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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sit Down!
Non classifié
8 050
Piano & claviers
Piano seul
6 608
Piano Facile
2 856
Piano, Voix
2 231
Piano, Voix et Guitare
1 148
Orgue
567
Instruments en Do
421
1 Piano, 4 mains
296
Accompagnement Piano
184
Piano Trio: piano, violon, violoncelle
132
2 Pianos, 4 mains
58
Accordéon
53
Piano Quatuor: piano, violon, alto, violoncelle
35
Piano Quintette: piano, 2 violons, alto, violoncelle
30
Piano Quatuor: piano, 2 violons, violoncelle
10
Orgue, Trompette (duo)
10
2 Pianos, 8 mains
8
Piano (partie séparée)
8
Orgue, Piano (duo)
7
Piano grosses notes
7
1 Piano, 6 mains
5
Clavier
3
Clavecin
2
Accordéon, Voix
1
Fake Book
1
Orgue et Orchestre
1
Accordéon, Corde(s)
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
872
Guitare
682
Basse electrique
463
Ukulele
188
2 Guitares (duo)
172
Ligne De Mélodie, (Paroles) et Accords
142
4 Guitares (Quatuor)
35
3 Guitares (trio)
24
Piano, Guitare (duo)
19
Guitare (partie séparée)
15
Dulcimer
14
Paroles et Accords
12
Mandoline
11
Banjo
9
Ensemble de guitares
9
2 Ukuleles
5
Mandoline, Guitare (duo)
4
Guitare, Violon, Violoncelle (trio)
2
Cithare
1
Guitare, Quatuor à cordes
1
Guitare, Orchestre
1
Mandoline, Piano (duo)
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
2 739
Chorale 3 parties
779
Chorale SSAA
765
Chorale TTBB
598
Chorale 2 parties
454
Chorale Unison
344
Pack Instrumental pour Chorale
85
Voix Soprano, Piano
80
Voix duo, Piano
76
Voix Baryton, Piano
62
Voix Alto, Piano
60
Voix duo
55
Voix seule
54
Voix Tenor, Piano
45
Voix haute
37
Voix basse, Piano
30
Voix moyenne, Piano
24
Voix Tenor
13
Chorale SSAATTBB
8
Voix Soprano
6
Chorale SSATB
5
Voix basse
4
Chorale
4
Voix Mezzo-Soprano, Piano
4
Chorale SSATTB
1
Chorale SAATB A Cappella
1
Voix, Guitare
1
+ 22 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
1 735
Flûte, Hautbois, Clarinette, Basson
1 609
Flûte traversière et Piano
938
Clarinette et Piano
829
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
822
Saxophone Alto et Piano
604
Hautbois, Piano (duo)
556
Quatuor de Clarinettes: 4 clarinettes
510
2 Saxophones (duo)
366
Flûte traversière
358
Quintette de Saxophone: 5 saxophones
349
Clarinette
319
Saxophone Alto
287
Saxophone Tenor et Piano
255
2 Flûtes traversières (duo)
243
2 Clarinettes (duo)
234
Saxophone Soprano et Piano
234
Saxophone Tenor
225
Saxophone (partie séparée)
197
3 Clarinettes (trio)
194
Hautbois (partie séparée)
161
Quatuor de Flûtes : 4 flûtes
131
Saxophone Baryton, Piano
128
Flûte, Clarinette (duo)
121
Clarinette, Harpe (duo)
110
3 Saxophones (trio)
105
Ensemble de saxophones
101
Flûte, Violon
98
Flûte et Guitare
96
Clarinette, Violon (duo)
94
Flûte, Violon, Piano
89
Cor anglais, Piano
87
Trio de Flûtes: 3 flûtes
78
Hautbois
72
2 Hautbois (duo)
63
2 Flûte à bec (duo)
58
Saxophone
53
Ensemble de Flûtes
49
Hautbois, Basson (duo)
49
Quintette de Clarinettes: 5 clarinettes
48
Flûte, Violoncelle, Piano (trio)
45
Ensemble de Clarinettes
45
Flûte, Hautbois, Clarinette (trio)
43
Clarinette, Guitare (duo)
42
Clarinette, Basson (duo)
41
Flûte à bec Soprano
39
Hautbois, Clarinette (duo)
38
Flûte, Hautbois, Violon
37
2 Flûtes traversières, Piano
37
Flûte, Violoncelle
36
Flûte, Clarinette et Basson
34
Clarinette, Violoncelle (duo)
33
Flûte, Clarinette, Piano (trio)
31
Quintette de Flûte : 5 flûtes
30
Saxophone Baryton
28
Ensemble De Flûte à bec
28
Flûte, Alto (duo)
28
Flute, harpe et violon
28
Flûte, Harpe et Violoncelle
25
Saxophone Soprano
25
Flute (partie séparée)
24
Flûte à bec Alto
23
Hautbois, Clarinette, Basson (trio d'anches)
23
Saxophone, Clarinette (duo)
22
Flûte à Bec
21
Hautbois, Violoncelle
21
Clarinette Basse, Piano
21
Flûte, Trombone (duo)
18
Hautbois et alto (duo)
18
Cor Anglais
17
Flûte à bec Tenor
17
Clarinette et Alto
17
Flûte, Clarinette, Cor, Basson (Quartet)
15
Flûte, Tuba (duo)
15
Clarinette, Trompette (duo)
15
Clarinette (partie séparée)
14
Flûte, Hautbois (duo)
13
Clarinette, Violoncelle, Piano (trio)
13
Clarinette, Tuba
13
2 Saxophones, Piano
12
Hautbois, Flûte
12
Flûte, Hautbois, Basson
11
Quatuor de Flûtes à bec
11
Hautbois, trombone (duo)
10
Flûte, Saxophone (duo)
10
Flûte, Violon et Violoncelle
9
Cor anglais, Guitare (duo)
9
Flûte, Trompette (duo)
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
7
2 Clarinettes, Piano
7
Hautbois, Guitare (duo)
7
Flûte, Basson et Piano
7
Saxophone et Guitare
7
Harmonica
6
Flûte, Violon, Violoncelle et Piano
5
Flûte traversière, Basse continue
5
Flûte, Hautbois, Piano (trio)
5
3 Hautbois
4
Flûte, Alto et Piano
4
Ocarina
4
Clarinette, Trombone (duo)
4
Hautbois, violon (duo)
4
Flûte à bec Alto, Piano
3
2 Cors Anglais Et Pianoforte
3
2 Clarinettes, Basson
3
Clarinette, Basson, Piano (trio)
3
Flûte à bec Soprano, Piano
3
3 Flûtes à bec (trio)
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte traversière, Orgue (duo)
2
Clarinette, Contrebasse (duo)
2
Hautbois, Basson et Piano
2
Flûte, Violoncelle, Guitare
2
Cornemuse
2
Flûte et Trio à cordes
2
Clarinette Basse
1
Flûte irlandaise
1
Flûte à bec, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Hautbois, Piano
1
Instruments en Mib
1
Ensemble de Hautbois
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Trompette (duo)
1
4 Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Flûte, trombone et piano
1
Saxophone et Orgue
1
Hautbois, Harpe
1
Flute, Cor (duo)
1
+ 126 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1 002
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
947
Trompette, Piano
479
Trombone et Piano
438
Cor et Piano
432
Trompette
412
Quatuor de Cuivres
342
Trombone
289
Quatuor de Cuivres: 2 trompettes, Cor, trombone
257
Cor
230
Quatuor de cuivres: 4 cors
204
Tuba et Piano
179
Tuba
133
Quatuor de cuivres: 4 trombones
124
2 Trompettes (duo)
101
2 Cors (duo)
90
Cor anglais, Piano
87
2 Trombones (duo)
78
Euphonium, Piano (duo)
68
Trompette (partie séparée)
66
Trompette, Trombone (duo)
55
Trio de Cuivres
50
Trombone (partie séparée)
45
Ensemble de Cors
41
Trompette, Saxophone (duo)
31
2 Tubas (duo)
26
3 Trombones (trio)
22
Euphonium
22
Trompette, Tuba (duo)
21
Trompette, Cor (duo)
19
Quatuor de cuivres: 4 trompettes
18
Cor Anglais
17
Ensemble de Trombones
17
Ensemble de Trompettes
15
Trombone, Tuba (duo)
14
Cor (partie séparée)
13
Trombone, Violon (duo)
13
3 Trompettes (trio)
11
Tuba (partie séparée)
9
Instruments en Sib
9
Cor anglais, Guitare (duo)
9
Trombone, Cor (duo)
8
Cor, Tuba (duo)
8
2 Euphoniums et 2 Tubas
7
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Trompette, Violoncelle (duo)
6
4 Tubas
6
Tuba et Orgue
4
Trompette, Basson (duo)
4
Trompette, violon (duo)
4
Trombone basse et Piano
3
2 Cors Anglais Et Pianoforte
3
2 Euphoniums (duo)
3
Euphonium, Tuba (duo)
3
Cor et Basson (duo)
2
Cor, Violoncelle (duo)
2
Cor et Orgue
2
Trombone, Orgue
2
3 Cors (trio)
2
3 Tubas (trio)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Orchestre
1
Cor et Harpe
1
Trompette, Harpe
1
Bass Clef Instruments
1
Trombone et orchestre
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 288
Violon et Piano
1 218
Harpe
1 027
Violoncelle, Piano
844
Violon
839
Alto, Piano
756
Violoncelle
581
Violon, Violoncelle (duo)
508
Trio à Cordes: violon, alto, violoncelle
501
2 Violons (duo)
331
Alto seul
316
Quintette à cordes: 2 violons, alto, violoncelle, basse
268
2 Violoncelles (duo)
215
Contrebasse, Piano (duo)
197
2 Harpes (duo)
144
Trio à Cordes: 2 violons, violoncelle
143
Violon, Alto (duo)
134
Contre Basse
131
2 Altos (duo)
113
Harpe, Flûte (duo)
102
Alto (partie séparée)
