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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Take 3
Non classifié
1 794
Piano & claviers
Piano, Voix
1 485
Piano seul
1 383
Piano Facile
377
Piano, Voix et Guitare
240
Orgue
88
Instruments en Do
77
1 Piano, 4 mains
29
Accompagnement Piano
28
Piano Trio: piano, violon, violoncelle
25
Piano grosses notes
16
Piano (partie séparée)
11
Piano Quatuor: piano, violon, alto, violoncelle
11
2 Pianos, 4 mains
10
Orgue, Piano (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
3
Accordéon
3
1 Piano, 6 mains
2
Accordéon, Voix
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
123
Guitare
108
Ligne De Mélodie, (Paroles) et Accords
62
Paroles et Accords
32
Ukulele
29
Guitare (partie séparée)
21
Basse electrique
20
3 Guitares (trio)
8
2 Guitares (duo)
8
4 Guitares (Quatuor)
7
Piano, Guitare (duo)
6
Dulcimer
4
Banjo
4
Mandoline
4
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
547
Chorale 3 parties
482
Chorale TTBB
148
Chorale SSAA
85
Chorale 2 parties
55
Chorale Unison
30
Voix duo, Piano
22
Voix Soprano, Piano
21
Pack Instrumental pour Chorale
12
Voix duo
11
Chorale
10
Voix Baryton, Piano
6
Voix Alto, Piano
6
Voix basse, Piano
5
Voix seule
4
Voix haute
4
Voix Tenor, Piano
2
Voix Soprano
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
2
Voix moyenne, Piano
2
Voix Tenor
2
+ 17 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
170
Flûte traversière et Piano
135
2 Saxophones (duo)
129
Quatuor de Saxophones: 4 saxophones
129
Quintette de Saxophone: 5 saxophones
115
Clarinette et Piano
101
Hautbois, Piano (duo)
99
Flûte, Hautbois, Clarinette, Basson
96
Saxophone Alto et Piano
90
2 Flûtes traversières (duo)
81
Saxophone (partie séparée)
79
2 Clarinettes (duo)
77
Quatuor de Clarinettes: 4 clarinettes
70
Saxophone Tenor et Piano
67
Flûte traversière
61
Clarinette
49
3 Saxophones (trio)
49
Saxophone Alto
48
Saxophone Tenor
44
Saxophone Baryton, Piano
44
Ensemble de saxophones
44
Ensemble de Clarinettes
41
3 Clarinettes (trio)
37
Saxophone Soprano et Piano
36
Trio de Flûtes: 3 flûtes
35
Saxophone, Clarinette (duo)
34
Quatuor de Flûtes : 4 flûtes
30
2 Hautbois (duo)
28
2 Flûtes traversières, Piano
26
Ensemble de Flûtes
26
Hautbois, Basson (duo)
26
Saxophone
25
Clarinette, Violon (duo)
24
Clarinette, Trompette (duo)
21
Hautbois (partie séparée)
21
Clarinette Basse, Piano
19
Ensemble De Flûte à bec
18
Quintette de Flûte : 5 flûtes
18
Cor anglais, Piano
18
Quintette de Clarinettes: 5 clarinettes
18
Flûte, Clarinette (duo)
17
Flûte et Guitare
17
Clarinette (partie séparée)
16
Clarinette, Basson (duo)
14
Hautbois, Clarinette (duo)
14
Saxophone Soprano
14
Flûte, Violon
14
Flûte, Trompette (duo)
13
Clarinette et Alto
12
Flûte, Saxophone (duo)
12
Hautbois, Flûte
12
Hautbois
11
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Alto (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Flûte, Clarinette et Basson
9
Flute (partie séparée)
9
Flûte, Violon, Piano
9
Clarinette, Violoncelle (duo)
8
Flûte, Violoncelle
8
Flûte, Hautbois (duo)
8
Quatuor de Flûtes à bec
8
Saxophone Baryton
7
Hautbois, Violoncelle
6
Flûte à bec Alto
5
Flûte, Hautbois, Basson
5
Flûte à bec Alto, Piano
5
5 Flûtes à bec
5
Clarinette, Guitare (duo)
5
Flûte à bec Soprano
5
Piccolo, Piano
4
2 Flûte à bec (duo)
4
Cor Anglais
4
Flûte à Bec
4
2 Clarinettes, Piano
4
Flûte, Alto et Piano
4
Flûte à bec Tenor
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Basson et Piano
2
Flute, harpe et violon
2
Saxophone et Guitare
2
Piccolo
2
Flûte à Bec, Piano
2
Harmonica
2
Clarinette, Violoncelle, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Clarinettes, Basson
1
Hautbois, violon (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, trombone et piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Soprano, Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Orgue
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 94 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
168
Quatuor de Cuivres : 2 trompettes, trombone, tuba
112
Trombone et Piano
81
Trompette, Piano
75
Trombone (partie séparée)
61
Trompette
60
Cor et Piano
58
Trompette (partie séparée)
48
Ensemble de Trompettes
40
Quatuor de Cuivres
38
Tuba et Piano
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Cor
30
Trombone
29
2 Trombones (duo)
27
2 Trompettes (duo)
25
Trompette, Saxophone (duo)
22
Euphonium, Piano (duo)
21
2 Cors (duo)
18
Cor anglais, Piano
18
Trompette, Trombone (duo)
18
Tuba
16
Cor (partie séparée)
13
Ensemble de Trombones
13
Tuba (partie séparée)
9
Quatuor de cuivres: 4 trombones
8
Cor, Violoncelle (duo)
6
Trompette, Cor (duo)
6
3 Trompettes (trio)
6
Euphonium
6
Trio de Cuivres
5
Quatuor de cuivres: 4 cors
5
2 Tubas (duo)
4
Cor Anglais
4
Cor et Basson (duo)
3
Trombone basse et Piano
3
Trombone, Tuba (duo)
3
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 trompettes
2
Trombone et orchestre
2
2 Euphoniums (duo)
2
Ensemble de Cors
2
Instruments en Sib
2
Trombone, Cor (duo)
2
Trompette, Violoncelle (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Basson (duo)
2
Trombone, Orgue
2
Cor anglais, Guitare (duo)
1
Trompette, Euphonium (duo)
1
Cor, Tuba (duo)
1
Ensemble de Tubas
1
Trompette, Tuba (duo)
1
Trombone basse
1
Trompette et Guitare
1
Cor et Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba et Orgue
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
374
Violon et Piano
180
Trio à Cordes: violon, alto, violoncelle
131
Violoncelle, Piano
112
Alto, Piano
109
Violon, Violoncelle (duo)
79
2 Violons (duo)
79
Violon
78
Violoncelle
47
Violon, Alto (duo)
43
Harpe
43
Contrebasse, Piano (duo)
36
2 Violoncelles (duo)
34
Alto seul
32
2 Altos (duo)
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
29
Violon (partie séparée)
29
Trio à Cordes: 2 violons, violoncelle
26
Contrebasse (partie séparée)
22
Alto, Violoncelle (duo)
16
Alto (partie séparée)
15
Contre Basse
12
Trio à cordes: 3 altos
11
Alto et Basson
8
Quatuor à cordes: 4 violons
8
Ensemble de Violons
7
Ensemble d'Altos
7
Violoncelle (partie séparée)
7
Trio à cordes: 3 violins
7
Violon, Basson (duo)
6
Trio à Cordes: 3 violoncelles
5
4 Violoncelles
5
Violoncelle , Guitare (duo)
5
Piano Trio: Violon, Alto, Piano
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Harpes (duo)
3
Trio à Cordes: 2 violons, alto
3
Violon, Guitare (duo)
3
Violoncelle, Orgue
2
Harpe, Violoncelle (duo)
2
2 Contrebasses (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quatuor à cordes : 4 altos
2
Ensemble de Violoncelles
2
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Violoncelle, Contrebasse (duo)
1
Alto, Orgue
1
4 Contrebasses
1
Harpe, Violon, Violoncelle
1
2 Violons, Piano
1
Harpe et mandoline
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
428
Ensemble Jazz
150
Orchestre à Cordes
145
Orchestre
144
Cloches
125
Ensemble de cuivres
97
Batterie
65
Jazz combo
39
Fanfare
34
Orchestre de chambre
31
Ensemble de Percussions
15
Batterie (partie séparée)
8
Percussion (partie séparée)
7
Marimba
6
Vibraphone
3
Xylophone, Piano
3
Xylophone
2
Marimba, Piano (duo)
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
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Matériel de musique
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
Take 3
Voix Soprano, Piano
Partitions à imprimer
21 partitions trouvées
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1
Take My Life, and Let It Be - soprano solo, organ
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Todd Marchand
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it shall be thy royal throne
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Take My Life, and Let It Be -
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Con Spirito Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con S...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con Spirito Music (A0.726103). Frances Ridley Havergal (1836-1879) published several volumes of poems and hymns, devotions, and other prose writings. She is best known for the consecration hymn text, Take My Life and Let It Be, which here receives a new setting for soprano and organ. Take my life, and let it be consecrated, Lord, to thee;take my moments and my days, let them flow in ceaseless praise.Take my hands, and let them move at the impulse of thy love;take my heart, it is thine own; it shall be thy royal throne. Take my voice, and let me sing always, only, for my King;take my intellect, and use every power as thou shalt choose.Take my will and make it thine; it shall be no longer mine.Take myself, and I will be ever, only, all for thee. Thus my life will truly be consecrated, Lord, to Thee. Amen. ©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
To be Called Children of God (piano/soprano)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Melody Mills
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Jon Burr
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To be Called Children of God
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Melody Mills
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.993103 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 8 pages. Melody Mills #3...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.993103 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 8 pages. Melody Mills #3686969. Published by Melody Mills (A0.993103). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
To be Called Children of God (organ/soprano)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melody Mills
#
Jon Burr
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To be Called Children of God
#
Melody Mills
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.993102 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages. Melody Mills #3...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.993102 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages. Melody Mills #3686959. Published by Melody Mills (A0.993102). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Fall of Frost Higher Key
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Voix Soprano, Piano
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Contemporain
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Abigail Gilson
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Fall of Frost Higher Key
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Abigail Gilson
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1024941 Composed by Abigail Gilson. Contemporary. 3 pages. Abigail Gilson #3675487. Published by Abigail Gilson (A0.1...
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Soprano voice,Vocal Solo - SKU: A0.1024941 Composed by Abigail Gilson. Contemporary. 3 pages. Abigail Gilson #3675487. Published by Abigail Gilson (A0.1024941). I WATCHED her face to see which wayShe took the awful news,Whether she died before she heard-Or in protracted bruiseRemained a few short years with us, Each heavier than the last-A further afternoon to fail,As Flower at fall of Frost.The young girl seeing herself give up on her dreams to fulfill her duty. Disappointed in herself but understanding that its her responsibility to take on the task of mother, and wife
$4.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Secret History of Water, set 2 (Music by Judith Cloud)
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
Divertimento 6 / Divertissement 6 / Entertainment 6
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Divertimento 6 / Divertissemen
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
Adieu, mon petite table - Manon (G Minor)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jules Massenet
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Jonathan Prentice
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Adieu, mon petite table - Mano
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 pages. Jonathan ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 pages. Jonathan Prentice #5775861. Published by Jonathan Prentice (A0.884729). Massenet's simple yet intensely moving aria from his opera, Manon. The impressionable young girl, Manon, has been told that her love, Des Grieux will soon be kidnapped by his father's men in order to get him away from her. She knows that the happy days they have spent in Des Grieux's apartment will soon be at an end and takes the opportunity to bid adieu to the table where they ate many meals together.
