Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Stand - Oboe
Non classifié
9 986
Piano & claviers
Piano seul
10 214
Piano, Voix et Guitare
4 175
Piano, Voix
3 663
Piano Facile
3 283
Instruments en Do
1 999
Piano grosses notes
1 291
Orgue
880
Accompagnement Piano
362
1 Piano, 4 mains
338
Accordéon
174
Piano Trio: piano, violon, violoncelle
93
Piano (partie séparée)
76
2 Pianos, 4 mains
69
Piano Quatuor: piano, 2 violons, violoncelle
56
Ligne De Mélodie, Piano
54
Piano Quatuor: piano, violon, alto, violoncelle
50
Accordéon, Voix
16
Clavecin
15
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Orgue, Piano (duo)
14
1 Piano, 6 mains
13
Orgue, Trompette (duo)
12
Clavier
11
2 Pianos, 8 mains
5
Instrument seul et Orgue
2
2 Accordéons
1
Accordéon, Piano
1
+ 22 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
6 143
Guitare notes et tablatures
3 745
Guitare
1 470
Ukulele
1 112
Basse electrique
711
Paroles et Accords
322
Dulcimer
199
2 Guitares (duo)
152
Guitare (partie séparée)
127
Banjo
114
Mandoline
61
Ensemble de guitares
37
Piano, Guitare (duo)
34
Ensemble de Ukulélés
28
4 Guitares (Quatuor)
23
Ukulele Baryton
22
2 Dulcimers (duo)
21
3 Guitares (trio)
19
Mandoline, Piano (duo)
10
Dobro
8
2 Ukuleles
4
Basse électrique (partie séparée)
4
Guitare, Violon, Violoncelle (trio)
3
Guitare Pedal Steel
3
Luth
1
2 Mandolines (duo)
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
1 884
Chorale 2 parties
1 129
Chorale 3 parties
961
Voix duo, Piano
555
Chorale TTBB
464
Pack Instrumental pour Chorale
459
Chorale Unison
434
Voix haute
304
Chorale SSAA
244
Voix seule
162
Voix duo
112
Chorale
94
Voix Soprano, Piano
69
Voix Alto, Piano
56
Voix moyenne, Piano
37
Voix Tenor, Piano
34
Voix Baryton, Piano
23
Voix basse, Piano
12
Voix Tenor
12
Voix basse
11
Voix Soprano
4
Soli, choeur mixte et accompagnement
3
Chorale SSATB
3
Voix, Guitare
2
Chorale SSATBB
2
Chorale SSAATTBB
1
Voix Baryton
1
Chorale SSAB, Piano
1
Chorale SSAB a cappella
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 109
2 Saxophones (duo)
1 038
Quatuor de Saxophones: 4 saxophones
986
Clarinette et Piano
816
Saxophone (partie séparée)
728
Saxophone Alto et Piano
659
2 Clarinettes (duo)
585
2 Flûtes traversières (duo)
564
Flûte traversière
555
Clarinette
550
Saxophone Tenor et Piano
511
Quatuor de Clarinettes: 4 clarinettes
488
Saxophone Soprano et Piano
470
Saxophone Alto
460
Saxophone Tenor
401
Flûte, Clarinette (duo)
311
Quintette de Saxophone: 5 saxophones
292
Quatuor de Flûtes : 4 flûtes
289
Instruments en Mib
288
Saxophone, Clarinette (duo)
256
Clarinette, Violon (duo)
196
Saxophone Baryton, Piano
195
3 Clarinettes (trio)
174
Clarinette, Trompette (duo)
165
Ensemble de saxophones
159
Ensemble de Clarinettes
157
Trio de Flûtes: 3 flûtes
126
Flûte et Guitare
126
Flûte, Violon
121
3 Saxophones (trio)
116
2 Flûte à bec (duo)
116
Cor anglais, Piano
107
Clarinette et Alto
104
Ensemble de Flûtes
103
Flûte, Saxophone (duo)
98
Clarinette (partie séparée)
92
Flûte, Alto (duo)
85
Flûte irlandaise
82
Flute (partie séparée)
80
Flûte, Trompette (duo)
79
Clarinette Basse, Piano
73
Quintette de Clarinettes: 5 clarinettes
69
Flûte à Bec
56
Ocarina
52
Flûte à bec Soprano
47
Flûte, Violoncelle
46
Quintette de Flûte : 5 flûtes
41
Saxophone
40
Saxophone Soprano
39
Clarinette, Basson (duo)
38
Flûte, Clarinette et Basson
38
Clarinette, Guitare (duo)
36
Clarinette, Violoncelle (duo)
33
Harmonica
32
Flûte, Violon, Piano
30
Ensemble De Flûte à bec
28
Saxophone Baryton
