English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
200
Partitions
Numériques
37
Librairie
Musicale
0
Matériel
de Musique
593
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
5604
PIANO & CLAVIERS
Piano seul
3797
Piano Facile
1478
Piano, Voix
1461
Piano, Voix et Guitare
924
Instruments en Do
426
Orgue
199
1 Piano, 4 mains
139
Accompagnement Piano
108
2 Pianos, 4 mains
40
Piano grosses notes
40
Piano Trio: piano, violon, violoncelle
36
Clavecin
29
Piano (partie séparée)
27
Piano Quatuor: piano, violon, alto, violoncelle
18
Accordéon
15
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Orgue, Piano (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
8
Orgue, Trompette (duo)
7
1 Piano, 6 mains
5
2 Pianos, 8 mains
2
Clavier
2
Ensemble d'Accordéons
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
451
Guitare
340
Ligne De Mélodie, (Paroles) et Accords
248
Piano, Guitare (duo)
125
Ukulele
124
Paroles et Accords
103
Basse electrique
82
Guitare (partie séparée)
47
2 Guitares (duo)
34
4 Guitares (Quatuor)
20
Mandoline
20
3 Guitares (trio)
17
Banjo
17
Dulcimer
7
Ensemble de guitares
7
Basse électrique (partie séparée)
3
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Piano (duo)
2
2 Ukuleles
1
Ukulele Baryton
1
Guitare Pedal Steel
1
Mandoline, Guitare (duo)
1
Guitare, Flûte, Clarinette
1
Dobro
1
Ensemble de Ukulélés
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1378
Chorale 3 parties
419
Chorale 2 parties
270
Chorale TTBB
241
Chorale SSAA
169
Chorale Unison
141
Voix duo, Piano
39
Voix Soprano, Piano
37
Voix seule
31
Voix duo
28
Chorale
24
Voix haute
19
Voix Alto, Piano
11
Chorale SSAATTBB
7
Voix Tenor, Piano
7
Voix moyenne, Piano
7
Voix basse, Piano
6
Voix Mezzo-Soprano, Piano
5
Voix Baryton, Piano
4
Voix Tenor
4
Chorale SSATTB
3
Chorale SSATB
3
Soli, choeur mixte et accompagnement
2
Chorale SSAATB
2
Voix basse
2
Voix Soprano
2
Voix (avec Boîtes d'Accords)
1
Chorale SSAB a cappella
1
Chorale SSAB, Piano
1
Voix, Guitare
1
Instrumentations suivantes
Retracter
VENTS
Clarinette
456
Flûte traversière et Piano
447
Saxophone (partie séparée)
395
Hautbois, Piano (duo)
356
Quatuor de Saxophones: 4 saxophones
306
Flûte traversière
300
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
278
2 Saxophones (duo)
265
Saxophone Alto et Piano
258
Saxophone Tenor et Piano
234
Clarinette et Piano
217
Flûte, Hautbois, Clarinette, Basson
212
Saxophone Alto
206
Quintette de Saxophone: 5 saxophones
188
Quatuor de Clarinettes: 4 clarinettes
186
2 Clarinettes (duo)
183
2 Flûtes traversières (duo)
150
Hautbois (partie séparée)
147
Flûte, Clarinette (duo)
97
Flûte irlandaise
80
Ensemble de Clarinettes
78
Ensemble de saxophones
77
3 Saxophones (trio)
76
Clarinette, Violon (duo)
76
Quatuor de Flûtes : 4 flûtes
72
Saxophone Soprano et Piano
68
Ensemble de Flûtes
63
3 Clarinettes (trio)
62
Flûte, Violon
61
Trio de Flûtes: 3 flûtes
56
Saxophone Baryton, Piano
54
2 Hautbois (duo)
47
Saxophone Tenor
46
Flûte à bec Soprano
46
Flûte et Guitare
41
Quintette de Clarinettes: 5 clarinettes
40
Clarinette (partie séparée)
38
Cor anglais, Piano
37
Hautbois
37
Clarinette Basse, Piano
32
Saxophone, Clarinette (duo)
31
2 Flûte à bec (duo)
30
Saxophone Soprano
28
Quintette de Flûte : 5 flûtes
27
Flûte à bec Alto
24
Hautbois, Basson (duo)
23
Clarinette, Basson (duo)
22
Quatuor de Flûtes à bec
22
Flute (partie séparée)
21
Hautbois, Clarinette (duo)
20
Clarinette, Guitare (duo)
20
Harmonica
18
Clarinette, Trompette (duo)
17
Cor Anglais
15
Flûte à Bec
15
Flûte, Violoncelle
15
Clarinette et Alto
14
Flûte, Saxophone (duo)
12
Clarinette, Violoncelle (duo)
12
3 Hautbois
12
Hautbois, Flûte
11
Flûte, Alto (duo)
11
Flûte, Trompette (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte, Hautbois (duo)
9
4 Hautbois
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
3 Flûtes à bec (trio)
8
Hautbois, Guitare (duo)
8
Instruments en Mib
7
Flûte, Violon, Piano
7
Hautbois, Violoncelle
6
5 Flûtes à bec
6
Flûte, Violon et Violoncelle
6
Saxophone Baryton
6
Clarinette, Harpe (duo)
6
Flûte à bec Soprano, Piano
5
Flûte, Clarinette et Basson
5
Flûte à bec Alto, Piano
5
Ensemble De Flûte à bec
5
Flûte, Hautbois, Basson
5
Flûte, Violoncelle, Piano (trio)
4
2 Saxophones, Piano
4
Saxophone
4
Saxophone et Guitare
3
Hautbois, violon (duo)
3
Piccolo, Piano
3
Hautbois et alto (duo)
3
Flûte et Trio à cordes
2
Flûte à bec Tenor
2
Ocarina
2
2 Clarinettes, Piano
2
Flute, harpe et violon
2
Hautbois, Basson et Piano
2
Hautbois, Harpe
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
2 Cors Anglais Et Pianoforte
2
Flûte, Trombone (duo)
2
Flûte traversière, Basse continue
2
Ensemble à vent
2
Clarinette, Violoncelle, Piano (trio)
2
Saxophone, Violon (duo)
2
Saxophone et Piano
1
Cornemuse
1
Flûte, Harpe et Violoncelle
1
2 Clarinettes, Basson
1
Clarinette, Orgue
1
Flûte à bec, Guitare (duo)
1
Clarinette, Contrebasse (duo)
1
Saxophone et Orgue
1
Cor anglais, Guitare (duo)
1
Clarinette Basse
1
Flûte, Alto et Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, trombone et piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte et Quatuor à Cordes
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec, Harpe
1
Clarinette, Tuba
1
Harmonica, Piano
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
2 Hautbois, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
342
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
297
Trombone et Piano
269
Trombone
211
Trompette, Piano
192
Quatuor de Cuivres : 2 trompettes, trombone, tuba
167
Trompette (partie séparée)
151
Trombone (partie séparée)
146
Cor
133
Cor et Piano
115
Quatuor de Cuivres
104
Tuba
73
2 Trombones (duo)
66
2 Trompettes (duo)
63
Tuba et Piano
57
Euphonium, Piano (duo)
43
2 Cors (duo)
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Cor (partie séparée)
39
Cor anglais, Piano
37
Trompette, Trombone (duo)
35
Trompette, Saxophone (duo)
33
Ensemble de Trombones
30
2 Tubas (duo)
28
Quatuor de cuivres: 4 trombones
27
Ensemble de Trompettes
23
Tuba (partie séparée)
21
Euphonium
18
Cor Anglais
15
Ensemble de Cors
14
Quatuor de cuivres: 4 cors
13
Bass Clef Instruments
10
Quatuor de cuivres: 4 trompettes
9
Trio de Cuivres
9
2 Euphoniums et 2 Tubas
8
Trompette, Cor (duo)
8
4 Tubas
7
Trombone, Tuba (duo)
6
3 Trompettes (trio)
6
3 Trombones (trio)
6
Trombone, Cor (duo)
5
Tuba et Orgue
5
Trombone basse et Piano
4
Cor, Tuba (duo)
4
Trompette, Tuba (duo)
3
Trompette, Violoncelle (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Instruments en Sib
2
3 Tubas (trio)
2
Euphonium, Tuba (duo)
2
Trombone et orchestre
2
2 Euphoniums (duo)
2
2 Cors Anglais Et Pianoforte
2
Trompette et Guitare
2
Trompette, violon (duo)
2
Trompette, Basson (duo)
1
Cornet et orchestre
1
Trombone, Orgue
1
3 Cors (trio)
1
Clarinette, Cor (duo)
1
Cor anglais, Guitare (duo)
1
Cor, Trompette, Trombone (trio)
1
Cor, Violoncelle (duo)
1
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
Trombone basse
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
871
Violon et Piano
482
Violon
445
Alto, Piano
335
Violoncelle, Piano
326
Harpe
275
Violoncelle (partie séparée)
229
2 Violons (duo)
198
Alto seul
182
Violon, Violoncelle (duo)
172
2 Harpes (duo)
126
Violoncelle
117
Trio à Cordes: violon, alto, violoncelle
116
Quintette à cordes: 2 violons, alto, violoncelle, basse
107
2 Violoncelles (duo)
91
Violon, Alto (duo)
82
Contre Basse
76
Alto (partie séparée)
73
2 Altos (duo)
61
Trio à Cordes: 2 violons, violoncelle
59
Contrebasse, Piano (duo)
49
Contrebasse (partie séparée)
47
Violon (partie séparée)
42
2 Contrebasses (duo)
25
Trio à cordes: 3 violins
23
Trio à Cordes: 3 violoncelles
22
Alto, Violoncelle (duo)
21
4 Violoncelles
21
Harpe, Flûte (duo)
18
Quatuor à cordes: 4 violons
17
Violon, Guitare (duo)
15
Violoncelle , Guitare (duo)
15
Ensemble de Violons
12
Quatuor à cordes : 4 altos
11
Trio à cordes: 3 altos
11
Ensemble d'Altos
9
Harpe, Voix
9
Violon, Basson (duo)
8
Violoncelle, Contrebasse (duo)
8
Piano Trio: Violon, Alto, Piano
6
Trio à Cordes: 2 violons, alto
6
Harpe, Violon (duo)
6
Violoncelle, Basse continue
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violon, Clarinette, Piano (trio)
4
Violoncelle, Orgue
4
4 Contrebasses
4
Alto, Guitare (duo)
3
Ensemble de Violoncelles
3
Harpe et Piano
3
4 Harpes
3
3 Harpes
2
Flûte, Contrebasse (duo)
2
3 Contrebasses
2
Alto et Basson
2
Autoharp
2
2 Violoncelles, Piano
1
2 Altos, Piano
1
Harpe (partie séparée)
1
Violon, Tuba (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
952
Jazz combo
386
Orchestre à Cordes
285
Orchestre
282
Ensemble Jazz
236
Ensemble de cuivres
190
Orchestre de chambre
111
Cloches
104
Batterie
88
Ensemble de Percussions
75
Fanfare
53
Batterie (partie séparée)
42
Percussion (partie séparée)
32
Marimba
26
Vibraphone
9
Xylophone ou Marimba ou Vibraphone
3
Xylophone, Piano
3
Percussion
3
Quintette de Cuivres: autres combinaisons
2
Xylophone
2
Cajon
1
Quatuor à Vent : 4 instruments à vents
1
Marimba, Piano (duo)
1
Quintette à Vent
1
Piano et Orchestre
1
2 Xylophones
1
Ensemble d'École
1
Instrumentation Flexible
1
Timbales
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
6
Théorie de la musique
1
Vous avez sélectionné:
So
SheetMusicPlus
Partitions à imprimer
37 partitions trouvées
<
1
26
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
#
Voix Soprano, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
I'm So Into You
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.898081 Composed by Hal Dickens.…
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.898081 Composed by Hal Dickens. Pop,Rock. 9 pages. Hal Dickens #6090195. Published by Hal Dickens (A0.898081). Amazing Bunny Lo sings my original love song I'm So Into You.Please visit Bunny's awesome Youtube channel here: https://www.youtube.com/channel/UCq41VQbRhcP6V-f6j4eOjVA
$3.99
3.69 €
#
Voix Soprano, Piano
#
Hal Dickens
#
I'm So Into You
#
Hal Dickens
#
SheetMusicPlus
So Dark This Night
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.797907 Composed by Ga…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.797907 Composed by Gail Ford. Christian,Contemporary. 4 pages. Gail Ford #3008907. Published by Gail Ford (A0.797907). Modern Christian song, for a reflective moment in church worship, ideal for a Good Friday meditation service.
$5.50
5.08 €
#
Voix Soprano, Piano
#
Gail Ford
#
So Dark This Night
#
Gail Ford
#
SheetMusicPlus
There are blows in life, so powerful... I don't know! Op.2
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014466 Composed by M…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014466 Composed by Manuel Carranza Cueto. Contemporary. 14 pages. Manuel Carranza Cueto #3573235. Published by Manuel Carranza Cueto (A0.1014466). This work is inspired by the poem Los Heraldos Negros by the Peruvian poet César Vallejo. This piece is for soprano and piano.
$15.00
13.87 €
#
Voix Soprano, Piano
#
Manuel Carranza Cueto
#
There are blows in life, so powerful... I don't know! Op.2
#
Manuel Carranza Cueto
#
SheetMusicPlus
God So Loved the World (Stainer) Piano and Voice (Key of C)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726564 Composed by Jo…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726564 Composed by John Stainer. Arranged by Pam Turner. Christian,Christmas,Easter,Sacred. 9 pages. Pam Turner #5711113. Published by Pam Turner (A0.726564). Majestic hymn by John Stainer that is the basis of the Christian faith. Appropriate for church service needs at all times of the year, especially Easter and Christmas. Arranged for piano and voice by composer/arranger/teacher/church pianist, Pam Turner. Piano accompaniment doubles as a solo. Connect with Pam at https://pamturnerpiano.com or on Facebook at https://facebook.com/pamturnerpiano.
$4.99
4.61 €
#
Voix Soprano, Piano
#
John Stainer
#
Pam Turner
#
God So Loved the World
#
Pam Turner
#
SheetMusicPlus
So wisse, dass in allen Elementen (Undine)
Voix Soprano, Piano
Soprano voice and piano - Digital Download SKU: S9.Q50486 Composed by Albert Lortzi…
(+)
Soprano voice and piano - Digital Download SKU: S9.Q50486 Composed by Albert Lortzing. This edition: Sheet music. Operngesänge. Downloadable. Op 81. Musikverlag Robert Lienau - Digital #Q50486. Published by Musikverlag Robert Lienau - Digital (S9.Q50486). Key: E major. German • English • French.
$6.99
6.46 €
#
Voix Soprano, Piano
#
Albert Lortzing
#
So wisse, dass in allen Elementen
#
Musikverlag Robert Lienau - Digital
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.9 €
#
Voix Soprano, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.12 €
#
Voix Soprano, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
#
Voix Soprano, Piano
#
Maurice Ravel
#
Nicole Elyse DiPaolo
#
Arrière! Je réchauffe les bons
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Civility
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.39 €
#
Voix Soprano, Piano
#
Melanie B
#
Civility
#
Melanie B Guerin
#
SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.27 €
#
Voix Soprano, Piano
#
Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
#
Voix Soprano, Piano
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lassù
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Sept Sonnets de Louise Labé (2021) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869872 Composed by Th…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869872 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 59 pages. Thomas Oboe Lee #6570867. Published by Thomas Oboe Lee (A0.869872). Louise Labé (1524-1566) wrote 24 sonnets.  I read somewhere (probably wikipedia) she was inspired by Francesco Petrach (1304-1374) when she wrote her sonnets, so much so that the first sonnet is in Italian.  In 2014 I wrote a song cycle of poems by Gaspara Stampa who was a contemporary of Labé.  Both poets wrote about the suffering and longing due to unrequited love.  Of the 24 I chose seven.1. Sonnet 1 ... Non havria Ulysse o qualqu'atro mai 2. Sonnet 2 ... O beaus yeux bruns3. Sonnet 3 ... Deus ou trois fois bienheureus la retour4. Sonnet 8 ... Je vis, je meurs: je me brule et me noye5. Sonnet 12 ... Lut, compagnon de ma calamité6. Sonnet 18 ... Baise m'encor, rebaise moi et baise7. Sonnet 23 ... Las! que me sert, que si parfaitement
$9.99
9.24 €
#
Voix Soprano, Piano
#
Thomas Oboe Lee
#
Sept Sonnets de Louise Labé
#
Thomas Oboe Lee
#
SheetMusicPlus
Fuoco e lagrime
Voix Soprano, Piano
Soprano voice and piano - advanced to difficult - Digital Download SKU: S9.Q52732
(+)
Soprano voice and piano - advanced to difficult - Digital Download SKU: S9.Q52732 Canti per soprano e pianoforte. Composed by Anno Schreier. This edition: single sheet. Downloadable, Separate edition. Duration 20 minutes. Schott Music - Digital #Q52732. Published by Schott Music - Digital (S9.Q52732). German • Italian.Im Jahr 2010 habe ich als Stipendiat der Villa Massimo in Rom gelebt. Während meiner Zeit dort bin ich auf ein paar Gedichte von Michelangelo gestoßen, die mich sehr berührt haben, und hatte bald den Plan, einige davon zu vertonen. Ich wollte sie aber mit etwas zeitgenössischem kombinieren – so wie ja auch in Rom dauernd das Alte und das Neue aufeinandertreffen. Der Lyriker Marcel Beyer, den ich in Rom kennengelernt habe, hat dann für mich den Gedichtzyklus Die Grillmeisterin geschrieben, der viele Motive aus den Michelangelo-Texten aufgreift (Feuer, Tränen, Verbranntwerden, Einsamkeit etc.). Ich habe dann diesen Gedichtzyklus abwechselnd mit den Michelangelo-Gedichten kombiniert. Die italienischen Lieder haben einen manchmal melancholischen, manchmal dramatischen Charakter, während die deutschen eher bizarr, manchmal sogar humoristisch sind. Trotz dieser Kontraste im Charakter gibt es aber auch viele musikalische Verknüpfungen zwischen den deutschen und den italienischen Liedern. Einzelne Motive und Akkordfolgen kehren manchmal in völlig anderen Zusammenhängen wieder, und zwischen dem ersten und letzten Lied gibt es sogar einen direkten Bezug, indem die selbe Gesangslinie jeweils mit einem völlig anderen Text unterlegt wird. So ensteht ein musikalischer Rahmen, der die sehr heterogene Textauswahl zusammenhält. Anno Schreier.
$21.99
20.33 €
#
Voix Soprano, Piano
#
Anno Schreier
#
Fuoco e lagrime
#
Schott Music - Digital
#
SheetMusicPlus
Daybreak (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E C…
(+)
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8701-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8701-3E). English.Commissioned by the Canadian Art Song Project for soprano Magali Simard-Galdès, winner of the Jeunesses Musicales Maureen Forrester Tour. This piece won second prize in the 2018 NATS Art Song Composition Competition.This song cycle is, in part, a meditation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in time from evening to mid-day to dawn. Images from each poem are woven into the music; the first movement is full of sewing imagery, so in places the pianist imitates the ebb and flow of a sewing machine's ostinato. The playful second movement depicts icicles melting, opening with their unpredictable drips. In the third movement, clouds bloom. Duration: 14:15Contents:I. DuskII. Hubbard's CoveIII. Daybreak.
$9.00
8.32 €
#
Voix Soprano, Piano
#
Tawnie Olson
#
Daybreak
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
The Birds
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sa…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
3.69 €
#
Voix Soprano, Piano
#
Sally Whitwell
#
The Birds
#
Sally Whitwell
#
SheetMusicPlus
Holy Holy Holy--vocal soprano solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Re…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.46 €
#
Voix Soprano, Piano
#
Reginald Heber, John B
#
Beka Wilson
#
Holy Holy Holy--vocal soprano solo
#
Beka Wilson
#
SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.24 €
#
Voix Soprano, Piano
#
Sally Whitwell
#
Pictures at an exHERbition
#
Sally Whitwell
#
SheetMusicPlus
Piangerò la sorte mia - Giulio Cesare (Eb Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884800 Composed by Ge…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884800 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Opera. 6 pages. Jonathan Prentice #5857211. Published by Jonathan Prentice (A0.884800). Cleopatra's exquisitely beautiful aria from Act 3 of Handel's Julius Caesar. She laments both the loss of the battle against the forces of Tolomeo, and, so she thinks, the death of Julius Caesar. (Here in Eb Major).
$1.99
1.84 €
#
Voix Soprano, Piano
#
George Frideric Handel
#
Jonathan Prentice
#
Piangerò la sorte mia - Giulio Cesare
#
Jonathan Prentice
#
SheetMusicPlus
Some World Far From Ours
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sa…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitwell (A0.873021). Composer’s Note - Some World Far From OursA principle source of inspiration for composers is surely a performer of great talent and skill. Percy Bysshe Shelley proves that this is true not only for composers but for poets as well. His dear friend Jane Williams -- the never proven conjecture is that she was actually his lover -- could sing like a bird and also play flute, harp and guitar. In S​ ome World Far From Ours,​ I so enjoyed bringing some musical life to a text that praises a musician from a poet who understands how a singing voice can transport a listener in a was that speech cannot.-- Sally Whitwell
$1.99
1.84 €
#
Voix Soprano, Piano
#
Sally Whitwell
#
Some World Far From Ours
#
Sally Whitwell
#
SheetMusicPlus
Oppekepe all over the world Op.178
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO.…
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Published by Kohei KONDO (A0.886071). June.23.2018~Aug.28.2018 Premiere: Nov.11.2018 Chigasaki-city Kanagawa JAPAN Pf,& Vocal: Tomomi SHIMIZU 10 minutes YouTube:https://youtu.be/tbkyTmVTBKg?t=1139  Pf,& Vocal: Tomomi SHIMIZUIn this composition, the pianist sing Japanese old famous pop song Oppekepe bushi in Meiji-era playing piano. Oppekepe-bushi can not be write on sheet music. So, please listen Oppekepe-bushi on videos or live performances and learn to sing it.Please refer to this video. https://youtu.be/8TuMWzJd6RM
$9.00
8.32 €
#
Voix Soprano, Piano
#
Kohei KONDO
#
Oppekepe all over the world Op.178
#
Kohei KONDO
#
SheetMusicPlus
Warm Where Snowflakes Lie
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sa…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitwell (A0.873026). Composer’s Note - Warm Where Snowflakes LieThrough my music, I try to bring to people a sense of optimism about the world. Music has the power to uplift, to exalt, to fill people with joy and hope, so I am drawn to texts that do a similar thing. Christina Rossetti’s poem ​The Key-Note​ has this optimism, even with a gentle sting in the proverbial tail. She appreciated that everything has a season, that life happens in cycles, that in the face of the darkest Winter there is always the hope of Spring, a hope made real by the appearance of the red-breasted robin in the snow. This song is for anyone who has ever felt hopeless, disenfranchised, or unable to see the light at the end of the tunnel.-- Sally Whitwell
$2.99
2.76 €
#
Voix Soprano, Piano
#
Sally Whitwell
#
Warm Where Snowflakes Lie
#
Sally Whitwell
#
SheetMusicPlus
Breaking
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1024940 Composed by A…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1024940 Composed by Abigail Gilson. Contemporary. 5 pages. Abigail Gilson #3675473. Published by Abigail Gilson (A0.1024940). The main feeling of this poem is hope, just hope to make the world a better place, to help someone in need. A young girl, so naive and innocent, who believes that she can live a good life by making the lives of others better. But as the song cycle continues we see that for some women, their dreams will never become a reality. We see hints of this in this piece, as in the second section, the piece dips into a minor key. Suggesting that the woman girl has started to give up on her dreams. But the girl keeps singing, saying that she’ll help a fainting robin. She has not given up yet, and will not let her dreams fade.
$4.99
4.61 €
#
Voix Soprano, Piano
#
Abigail Gilson
#
 
#
Breaking
#
Abigail Gilson
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale