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Non classifié
3570
PIANO & CLAVIERS
Piano seul
2360
Piano, Voix
1996
Piano, Voix et Guitare
710
Piano Facile
598
Orgue
186
Instruments en Do
147
1 Piano, 4 mains
81
Accompagnement Piano
71
Piano grosses notes
49
Piano Trio: piano, violon, violoncelle
38
Piano (partie séparée)
21
2 Pianos, 4 mains
20
Piano Quatuor: piano, violon, alto, violoncelle
17
Accordéon
14
Orgue, Piano (duo)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Clavecin
6
Clavier
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
3
Ligne De Mélodie, Piano
2
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Accordéon, Voix
1
Orgue et Orchestre
1
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GUITARES
Guitare notes et tablatures
307
Ligne De Mélodie, (Paroles) et Accords
240
Guitare
200
Paroles et Accords
91
Ukulele
78
Basse electrique
63
Guitare (partie séparée)
39
Mandoline
20
Dulcimer
12
2 Guitares (duo)
11
3 Guitares (trio)
8
Banjo
7
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
5
Basse électrique (partie séparée)
3
Ensemble de guitares
2
Ukulele Baryton
2
Guitare, Orchestre
1
2 Ukuleles
1
Orchestre à Plectres
1
Mandoline, Guitare (duo)
1
Guitare Pedal Steel
1
2 Mandolines (duo)
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
1291
Chorale Unison
925
Chorale 3 parties
409
Chorale TTBB
256
Chorale 2 parties
220
Chorale SSAA
143
Voix duo, Piano
55
Voix Soprano, Piano
47
Voix duo
20
Voix seule
18
Chorale
16
Voix haute
13
Soli, choeur mixte et accompagnement
5
Chorale SSAATTBB
4
Voix Tenor
4
Voix Baryton, Piano
3
Voix moyenne, Piano
3
Chorale SSATB
3
Voix Mezzo-Soprano, Piano
3
Voix Tenor, Piano
2
Chorale SSATTB
2
Voix Soprano
2
Voix Alto, Piano
2
Voix basse, Piano
1
Chorale SATTBB A Cappella
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Chorale SSAB, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
281
Saxophone (partie séparée)
257
Quatuor de Saxophones: 4 saxophones
226
Flûte traversière et Piano
209
Flûte traversière
189
Clarinette
179
Flûte, Hautbois, Clarinette, Basson
170
Quintette de Saxophone: 5 saxophones
167
2 Saxophones (duo)
158
Hautbois, Piano (duo)
155
Clarinette et Piano
136
Saxophone Alto et Piano
131
Saxophone Alto
127
Quatuor de Clarinettes: 4 clarinettes
102
2 Flûtes traversières (duo)
100
Saxophone Tenor et Piano
99
2 Clarinettes (duo)
93
Saxophone
89
Ensemble de saxophones
86
Ensemble de Clarinettes
75
Saxophone Soprano et Piano
70
Hautbois (partie séparée)
67
Saxophone Baryton, Piano
59
Quatuor de Flûtes : 4 flûtes
54
Clarinette (partie séparée)
52
Saxophone Tenor
46
Ensemble de Flûtes
41
Saxophone, Clarinette (duo)
39
Flûte, Clarinette (duo)
38
2 Hautbois (duo)
35
3 Saxophones (trio)
34
Hautbois, Basson (duo)
33
Clarinette, Violon (duo)
31
Saxophone Soprano
30
Quintette de Clarinettes: 5 clarinettes
27
Flûte et Guitare
27
3 Clarinettes (trio)
27
2 Flûtes traversières, Piano
26
Clarinette, Trompette (duo)
24
Trio de Flûtes: 3 flûtes
24
Hautbois, Clarinette (duo)
23
Flute (partie séparée)
23
Ensemble De Flûte à bec
23
Clarinette, Basson (duo)
22
Quintette de Flûte : 5 flûtes
22
Hautbois
22
Cor anglais, Piano
21
Saxophone Baryton
19
Flûte, Violon
18
Flûte à bec Soprano
17
Clarinette Basse, Piano
17
Flûte, Trompette (duo)
15
Hautbois, Flûte
15
Clarinette et Alto
14
Flûte, Hautbois, Clarinette (trio)
14
Quatuor de Flûtes à bec
14
Flûte, Saxophone (duo)
14
Flûte, Alto (duo)
14
Clarinette, Violoncelle (duo)
13
Flûte, Violoncelle
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte à Bec
13
Flûte à bec Alto
11
Flûte à bec Alto, Piano
11
Flûte, Hautbois (duo)
10
Flûte, Clarinette et Basson
9
Cor Anglais
8
2 Flûte à bec (duo)
8
Clarinette, Guitare (duo)
8
Hautbois, Violoncelle
8
Piccolo
6
Flûte à bec Tenor
6
Piccolo, Piano
5
Instruments en Mib
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Saxophone et Guitare
4
Flûte à Bec, Piano
4
Harmonica
4
Flûte, Hautbois, Basson
4
2 Clarinettes, Piano
4
5 Flûtes à bec
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Flute, harpe et violon
3
Saxophone et Piano
3
Flûte, Violon, Piano
3
Flûte traversière, Orgue (duo)
3
Flûte, Clarinette, Piano (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Basson et Piano
2
2 Saxophones, Piano
2
Flûte à bec Soprano, Piano
2
Clarinette Basse
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Hautbois, Piano (trio)
2
2 Clarinettes, Basson
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Hautbois, violon (duo)