28
Flûte, Trombone (duo)
26
Quatuor de Flûtes à bec
23
Flûte à bec Alto
21
Cor Anglais
19
Clarinette, Trombone (duo)
19
Flûte à bec Soprano, Piano
18
2 Clarinettes, Piano
18
Flûte, Violoncelle, Piano (trio)
12
Flûte à bec Alto, Piano
12
Flûte, Clarinette, Piano (trio)
12
Clarinette Basse
11
Clarinette, Harpe (duo)
11
2 Saxophones, Piano
10
Flûte, Violon, Violoncelle et Piano
10
Flûte à bec Tenor
10
Clarinette, Violoncelle, Piano (trio)
10
Piccolo, Piano
9
Saxophone et Harpe
9
2 Clarinettes, Basson
8
2 Flûtes traversières, Piano
8
Flûte, Basson et Piano
7
3 Flûtes à bec (trio)
6
Flûte, Violon et Violoncelle
6
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
6
Saxophone et Orgue
6
2 Cors Anglais Et Pianoforte
6
Flute, Cor (duo)
5
Saxophone, Violon (duo)
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
5 Flûtes à bec
4
Flute, harpe et violon
4
Clarinette, Alto et Piano (trio)
4
Flûte, Clarinette, Violon (trio)
4
Saxophone et Guitare
4
Flûte à bec, Guitare (duo)
4
Flûte, Alto et Piano
4
Flûte, Tuba (duo)
3
Cor anglais et Harpe (duo)
3
Clarinette, Basson, Piano (trio)
3
Piccolo
3
Flûte traversière, Orgue (duo)
3
Saxophone et Piano
2
Saxophone et violoncelle
2
Clarinette, Orgue
2
Flûte et Trio à cordes
2
Saxophone, Basson (duo)
2
Cornemuse
2
Clarinette, trompette et piano
1
Flûte, alto et harpe
1
Flûte à bec Alto, Basse continue
1
Cor anglais, Guitare (duo)
1
Flûte, trombone et piano
1
+ 104 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
680
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
636
Trompette
586
Trompette, Piano
554
Trombone et Piano
504
Trompette (partie séparée)
476
Trombone (partie séparée)
466
Cor et Piano
394
Bass Clef Instruments
388
Trombone
375
2 Trompettes (duo)
306
2 Trombones (duo)
289
Cor
281
Instruments en Sib
278
Quatuor de Cuivres: 2 trompettes, Cor, trombone
276
Quatuor de Cuivres
227
Trompette, Saxophone (duo)
187
Trompette, Trombone (duo)
167
Euphonium, Piano (duo)
139
Tuba et Piano
137
Tuba
113
Cor anglais, Piano
107
2 Cors (duo)
101
Trompette, Cor (duo)
94
Ensemble de Trompettes
92
Cor (partie séparée)
75
Quatuor de cuivres: 4 trombones
60
Tuba (partie séparée)
50
Ensemble de Trombones
45
Quatuor de cuivres: 4 cors
40
Trio de Cuivres
39
Quatuor de cuivres: 2 trompettes, 2 trombones
29
2 Tubas (duo)
28
3 Trombones (trio)
25
Tuba et Orgue
23
Euphonium
20
2 Euphoniums (duo)
19
Cor Anglais
19
3 Trompettes (trio)
17
Cor, Tuba (duo)
12
2 Euphoniums et 2 Tubas
12
Cor et Harpe
10
Trompette, violon (duo)
9
Quatuor de cuivres: 4 trompettes
9
Trombone, Tuba (duo)
9
Trompette et Guitare
9
4 Tubas
9
Euphonium, Tuba (duo)
9
Cor, Violoncelle (duo)
7
Trompette, Tuba (duo)
6
Trompette, Harpe
6
2 Cors Anglais Et Pianoforte
6
Tuba ou Euphonium ou Saxhorn
5
Clarinette, Cor (duo)
5
Ensemble de Cors
5
Trompette, Violoncelle et Piano
5
2 Trompettes, Clavier (piano ou orgue)
5
Trompette, Trombone, Piano
4
Trombone basse et Piano
4
Trompette, Violoncelle (duo)
4
Cor et Orgue
3
Cor anglais et Harpe (duo)
3
Trombone, Violon (duo)
2
2 Cors, Piano
2
Trombone, Orgue
2
Trompette, Euphonium (duo)
2
Trombone, Cor (duo)
2
3 Cors (trio)
2
Trombone, Alto (duo)
1
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
Trombone, violoncelle (duo)
1
Cornet et Piano
1
2 Trombones, Piano
1
Trombone basse
1
+ 70 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 945
Violon et Piano
1 254
Violon
781
Violoncelle, Piano
751
Alto, Piano
683
Violoncelle
567
2 Violons (duo)
483
Violon, Violoncelle (duo)
