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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Firs
Sheetmusicplus
Non classifié
6 985
Piano & claviers
Piano, Voix
4 108
Piano seul
4 040
Piano Facile
1 371
Piano, Voix et Guitare
615
Instruments en Do
488
Orgue
378
1 Piano, 4 mains
182
Accompagnement Piano
126
Piano Trio: piano, violon, violoncelle
125
Accordéon
59
2 Pianos, 4 mains
46
Piano Quatuor: piano, violon, alto, violoncelle
20
Orgue, Trompette (duo)
20
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano grosses notes
16
Piano (partie séparée)
16
Clavecin
14
Piano Quatuor: piano, 2 violons, violoncelle
11
Orgue, Piano (duo)
9
Clavier
3
2 Pianos, 8 mains
2
2 Accordéons
1
+ 17 instrumentations
Retracter
Guitares
Guitare
478
Guitare notes et tablatures
378
Ligne De Mélodie, (Paroles) et Accords
145
Ukulele
138
2 Guitares (duo)
56
Guitare (partie séparée)
29
Basse electrique
28
Paroles et Accords
25
4 Guitares (Quatuor)
23
Mandoline
19
Piano, Guitare (duo)
19
Dulcimer
19
Banjo
15
3 Guitares (trio)
8
Ensemble de guitares
7
Mandoline, Guitare (duo)
4
2 Ukuleles
3
Guitare Pedal Steel
3
Mandoline, Piano (duo)
2
Guitare, Quatuor à cordes
2
Ukulele Baryton
2
2 Dulcimers (duo)
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
2 549
Chorale Unison
691
Chorale 3 parties
502
Chorale 2 parties
313
Chorale TTBB
263
Chorale SSAA
206
Voix duo, Piano
75
Voix Soprano, Piano
75
Voix duo
45
Voix haute
45
Voix Tenor, Piano
45
Voix Alto, Piano
39
Pack Instrumental pour Chorale
32
Voix seule
25
Voix Baryton, Piano
23
Voix moyenne, Piano
15
Chorale
12
Voix basse, Piano
8
Chorale SSAATTBB
7
Voix Mezzo-Soprano, Piano
5
Voix Soprano
5
Chorale SSATB
5
Voix Tenor
4
Voix basse
3
Soli, choeur mixte et accompagnement
3
Voix, Guitare
3
Chorale SSAB a cappella
2
Chorale SATBB
2
Voix Soprano, Orchestre
1
Chorale SSATTB
1
Chorale SSAB, Piano
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
557
Quatuor de Saxophones: 4 saxophones
500
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
486
Hautbois, Piano (duo)
409
Clarinette et Piano
377
2 Saxophones (duo)
374
Flûte, Hautbois, Clarinette, Basson
346
Saxophone Alto et Piano
332
Quatuor de Clarinettes: 4 clarinettes
308
Clarinette
287
2 Flûtes traversières (duo)
251
Flûte traversière
244
2 Clarinettes (duo)
237
Quintette de Saxophone: 5 saxophones
209
Saxophone Tenor et Piano
199
Saxophone (partie séparée)
186
Saxophone Alto
185
Saxophone Soprano et Piano
160
Saxophone Tenor
135
3 Saxophones (trio)
132
Quatuor de Flûtes : 4 flûtes
129
Ensemble de saxophones
126
Saxophone, Clarinette (duo)
122
Ensemble de Clarinettes
111
Hautbois (partie séparée)
103
Cor anglais, Piano
102
Flûte, Clarinette (duo)
101
Saxophone Baryton, Piano
99
Clarinette, Violon (duo)
96
3 Clarinettes (trio)
87
Ensemble de Flûtes
82
Quintette de Clarinettes: 5 clarinettes
72
Clarinette, Trompette (duo)
72
2 Hautbois (duo)
72
Trio de Flûtes: 3 flûtes
69
Clarinette Basse, Piano
64
Flûte et Guitare
63
Hautbois, Basson (duo)
62
Flûte, Violon, Piano
60
Flûte, Violon
60
Clarinette (partie séparée)
51
Hautbois, Clarinette (duo)
50
Clarinette et Alto
47
Flûte, Hautbois, Clarinette (trio)
46
Flûte, Saxophone (duo)
43
Hautbois, Flûte
42
2 Flûte à bec (duo)
40
Flûte, Trompette (duo)
38
Quintette de Flûte : 5 flûtes
37
Flûte, Clarinette et Basson
35
Flûte, Alto (duo)
35
2 Flûtes traversières, Piano
33
Saxophone Soprano
31
Flûte, Violon et Violoncelle
30
Flute (partie séparée)
30
Flûte à bec Soprano
29
Flûte, Hautbois, Basson
28
Quatuor de Flûtes à bec
27
Flûte, Violoncelle
25
Hautbois, Clarinette, Basson (trio d'anches)
23
Clarinette, Basson (duo)
22
Clarinette, Guitare (duo)
20
Flûte à bec Soprano, Piano
20
Clarinette, Violoncelle (duo)
18
Flûte à Bec
16
Flûte à bec Alto
16
Flûte à bec Alto, Piano
16
Flûte, Hautbois (duo)
12
Harmonica
12
2 Clarinettes, Basson
12
Flûte, Clarinette, Piano (trio)
11
Ocarina
11
Piccolo, Piano
10
2 Saxophones, Piano
10
Hautbois
9
3 Flûtes à bec (trio)
9
Clarinette, Harpe (duo)
9
Cor Anglais
9
3 Hautbois
7
Hautbois, Violoncelle
7
Flûte à Bec, Piano
7
Hautbois, violon (duo)
7
Flûte, Harpe et Violoncelle
7
2 Clarinettes, Piano
7
Flûte, Hautbois, Piano (trio)
6
Flûte, Violoncelle, Piano (trio)
6
Saxophone, Basson (duo)
6
Ensemble De Flûte à bec
6
Flûte à bec Tenor
6
Saxophone et Guitare
6
Piccolo
5
Flûte, Basson et Piano
5
Flûte irlandaise
5
Hautbois, Guitare (duo)
5
Cor anglais, Guitare (duo)
5
Clarinette, Trombone (duo)
4
Flûte, Trombone (duo)
4
2 Cors Anglais Et Pianoforte
4
Cornemuse
4
Hautbois, Harpe
4
5 Flûtes à bec
4
Ensemble à vent
3
Flûte, Violon, Violoncelle et Piano
3
Flûte traversière, Basse continue
3
Flûte, alto et harpe
3
Flute, harpe et violon
3
Clarinette, Violoncelle, Piano (trio)
3
2 Hautbois et Basson
3
Flûte à bec Alto, Basse continue
3
Flûte traversière, Orgue (duo)
3
Hautbois et alto (duo)
3
Saxophone et Orgue
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Saxophone
2
Hautbois, Clarinette et Piano (Trio)
2
Saxophone et Harpe
2
Saxophone Baryton
2
Flûte, Hautbois, Violon
2
2 Flûtes à bec, Guitare
1
Clarinette Basse
1
Saxophone, Violon (duo)
1
Clarinette, Basson, Piano (trio)
1
Ensemble de Hautbois
1
Clarinette, Alto et Piano (trio)
1
4 Hautbois
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone et violoncelle
1
Flûte de Pan
1
2 Flûtes à bec, Piano
1
Instruments en Mib
1
Clarinette, Contrebasse (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flute, Cor (duo)
1
Flûte, Clarinette, Violon (trio)
1
Melodica
1
Flûte à bec, Guitare (duo)
1
Clarinette, Orgue
1
Saxophone et Piano
1
Flûte, Alto et Piano
1
Hautbois, Basson et Piano
1
Flûte et Trio à cordes
1
+ 136 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
671
Quatuor de Cuivres : 2 trompettes, trombone, tuba
420
Trombone et Piano
275
Trompette
261
Trompette, Piano
237
Cor et Piano
181
Trombone
144
Euphonium, Piano (duo)
122
2 Trombones (duo)
114
Trompette (partie séparée)
112
2 Trompettes (duo)
112
Ensemble de Trompettes
106
Cor anglais, Piano
102
Trombone (partie séparée)
99
Trompette, Saxophone (duo)
90
Quatuor de Cuivres
86
Quatuor de cuivres: 4 trombones
82
Tuba et Piano
79
Cor
75
Ensemble de Trombones
73
Quatuor de Cuivres: 2 trompettes, Cor, trombone
73
Trompette, Trombone (duo)
69
2 Cors (duo)
60
Tuba
50
Quatuor de cuivres: 4 cors
36
Cor (partie séparée)
30
3 Trombones (trio)
28
Tuba (partie séparée)
23
2 Tubas (duo)
18
3 Trompettes (trio)
17
Trompette, Cor (duo)
16
2 Euphoniums et 2 Tubas
15
Ensemble de Cors
15
Trio de Cuivres
15
Quatuor de cuivres: 4 trompettes
13
Euphonium
11
Tuba et Orgue
10
Cor Anglais
9
Euphonium, Tuba (duo)
9
Cor et Harpe
7
4 Tubas
7
Trompette, violon (duo)
6
3 Tubas (trio)
6
Trombone, Orgue
6
3 Cors (trio)
5
Cor anglais, Guitare (duo)
5
Trompette, Harpe
4
Trombone basse et Piano
4
2 Euphoniums (duo)
4
Trombone, Violon (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
2 Cors Anglais Et Pianoforte
4
Cor, Violoncelle (duo)
4
Bass Clef Instruments
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Cor (duo)
3
Trombone, Tuba (duo)
3
Trompette, Basson (duo)
3
Clarinette, Cor (duo)
3
Trombone basse
3
Trompette, Violoncelle et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Trombones, Piano
2
Trombone, violoncelle (duo)
2
Cornet A Pistons
2
Trompette, Tuba (duo)
2
Trompette, Trombone, Piano
2
Cor, Tuba (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
2 Cors, Piano
1
Cor et Orgue
1
Trompette, Violoncelle (duo)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Instruments en Sib
1
+ 70 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 413
Violon et Piano
855
Violoncelle, Piano
471
Violon
460
Alto, Piano
341
Violon, Violoncelle (duo)
303
Violoncelle
293
2 Violons (duo)
270
Harpe
235
Trio à Cordes: violon, alto, violoncelle
228
2 Violoncelles (duo)
186
Violon, Alto (duo)
135
Violon (partie séparée)
131
Trio à Cordes: 2 violons, violoncelle
117
Alto seul
115
2 Altos (duo)
113
Quintette à cordes: 2 violons, alto, violoncelle, basse
100
Alto (partie séparée)
80
2 Harpes (duo)
74
Contrebasse, Piano (duo)
65
Alto, Violoncelle (duo)
55
Contrebasse (partie séparée)
54
Contre Basse
53
4 Violoncelles
53
Trio à cordes: 3 violins
47
Violon, Guitare (duo)
34
Trio à Cordes: 3 violoncelles
34
Violoncelle (partie séparée)
31
Violoncelle, Contrebasse (duo)
22
Quatuor à cordes: 4 violons
20
Harpe, Flûte (duo)
19
Ensemble de Violons
19
Ensemble d'Altos
18
Violoncelle , Guitare (duo)
18
Piano Trio: Violon, Alto, Piano
18
Trio à Cordes: 2 violons, alto
15
Alto, Guitare (duo)
13
Trio à cordes: 3 altos
13
Harpe, Violon (duo)
11
2 Violons, Piano
11
2 Contrebasses (duo)
10
Violon, Basson (duo)
10
Quatuor à cordes : 4 altos
9
Harpe, Violoncelle (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Alto et Basson
6
Harpe, Voix
5
4 Contrebasses
5
Violon, Basse continue
4
Alto et Harpe
4
Flûte, Contrebasse (duo)
4
Trio à cordes
3
Violon, Orgue
3
Violon, Clarinette, Piano (trio)
2
Violoncelle, Orchestre
2
Harpe, Trombone (duo)
2
Harpe et Piano
2
Ensemble de Violoncelles
2
3 Contrebasses
2
Harpe et mandoline
2
Autoharp
2
3 Harpes
1
Violoncelle, Orgue
1
Violon, Violoncelle, Clarinette
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
Violoncelle, Basse continue
1
+ 63 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 423
Orchestre à Cordes
975
Orchestre
666
Ensemble de cuivres
391
Ensemble Jazz
242
Orchestre de chambre
235
Cloches
186
Jazz combo
70
Fanfare
51
Ensemble de Percussions
43
Percussion (partie séparée)
36
Batterie
24
Batterie (partie séparée)
18
Marimba
14
Xylophone, Piano
10
Vibraphone
10
Percussion
5
2 Xylophones
4
Xylophone
3
Orchestre, Violon
3
Caisse Claire
2
Piano et Orchestre
2
Cajon
2
Bongos
2
Quintette de Cuivres: autres combinaisons
2
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Conga
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone et Marimba
1
Ensemble d'École
1
2 Marimbas
1
+ 27 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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FLAMENCO
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GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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The Firs
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Partitions à imprimer
75 partitions trouvées
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51
They Say That Hope Is Happiness
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Brian S
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They Say That Hope Is Happines
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G. Meredith Publications
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.843770 Composed by Brian S. Wilson. Contemporary. 10 pages. G. Meredith Publications #2025123. Published by...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.843770 Composed by Brian S. Wilson. Contemporary. 10 pages. G. Meredith Publications #2025123. Published by G. Meredith Publications (A0.843770). This is the fourth of six songs from the Song Cycle Byron Songs based on poems of Lord Byron's collection of poems entitled Hebrew Melodies. There is an optional flute descant (part sold separately). There is also an arrangement of this song with strings and piano (sold separately). They Say That Hope Is Happiness TEXT They say that Hope is happiness-  But genuine Love must prize the past;And mem'ry wakes the thoughts that bless  They rose the first-they set the last.And all that mem'ry loves the most  Was once our only hope to be:And all that hope adored and lostHath melted into memory.Alas! it is delusion all-  The future cheats us from afar,Nor can we be what we recall,  Nor dare we think on what we are.
$7.00
IN THE BEGINNING. For soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331...
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High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
When the South Wind Sings: Child Moon (Downloadable)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Juliana Hall
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When the South Wind Sings: Chi
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Music Company - Di...
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Soprano voice and piano - Medium - SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Music Company - Digital #8574-6E. Published by E. C. Schirmer Music Company - Digital (MQ.8574-6E). English.This collection follows a narrative in which the first two poems shine bright light on reality after both a literal and a metaphorical storm, after which that light is amplified and changed into a more mysterious atmosphere by a fog that allows the speaker to feel free to confess his sins. The regular cycles of nature provide the winds that blow away that sin from the speaker, once it is confessed, after which the gentle light of a harvest moon provides the healing softness that allows even Death to whisper as a friend. Purification continues as we are reminded of the innocence of children to look up and stare in awe and wonder at the moon’s light, and finally the daily cycle of nature brings night to the town, where the forgiveness of that confessed sin allows its inhabitants to enjoy perfect peace and sleep.Contents1. Follies2. Mask3. Pearl Fog4. The South Wind Says So5. Under The Harvest Moon6. Child Moon7. Between Two Hills.
$6.00
Sun Of The Sleepless from Byron Songs
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian S
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Sun Of The Sleepless from Byro
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G. Meredith Publications
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.843759 Composed by Brian S. Wilson. Contemporary. 7 pages. G. Meredith Publications #2024491. Published by ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.843759 Composed by Brian S. Wilson. Contemporary. 7 pages. G. Meredith Publications #2024491. Published by G. Meredith Publications (A0.843759). This is the first song in the six song cycle Byron Songs based on poems from Lord Byron's Hebrew Melodies.
$7.00
The Secret History of Water, set 2 (Music by Judith Cloud)
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
My Mother's Hands - A Song for Mother's Day
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Voix Soprano, Piano
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FACILE
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Rebecca Summers
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My Mother's Hands - A Song for
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Rebecca Summers
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1240368 Composed by Rebecca Summers. Children,Contemporary,Holiday,Singer/Songwriter. 6 pages. Rebecca Summ...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.1240368 Composed by Rebecca Summers. Children,Contemporary,Holiday,Singer/Songwriter. 6 pages. Rebecca Summers #835745. Published by Rebecca Summers (A0.1240368). A great unison song for Choir or solo vocalist. This song was first performed for Mother's Day in a school setting and speaks of the love between child and mother throughout the ages.
$4.99
The Man I Love
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Voix Soprano, Piano
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AVANCÉ
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instruct...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
In Closer Bonds of Love to Thee (Downloadable)
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Voix Soprano, Piano
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Juliana Hall
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In Closer Bonds of Love to The
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.8698-E Composed by Juliana Hall. 12 pages. E. C. Schirmer Music Company - Digital #8698-E. Publ...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.8698-E Composed by Juliana Hall. 12 pages. E. C. Schirmer Music Company - Digital #8698-E. Published by E. C. Schirmer Music Company - Digital (MQ.8698-E). English.This song is Juliana Hall’s first sacred song, a setting of a hymn text by the great hymn writer of the nineteenth century, Fanny J. Crosby. The song is suitable for concert performance, or for use in a religious service.
$10.00
Let the World Know His Name
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Richard Nye
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Let the World Know His Name
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Riverlight Creative Publishing
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1024340 Composed by Richard Nye. Christian,Contemporary. 7 pages. Riverlight Creative Publishing #2964669. ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1024340 Composed by Richard Nye. Christian,Contemporary. 7 pages. Riverlight Creative Publishing #2964669. Published by Riverlight Creative Publishing (A0.1024340). An anthem for soloist, two voices and piano based on the text from Acts 1:7-10.First performed by the Knighton House Chapel Choir, Ascension Day, 2016.
$2.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
VIVALDI Antonio: Sposa son disprezzata, aria from the opera "Bajazet", - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Sposa son dis
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403476. Published by Really Good Music, LLC. (A0.868693). Sposa son disprezzata is an aria, originally composed by Geminiano Giacomelli (1692 – 1740) for his opera La Merope (1734) and borrowed by Antonio VIVALDI (1678 – 1741) for the pasticcio Bajazet, composed – and compiled – in 1735. Most existing publications of voice and piano arrangement of Sposa son disprezzata date back to the version (far enough from the original), first published in the 1880s. On the contrary, the proposed publication has been realized and arranged by Sergei Pichugin for voice and piano directly from the score manuscript of the opera. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – G5) for high voice.
$5.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Si yo nunca desapareciera (HIGH VOICE)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191597. Published by Kristian S. Rodriguez (A0.1023335). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
After You Hear Me Out from Glory Denied (Downloadable)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Tom Cipullo
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After You Hear Me Out from Glo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #860...
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Soprano voice and piano - Medium - SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609D-2E). Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling Jim, writing a letter to her husband prior to his being taken prisoner during the Vietnam War. The first aria captures emotions through a brief snapshot of everyday life. The second takes place after his return from captivity. Alyce has moved on with her life with another man. The aria is painful and moving as she suggests that, while he can see the kids, he certainly doesn't have to see her face ever again.Contents:1. My Darling Jim2. After You Hear Me Out.
$5.00
Due liriche (CM 2015)
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Voix Soprano, Piano
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Carmelo Mantione
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Ossi di seppia collections
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Due liriche
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Carmelo Mantione
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699....
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Soprano voice,Vocal Solo - SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699. Published by Carmelo Mantione (A0.1012954). These two pieces are based on texts by the great twentieth century poet Eugenio Montale, from Le occasioni and Ossi di seppia collections. The first Non recidere forbice tries to evoke the drama of the text through a melodic line with an articulate profile characterized by taglient intervallari jumps, and a harmony often scarce as thin and desolate is sometimes the poetic text. Antico sono ubriacato della voce is the second text, more extensive, on which the other lyric develops, characterized by the presence of an almost continuous rhythmic movement in the piano part in order to make the one, incessant and deep, of the waters of the sea , protagonist of this poetic song. There are numerous madrigalisms and musical devices designed to underline the expressive climate of each single text expression while trying to maintain a basic unity for the whole composition.
$3.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
When a Mezzo (x2)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
Sappho ... Five Poems by H.D. (2019) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Sappho ... Five Poems by H.D.
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Publishe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Published by Thomas Oboe Lee (A0.869598). Sappho ... Five Poems by H.D. (2019) is dedicated to Öznur Hasibe Tülüoğlu. I heard her sing at her senior recital at the New England Conservatory of Music this spring and I immediately thought I should write a song cycle for her. I love the poetry of H.D. (aka Hilda Doolittle). My first attempt at setting her poems to music was in 2015. The poems in that song cycle focused on several figures from Greek mythology: Adonis, Circe, Lethe, Daphne, Evadne, etc.The words in this cycle are Ms. Doolittle's poetic musings on fragments left behind by the ancient Greek poet Sappho.1. Fragment 41a ... thou flittest to Andromeda.2. Fragment 41c3. Fragment 40 Love ... bitter sweet4. Fragment 113 Neither honey nor bee for me.5. Fragment 68 ... even in the house of Hades.Music by Thomas Oboe LeePoems by H.D.© Hilda Doolittle, from Collected Poems, 1912-1944, copyright © 1982 by the Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp. © Departed Feathers Music, Inc. - BMI Audio link: https://thomasoboelee.bandcamp.com/album/sappho-five-poems-by-h-d-2019Video link: https://youtu.be/NH8baTZxRzg
$9.99
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