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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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CHORALE - CHAN…
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PIANO & CLAVIERS
Piano seul
541
Piano, Voix
144
Piano Facile
123
Piano, Voix et Guitare
90
Accompagnement Piano
64
Orgue
45
1 Piano, 4 mains
24
Piano Trio: piano, violon, violoncelle
23
Instruments en Do
19
Piano Quatuor: piano, violon, alto, violoncelle
10
Orgue, Trompette (duo)
10
2 Pianos, 4 mains
7
Piano (partie séparée)
5
Accordéon
5
Orgue, Piano (duo)
5
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3
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3
Clavecin
2
Ligne De Mélodie, Piano
2
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1
2 Pianos, 8 mains
1
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Guitare
61
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48
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21
Ukulele
19
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7
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5
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5
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5
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5
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4
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4
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3
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2
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1
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1
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1
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188
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49
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32
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21
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12
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11
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10
Pack Instrumental pour Chorale
10
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7
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4
Chorale
4
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4
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4
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3
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2
Voix Alto, Piano
2
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1
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1
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1
Chorale, Orgue
1
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Flûte traversière et Piano
81
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74
Clarinette et Piano
69
Hautbois, Piano (duo)
64
Quatuor de Saxophones: 4 saxophones
59
Saxophone Alto et Piano
53
Flûte traversière
51
Saxophone (partie séparée)
50
Flûte, Hautbois, Clarinette, Basson
45
Quatuor de Clarinettes: 4 clarinettes
45
2 Saxophones (duo)
42
Saxophone Tenor et Piano
39
Clarinette
35
2 Flûtes traversières (duo)
35
Saxophone Soprano et Piano
26
Quintette de Saxophone: 5 saxophones
26
Saxophone Alto
25
Quatuor de Flûtes : 4 flûtes
21
2 Clarinettes (duo)
19
Saxophone Tenor
19
Clarinette (partie séparée)
19
Flute (partie séparée)
18
Hautbois (partie séparée)
17
Saxophone Baryton, Piano
16
3 Saxophones (trio)
15
Saxophone
14
Flûte, Clarinette (duo)
13
Trio de Flûtes: 3 flûtes
11
Flûte, Violoncelle
11
Hautbois, Basson (duo)
11
Hautbois
11
3 Clarinettes (trio)
11
Cor anglais, Piano
10
Ensemble de Clarinettes
10
Ensemble de Flûtes
9
Flûte à Bec
8
Flûte, Alto (duo)
7
2 Hautbois (duo)
7
Clarinette, Basson (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte à bec Alto
6
Flûte, Violon, Piano
6
Flûte à bec Soprano
6
Quintette de Clarinettes: 5 clarinettes
6
2 Flûtes traversières, Piano
5
Hautbois, Clarinette (duo)
5
Clarinette Basse, Piano
5
2 Flûte à bec (duo)
5
Flûte, Trombone (duo)
5
Clarinette et Alto
5
Quintette de Flûte : 5 flûtes
4
Flûte, Violoncelle, Piano (trio)
4
Flûte et Guitare
4
Hautbois, Violoncelle
4
Flûte, Clarinette et Basson
4
Clarinette, Violoncelle (duo)
4
Flute, harpe et violon
4
Flûte à bec Tenor
3
Clarinette, Violoncelle, Piano (trio)
3
Quatuor de Flûtes à bec
3
Harmonica
3
4 Hautbois
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone et Orgue
3
Flûte, Violon
3
Flûte, Violon, Violoncelle et Piano
3
Saxophone Baryton
3
Flûte, Clarinette, Piano (trio)
3
Saxophone Soprano
3
Clarinette, Harpe (duo)
2
2 Saxophones, Piano
2
Flûte et Trio à cordes
2
Flûte, Violoncelle, Guitare
2
Ensemble de Hautbois
2
Ensemble De Flûte à bec
2
Clarinette, Trombone (duo)
2
Flûte, Saxophone (duo)
2
2 Clarinettes, Piano
2
Ocarina
2
3 Flûtes à bec (trio)
2
Saxophone, Clarinette (duo)
2
2 Flûtes traversières, Harpe
2
Flûte à bec Soprano, Piano
2
Flûte, Hautbois (duo)
2
Clarinette, Violon (duo)
2
Flûte, Hautbois, Violon
1
Flûte à bec Alto, Piano
1
Clarinette, trompette et piano
1
Piccolo, Piano
1
Flûte, Violon et Violoncelle
1
Ensemble de saxophones
1
Flûte, Alto et Piano
1
Hautbois, Harpe
1
Clarinette, Orgue
1
Piccolo
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Violon (trio)
1
Flûte, trombone et piano
1
Clarinette, Guitare (duo)
1
Cor Anglais
1
Flûte irlandaise
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Piano (trio)
1
5 Flûtes à bec
1
Flûte, Hautbois, Basson
1
Flûte, Basson et Piano
1
Hautbois, Flûte
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Trompette, Piano
52
Trombone et Piano
46
Trompette
43
Cor et Piano
37
Trompette (partie séparée)
29
Trombone
29
Trombone (partie séparée)
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Cor
16
Tuba et Piano
14
Tuba
13
Quatuor de Cuivres
13
2 Trombones (duo)
13
2 Trompettes (duo)
13
2 Cors (duo)
11
Cor anglais, Piano
10
Cor (partie séparée)
9
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trombones
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
6
2 Tubas (duo)
6
Quatuor de cuivres: 4 cors
5
4 Tubas
5
Ensemble de Trombones
5
Trompette, Cor (duo)
4
Tuba (partie séparée)
3
Euphonium, Piano (duo)
3
Trompette, Trombone, Piano
3
Ensemble de Cors
2
Trombone, Violon (duo)
2
Trombone, Cor (duo)
2
3 Trompettes (trio)
2
3 Tubas (trio)
2
Trompette, Violoncelle (duo)
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
3 Euphoniums
1
Cor et Orgue
1
Ensemble de Trompettes
1
3 Cors (trio)
1
Trompette, Basson (duo)
1
4 Euphoniums
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Cor, Violoncelle et Piano
1
Trio de Cuivres
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
145
Violon et Piano
104
Violoncelle, Piano
80
Violon
71
Alto, Piano
56
Violon, Violoncelle (duo)
47
Violoncelle
47
Harpe
35
Alto seul
34
2 Violons (duo)
29
Violon (partie séparée)
26
Trio à Cordes: violon, alto, violoncelle
23
Violon, Alto (duo)
19
2 Violoncelles (duo)
17
2 Altos (duo)
17
Contre Basse
14
Violoncelle (partie séparée)
13
Alto (partie séparée)
11
Contrebasse (partie séparée)
10
Contrebasse, Piano (duo)
9
4 Violoncelles
9
Violoncelle, Contrebasse (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à cordes: 3 violins
6
Harpe, Flûte (duo)
6
Trio à cordes
5
Piano Trio: Violon, Alto, Piano
5
Flûte, Contrebasse (duo)
5
Alto, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: 3 violoncelles
4
Harpe, Violon (duo)
3
Violon, Guitare (duo)
3
Quatuor à cordes: 4 violons
3
Ensemble de Violoncelles
2
Trio à cordes: 3 altos
2
2 Contrebasses (duo)
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
2
2 Harpes (duo)
2
Violoncelle , Guitare (duo)
2
Harpe et Piano
2
Violon, Basson (duo)
2
Harpe, Violon, Violoncelle
1
4 Contrebasses
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
2 Violoncelles, Piano
1
Violoncelle, Orgue
1
Harpe, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
93
Orchestre à Cordes
67
Cloches
58
Orchestre
50
Ensemble de cuivres
37
Ensemble Jazz
23
Orchestre de chambre
14
Percussion (partie séparée)
11
Batterie (partie séparée)
6
Ensemble de Percussions
6
Batterie
5
Fanfare
4
Timbales (partie séparée)
3
Jazz combo
2
Xylophone, Piano
2
Piano et Orchestre
2
Quintette à Vent
1
Quatuor à Vent : 4 instruments à vents
1
Quintette de Cuivres: autres combinaisons
1
2 Xylophones
1
Vibraphone
1
Marimba
1
Percussion
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
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Voix Soprano, Piano
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Tangled I Was In Love's Snare
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.848149 Composed by Ru…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.848149 Composed by Ruth L. Ross. Contemporary,Renaissance. 2 pages. Ruth Ross #2023059. Published by Ruth Ross (A0.848149). A witty text by Sir Thomas Wyatt the Elder set for soprano and piano in renaissance style. The stylized accompaniment highlights the humor of the poetry. Give your recital audience something to chuckle about!
$3.99
3.65 €
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Voix Soprano, Piano
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Ruth L
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Tangled I Was In Love's Snare
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Ruth Ross
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.75 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
#
SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.18 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Soprano or Tenor solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1308592 Composed by J…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1308592 Composed by Johann Sebastian Bach. Arranged by John Ross. Baroque,Religious,Sacred,Wedding. 14 pages. John Ross #897833. Published by John Ross (A0.1308592). Jesu, Joy of Man's Desiring is one of Bach's best loved choruses. It comes from his Cantata no.147, written in 1723 during his first year as Thomaskantor of Leipzig.It is here arranged for Soprano or Tenor solo, Flute and Piano. The flute part is designed to interweave with Bach's original accompaniment, which features almost continuous triplet movement.The words are by the British Poet Laureate Robert Bridges (1844-1930). This piece is a great choice for performance at weddings and in concerts generally.Similar arrangements (for 2 Sopranos, and for Soprano and Tenor duet) are available on this website.
$1.99
1.82 €
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Voix Soprano, Piano
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Johann Sebastian Bach
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John Ross
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Jesu, Joy of Man's Desiring - Soprano or Tenor solo
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John Ross
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SheetMusicPlus
Maple's Song
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1021977 Composed by B…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1021977 Composed by Brendon G.M.C. Holden. Broadway,Children,Jazz,Musical/Show,Pop. 8 pages. Brendon Holden #6302605. Published by Brendon Holden (A0.1021977). Maples song is a recently written song, (2021) I wrote Maples song to be placed in a 2021 book, Bity Nightmare Byte. This song is lovely, one of my favorites. I would recommend this song for advanced piano players who would desire to have a spark of youth in their collection of sheet music.
$6.99
6.39 €
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Voix Soprano, Piano
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Brendon G
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Maple's Song
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Brendon Holden
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.01 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
IN THE BEGINNING. For soprano and piano
Voix Soprano, Piano
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabri…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
5.49 €
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Voix Soprano, Piano
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1047252 Composed by A…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. Daniel Carter #651799. Published by Daniel Carter (A0.1047252). Based on the anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, this tune was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's Second Coming to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring, a delightful special musical number for worship, concert settings, historical music and hymn studies. Arranged as high-range and medium-range vocal solos. Obbligato part included on the last page.
$5.99
5.48 €
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Voix Soprano, Piano
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Anonymous
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Daniel Carter
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This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
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Daniel Carter
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SheetMusicPlus
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