461
Harpe
376
2 Violoncelles (duo)
369
Trio à Cordes: violon, alto, violoncelle
348
Violon, Alto (duo)
325
Alto seul
324
2 Altos (duo)
235
Contrebasse, Piano (duo)
142
Contrebasse (partie séparée)
124
2 Harpes (duo)
123
Contre Basse
109
Piano Trio: Violon, Alto, Piano
95
Alto, Violoncelle (duo)
94
Violon (partie séparée)
91
Quintette à cordes: 2 violons, alto, violoncelle, basse
90
Trio à Cordes: 2 violons, violoncelle
83
Alto (partie séparée)
81
Violon, Guitare (duo)
58
4 Violoncelles
50
Violoncelle, Contrebasse (duo)
47
Violoncelle , Guitare (duo)
40
Trio à cordes: 3 violins
37
2 Contrebasses (duo)
30
Trio à Cordes: 2 violons, alto
29
Alto, Guitare (duo)
28
Harpe, Flûte (duo)
28
Ensemble de Violons
25
Violoncelle (partie séparée)
24
Quatuor à cordes: 4 violons
24
Ensemble d'Altos
23
Trio à Cordes: 3 violoncelles
21
Harpe, Violon (duo)
16
Harpe, Violoncelle (duo)
16
Trio à cordes: 3 altos
16
Harpe et mandoline
9
Violon, Basson (duo)
9
Quatuor à cordes : 4 altos
8
4 Contrebasses
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Harpe, Voix
6
Alto et Basson
5
Violon, Clarinette, Piano (trio)
5
2 Violons, Piano
5
Alto et Harpe
4
Ensemble de Violoncelles
4
Harpe, Violon, Violoncelle
4
2 Violoncelles, Piano
4
Violoncelle, Orgue
4
Harpe, Trombone (duo)
3
Autoharp
3
Violon, Trompette et Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Orgue
2
Flûte, Contrebasse (duo)
2
2 Altos, Piano
2
Violon, Violoncelle, Clarinette
2
Alto, Orgue
2
Trio à cordes
1
Violon, Basse continue
1
Harpe et Piano
1
Violoncelle, Basse continue
1
3 Contrebasses
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 945
Ensemble Jazz
1 179
Orchestre à Cordes
894
Fanfare
836
Orchestre
582
Ensemble de cuivres
428
Cloches
263
Orchestre de chambre
254
Jazz combo
210
Ensemble de Percussions
123
Batterie
120
Batterie (partie séparée)
95
Percussion (partie séparée)
50
Marimba
42
Vibraphone
36
Percussion
26
Xylophone
16
Xylophone, Piano
12
Ensemble d'École
8
Vibraphone (partie séparée)
7
Big band
6
Timbales (partie séparée)
6
2 Xylophones
4
Timbales
4
Vibraphone et Marimba
3
Caisse Claire
2
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
3 Marimbas
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Orchestre, Violon
1
Instrumentation Flexible
1
Marimba, Piano (duo)
1
+ 28 instrumentations
Retracter
Autres
Théorie de la musique
5
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
69
Librairie Musicale
21
Matériel de Musique
6 900
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Stand - Oboe
Voix Soprano, Piano
Partitions à imprimer
69 partitions trouvées
<
1
26
51
DO NOT STAND ON MY GRAVE. Version for soprano and piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Gabriel Ruiz-Bernal
#
DO NOT STAND ON MY GRAVE. Vers
#
Gabriel Ruiz-Bernal
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabr...
(+)
High Voice,Vocal Solo - Level 3 - SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabriel Ruiz-Bernal (A0.893972). Music by Gabriel Ruiz-Bernal. Text by Mary Elizabeth FryeSung at the demo by Allison Hughes, soprano. Gabriel Ruiz-Bernal, piano.POEM:Do not stand at my grave and weepI am not there.I do not sleep.I am a thousand winds that blow.I am the diamond glints on snow.I am the sunlight on ripened grain.I am the gentle autumn rain.When you awaken in the morning's hushI am the swift uplifting rushof quiet birds in circled flight.I am the soft starlight at night.Do not stand at my grave and cry;I am not there.I did not die.
$4.50
On the Edge of Tomorrow
#
Voix Soprano, Piano
#
FACILE
#
Musique Sacrée
#
Ken Medema
#
Ken Medema
#
On the Edge of Tomorrow
#
Ken Medema Music
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1379783 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 8 pages. Ken Medema Music #956360. Pu...
(+)
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1379783 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 8 pages. Ken Medema Music #956360. Published by Ken Medema Music (A0.1379783). Solo PianoStanding on the edge of tomorrow,Standing on the edge of adventure,Standing in the place of discovery,Learning every step on the way,Thankful for the pathways behind us,Looking to the future before us,Guided by the Spirit among us,Standing at the dawn of the day.Verse 1Holy Spirit guide us, worshiping we come,Draw us ever closer to our God our home.Fill us with God’s presence, mold and change and turn,Till with holy fire hearts like torches burn.Â
$3.99
The Man I Love
#
Voix Soprano, Piano
#
AVANCÉ
#
George Gershwin, Ira Gershwin
#
Scott S
#
The Man I Love
#
Scott S. Stewart
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instruct...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
Dvorak - Als die alte Mutter (Songs my Mother Taught Me) for Soprano & Piano - Advanced
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonin Dvorak
#
Piacere Music Sheets
#
Dvorak - Als die alte Mutter
#
Piacere Music Sheets
#
SheetMusicPlus
Composed by Antonin Dvorak (1841-1904). Arranged by Piacere Music Sheets. Classical, Instructional, Romantic Period, Standards. Score and individual p...
(+)
Composed by Antonin Dvorak (1841-1904). Arranged by Piacere Music Sheets. Classical, Instructional, Romantic Period, Standards. Score and individual part. 10 pages. Piacere Music Sheets #581419. Published by Piacere Music Sheets
$7.95
Who Goes There (for solo child's voice)
#
Voix Soprano, Piano
#
Traditional
#
Jordan Grigg
#
Who Goes There
#
Jordan Grigg
#
SheetMusicPlus
Piano,Soprano voice - SKU: A0.1057894 Composed by Traditional. Arranged by Jordan Grigg. Concert,Folk,Instructional,Standards. Full Performance. Duratio...
(+)
Piano,Soprano voice - SKU: A0.1057894 Composed by Traditional. Arranged by Jordan Grigg. Concert,Folk,Instructional,Standards. Full Performance. Duration 66. Jordan Grigg #3467556. Published by Jordan Grigg (A0.1057894).
$1.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
#
Voix Soprano, Piano
#
AVANCÉ
#
Opera
#
Classique
#
Maurice Ravel
#
Nicole Elyse DiPaolo
#
Arrière! Je réch
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
VIVALDI Antonio: Sposa son disprezzata, aria from the opera "Bajazet", - Voice and Piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Sposa son dis
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403476. Published by Really Good Music, LLC. (A0.868693). Sposa son disprezzata is an aria, originally composed by Geminiano Giacomelli (1692 – 1740) for his opera La Merope (1734) and borrowed by Antonio VIVALDI (1678 – 1741) for the pasticcio Bajazet, composed – and compiled – in 1735. Most existing publications of voice and piano arrangement of Sposa son disprezzata date back to the version (far enough from the original), first published in the 1880s. On the contrary, the proposed publication has been realized and arranged by Sergei Pichugin for voice and piano directly from the score manuscript of the opera. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – G5) for high voice.
$5.95
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Scherza l'aur
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868943 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868943 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033541. Published by Really Good Music, LLC. (A0.868943). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (A maj
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Nicola PORPORA
#
Sergei PICHUGIN
#
PORPORA Nicola: Già la
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404620. Published by Really Good Music, LLC. (A0.868703). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Scherza l'aur
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868942 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868942 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033539. Published by Really Good Music, LLC. (A0.868942). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (G
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: In bosco romi
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869052 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869052 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445609. Published by Really Good Music, LLC. (A0.869052). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (D4 – Bb5) for high voice.
$5.95
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (F
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: In bosco romi
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869053 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869053 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445607. Published by Really Good Music, LLC. (A0.869053). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F minor (C4 – Ab5) for high voice.
$5.95
ROSSI Luigi: Mio ben, teco il tormento, lament from the opera "Orfeo", - Voice and Piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Luigi ROSSI
#
Sergei PICHUGIN
#
ROSSI Luigi: Mio ben, teco il
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869025 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructi...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869025 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #6400579. Published by Really Good Music, LLC. (A0.869025). Mio ben, teco il tormento is an aria (Euridice's lament) from the opera Orfeo, composed in 1647 by Luigi ROSSI (1597 – 1653), one of the most important Italian composers of the early Baroque. It was carefully realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (D4 – G5) for high voice.
$5.95
Jacopo MELANI: Bionde chiome, aria from the opera "Il Girello", - Voice and Piano (B mino
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Jacopo MELANI
#
Sergei PICHUGIN
#
Jacopo MELANI: Bionde chiome,
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruc...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4409121. Published by Really Good Music, LLC. (A0.868735). Bionde chiome is an aria from the opera (dramma musicale burlesco) Il Girello, composed in 1668 by Jacopo MELANI (1623 – 1676). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E4 – G5) for high voice.
$5.95
VIVALDI Antonio: Ben conosco, aria from the opera "Arsilda Regina di Ponto", - Voice and
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Ben conosco,
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868836 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868836 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4614779. Published by Really Good Music, LLC. (A0.868836). Ben conosco is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice. .
$5.95
VIVALDI Antonio: Amato ben, aria from the opera "La verità in cimento", - Voice and Pian
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Amato ben, ar
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868697 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868697 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403484. Published by Really Good Music, LLC. (A0.868697). Amato ben is an aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (F#4 – Ab5) for high voice. .
$5.95
VIVALDI Antonio: Senza l'amato ben, an aria from the opera "Il Giustino", - Voice and Pia
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Senza l'amato
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868969 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868969 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5709675. Published by Really Good Music, LLC. (A0.868969). Senza l'amato ben is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (E4 – Bb5) for high voice.
$5.95
VIVALDI, Antonio: Armatae face, aria from the oratorio "Juditha triumphans", - Voice and
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI, Antonio: Armatae face
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868665 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868665 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #4368036. Published by Really Good Music, LLC. (A0.868665). Armatae face is known as Altra aria del Vagante from the oratorio Juditha triumphans (1716) by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. Both Latin and Italian versions of the lyrics are given in present edition. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (C4 – G5) for high voice.
$5.95
VIVALDI, Antonio: O servi, volate, aria from the oratorio "Juditha triumphans", - Voice a
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI, Antonio: O servi, vol
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868677 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868677 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4368074. Published by Really Good Music, LLC. (A0.868677). O servi, volate is an Aria del Vagante from the oratorio Juditha triumphans (1716) by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. Both Latin and Italian versions of the lyrics are given in present edition. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E major (F#4 – A5) for high voice.
$5.95
VIVALDI Antonio: Più non si trovano, aria from the opera "L’Olimpiade", - Voice and Pi
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Più no
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868834 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868834 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4610133. Published by Really Good Music, LLC. (A0.868834). Più non si trovano is a mezzo-soprano aria from the opera L’Olimpiade, composed in 1734 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (F4 – G5) for high voice.
$5.95
VIVALDI Antonio: Con cento e cento baci, aria from the opera "La verità in cimento", - V
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Con cento e c
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868668 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868668 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4368048. Published by Really Good Music, LLC. (A0.868668). Con cento e cento baci is an aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (Eb4 – G5) for high voice. .
$5.95
VIVALDI Antonio: Col piacer della mia fede, aria from the opera "Arsilda Regina di Ponto", arranged
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Col piacer de
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868841 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868841 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4614783. Published by Really Good Music, LLC. (A0.868841). Col piacer della mia fede is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – F#5) for high voice. .
$5.95
CALDARA Antonio: Alma del core, aria from the opera "La costanza in amor vince l'inganno", arranged
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Antonio CALDARA
#
Sergei PICHUGIN
#
CALDARA Antonio: Alma del core
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868846 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868846 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4716145. Published by Really Good Music, LLC. (A0.868846). Alma del core is the aria from the opera-pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed in 1710 and revised in 1716 by Antonio CALDARA (1670 – 1736). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (G4 – F#5) for high voice.
$5.95
VIVALDI Antonio: Nell'orrido albergo, aria from the cantata "Cessate, omai cessate", - Vo
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Nell'orrido a
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868940 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868940 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #5029047. Published by Really Good Music, LLC. (A0.868940). Nell'orrido albergo is an aria from the cantata for alto solo Cessate, omai cessate by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – A5) for high voice.
$5.95
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale