English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
23
Librairie
Musicale
23
Matériel
de Musique
621
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1934
PIANO & CLAVIERS
Piano seul
764
Piano, Voix
386
Piano, Voix et Guitare
137
Piano Facile
121
Instruments en Do
100
Orgue
43
1 Piano, 4 mains
28
Piano Trio: piano, violon, violoncelle
16
Accompagnement Piano
12
Piano (partie séparée)
9
2 Pianos, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
2
Clavecin
1
Ensemble d'Accordéons
1
Accordéon
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
84
Guitare notes et tablatures
47
Ligne De Mélodie, (Paroles) et Accords
25
Guitare (partie séparée)
17
Mandoline
14
Basse electrique
12
Ukulele
10
2 Guitares (duo)
6
3 Guitares (trio)
5
Dulcimer
5
Piano, Guitare (duo)
2
Banjo
2
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Ukulele Baryton
1
Guitare Pedal Steel
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
506
Chorale Unison
382
Chorale 3 parties
130
Chorale TTBB
101
Chorale 2 parties
90
Chorale SSAA
65
Voix duo, Piano
42
Voix Soprano, Piano
23
Voix duo
13
Voix haute
9
Voix Tenor, Piano
7
Chorale
7
Voix Tenor
5
Voix Alto, Piano
4
Voix Baryton, Piano
4
Voix seule
3
Chorale SSATTB
2
Chorale SSAATTBB
2
Chorale SSATB
2
Soli, choeur mixte et accompagnement
1
Chorale SSAB, Piano
1
Chorale SSAB a cappella
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
234
Quintette de Saxophone: 5 saxophones
166
Saxophone Tenor
157
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
136
2 Saxophones (duo)
128
Saxophone Tenor et Piano
113
Saxophone (partie séparée)
102
Ensemble de saxophones
83
Flûte traversière et Piano
78
Saxophone
74
Flûte traversière
64
2 Clarinettes (duo)
57
Saxophone Alto et Piano
57
Hautbois, Piano (duo)
57
Clarinette et Piano
53
2 Flûtes traversières (duo)
52
Flûte, Hautbois, Clarinette, Basson
52
Quatuor de Clarinettes: 4 clarinettes
43
3 Saxophones (trio)
42
Saxophone Alto
40
Saxophone, Clarinette (duo)
39
Ensemble de Clarinettes
34
Clarinette
32
Clarinette, Violon (duo)
26
2 Flûtes traversières, Piano
25
Hautbois (partie séparée)
25
Clarinette, Trompette (duo)
24
Ensemble De Flûte à bec
23
Saxophone Baryton, Piano
22
Hautbois, Basson (duo)
20
Quatuor de Flûtes : 4 flûtes
18
Saxophone Soprano et Piano
18
2 Hautbois (duo)
17
Flûte, Clarinette (duo)
17
Ensemble de Flûtes
15
Flûte, Trompette (duo)
15
Quintette de Flûte : 5 flûtes
15
Saxophone Soprano
15
Clarinette et Alto
14
Flûte, Violon
14
Flûte, Saxophone (duo)
14
Hautbois, Clarinette (duo)
13
Trio de Flûtes: 3 flûtes
12
Hautbois, Flûte
12
Quatuor de Flûtes à bec
12
Flûte à Bec
11
Flûte, Alto (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
3 Clarinettes (trio)
10
Flûte et Guitare
9
Flute (partie séparée)
8
Clarinette (partie séparée)
7
Hautbois
7
Clarinette, Basson (duo)
7
Saxophone Baryton
7
Flûte à bec Tenor
6
Flûte à bec Soprano
6
Flûte, Clarinette et Basson
6
Flûte, Hautbois, Clarinette (trio)
5
Cor anglais, Piano
5
Clarinette Basse, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Hautbois, Basson
4
Flûte à bec Alto
4
Flûte, Violoncelle
3
Clarinette, Guitare (duo)
3
Hautbois, Violoncelle
3
Flûte à bec Alto, Piano
3
Flute, harpe et violon
2
Clarinette, Violoncelle (duo)
2
Cor Anglais
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Hautbois (duo)
1
Piccolo
1
Hautbois, violon (duo)
1
Flûte, Violon, Piano
1
Flûte, Violoncelle, Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
2 Clarinettes, Basson
1
Flûte traversière, Orgue (duo)
1
2 Saxophones, Piano
1
5 Flûtes à bec
1
2 Clarinettes, Piano
1
Piccolo, Piano
1
Clarinette, Orgue
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
143
Quatuor de Cuivres : 2 trompettes, trombone, tuba
90
Trombone et Piano
68
Trompette
55
Ensemble de Trompettes
49
Trombone (partie séparée)
47
Trompette, Piano
47
Trombone
36
Cor
34
Trompette (partie séparée)
34
Ensemble de Trombones
31
Cor et Piano
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
2 Trombones (duo)
27
Trompette, Saxophone (duo)
27
Quatuor de Cuivres
24
Tuba
21
Quatuor de cuivres: 4 trombones
20
Euphonium, Piano (duo)
20
Tuba et Piano
19
2 Trompettes (duo)
19
Trompette, Trombone (duo)
18