101
Trio à cordes: 3 violins
80
Violon (partie séparée)
71
Alto, Violoncelle (duo)
68
4 Violoncelles
64
Harpe, Violon (duo)
52
2 Contrebasses (duo)
41
Violon, Guitare (duo)
40
Trio à Cordes: 3 violoncelles
35
Contrebasse (partie séparée)
30
Piano Trio: Violon, Alto, Piano
25
Violon, Basson (duo)
24
Quatuor à cordes: 4 violons
23
Violoncelle (partie séparée)
21
Violoncelle, Contrebasse (duo)
19
Trio à Cordes: 2 violons, alto
15
Trio à cordes: 3 altos
14
Violon, Tuba (duo)
14
Quatuor à cordes : 4 altos
13
Harpe, Violon, Violoncelle
12
Violoncelle , Guitare (duo)
12
Harpe, Voix
10
Violon, Clarinette, Piano (trio)
9
Flûte, Contrebasse (duo)
7
Alto, Guitare (duo)
7
4 Contrebasses
4
Ensemble de Violons
4
Violoncelle, Orgue
4
Ensemble d'Altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Alto et Basson
3
Ensemble de Violoncelles
3
2 Violons, Piano
3
3 Contrebasses
2
Alto et Harpe
2
Alto, Orgue
2
2 Altos, Piano
2
2 Violoncelles, Piano
2
Violoncelle, Basse continue
2
Violon, Violoncelle, Clarinette
1
Violon, Orgue
1
Violon, Basse continue
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 816
Orchestre à Cordes
1 015
Orchestre
496
Ensemble Jazz
295
Cloches
254
Ensemble de cuivres
249
Orchestre de chambre
187
Batterie
109
Ensemble de Percussions
92
Jazz combo
87
Fanfare
78
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
13
Marimba
12
Batterie (partie séparée)
10
Percussion (partie séparée)
10
Vibraphone
7
Xylophone, Piano
5
Orchestre, Violon
3
Piano et Orchestre
3
Cajon
2
Xylophone
2
Instrumentation Flexible
1
Voix et Orchestre
1
Vibraphone et Marimba
1
Percussion
1
Vibraphone (partie séparée)
1
Bodhran
1
Bongos
1
+ 23 instrumentations
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CLARINETTE
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DULCIMER
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Sit Down!
Voix Soprano, Piano
Partitions à imprimer
80 partitions trouvées
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1
26
51
76
Sit Down, Sister!
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Voix Soprano, Piano
#
FACILE
#
Gwyneth W
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Sit Down, Sister!
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice solo, piano - Easy - SKU: MQ.8123-5E Composed by Gwyneth W. Walker. 6 pages. E. C. Schirmer Music Company - Digital #8123-5E. Published by...
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Soprano voice solo, piano - Easy - SKU: MQ.8123-5E Composed by Gwyneth W. Walker. 6 pages. E. C. Schirmer Music Company - Digital #8123-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8123-5E).
$5.00
Sue (Downloadable)
#
Voix Soprano, Piano
#
Henry Mollicone
#
Sue
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.8371-2E Composed by Henry Mollicone. 39 pages. E. C. Schirmer Music Company - Digital #8371-2E....
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Soprano voice and piano - Moderately Difficult - SKU: MQ.8371-2E Composed by Henry Mollicone. 39 pages. E. C. Schirmer Music Company - Digital #8371-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8371-2E). These songs were composed for a benefit event held by DAY WORKERS OF MOUNTAIN VIEW, a strong organization that serves immigrants in Northern California. Having visited their offices, I was very impressed with the range of programs they provide for immigrants and the personal commitment of their director, Maria Marroquin. Maria interviewed four women and transcribed their true stories into poems which I have set to music. The stories have a common thread that suggests the difficult and painful experiences of immigration in our society. It is our hope that the stories of these brave women help to raise the awareness of this important issue. -Henry Mollicone.
$11.50
A Visit From St. Nicholas
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Voix Soprano, Piano
#
FACILE
#
Noël
#
Gert Th
#
A Visit From St. Nicholas
#
Gert Th. Walter
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.684792 Composed by Gert Th. Walter. Christmas. 3 pages. Gert Th. Walter #6503073. Published by Gert Th. Wal...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.684792 Composed by Gert Th. Walter. Christmas. 3 pages. Gert Th. Walter #6503073. Published by Gert Th. Walter (A0.684792). Very easy arrangement, but not only for pupil and beginners. It works for any services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$2.99
My Soul Doth Magnify the Lord (Magnificat) (Downloadable)
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Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Musique Sacrée
#
Randall Thompson
#
My Soul Doth Magnify the Lord
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Composed by Randall Thompson (1899-1984). Mother\'s Day. 6 pages. MorningStar Music Publishers - Digital Sheet Music #0124-E. Published by Mornin...
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Composed by Randall Thompson (1899-1984). Mother\'s Day. 6 pages. MorningStar Music Publishers - Digital Sheet Music #0124-E. Published by MorningStar Music Publishers - Digital Sheet Music
Luke 1:46-55.
My Soul Doth Magnify the Lord (Magnificat)\" is from the end of Scene 3 (The Visitation) of Randall Thompson\'s The Nativity According to St. Luke. Coloratura passages capture Mary\'s excitement in Thompson\'s interpretation of \"The Magnificat.
$7.75
SONGS FOR ROSIE
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Voix Soprano, Piano
#
Contemporain
#
Tim Jones music, Karen Armst
#
SONGS FOR ROSIE
#
Black Cockatoo Music
#
SheetMusicPlus
Soprano Voice, Piano. - Advanced - Composed by Tim Jones music, Karen Armstrong lyrics. 21st Century. Score. 23 pages. Published by Black Cockatoo M...
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Soprano Voice, Piano. - Advanced - Composed by Tim Jones music, Karen Armstrong lyrics. 21st Century. Score. 23 pages. Published by Black Cockatoo Music
5 Songs for Soprano and Piano about Love and overcoming Adversity.
Composed by Tim Jones with Lyrics by Karen Armstrong
Exquisite Art Music for sopranos of all vocal genres.
Range Bb3 to G5
$14.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Voix Soprano, Piano
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AVANCÉ
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. Jame...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Divertimento 6 / Divertissement 6 / Entertainment 6
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Divertimento 6 / Divertissemen
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
My Soul Declares My Lord is Great (arranged for Soprano Solo)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Robert E
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My Soul Declares My Lord is Gr
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Robert E. Benton, Jr.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1460446 Composed by Robert E. Benton, Jr. Advent,Christmas,Contest,Festival,Holiday,Praise & Worship. 7 pag...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1460446 Composed by Robert E. Benton, Jr. Advent,Christmas,Contest,Festival,Holiday,Praise & Worship. 7 pages. Robert E. Benton, Jr. #1039377. Published by Robert E. Benton, Jr. (A0.1460446). This vocal soprano solo arrangement of the hymn reflects Mary’s song and reminds us that our Father cares for us. All of the treasures and honors of this world pale in comparison to the love of God.The soprano arrangement is appropriate for vocal performance at the advanced collegiate or professional level with piano accompaniment. The accompaniment provides a solid platform for the vocalist and builds intensity encouraging the vocalist and the audience to leap together into the graceful and mighty arms of our loving Savior. Vocal Range: Soprano: B3 – B5 For more information…Website: https://TRUSTHYMN.wordpress.comEmail: TRUSTHYMN@yahoo.comFacebook: https://www.facebook.com/TrustHymnInstagram: https://www.instagram.com/trust_hymn/.
$3.99
Three Songs
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Dominique Le Gendre
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Three Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa l...
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Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa lorca - flamenco - love - nature - shakespeare - water. Downloadable, Score. Duration 5'. Schott Music - Digital #Q585120. Published by Schott Music - Digital (S9.Q585120). English â?¢ Spanish.Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeareâ??s play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico GarcÃa Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablaoâ??s of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorcaâ??s poetry vibrated daily and as casually as the music, songs and rhythms that peppered and punctuated conversations, discussions, exchanges of opinions, mealtimes in homes and bars and the precious moments of just hanging out. © 2023 Dominique Le Gendre.
$5.99
Home on the Range
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Voix Soprano, Piano
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DÉBUTANT
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Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447249 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447249 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027029. Published by JLVPartitura (A0.1447249). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in E + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Voix Soprano, Piano
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DÉBUTANT
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Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447186 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447186 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1026966. Published by JLVPartitura (A0.1447186). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in C + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Voix Soprano, Piano
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DÉBUTANT
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Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447245 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447245 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027025. Published by JLVPartitura (A0.1447245). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in F + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Voix Soprano, Piano
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DÉBUTANT
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Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447257 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447257 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027037. Published by JLVPartitura (A0.1447257). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in D + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Voix Soprano, Piano
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DÉBUTANT
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Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447241 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447241 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027021. Published by JLVPartitura (A0.1447241). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in Gb + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Voix Soprano, Piano
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DÉBUTANT
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Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447225 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447225 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027005. Published by JLVPartitura (A0.1447225). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in A + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
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