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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Script
Non classifié
2 538
Piano & claviers
Piano seul
1 648
Piano Facile
757
Piano, Voix
382
Piano, Voix et Guitare
361
Orgue
111
Instruments en Do
111
1 Piano, 4 mains
51
2 Pianos, 4 mains
18
Accordéon
17
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
8
Piano (partie séparée)
7
Orgue, Piano (duo)
4
Piano grosses notes
2
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
2 430
Basse electrique
1 253
Guitare
213
Ligne De Mélodie, (Paroles) et Accords
40
Ukulele
24
Paroles et Accords
16
2 Guitares (duo)
11
4 Guitares (Quatuor)
8
Guitare (partie séparée)
7
Piano, Guitare (duo)
6
Banjo
5
Dulcimer
4
Mandoline
3
+ 8 instrumentations
Retracter
Voix
Chorale SATB
446
Chorale Unison
124
Chorale 3 parties
78
Chorale 2 parties
38
Voix haute
30
Chorale TTBB
30
Voix seule
18
Voix duo
18
Voix Soprano, Piano
17
Voix duo, Piano
12
Chorale SSAA
11
Voix Alto, Piano
8
Pack Instrumental pour Chorale
5
Voix Baryton, Piano
5
Voix basse
4
Voix Tenor, Piano
4
Voix Tenor
4
Chorale
3
Voix moyenne, Piano
3
Voix Soprano
2
Voix, Guitare
2
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
+ 20 instrumentations
Retracter
Vents
Saxophone (partie séparée)
1 215
Saxophone Tenor
953
Saxophone Alto
930
Hautbois (partie séparée)
600
Clarinette
529
Flûte traversière
509
Quatuor de Saxophones: 4 saxophones
265
Flûte, Hautbois, Clarinette, Basson
252
Quatuor de Clarinettes: 4 clarinettes
231
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
212
Quintette de Saxophone: 5 saxophones
158
Flûte traversière et Piano
128
Saxophone Alto et Piano
102
Clarinette et Piano
92
2 Saxophones (duo)
71
Hautbois, Piano (duo)
58
Ensemble de Clarinettes
45
Saxophone Tenor et Piano
44
Cor Anglais
38
Quatuor de Flûtes : 4 flûtes
35
2 Flûtes traversières (duo)
35
Saxophone Soprano et Piano
29
2 Clarinettes (duo)
27
Saxophone
26
3 Saxophones (trio)
23
Saxophone Soprano
19
Saxophone Baryton, Piano
17
Flûte et Guitare
13
Flûte, Violon, Piano
13
3 Clarinettes (trio)
13
Ensemble de Flûtes
13
Flûte, Clarinette (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Hautbois
11
Quatuor de Flûtes à bec
10
2 Flûte à bec (duo)
10
Cor anglais, Piano
10
Flûte à bec Alto
8
2 Hautbois (duo)
8
Clarinette Basse, Piano
7
Ensemble de saxophones
7
Quintette de Flûte : 5 flûtes
7
Hautbois, Guitare (duo)
6
Trio de Flûtes: 3 flûtes
6
Saxophone et Guitare
6
3 Flûtes à bec (trio)
5
Clarinette, Violon (duo)
5
Flûte, Violon
5
Saxophone Baryton
5
Clarinette (partie séparée)
5
Clarinette, Basson (duo)
4
Flute (partie séparée)
4
Saxophone, Clarinette (duo)
4
Flûte, Clarinette et Basson
3
5 Flûtes à bec
3
Flûte, Violoncelle
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à Bec
3
2 Cors Anglais Et Pianoforte
2
Flûte à bec Soprano
2
Flûte, Alto (duo)
2
Flûte à bec Soprano, Piano
2
2 Saxophones, Piano
2
Clarinette Basse
2
Hautbois, Clarinette (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Trompette (duo)
2
Clarinette, Trompette (duo)
2
Hautbois, Basson (duo)
2
Harmonica
2
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
4 Hautbois
1
Saxophone et Orgue
1
Flûte, Alto et Violoncelle
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Piano (trio)
1
Instruments en Mib
1
Hautbois, Harpe
1
Clarinette, Violoncelle (duo)
1
Clarinette, Harpe (duo)
1
Flûte à bec Tenor
1
Hautbois, Flûte
1
Flûte, Basson et Piano
1
Flûte à bec Alto, Piano
1
+ 84 instrumentations
Retracter
Cuivres
Trompette
537
Trombone
528
Cor
404
Tuba
349
Euphonium
333
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
177
Quatuor de Cuivres : 2 trompettes, trombone, tuba
86
Trompette (partie séparée)
80
Trompette, Piano
58
Cor Anglais
38
Trombone et Piano
34
Tuba et Piano
31
Cor et Piano
31
Quatuor de Cuivres
27
Trombone (partie séparée)
24
2 Trompettes (duo)
17
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
11
Ensemble de Trombones
11
Cor anglais, Piano
10
2 Cors (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
4 Tubas
7
Trompette, Trombone (duo)
7
Euphonium, Piano (duo)
7
3 Euphoniums
5
3 Trombones (trio)
5
Quatuor de cuivres: 4 trompettes
5
Cor (partie séparée)
4
Ensemble de Cors
4
3 Tubas (trio)
3
Trompette, violon (duo)
3
Tuba (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Trompette, Cor (duo)
3
2 Cors Anglais Et Pianoforte
2
Ensemble de Trompettes
2
Trompette, Saxophone (duo)
2
Trombone, Cor (duo)
2
3 Cors (trio)
2
Euphonium, Tuba (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle (duo)
1
Trompette, Euphonium (duo)
1
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
Bass Clef Instruments
1
+ 44 instrumentations
Retracter
Cordes
Violon
962
Violoncelle
599
Quatuor à cordes: 2 violons, alto, violoncelle
392
Alto seul
359
Alto (partie séparée)
219
Violon et Piano
216
Alto, Piano
115
Violoncelle, Piano
101
Trio à Cordes: violon, alto, violoncelle
67
Violon, Violoncelle (duo)
56
2 Violons (duo)
44
Violon, Alto (duo)
39
Contre Basse
35
2 Altos (duo)
34
Trio à cordes
30
2 Violoncelles (duo)
28
Harpe, Violon (duo)
16
Contrebasse, Piano (duo)
15
Violon, Guitare (duo)
14
Violon (partie séparée)
14
Quatuor à cordes: 4 violons
13
Harpe
12
Alto, Violoncelle (duo)
12
Contrebasse (partie séparée)
9
4 Violoncelles
9
Trio à cordes: 3 altos
9
Trio à cordes: 3 violins
8
Violoncelle , Guitare (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe, Flûte (duo)
5
Alto, Guitare (duo)
5
Trio à Cordes: 3 violoncelles
5
Trio à Cordes: 2 violons, violoncelle
5
Quatuor à cordes : 4 altos
4
Harpe, Quatuor à cordes
4
Violoncelle, Contrebasse (duo)
3
Ensemble de Violoncelles
3
Trio à Cordes: 2 violons, alto
3
Violoncelle (partie séparée)
3
Piano Trio: Violon, Alto, Piano
2
2 Violoncelles, Piano
2
4 Contrebasses
1
Harpe, Voix
1
Violoncelle, Orgue
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Batterie
855
Orchestre d'harmonie
579
Orchestre
205
Ensemble Jazz
93
Orchestre à Cordes
88
Jazz combo
61
Ensemble de cuivres
59
Orchestre de chambre
49
Cloches
46
Big band
8
Fanfare
7
Batterie (partie séparée)
6
Marimba
5
Percussion (partie séparée)
3
Vibraphone
2
Ensemble de Percussions
2
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
The Script
Voix Soprano, Piano
Partitions à imprimer
17 partitions trouvées
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1
There's A Voice In The Wilderness for Soprano by Mark Andersen
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Voix Soprano, Piano
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FACILE
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Mark Andersen and Janiel Mille
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There's A Voice In The Wildern
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International Artists Foundation
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1122362 By Mark Andersen and Janiel Miller. By Mark Andersen. Classical,Religious,Sacred. 10 pages. Interna...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.1122362 By Mark Andersen and Janiel Miller. By Mark Andersen. Classical,Religious,Sacred. 10 pages. International Artists Foundation #723520. Published by International Artists Foundation (A0.1122362). A beautiful vocal solo based upon scripture and composed by Mark Andersen. Suitable for Advent Services or Recital Work.
$10.00
Romans 6:23 (Scripture Song)
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Voix Soprano, Piano
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FACILE
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Musique Sacrée
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Ginger Stidd
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Romans 6:23
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Ginger Stidd
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.878026 Composed by Ginger Stidd. Children,Christian,Gospel,Praise & Worship,Sacred. 1 pages. Ginger Stidd #...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.878026 Composed by Ginger Stidd. Children,Christian,Gospel,Praise & Worship,Sacred. 1 pages. Ginger Stidd #35023. Published by Ginger Stidd (A0.878026). Scripture song, from Romans 6:23 (KJV) For the wages of sin..... Published by Ginger Stidd.
$1.99
John 3:16 (Scripture Song)
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Voix Soprano, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Ginger Stidd
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John 3:16
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Ginger Stidd
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.878029 Composed by Ginger Stidd. Children,Christian,Gospel,Praise & Worship,Sacred. 1 pages. Ginger Stidd #...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.878029 Composed by Ginger Stidd. Children,Christian,Gospel,Praise & Worship,Sacred. 1 pages. Ginger Stidd #35029. Published by Ginger Stidd (A0.878029). Scripture song. John 3:16 (KJV) For God so loved the world... Published by Ginger Stidd.
$1.99
Joy to the world
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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G
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Maurizio Chiavaroli
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Joy to the world
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Maurizio Chiavaroli
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.790365 Composed by G.F.Haendel. Arranged by Maurizio Chiavaroli. Baroque. 4 pages. Maurizio Chiavaroli #347...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.790365 Composed by G.F.Haendel. Arranged by Maurizio Chiavaroli. Baroque. 4 pages. Maurizio Chiavaroli #3474205. Published by Maurizio Chiavaroli (A0.790365). Trascrizione per soprano e pianoforte del celebre brano Joy to the world di G.F.HaendelTranscription for soprano voice and piano of the celebrity air Joy to the world by G.F.Haendel.
$4.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Two Hymns
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Maria Burke-Clark and Maria Th
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Two Hymns
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H. Gabriel. Arrang...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H. Gabriel. Arranged by Maria Thompson Corley and Maria Burke-Clark. Sacred. 14 pages. Maria Thompson Corley #887710. Published by Maria Thompson Corley (A0.1297739). These scores are transcriptions of improvisations recorded for Soul Sanctuary, a collection of my arrangements of hymns and spirituals released by Navona in 2022. They should be performed with great freedom and expression. The metronome marks are only for reference; these pieces should never sound metronomic.
$15.00
Liriche
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Voix Soprano, Piano
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Nino Rota
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Liriche
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Schott Music - Digital
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SheetMusicPlus
Soprano voice or tenor voice and piano - SKU: S9.Q44807 For voice and piano. Composed by Nino Rota. This edition: single sheet. Downloadable, sin...
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Soprano voice or tenor voice and piano - SKU: S9.Q44807 For voice and piano. Composed by Nino Rota. This edition: single sheet. Downloadable, single sheet. Duration 13 minutes. Schott Music - Digital #Q44807. Published by Schott Music - Digital (S9.Q44807). Italian.Between 1921 and 1938 Nino Rota composed twenty-one pieces for voice and piano, five of which he approved for printing. These early works made him known in the music world. The lyrics are of different origin: poems by the Indian Nobel Prize winner Tagore, a sonnet by Petrarch as well as a Tuscan folksong which was at the same time his last vocal chamber music work. Three of the songs contained in this new edition are printed in different keys, as can already be found in Rota's manuscripts.
$21.99
For Your Eyes Only
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sheena Easton
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Jan Angermüller
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For Your Eyes Only
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Elbsound.studio
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.857021 By Sheena Easton. By Bill Conti. Arranged by Jan Angermüller. Contemporary. 8 pages. Elbsound.stu...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.857021 By Sheena Easton. By Bill Conti. Arranged by Jan Angermüller. Contemporary. 8 pages. Elbsound.studio #3508853. Published by Elbsound.studio (A0.857021). Transcription of the original Sheena Easton recording for piano and vocals. Includes chord symbols.4 Pages
$8.99
Cantata N.209 "Non sa che sia dolore"
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Andrea Albertin
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Cantata N.209 "Non sa che
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Andrea Albertin Edition
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.940522 Composed by Johann Sebastian Bach. Arranged by Andrea Albertin. Baroque,Concert. 42 pages. Andrea Al...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.940522 Composed by Johann Sebastian Bach. Arranged by Andrea Albertin. Baroque,Concert. 42 pages. Andrea Albertin Edition #3377933. Published by Andrea Albertin Edition (A0.940522). Concert transcription of Bach's Cantata n.209 for soprano and organ from the original for soprano and orchestra.Duration: 20 minutesSkill: difficult.
$19.99
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