2
Cor anglais, Guitare (duo)
2
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Ocarina
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, Trombone (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Flûte, Alto et Piano
1
Flûte, trombone et piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
295
Trompette
171
Quatuor de Cuivres : 2 trompettes, trombone, tuba
166
Trombone (partie séparée)
136
Trombone et Piano
135
Trompette, Piano
125
Trompette (partie séparée)
122
Trombone
110
Cor et Piano
95
Cor
94
Quatuor de Cuivres: 2 trompettes, Cor, trombone
68
Quatuor de Cuivres
63
Tuba et Piano
59
Ensemble de Trompettes
50
Tuba
50
2 Trombones (duo)
49
2 Trompettes (duo)
41
Ensemble de Trombones
38
Cor (partie séparée)
37
Euphonium, Piano (duo)
33
Tuba (partie séparée)
29
2 Cors (duo)
28
Quatuor de cuivres: 4 trombones
28
Trompette, Saxophone (duo)
27
Trompette, Trombone (duo)
26
Cor anglais, Piano
21
Quatuor de cuivres: 4 cors
17
Trompette, Cor (duo)
13
2 Euphoniums et 2 Tubas
12
Quatuor de cuivres: 4 trompettes
11
Ensemble de Cors
8
Trio de Cuivres
8
Cor Anglais
8
2 Tubas (duo)
8
Instruments en Sib
7
Cor, Violoncelle (duo)
6
Euphonium
6
Trombone basse
5
4 Tubas
5
Bass Clef Instruments
5
Trombone, Cor (duo)
4
Trombone basse et Piano
4
Trompette et Guitare
3
3 Trompettes (trio)
3
Trompette, Basson (duo)
3
Cor et Basson (duo)
3
Euphonium, Tuba (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums (duo)
2
Trompette, Violoncelle (duo)
2
Cor, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Orgue
2
Trombone et orchestre
2
Cor anglais, Guitare (duo)
2
Ensemble de Tubas
1
Tuba ou Euphonium ou Saxhorn
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Trompette, Euphonium (duo)
1
Trombone, Tuba (duo)
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Cor et Orgue
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Tuba et Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
709
Violon et Piano
300
Violon
226
Violoncelle, Piano
189
Harpe
178
Alto, Piano
165
Trio à Cordes: violon, alto, violoncelle
150
Violon, Violoncelle (duo)
121
Violoncelle (partie séparée)
100
2 Violons (duo)
96
Alto seul
95
Violon (partie séparée)
63
Violoncelle
55
Alto (partie séparée)
55
Violon, Alto (duo)
53
2 Violoncelles (duo)
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
51
Contrebasse (partie séparée)
50
Contrebasse, Piano (duo)
39
2 Altos (duo)
38
Contre Basse
36
Trio à Cordes: 2 violons, violoncelle
32
Alto, Violoncelle (duo)
19
Quatuor à cordes: 4 violons
15
4 Violoncelles
14
Violon, Guitare (duo)
13
Ensemble d'Altos
12
Ensemble de Violons
12
Piano Trio: Violon, Alto, Piano
11
Alto et Basson
8
Violoncelle , Guitare (duo)
8
Violon, Basson (duo)
7
Trio à Cordes: 2 violons, alto
7
Trio à cordes: 3 altos
7
Harpe, Voix
7
Harpe, Flûte (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quatuor à cordes : 4 altos
6
2 Harpes (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Trio à cordes: 3 violins
4
Harpe, Violon (duo)
3
2 Contrebasses (duo)
3
Trio à Cordes: 3 violoncelles
3
Ensemble de Violoncelles
3
4 Contrebasses
2
Alto, Guitare (duo)
2
Violoncelle, Orgue
2
Harpe, Violon, Violoncelle
2
Harpe, Violoncelle (duo)
2
Violoncelle, Contrebasse (duo)
2
Violon, Orgue
2
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Autoharp
1
Trio à cordes
1
2 Violons, Piano
1
Alto, Orgue
1
Harpe et mandoline
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1221
Orchestre à Cordes
342
Orchestre
319
Ensemble Jazz
253
Ensemble de cuivres
167
Cloches
127
Batterie
108
Orchestre de chambre
71
Fanfare
63
Jazz combo
59
Percussion (partie séparée)
38
Batterie (partie séparée)
30
Ensemble de Percussions
27
Xylophone, Piano
10
Marimba
9
Xylophone
5
Percussion
5
Vibraphone
4
Cajon
2
Caisse Claire
1
Marimba, Piano (duo)
1
Vibraphone (partie séparée)
1
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AUTRES
Formation musicale - Solfège
7
Théorie de la musique
1
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Voix Soprano, Piano
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Take My Life, and Let It Be - soprano solo, organ
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by To…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con Spirito Music (A0.726103). Frances Ridley Havergal (1836-1879) published several volumes of poems and hymns, devotions, and other prose writings. She is best known for the consecration hymn text, Take My Life and Let It Be, which here receives a new setting for soprano and organ. Take my life, and let it be consecrated, Lord, to thee;take my moments and my days, let them flow in ceaseless praise.Take my hands, and let them move at the impulse of thy love;take my heart, it is thine own; it shall be thy royal throne. Take my voice, and let me sing always, only, for my King;take my intellect, and use every power as thou shalt choose.Take my will and make it thine; it shall be no longer mine.Take myself, and I will be ever, only, all for thee. Thus my life will truly be consecrated, Lord, to Thee. Amen. ©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
4.58 €
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Voix Soprano, Piano
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Todd Marchand
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it shall be thy royal throne
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Take My Life, and Let It Be - soprano solo, organ
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Con Spirito Music
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SheetMusicPlus
Hope (with Feathers) from Emily!
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-4E Composed by Gwy…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-4E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-4E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: hopeful birds hopping about (Hope with Feathers). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
4.59 €
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Voix Soprano, Piano
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Gwyneth W
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Hope
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The exploding Head
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment fr…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
15.6 €
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Voix Soprano, Piano
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
The Secret History of Water, set 2 (Music by Judith Cloud)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Ju…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
13.77 €
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Voix Soprano, Piano
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Judith Cloud
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The Secret History of Water, set 2
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Judith Cloud
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SheetMusicPlus
The Moon and the Sea from Emily!
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-2E Composed by Gwy…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-2E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-2E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the shimmering moonlight (The Moon and the Sea). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
4.59 €
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Voix Soprano, Piano
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Gwyneth W
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The Moon and the Sea from Emily!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
My Letter to the World from Emily!
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-1E Composed by Gwy…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-1E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-1E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the letters floating off on the breeze (My Letter to the World). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
4.59 €
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Voix Soprano, Piano
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Gwyneth W
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My Letter to the World from Emily!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Poor Wand'ring One - The Pirates of Penzance (G Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884802 Composed by Gi…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884802 Composed by Gilbert and Sullivan. Arranged by Jonathan Prentice. Opera,Romantic Period. 8 pages. Jonathan Prentice #5865819. Published by Jonathan Prentice (A0.884802). Mabel's wonderfully exuberant aria from Gilbert and Sullivan's, The Pirates of Penzance. Having had his pleas rejected by her sisters, Mablel takes pity on the reluctant pirate, Frederick (Here a semitone lower than the original in G Major).
$1.99
1.83 €
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Voix Soprano, Piano
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Gilbert and Sullivan
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Jonathan Prentice
#
Poor Wand'ring One - The Pirates of Penzance
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Jonathan Prentice
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SheetMusicPlus
Poor Wand'ring One - The Pirates of Penzance (Ab Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884801 Composed by Gi…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884801 Composed by Gilbert and Sullivan. Arranged by Jonathan Prentice. Opera,Romantic Period. 8 pages. Jonathan Prentice #5865817. Published by Jonathan Prentice (A0.884801). Mabel's wonderfully exuberant aria from Gilbert and Sullivan's, The Pirates of Penzance. Having had his pleas rejected by her sisters, Mablel takes pity on the reluctant pirate, Frederick (Here in the original Ab Major).
$1.99
1.83 €
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Voix Soprano, Piano
#
Gilbert and Sullivan
#
Jonathan Prentice
#
Poor Wand'ring One - The Pirates of Penzance
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Jonathan Prentice
#
SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.981208 Composed by Ju…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.981208 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686593. Published by Judith Cloud (A0.981208). 24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.58 €
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Voix Soprano, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange
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Judith Cloud
#
SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981207 Composed by Ju…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981207 Composed by Judith Cloud. Contemporary,Standards. 7 pages. Judith Cloud #6686591. Published by Judith Cloud (A0.981207). 24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.58 €
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Voix Soprano, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette
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Judith Cloud
#
SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981211 Composed by Ju…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981211 Composed by Judith Cloud. Contemporary. 4 pages. Judith Cloud #6686601. Published by Judith Cloud (A0.981211). 24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.58 €
#
Voix Soprano, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento
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Judith Cloud
#
SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981213 Composed by Ju…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981213 Composed by Judith Cloud. Contemporary,Standards. 5 pages. Judith Cloud #6686605. Published by Judith Cloud (A0.981213). 24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.58 €
#
Voix Soprano, Piano
#
Judith Cloud
#
24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio
#
Judith Cloud
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.81 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.06 €
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Voix Soprano, Piano
#
Richard Strauss
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Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Poems of Queen Mary Stuart
Voix Soprano, Piano
Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert S…
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Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
14.68 €
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Voix Soprano, Piano
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Robert Schumann
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Robert Schumann
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Aribert Reimann
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Poems of Queen Mary Stuart
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Schott Music - Digital
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
#
Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Chansons de Verlaine
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
18.36 €
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Voix Soprano, Piano
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Adieu, mon petite table - Manon (G Minor)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884729 Composed by Ju…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 pages. Jonathan Prentice #5775861. Published by Jonathan Prentice (A0.884729). Massenet's simple yet intensely moving aria from his opera, Manon. The impressionable young girl, Manon, has been told that her love, Des Grieux will soon be kidnapped by his father's men in order to get him away from her. She knows that the happy days they have spent in Des Grieux's apartment will soon be at an end and takes the opportunity to bid adieu to the table where they ate many meals together.
$1.99
1.83 €
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Voix Soprano, Piano
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Jules Massenet
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Jonathan Prentice
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Adieu, mon petite table - Manon
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Jonathan Prentice
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.22 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Civility
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.36 €
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Voix Soprano, Piano
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Fall of Frost Higher Key
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1024941 Composed by Abigail Gil…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1024941 Composed by Abigail Gilson. Contemporary. 3 pages. Abigail Gilson #3675487. Published by Abigail Gilson (A0.1024941). I WATCHED her face to see which wayShe took the awful news,Whether she died before she heard-Or in protracted bruiseRemained a few short years with us, Each heavier than the last-A further afternoon to fail,As Flower at fall of Frost.The young girl seeing herself give up on her dreams to fulfill her duty. Disappointed in herself but understanding that its her responsibility to take on the task of mother, and wife
$4.99
4.58 €
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Voix Soprano, Piano
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Abigail Gilson
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Fall of Frost Higher Key
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Abigail Gilson
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SheetMusicPlus
Divertimento 6 / Divertissement 6 / Entertainment 6
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by R…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
2.75 €
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Voix Soprano, Piano
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Rudesindo Soutelo
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Divertimento 6 / Divertissement 6 / Entertainment 6
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
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