Cor (partie séparée)
11
2 Cors (duo)
9
Tuba (partie séparée)
7
2 Euphoniums et 2 Tubas
6
Trio de Cuivres
6
Ensemble de Cors
6
Cor anglais, Piano
5
Instruments en Sib
5
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trompettes
4
2 Tubas (duo)
4
Euphonium
3
Cor Anglais
2
2 Euphoniums (duo)
2
3 Trompettes (trio)
2
4 Tubas
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Bass Clef Instruments
1
Trompette, Euphonium (duo)
1
Trombone et orchestre
1
Euphonium, Tuba (duo)
1
Trombone basse
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
242
Violon et Piano
96
Violon
76
Trio à Cordes: violon, alto, violoncelle
72
Violoncelle, Piano
71
Violoncelle
53
Alto, Piano
48
Violon, Violoncelle (duo)
47
2 Violons (duo)
34
Violon, Alto (duo)
29
Harpe
28
Trio à Cordes: 2 violons, violoncelle
24
2 Violoncelles (duo)
23
Contrebasse, Piano (duo)
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Alto seul
20
Violon (partie séparée)
17
Contre Basse
16
Alto (partie séparée)
16
Contrebasse (partie séparée)
16
2 Altos (duo)
15
Ensemble d'Altos
12
Ensemble de Violons
12
Alto, Violoncelle (duo)
4
Violoncelle (partie séparée)
4
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, alto
3
4 Violoncelles
3
Harpe, Voix
3
2 Harpes (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Guitare (duo)
2
Ensemble de Violoncelles
2
Trio à cordes: 3 altos
2
Harpe, Trombone (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Orgue
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Violon, Basson (duo)
1
Autoharp
1
Violoncelle, Orgue
1
Harpe, Violon, Violoncelle
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
407
Ensemble Jazz
154
Orchestre
153
Orchestre à Cordes
143
Ensemble de cuivres
72
Batterie
43
Jazz combo
34
Orchestre de chambre
32
Cloches
32
Fanfare
28
Batterie (partie séparée)
10
Ensemble de Percussions
9
Xylophone, Piano
5
Marimba
3
Percussion (partie séparée)
3
Cajon
1
Percussion
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
6
Théorie de la musique
1
Vous avez sélectionné:
Take Ten
Voix Soprano, Piano
Partitions à imprimer
23 partitions trouvées
<
1
Poems of Queen Mary Stuart
Voix Soprano, Piano
Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert S…
(+)
Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
14.41 €
#
Voix Soprano, Piano
#
Robert Schumann
#
Robert Schumann
#
Aribert Reimann
#
Poems of Queen Mary Stuart
#
Schott Music - Digital
#
SheetMusicPlus
The Secret History of Water, set 2 (Music by Judith Cloud)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Ju…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
13.52 €
#
Voix Soprano, Piano
#
Judith Cloud
#
The Secret History of Water, set 2
#
Judith Cloud
#
SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
#
Voix Soprano, Piano
#
Maurice Ravel
#
Nicole Elyse DiPaolo
#
Arrière! Je réchauffe les bons
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
The exploding Head
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment fr…
(+)
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
15.31 €
#
Voix Soprano, Piano
#
Christian Jost
#
The exploding Head
#
Schott Music - Digital
#
SheetMusicPlus
Christmas Lullaby
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1345208 By Isaac Watt…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1345208 By Isaac Watts. By Alex Hartel. Christian,Christmas,Holiday,Sacred. 19 pages. Alexander Hartel #930145. Published by Alexander Hartel (A0.1345208). The text is a poem by Isaac Watts (1674-1748), the English hymn-writer better known for such traditional favorites as Joy to the World or When I Survey the Wondrous Cross. Appearing in 1715 under the title, Hush! My Dear, Lie Still and Slumber, the lullaby portrays a mother singing to her baby of the serenity and comfort her baby enjoys, contrasted with the bleak conditions in which the baby Jesus was born. As she sings, the mother figuratively takes her child to the cross and expresses her longing to see the child come to know the Savior who died there. In this setting for solo soprano, accompanied by piano and cello, there are moments of tenderness, interspersed with interludes of intense emotion, finished with a tranquil conclusion.
$4.99
4.5 €
#
Voix Soprano, Piano
#
Isaac Watts
#
Christmas Lullaby
#
Alexander Hartel
#
SheetMusicPlus
When a Mezzo (x2)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Ga…
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
5.4 €
#
Voix Soprano, Piano
#
Gary D
#
 
#
When a Mezzo
#
DR GARY D BELSHAW
#
SheetMusicPlus
After You Hear Me Out from Glory Denied (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8609D-2E Composed by To…
(+)
Soprano voice and piano - Medium - Digital Download SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609D-2E). Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling Jim, writing a letter to her husband prior to his being taken prisoner during the Vietnam War. The first aria captures emotions through a brief snapshot of everyday life. The second takes place after his return from captivity. Alyce has moved on with her life with another man. The aria is painful and moving as she suggests that, while he can see the kids, he certainly doesn't have to see her face ever again.Contents:1. My Darling Jim2. After You Hear Me Out.
$5.00
4.51 €
#
Voix Soprano, Piano
#
Tom Cipullo
#
After You Hear Me Out from Glory Denied
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Adieu, mon petite table - Manon (G Minor)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884729 Composed by Ju…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 pages. Jonathan Prentice #5775861. Published by Jonathan Prentice (A0.884729). Massenet's simple yet intensely moving aria from his opera, Manon. The impressionable young girl, Manon, has been told that her love, Des Grieux will soon be kidnapped by his father's men in order to get him away from her. She knows that the happy days they have spent in Des Grieux's apartment will soon be at an end and takes the opportunity to bid adieu to the table where they ate many meals together.
$1.99
1.79 €
#
Voix Soprano, Piano
#
Jules Massenet
#
Jonathan Prentice
#
Adieu, mon petite table - Manon
#
Jonathan Prentice
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.57 €
#
Voix Soprano, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.87 €
#
Voix Soprano, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.07 €
#
Voix Soprano, Piano
#
Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
#
Voix Soprano, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
#
Voix Soprano, Piano
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lassù
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Daybreak (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E C…
(+)
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8701-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8701-3E). English.Commissioned by the Canadian Art Song Project for soprano Magali Simard-Galdès, winner of the Jeunesses Musicales Maureen Forrester Tour. This piece won second prize in the 2018 NATS Art Song Composition Competition.This song cycle is, in part, a meditation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in time from evening to mid-day to dawn. Images from each poem are woven into the music; the first movement is full of sewing imagery, so in places the pianist imitates the ebb and flow of a sewing machine's ostinato. The playful second movement depicts icicles melting, opening with their unpredictable drips. In the third movement, clouds bloom. Duration: 14:15Contents:I. DuskII. Hubbard's CoveIII. Daybreak.
$9.00
8.11 €
#
Voix Soprano, Piano
#
Tawnie Olson
#
Daybreak
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
MARY'S SONG
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962911 Composed by So…
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Published by Sonny Rios (A0.962911). MARY’S SONG: Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Soprano solo, is in English and has a range of Eb4-B5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing about their pregnancies, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
5.4 €
#
Voix Soprano, Piano
#
Sonny Rios
#
MARY'S SONG
#
Sonny Rios
#
SheetMusicPlus
Sunrise
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.958064 Composed by Jenny McKinn…
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.958064 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual. 4 pages. Jennifer McKinney #3222349. Published by Jennifer McKinney (A0.958064). (for Robert) Taken from the Empty Arms Companion Songbook, this song was written for little Robert, a young boy whose life was taken too soon. It is a song of comfort for any trial in life. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymckinneymusic.com. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
2.69 €
#
Voix Soprano, Piano
#
Jenny McKinney
#
Rebecca Brinkerhoff
#
Sunrise
#
Jennifer McKinney
#
SheetMusicPlus
Chansons de Verlaine
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano…
(+)
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
18.01 €
#
Voix Soprano, Piano
#
John Casken
#
Chansons de Verlaine
#
Schott Music - Digital
#
SheetMusicPlus
Solstice (Downloadable)
Voix Soprano, Piano
Soprano voice solo, piano - Easy - Digital Download SKU: MQ.0171-E Composed by Rand…
(+)
Soprano voice solo, piano - Easy - Digital Download SKU: MQ.0171-E Composed by Randall Thompson. 6 pages. E. C. Schirmer Music Company - Digital #0171-E. Published by E. C. Schirmer Music Company - Digital (MQ.0171-E). English.Solstice is taken from the set Fearful Symmetry by Randall Thompson and is written for baritone and piano. It is a conversational piece about the solstice and the coming of Christmas.
$7.75
6.98 €
#
Voix Soprano, Piano
#
Randall Thompson
#
Solstice
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
This Woman's Heart
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958065 Composed by Je…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958065 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Spiritual. 4 pages. Jennifer McKinney #3222359. Published by Jennifer McKinney (A0.958065). (for Jo and Natalie) Taken from the Empty Arms Companion Songbook, this song is written for the woman who lost the love of her life, be that a sweetheart or a child. It is appropriate for both situations. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymckinneymusic.com. Thank you for your honesty. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
2.69 €
#
Voix Soprano, Piano
#
Jenny McKinney
#
Rebecca Brinkerhoff
#
This Woman's Heart
#
Jennifer McKinney
#
SheetMusicPlus
Let it Be Him
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958061 Composed by Je…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958061 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual. 5 pages. Jennifer McKinney #3222325. Published by Jennifer McKinney (A0.958061). (for Zach) Taken from the Empty Arms Companion Songbook, this song is from the perspective of a mother who has lost her battle with mortality, and desires for her child to survive. Written about a friend who died during childbirth, this song will touch your heart as a parent. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymckinneymusic.com. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
2.69 €
#
Voix Soprano, Piano
#
Jenny McKinney
#
Rebecca Brinkerhoff
#
Let it Be Him
#
Jennifer McKinney
#
SheetMusicPlus
El Angel Guardian (Tres Poemas de Gabriela Mistral)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.866663 Composed by Wayland Roge…
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.866663 Composed by Wayland Rogers. Contemporary. 6 pages. WR Editions #3070481. Published by WR Editions (A0.866663). This is the second song of the cycle Tres Poemas de Gabriela Mistral written for and sung here by Michelle Areyzaga, with Dana Brown, pianist. It is true, it isn't a story; there is a Guardian Angelwho takes you, carries you like the wind and goes with children wherever children go.
$12.00
10.81 €
#
Voix Soprano, Piano
#
Wayland Rogers
#
El Angel Guardian
#
WR Editions
#
SheetMusicPlus
I Will Lift Up Mine Eyes
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1271639 Composed by M…
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1271639 Composed by Mary Rounsavall. Christian,Classical,Instructional,Sacred,Spiritual. 6 pages. Mary Rounsavall #864029. Published by Mary Rounsavall (A0.1271639). I Will Lift Up Mine Eyes is taken from portions of Psalm 121 (KJV) and arranged for Soprano Solo with Piano Accompaniment. Perfect for your vocal studio, sacred event, or private study. Also available for Tenor, Alto, or Bass.
$4.95
4.46 €
#
Voix Soprano, Piano
#
Mary Rounsavall
#
I Will Lift Up Mine Eyes
#
Mary Rounsavall
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale