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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Music of Being
Non classifié
1 544
Piano & claviers
Piano seul
514
Instruments en Do
216
Piano Facile
129
Piano, Voix
125
Piano, Voix et Guitare
95
Orgue
40
1 Piano, 4 mains
18
Piano Trio: piano, violon, violoncelle
12
Accompagnement Piano
9
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
2
1 Piano, 6 mains
2
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
46
Guitare
40
Ligne De Mélodie, (Paroles) et Accords
39
Ukulele
14
Paroles et Accords
9
4 Guitares (Quatuor)
8
Piano, Guitare (duo)
6
Banjo
6
Basse electrique
5
2 Guitares (duo)
4
Ensemble de guitares
3
Mandoline
3
Cithare
1
Dulcimer
1
Mandoline, Guitare (duo)
1
Ensemble de Ukulélés
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
255
Chorale 3 parties
79
Chorale 2 parties
44
Chorale TTBB
28
Chorale Unison
23
Voix duo, Piano
23
Chorale SSAA
22
Voix Soprano, Piano
10
Voix haute
7
Voix Tenor, Piano
6
Voix Alto, Piano
6
Voix seule
6
Voix duo
4
Voix basse, Piano
2
Voix moyenne, Piano
2
Chorale SSAATTBB
2
Voix Baryton, Piano
2
Voix, Guitare
1
Chorale SAATB A Cappella
1
Chorale SSATB
1
Chorale SSATTB
1
Chorale
1
+ 17 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
167
Quintette de Saxophone: 5 saxophones
162
Flûte, Hautbois, Clarinette, Basson
111
Quatuor de Saxophones: 4 saxophones
111
Flûte traversière et Piano
95
Clarinette et Piano
71
Saxophone Alto
69
Ensemble de saxophones
65
Hautbois, Piano (duo)
65
Saxophone Alto et Piano
57
2 Saxophones (duo)
52
Flûte traversière
51
Clarinette
46
Quatuor de Clarinettes: 4 clarinettes
41
Ensemble de Clarinettes
36
Saxophone Soprano et Piano
31
Saxophone Tenor
31
Saxophone Tenor et Piano
31
3 Saxophones (trio)
29
2 Flûtes traversières, Piano
27
Hautbois (partie séparée)
27
Saxophone Baryton, Piano
25
Quatuor de Flûtes à bec
25
Quintette de Flûte : 5 flûtes
25
Quatuor de Flûtes : 4 flûtes
23
Saxophone (partie séparée)
22
2 Flûtes traversières (duo)
22
2 Clarinettes (duo)
19
Saxophone
18
Quintette de Clarinettes: 5 clarinettes
18
Cor anglais, Piano
17
2 Flûte à bec (duo)
17
Hautbois
16
5 Flûtes à bec
16
Ensemble de Flûtes
12
Trio de Flûtes: 3 flûtes
11
3 Clarinettes (trio)
11
Flûte, Trombone (duo)
10
Flûte, Clarinette (duo)
10
Saxophone Soprano
9
Hautbois, Flûte
8
Saxophone Baryton
8
Clarinette, Basson (duo)
8
3 Flûtes à bec (trio)
7
2 Hautbois (duo)
7
Cor Anglais
7
Clarinette Basse, Piano
6
Flûte à bec Soprano
6
Saxophone, Clarinette (duo)
6
Clarinette, Violon (duo)
5
Flûte à Bec
5
Flûte, Violoncelle, Piano (trio)
4
Flute (partie séparée)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Trompette (duo)
3
Hautbois, Basson (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Alto
3
Flûte à bec Tenor
3
Hautbois, Clarinette (duo)
3
Clarinette Basse
3
Flûte, Violon, Piano
2
Flûte, Trompette (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Ensemble De Flûte à bec
2
Flûte, Clarinette et Basson
2
Flûte et Trio à cordes
2
Clarinette et Alto
2
Flûte, Saxophone (duo)
2
Flûte et Guitare
2
Ocarina
2
Ensemble à vent
2
Flûte, Violon
2
Flûte, Alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
4 Hautbois
1
Ensemble de Hautbois
1
Flûte à bec Soprano, Piano
1
3 Hautbois
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Guitare
1
Harmonica
1
Flûte irlandaise
1
Hautbois, Basson et Piano
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois (duo)
1
Flûte à Bec, Piano
1
Clarinette, Orgue
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flute, harpe et violon
1
+ 87 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
217
Ensemble de Trompettes
112
Quatuor de Cuivres : 2 trompettes, trombone, tuba
104
Trompette, Piano
55
Trompette
55
Trombone et Piano
52
Trombone
40
Cor et Piano
38
Ensemble de Trombones
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
34
Cor
34
Tuba
33
Tuba et Piano
31
Ensemble de Cors
20
Quatuor de Cuivres
17
Cor anglais, Piano
17
Euphonium, Piano (duo)
13
Quatuor de cuivres: 4 trombones
13
2 Trompettes (duo)
13
Quatuor de cuivres: 4 trompettes
12
Quatuor de cuivres: 4 cors
10
2 Trombones (duo)
9
4 Tubas
8
Euphonium
8
Cor Anglais
7
2 Cors (duo)
6
Trompette, Trombone (duo)
5
2 Euphoniums et 2 Tubas
5
Trompette, Saxophone (duo)
4
Trompette (partie séparée)
4
Trompette, Cor (duo)
4
Tuba et Orgue
4
2 Tubas (duo)
3
Trio de Cuivres
2
3 Cors (trio)
2
Trombone, Orgue
2
3 Trompettes (trio)
2
3 Tubas (trio)
2
3 Trombones (trio)
2
Trombone basse
1
Cor et Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
Trombone (partie séparée)
1
Cor, Tuba (duo)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
211
Violon et Piano
98
Violon
91
Violoncelle, Piano
76
Alto, Piano
65
Violoncelle
64
Alto seul
42
Trio à Cordes: violon, alto, violoncelle
41
Contrebasse, Piano (duo)
28
Contre Basse
23
Violon, Violoncelle (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Violon, Alto (duo)
19
Harpe
18
2 Violons (duo)
16
Trio à Cordes: 2 violons, violoncelle
14
Ensemble de Violons
14
4 Violoncelles
14
2 Altos (duo)
13
2 Violoncelles (duo)
13
Ensemble d'Altos
12
2 Harpes (duo)
12
Alto (partie séparée)
10
Quatuor à cordes: 4 violons
9
Trio à cordes: 3 violins
9
Trio à cordes: 3 altos
7
Trio à Cordes: 3 violoncelles
7
Alto, Violoncelle (duo)
7
Violoncelle, Contrebasse (duo)
6
Quatuor à cordes : 4 altos
6
Harpe, Voix
6
Harpe, Quatuor à cordes
3
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Basse continue
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Violon, Violoncelle
2
Contrebasse (partie séparée)
2
3 Harpes
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
Violon, Guitare (duo)
1
4 Contrebasses
1
Violoncelle (partie séparée)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
417
Orchestre
78
Orchestre à Cordes
76
Ensemble de cuivres
69
Ensemble Jazz
50
Orchestre de chambre
47
Marimba
19
Cloches
18
Jazz combo
17
Ensemble de Percussions
7
Ensemble d'École
4
Xylophone, Piano
3
Orchestre, Violon
2
Fanfare
2
Batterie
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Voix Mezzo-Soprano, Orchestre
1
Percussion (partie séparée)
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
The Music of Being
Voix Soprano, Piano
Partitions à imprimer
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1
The Secret History of Water, set 2 (Music by Judith Cloud)
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
Sifting the Stars
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sally Whitwell
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Sifting the Stars
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published b...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published by Sally Whitwell (A0.873028). Composer’s Note - Sifting the StarsIn 2015 I was commissioned by Sydney Philharmonia Choirs to create a Christmas show for kids. Being me, I decided that I wanted to make it a narrative show because I’m ambitious that way. It was called Cog in the Machine (a family Christmas tale with a twist) and alongside the carols was a gentle commentary on the commercialisation of the festive season, and how our priorities of family celebration are often overshadowed by the extravagance of gift giving.One of the main characters in the story is a smart, sassy teenage girl called Stella. She loves science, particularly astronomy (hence the name!) and it was therefore a family tradition for her to put the star on the top of the Christmas tree each year. This particular Christmas, she has a bit of a disagreement with her mother and as she’s putting the star on the tree, she goes into a kind of dream sequence, floating about the galaxies inside her head, trying to process her adolescent need for independence and protection in equal amounts. It’s a coming of age song.-- Sally Whitwell
$2.99
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Six Songs
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Voix Soprano, Piano
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AVANCÉ
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Heinz Holliger
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Six Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced to difficult - SKU: S9.Q5809 After Poems of Christian Morgenstern. Composed by Heinz Holliger. This edition: S...
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Soprano voice and piano - advanced to difficult - SKU: S9.Q5809 After Poems of Christian Morgenstern. Composed by Heinz Holliger. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q5809. Published by Schott Music - Digital (S9.Q5809). German.Comparable to Alban Berg whose 'Seven Early Songs' show through in the music, Heinz Holliger has picked out some truly rapturous youth songs, set them up in easy arrangements and scored them for orchestra. Apart from being used as piano reduction, the original meaning of this edition remains evident: another piece in the great tradition of the German lied for voice and piano.
$19.99
The Ballad of the White Horse, Op. 22 (for soprano voice and piano)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ian Deterling
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The Ballad of the White Horse,
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Ian Deterling
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1430871 Composed by Ian Deterling. 21st Century,Classical. 23 pages. Ian Deterling #1011375. Published by I...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1430871 Composed by Ian Deterling. 21st Century,Classical. 23 pages. Ian Deterling #1011375. Published by Ian Deterling (A0.1430871). Drawing inspiration from traditional Celtic music and English art songs, The Ballad of the White Horse tells the story of King Alfred, whose kingdom is being overrun by heathen invaders. Text by G. K. Chesterton and commissioned by Aidan Jones. Range of the soprano part: C4-A5.
$15.00
After You Hear Me Out from Glory Denied (Downloadable)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Tom Cipullo
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After You Hear Me Out from Glo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #860...
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Soprano voice and piano - Medium - SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609D-2E). Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling Jim, writing a letter to her husband prior to his being taken prisoner during the Vietnam War. The first aria captures emotions through a brief snapshot of everyday life. The second takes place after his return from captivity. Alyce has moved on with her life with another man. The aria is painful and moving as she suggests that, while he can see the kids, he certainly doesn't have to see her face ever again.Contents:1. My Darling Jim2. After You Hear Me Out.
$5.00
Daybreak (Downloadable)
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Voix Soprano, Piano
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Tawnie Olson
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Daybreak
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8701-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8701-3E). English.Commissioned by the Canadian Art Song Project for soprano Magali Simard-Galdès, winner of the Jeunesses Musicales Maureen Forrester Tour. This piece won second prize in the 2018 NATS Art Song Composition Competition.This song cycle is, in part, a meditation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in time from evening to mid-day to dawn. Images from each poem are woven into the music; the first movement is full of sewing imagery, so in places the pianist imitates the ebb and flow of a sewing machine's ostinato. The playful second movement depicts icicles melting, opening with their unpredictable drips. In the third movement, clouds bloom. Duration: 14:15Contents:I. DuskII. Hubbard's CoveIII. Daybreak.
$9.00
Kindertodtenlieder (2020) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Kindertodtenlieder
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5751651. Published by Thomas Oboe Lee (A0.869653). I am not a huge fan of Mahler's music but his Kindertotenlieder is a cultural gem! I inadvertently discovered that the poet Friedrich Rückert who penned Kindertodtenlieder (yes, with a d ... LOL!) wrote 400-plus of these KTL poems after his two youngest children died of scarlet fever. I bought the book @ Amazon. After plowing through 442 of them, I winnowed it down to ten poems for my song cycle. It is scored for soprano and piano. NB: I cannot afford an orchestra, and it would be too much unnecessary work. LOL!!! The entire song cycle has a duration of ca. 35 minutes. It ends like a mechanical music box while the soprano sings a lullaby. Sleep is of course a perfect metaphor for being dead. Enjoy!!!https://thomasoboelee.bandcamp.com/album/kindertodtenlieder-2020
$9.99
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The Music of Being