$1.99
I am Home
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jenny McKinney
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Rebecca Brinkerhoff
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I am Home
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Jennifer McKinney
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.958056 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.958056 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual. 5 pages. Jennifer McKinney #3222315. Published by Jennifer McKinney (A0.958056). (for Larry) Taken from the Empty Arms Companion Songbook, this song carries a message of hope that your loved one is in a place of peace, with God, Home. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymcknneymusic.com. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
This Woman's Heart
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jenny McKinney
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Rebecca Brinkerhoff
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This Woman's Heart
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Jennifer McKinney
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.958065 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Spiritual. 4 pag...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.958065 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Spiritual. 4 pages. Jennifer McKinney #3222359. Published by Jennifer McKinney (A0.958065). (for Jo and Natalie) Taken from the Empty Arms Companion Songbook, this song is written for the woman who lost the love of her life, be that a sweetheart or a child. It is appropriate for both situations. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymckinneymusic.com. Thank you for your honesty. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
I Will Lift Up Mine Eyes
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Mary Rounsavall
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I Will Lift Up Mine Eyes
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Mary Rounsavall
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1271639 Composed by Mary Rounsavall. Christian,Classical,Instructional,Sacred,Spiritual. 6 pages. Mary Roun...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1271639 Composed by Mary Rounsavall. Christian,Classical,Instructional,Sacred,Spiritual. 6 pages. Mary Rounsavall #864029. Published by Mary Rounsavall (A0.1271639). I Will Lift Up Mine Eyes is taken from portions of Psalm 121 (KJV) and arranged for Soprano Solo with Piano Accompaniment. Perfect for your vocal studio, sacred event, or private study. Also available for Tenor, Alto, or Bass.
$4.95
A Prayer from Psalm 143
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Andrea J
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Andrea J
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A Prayer from Psalm 143
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Andrea J. Tressler
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.951387 Composed by Andrea J. Tressler and Psalm 143. Arranged by Andrea J. Tressler. Sacred. 7 pages. Andre...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.951387 Composed by Andrea J. Tressler and Psalm 143. Arranged by Andrea J. Tressler. Sacred. 7 pages. Andrea J. Tressler #6373987. Published by Andrea J. Tressler (A0.951387). This vocal solo for soprano voice, accompanied by piano and violin, expresses a prayer for comfort, guidance, protection, trust, and submission -- with a text taken entirely from verses of Psalm 143. For the $4.55, you will be purchasing an entire set of parts: full score, vocals only, piano only, and violin only. .
$4.55
Let it Be Him
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jenny McKinney
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Rebecca Brinkerhoff
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Let it Be Him
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Jennifer McKinney
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.958061 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.958061 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual. 5 pages. Jennifer McKinney #3222325. Published by Jennifer McKinney (A0.958061). (for Zach) Taken from the Empty Arms Companion Songbook, this song is from the perspective of a mother who has lost her battle with mortality, and desires for her child to survive. Written about a friend who died during childbirth, this song will touch your heart as a parent. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymckinneymusic.com. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
All I Have to Bring from Emily!
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Gwyneth W
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All I Have to Bring from Emily
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8317-7E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital...
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Soprano voice and piano - Medium - SKU: MQ.8317-7E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital #8317-7E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-7E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the tiniest, lightest gifts of Nature (All I Have to Bring). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
LIED DER BAVARIA - Song of Bavaria for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Rainer Fabich
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LIED DER BAVARIA - Song of Bav
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Fajora Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.889791 Composed by Rainer Fabich. Contemporary,Opera,World. 25 pages. Fajora Music #3425841. Published by F...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.889791 Composed by Rainer Fabich. Contemporary,Opera,World. 25 pages. Fajora Music #3425841. Published by Fajora Music (A0.889791). Funny and ironic song of the huge statue and symbol Bavaria, atop the Theresienwiese, where the Oktoberfest in Munich takes place every year. It contains elements of the folk song Erherzog-Johann-Jodler. Orginalversion (bavarian/german language) from the CD Rainer Fabich z-Minga III (Music for Munich). For sopran, piano and special effects in G-major and F-major version. Popular from tv- and radiobroadcasts and live concerts. Score and parts 24 pages. Duration: ca. 4:30 min Music of the famous bavarian/german composer Rainer Fabich. More informations and audiofiles: www.rainer-fabich.de, www.fajora.com, itunes, amazon and CDbaby.
$11.95
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