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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The beginning
Non classifié
1 679
Piano & claviers
Piano grosses notes
3 297
Orgue
1 639
Piano Facile
1 148
Piano seul
1 018
Piano, Voix et Guitare
134
Accompagnement Piano
133
Piano, Voix
131
1 Piano, 4 mains
90
Clavier
60
Instruments en Do
24
Piano Trio: piano, violon, violoncelle
21
2 Pianos, 4 mains
17
Piano (partie séparée)
10
Accordéon
9
1 Piano, 6 mains
4
Tous Les Instruments
2
Fake Book
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Ensemble d'Accordéons
1
2 Accordéons
1
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
+ 18 instrumentations
Retracter
Guitares
Guitare
179
Guitare notes et tablatures
135
Ukulele
56
Basse electrique
28
Ligne De Mélodie, (Paroles) et Accords
27
Mandoline
26
Banjo
23
Dulcimer
23
Guitare (partie séparée)
22
2 Guitares (duo)
19
4 Guitares (Quatuor)
10
Paroles et Accords
4
Piano, Guitare (duo)
4
3 Guitares (trio)
3
Ensemble de guitares
3
Dobro
3
Guitare Pedal Steel
3
Ukulele Baryton
2
2 Mandolines (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
468
Chorale 3 parties
157
Chorale 2 parties
100
Chorale Unison
67
Chorale TTBB
56
Chorale SSAA
47
Voix seule
13
Voix duo, Piano
9
Voix Soprano, Piano
9
Chorale SSAATTBB
5
Chorale
4
Voix Baryton, Piano
3
Voix duo
3
Voix moyenne, Piano
2
Voix haute
2
Chorale SSATTB
2
Voix basse, Piano
1
Voix, Guitare
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
Chorale SSAB a cappella
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
111
Flûte traversière
110
Quatuor de Saxophones: 4 saxophones
104
Saxophone (partie séparée)
98
Clarinette
93
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Saxophone Alto
81
Clarinette et Piano
79
Flûte, Hautbois, Clarinette, Basson
72
Saxophone Tenor
71
2 Saxophones (duo)
70
Hautbois, Piano (duo)
61
Saxophone Alto et Piano
52
Quatuor de Clarinettes: 4 clarinettes
44
Saxophone Tenor et Piano
44
Quintette de Saxophone: 5 saxophones
42
Hautbois (partie séparée)
38
Saxophone Soprano
36
Quatuor de Flûtes : 4 flûtes
35
2 Flûtes traversières (duo)
31
2 Clarinettes (duo)
31
Ensemble de Clarinettes
25
Hautbois
24
Ensemble de Flûtes
24
Clarinette (partie séparée)
23
3 Saxophones (trio)
19
Hautbois, Basson (duo)
17
Saxophone Soprano et Piano
17
Saxophone Baryton, Piano
16
Harmonica
16
Flute (partie séparée)
14
Ensemble de saxophones
14
Trio de Flûtes: 3 flûtes
14
3 Clarinettes (trio)
13
2 Flûte à bec (duo)
13
Flûte à bec Soprano
12
Saxophone
11
Saxophone, Clarinette (duo)
11
2 Hautbois (duo)
11
Flûte, Clarinette (duo)
11
Cor anglais, Piano
10
Quintette de Clarinettes: 5 clarinettes
9
Clarinette, Basson (duo)
8
Hautbois, Clarinette (duo)
8
Quintette de Flûte : 5 flûtes
8
Clarinette, Violon (duo)
8
Quatuor de Flûtes à bec
7
Hautbois, Flûte
6
4 Hautbois
6
Cor Anglais
6
Flûte à bec Alto
5
3 Flûtes à bec (trio)
5
Flûte à Bec
4
Flûte à bec Tenor
4
Saxophone Baryton
4
Clarinette, Trompette (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
3 Hautbois
4
Flûte irlandaise
4
Flûte, Violon
4
Ensemble de Hautbois
4
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
Flûte, Violon, Piano
4
Piccolo
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois (duo)
3
Flûte, Trompette (duo)
3
Flûte et Guitare
3
Instruments en Mib
2
Clarinette, Guitare (duo)
2
Clarinette Basse, Piano
2
Flûte traversière, Orgue (duo)
2
Flûte de Pan
2
Flûte, Hautbois, Violon
1
Ocarina
1
2 Clarinettes, Basson
1
Flûte, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette Basse
1
Flûte, Alto (duo)
1
Flûte et Trio à cordes
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Basson et Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec, Guitare (duo)
1
Ensemble à vent
1
+ 85 instrumentations
Retracter
Cuivres
Trompette
104
Trombone
88
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Trombone (partie séparée)
59
Trompette (partie séparée)
51
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette, Piano
44
Trombone et Piano
43
Cor
41
Tuba
33
Cor et Piano
33
Quatuor de Cuivres
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
2 Trompettes (duo)
20
Tuba et Piano
18
2 Trombones (duo)
18
Quatuor de cuivres: 4 trombones
15
Cor (partie séparée)
15
Trompette, Trombone (duo)
14
Tuba (partie séparée)
12
2 Cors (duo)
12
2 Tubas (duo)
10
Cor anglais, Piano
10
Trompette, Cor (duo)
8
Ensemble de Trombones
8
Trompette, Saxophone (duo)
8
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
6
Ensemble de Cors
6
Euphonium, Piano (duo)
6
Cor Anglais
6
Trombone, Cor (duo)
5
3 Tubas (trio)
5
3 Cors (trio)
5
Quatuor de cuivres: 4 cors
5
Ensemble de Trompettes
5
4 Tubas
4
Tuba et Orgue
4
Euphonium
4
2 Euphoniums et 2 Tubas
4
Trompette, Tuba (duo)
3
Trombone, Tuba (duo)
3
Bass Clef Instruments
2
Instruments en Sib
2
Trombone basse et Piano
2
3 Trompettes (trio)
2
Cor, Tuba (duo)
2
Euphonium, Tuba (duo)
1
4 Euphoniums
1
Trombone basse
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Basson (duo)
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
225
Violon
216
Violon et Piano
187
Violoncelle
171
Alto seul
128
Violoncelle, Piano
94
Harpe
70
Alto, Piano
68
Violon, Violoncelle (duo)
64
Trio à Cordes: violon, alto, violoncelle
56
Contre Basse
43
2 Violons (duo)
41
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
Contrebasse, Piano (duo)
35
Violon (partie séparée)
31
Contrebasse (partie séparée)
30
Alto (partie séparée)
24
2 Violoncelles (duo)
22
Trio à Cordes: 2 violons, violoncelle
18
Violon, Alto (duo)
16
2 Altos (duo)
16
Alto, Violoncelle (duo)
11
4 Violoncelles
9
Trio à Cordes: 3 violoncelles
8
Trio à cordes: 3 violins
8
Violon, Guitare (duo)
7
Quatuor à cordes: 4 violons
7
Trio à cordes: 3 altos
7
2 Harpes (duo)
6
2 Contrebasses (duo)
6
Violoncelle (partie séparée)
5
Quatuor à cordes : 4 altos
5
2 Violons, Piano
4
Autoharp
3
3 Contrebasses
2
Piano Trio: Violon, Alto, Piano
2
Violon, Orgue
2
Trio à Cordes: 2 violons, alto
2
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble d'Altos
1
4 Contrebasses
1
Alto, Guitare (duo)
1
Ensemble de Violons
1
Harpe, Voix
1
Violoncelle , Guitare (duo)
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 776
Orchestre à Cordes
257
Cloches
223
Orchestre
130
Ensemble Jazz
93
Ensemble de cuivres
62
Orchestre de chambre
58
Batterie
51
Fanfare
39
Ensemble de Percussions
28
Percussion (partie séparée)
16
Batterie (partie séparée)
12
Xylophone
6
Percussion
5
Marimba
5
2 Xylophones
4
Jazz combo
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone, Piano
2
Caisse Claire
2
Bongos
1
Cajon
1
Orchestre, Violon
1
Bodhran
1
Piano et Orchestre
1
3 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
+ 22 instrumentations
Retracter
Autres
Théorie de la musique
1
Formation musicale - Solfège
1
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ACCORDEON
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AUTRES INST…
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BANJO
BASSE
BASSON
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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REGGAE
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Vous avez sélectionné:
The beginning
Voix Soprano, Piano
Partitions à imprimer
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1
IN THE BEGINNING. For soprano and piano
Voix Soprano, Piano
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabri…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
5.52 €
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Voix Soprano, Piano
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
How do I love thee? (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8568-2E From the son…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8568-2E From the song cycle How Do I Love Thee?. Composed by Juliana Hall. 8 pages. E. C. Schirmer Music Company - Digital #8568-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8568-2E). English.This song cycle follows a narrative arc, beginning with a proclamation by the speaker against the love she feels, after which that love becomes too great to disavow. Throughout the cycle, the speaker's love grows, and ends with a declaration of love that will live beyond the lives of the speaker and the object of her love, a love that lives forever.
$4.00
3.68 €
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Voix Soprano, Piano
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Juliana Hall
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How do I love thee?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.84 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.08 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Si yo nunca desapareciera (HIGH VOICE)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023335 Composed by K…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191597. Published by Kristian S. Rodriguez (A0.1023335). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
3.67 €
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Voix Soprano, Piano
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
In principio erat verbum
Voix Soprano, Piano
Soprano voice or tenor voice and piano - intermediate - Digital Download SKU: S9.Q22576…
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Soprano voice or tenor voice and piano - intermediate - Digital Download SKU: S9.Q22576 Motet for Soprano or Tenor and Piano. Composed by Paul Hindemith. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q22576. Published by Schott Music - Digital (S9.Q22576). Latin.Hindemith composed a total of 14 motets for soprano and piano between 1940 and 1960. It was not until 1958 that Hindemith developed the idea of combining his early motets with the composition of further pieces to create a cycle, setting to music stories from the four gospels for Christmas time from Christmas Eve to the 4th Sunday after Epiphany. The motet “In Principio erat Verbumâ€, dated “24.12.41“ and dedicated to Hindemith’s “dearest colleagueâ€, Gertrud Hindemith, was not included. “In Principio erat Verbum†remained unpublished and unperformed until it was included in the Complete Hindemith Edition. The motet is available as a single piece of sheet music and completes the series of Christmas stories from the gospels with the one of the third mass on 25 December, the famous beginning of the Gospel of John: “In the beginning was the wordâ€.
$11.99
11.03 €
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Voix Soprano, Piano
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Paul Hindemith
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In principio erat verbum
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Schott Music - Digital
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SheetMusicPlus
Crying Oceans (Soprano Solo and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835147 Composed by Co…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835147 Composed by Cody Weinmann. Contemporary,Standards. 17 pages. Cody Weinmann #5777789. Published by Cody Weinmann (A0.835147). This piece was originally written in 2010 and 2011 over a few months. It experiments with moderately advanced string techniques such as wailing slides and highly dissonant and chromatic figures. In the beginning, the piece starts off with a murmuring like that of an ocean and gets more intense as the piece goes on.
$10.99
10.11 €
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Voix Soprano, Piano
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Cody Weinmann
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Crying Oceans
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Cody Weinmann
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SheetMusicPlus
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