violon, Alto (duo)
180
Violon (partie séparée)
176
Alto (partie séparée)
121
Contrebasse (partie séparée)
115
Alto, Violoncelle (duo)
75
Trio à Cordes: 2 violons, violoncelle
75
Violoncelle (partie séparée)
47
2 Contrebasses (duo)
46
4 Violoncelles
46
Piano Trio: Violon, Alto, Piano
40
Trio à cordes: 3 violins
35
Violon, Basson (duo)
34
Trio à Cordes: 3 violoncelles
32
Violon, Guitare (duo)
30
Quatuor à cordes: 4 violons
30
Quatuor à cordes : 4 altos
23
Violoncelle, Contrebasse (duo)
22
Trio à cordes: 3 altos
20
Harpe, Flûte (duo)
18
Alto et Basson
18
2 Harpes (duo)
18
Violoncelle , Guitare (duo)
17
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
Harpe (partie séparée)
12
Trio à Cordes: 2 violons, alto
11
Harpe, Violon (duo)
11
Ensemble de Violons
9
2 Violons, Piano
8
Violon, Clarinette, Piano (trio)
8
Ensemble d'Altos
8
Harpe, Voix
7
Harpe, Violon, Violoncelle
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Violoncelle, Orgue
5
Flûte, Contrebasse (duo)
5
Violon, Orgue
4
Alto et Harpe
4
Alto, Guitare (duo)
4
2 Violoncelles, Piano
4
Trio à cordes
4
Ensemble de Violoncelles
4
Violon, Basse continue
3
Violon, Tuba (duo)
3
4 Harpes
3
3 Contrebasses
2
4 Contrebasses
2
2 Altos, Piano
2
Autoharp
2
Violoncelle, Basse continue
2
3 Harpes
2
Harpe, Trombone (duo)
1
Harpe, Violoncelle (duo)
1
Violon, Violoncelle, Clarinette
1
Violon, Contrebasse (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3681
Orchestre
668
Orchestre à Cordes
642
Ensemble Jazz
564
Cloches
321
Ensemble de cuivres
308
Orchestre de chambre
183
Batterie
179
Fanfare
118
Jazz combo
103
Percussion (partie séparée)
86
Batterie (partie séparée)
80
Ensemble de Percussions
70
Marimba
66
Percussion
47
Xylophone, Piano
28
Xylophone
25
Vibraphone, Piano
16
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
Vibraphone
12
Caisse Claire
9
Big band
7
Timbales (partie séparée)
7
Orchestre, Violon
6
Timbales
6
2 Xylophones
5
Mariachi
4
Quatuor à Vent : 4 instruments à vents
4
Quintette à Vent
4
Piano et Orchestre
3
Quintette de Cuivres: autres combinaisons
3
3 Marimbas
2
Bodhran
1
Instrumentation Flexible
1
Cajon
1
Vibraphone et Marimba
1
2 Marimbas
1
Conga
1
2 Caisses Claires (duo)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
8
Théorie de la musique
1
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Voix Soprano, Piano
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24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981211 Composed by Ju…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981211 Composed by Judith Cloud. Contemporary. 4 pages. Judith Cloud #6686601. Published by Judith Cloud (A0.981211). 24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.5 €
#
Voix Soprano, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento
#
Judith Cloud
#
SheetMusicPlus
VIVALDI Antonio: Sento con qual diletto, aria from the opera "Ercole su'l Termodonte", arranged for
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868683 Composed by An…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868683 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4368198. Published by Really Good Music, LLC. (A0.868683). Sento con qual diletto is an aria from the opera Ercole su'l Termodonte (1723) by Antonio VIVALDI (1678 – 1741). It has been realized and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (F4 – A5) for high voice. .
$5.95
5.36 €
#
Voix Soprano, Piano
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Sento con qual diletto, aria from the opera "Ercole su'l Termodonte", arranged for
#
Really Good Music, LLC.
#
SheetMusicPlus
VIVALDI Antonio: Senza l'amato ben, an aria from the opera "Il Giustino", - Voice and Pia
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868969 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868969 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5709675. Published by Really Good Music, LLC. (A0.868969). Senza l'amato ben is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (E4 – Bb5) for high voice.
$5.95
5.36 €
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Voix Soprano, Piano
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Senza l'amato ben, an aria from the opera "Il Giustino", - Voice and Pia
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Really Good Music, LLC.
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SheetMusicPlus
There's A Voice In The Wilderness for Soprano by Mark Andersen
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1122362 By Mark Ander…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1122362 By Mark Andersen and Janiel Miller. By Mark Andersen. Classical,Religious,Sacred. 10 pages. International Artists Foundation #723520. Published by International Artists Foundation (A0.1122362). A beautiful vocal solo based upon scripture and composed by Mark Andersen. Suitable for Advent Services or Recital Work.
$10.00
9.01 €
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Voix Soprano, Piano
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Mark Andersen and Janiel Miller
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There's A Voice In The Wilderness for Soprano by Mark Andersen
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International Artists Foundation
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SheetMusicPlus
Christ the Lord is Risen Today--vocal solo (treble clef)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Ch…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 8 pages. Beka Wilson #6322519. Published by Beka Wilson (A0.786607). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)8 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.3 €
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Voix Soprano, Piano
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Charles Wesley, Robert Williams
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Beka Wilson
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Christ the Lord is Risen Today--vocal solo
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Beka Wilson
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SheetMusicPlus
Try Me, Good King
Voix Soprano, Piano
Soprano voice and piano - Digital Download Composed by Libby Larsen (1950-). Sheet mu…
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Soprano voice and piano - Digital Download Composed by Libby Larsen (1950-). Sheet music. 28 pages. Oxford University Press Digital #9780193544468. Published by Oxford University Press Digital
ISBN 9780193544468.<br> <br> For soprano and piano. Try me, good King is a group of five songs drawn from the final letters and gallows speeches of the six wives of King Henry VIII. The cycle is a psychologically intense monodrama that presents technical challenges to both performers.
$31.50
28.39 €
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Voix Soprano, Piano
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Libby Larsen (1950-)
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Try Me, Good King
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Oxford University Press Digital
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.57 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.87 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Squarciami pure il seno
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.812056 Composed by An…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.812056 Composed by Antonio Vivaldi. Arranged by (Editor) Lee G. Barrow. Baroque,Opera,Standards. 4 pages. Bargraphica #6480987. Published by Bargraphica (A0.812056). Soprano aria from the opera Il Tigrane by Antonio Vivaldi. Original key, range C4-A5
$4.99
4.5 €
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Voix Soprano, Piano
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Antonio Vivaldi
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(Editor) Lee G
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Squarciami pure il seno
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Bargraphica
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SheetMusicPlus
Hand in Hand from Present and Future
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8313-2E Composed by Zac…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8313-2E Composed by Zachary Wadsworth. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8313-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8313-2E).
$4.50
4.06 €
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Voix Soprano, Piano
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Zachary Wadsworth
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Hand in Hand from Present and Future
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Chansons de Verlaine
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
18.01 €
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Voix Soprano, Piano
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Divertimento 6 / Divertissement 6 / Entertainment 6
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by R…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
2.7 €
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Voix Soprano, Piano
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Rudesindo Soutelo
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Divertimento 6 / Divertissement 6 / Entertainment 6
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.07 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Last Rose of Summer - Soprano with piano and chords in Db
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492602 Composed by T…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492602 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069280. Published by Alex Rodrigues (A0.1492602). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
4.5 €
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Voix Soprano, Piano
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Soprano with piano and chords in Db
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Alex Rodrigues
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SheetMusicPlus
The Last Rose of Summer - Soprano with piano in A
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492609 Composed by T…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492609 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069287. Published by Alex Rodrigues (A0.1492609). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
4.5 €
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Voix Soprano, Piano
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Soprano with piano in A
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Alex Rodrigues
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SheetMusicPlus
The Last Rose of Summer - Soprano with piano and chords in Eb
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492604 Composed by T…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492604 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069282. Published by Alex Rodrigues (A0.1492604). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
4.5 €
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Voix Soprano, Piano
#
Thomas Moore
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Alex Nunes Rodrigues
#
The Last Rose of Summer - Soprano with piano and chords in Eb
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Alex Rodrigues
#
SheetMusicPlus
The Last Rose of Summer - Soprano with piano and chords in Bb
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492599 Composed by T…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492599 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069277. Published by Alex Rodrigues (A0.1492599). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
4.5 €
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Voix Soprano, Piano
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Thomas Moore
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Alex Nunes Rodrigues
#
The Last Rose of Summer - Soprano with piano and chords in Bb
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Alex Rodrigues
#
SheetMusicPlus
The Last Rose of Summer - Soprano with piano and chords in A
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492596 Composed by T…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492596 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069274. Published by Alex Rodrigues (A0.1492596). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
4.5 €
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Voix Soprano, Piano
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Soprano with piano and chords in A
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Alex Rodrigues
#
SheetMusicPlus
The Last Rose of Summer - Soprano with piano in Bb
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492612 Composed by T…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492612 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069290. Published by Alex Rodrigues (A0.1492612). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
4.5 €
#
Voix Soprano, Piano
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Soprano with piano in Bb
#
Alex Rodrigues
#
SheetMusicPlus
The Last Rose of Summer - Soprano with piano and chords in Ab
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492597 Composed by T…
(+)
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492597 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069275. Published by Alex Rodrigues (A0.1492597). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
4.5 €
#
Voix Soprano, Piano
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Soprano with piano and chords in Ab
#
Alex Rodrigues
#
SheetMusicPlus
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