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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Them
Non classifié
11 724
Piano & claviers
Piano seul
12 279
Piano Facile
3 293
Piano, Voix
1 653
Piano, Voix et Guitare
1 591
Instruments en Do
686
Orgue
554
1 Piano, 4 mains
344
Piano grosses notes
309
Accompagnement Piano
254
Accordéon
250
Piano Trio: piano, violon, violoncelle
126
2 Pianos, 4 mains
72
Piano (partie séparée)
43
Ligne De Mélodie, Piano
33
Piano Quatuor: piano, 2 violons, violoncelle
31
Piano Quintette: piano, 2 violons, alto, violoncelle
27
Piano Quatuor: piano, violon, alto, violoncelle
27
Orgue, Trompette (duo)
19
Clavecin
18
Orgue, Piano (duo)
12
1 Piano, 6 mains
8
Clavier
8
2 Pianos, 8 mains
7
Accordéon, Piano
5
Instrument seul et Orgue
5
Accordéon, Voix
4
2 Accordéons
3
Ensemble d'Accordéons
2
2 Orgues (duo)
1
Tous Les Instruments
1
Accordéon, Corde(s)
1
Fake Book
1
+ 27 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 356
Ligne De Mélodie, (Paroles) et Accords
692
Guitare
656
Basse electrique
429
Ukulele
231
Paroles et Accords
144
Mandoline
128
Piano, Guitare (duo)
92
2 Guitares (duo)
59
Guitare (partie séparée)
40
4 Guitares (Quatuor)
37
Ensemble de guitares
29
Dulcimer
28
Banjo
20
3 Guitares (trio)
19
Partitions De Groupes
18
Ensemble de Ukulélés
11
Basse électrique (partie séparée)
10
Ukulele Baryton
4
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
2
2 Dulcimers (duo)
2
Guitare, Quatuor à cordes
1
Bouzouki
1
Guitare Tab, Voix, Basse, Batterie
1
Guitare, Orchestre
1
2 Mandolines (duo)
1
+ 22 instrumentations
Retracter
Voix
Chorale SATB
7 731
Chorale 3 parties
1 548
Chorale 2 parties
1 187
Chorale Unison
1 179
Chorale TTBB
518
Voix duo, Piano
281
Chorale SSAA
246
Pack Instrumental pour Chorale
129
Voix duo
103
Chorale
73
Voix Soprano, Piano
53
Voix Alto, Piano
52
Voix seule
49
Voix Baryton, Piano
39
Voix Tenor, Piano
36
Voix haute
29
Voix moyenne, Piano
19
Chorale SSATB
18
Voix basse, Piano
12
Chorale SSAATTBB
11
Chorale SSATTB
6
Voix Tenor
5
Voix Mezzo-Soprano, Piano
3
Chorale SATBB
2
Voix basse
2
Voix Soprano
2
Chorale SSAB, Piano
2
Chorale, Orgue
2
Soli, choeur mixte et accompagnement
2
Voix haute, Piano
1
Chorale SSATBB
1
Chorale SSAB a cappella
1
Chorale SSAATB
1
Male Voice
1
+ 29 instrumentations
Retracter
Vents
Flûte traversière
857
Quatuor de Saxophones: 4 saxophones
804
Clarinette
781
Flûte traversière et Piano
779
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
709
2 Saxophones (duo)
694
Saxophone (partie séparée)
683
Clarinette et Piano
576
Flûte, Hautbois, Clarinette, Basson
510
Saxophone Alto
493
Clarinette (partie séparée)
464
Hautbois, Piano (duo)
449
Saxophone Alto et Piano
426
2 Flûtes traversières (duo)
411
Quatuor de Clarinettes: 4 clarinettes
405
2 Clarinettes (duo)
395
Saxophone Tenor
369
Saxophone
354
Quintette de Saxophone: 5 saxophones
332
Saxophone Tenor et Piano
330
Hautbois (partie séparée)
300
Saxophone Soprano et Piano
249
Flute (partie séparée)
191
Flûte, Clarinette (duo)
183
Ensemble de Clarinettes
165
3 Saxophones (trio)
163
Quatuor de Flûtes : 4 flûtes
162
2 Hautbois (duo)
153
Ensemble de Flûtes
145
Ensemble de saxophones
144
Saxophone, Clarinette (duo)
143
Flûte à bec Soprano
137
Hautbois
131
Saxophone Baryton, Piano
123
3 Clarinettes (trio)
116
Hautbois, Basson (duo)
111
Flûte et Guitare
111
Clarinette, Violon (duo)
99
Hautbois, Clarinette (duo)
93
2 Flûte à bec (duo)
90
Quintette de Clarinettes: 5 clarinettes
86
Clarinette, Trompette (duo)
86
Trio de Flûtes: 3 flûtes
85
Flûte à Bec
77
Flûte à bec Alto
70
Harmonica
63
Flûte, Violon
61
Cor anglais, Piano
60
Clarinette Basse, Piano
59
Hautbois, Flûte
59
Flûte, Alto (duo)
49
Clarinette et Alto
47
Flûte, Trompette (duo)
47
Flûte, Saxophone (duo)
47
Saxophone Soprano
43
Quatuor de Flûtes à bec
43
Quintette de Flûte : 5 flûtes
40
Flûte, Hautbois (duo)
37
Flûte, Clarinette et Basson
35
Clarinette, Basson (duo)
34
Flûte, Hautbois, Clarinette (trio)
29
Hautbois, Clarinette, Basson (trio d'anches)
27
Flûte, Hautbois, Basson
26
Flûte, Violoncelle
24
Clarinette, Violoncelle (duo)
23
5 Flûtes à bec
21
Instruments en Mib
21
Saxophone Baryton
20
Flûte, Violon, Piano
20
Cor Anglais
18
Hautbois, Guitare (duo)
17
Clarinette, Guitare (duo)
17
Clarinette Basse
16
Ocarina
14
Flûte, Clarinette, Cor, Basson (Quartet)
14
Clarinette, Trombone (duo)
14
Piccolo
13
Hautbois, Violoncelle
13
Flûte, Hautbois, Piano (trio)
12
Flûte à bec Alto, Piano
11
2 Saxophones, Piano
10
2 Clarinettes, Piano
10
3 Flûtes à bec (trio)
10
Piccolo, Piano
10
Flûte, Clarinette, Piano (trio)
10
Flûte à bec Tenor
10
Hautbois, violon (duo)
9
Hautbois, Trompette (duo)
9
Flûte à bec Soprano, Piano
9
Flûte, Basson et Piano
9
3 Hautbois
9
Saxophone, Violon (duo)
8
Flûte, Violoncelle, Piano (trio)
8
Saxophone et Guitare
8
Ensemble De Flûte à bec
7
Flûte, Violon et Violoncelle
6
Flûte traversière, Orgue (duo)
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte, Alto et Piano
5
Cor anglais, Guitare (duo)
5
2 Flûtes traversières, Piano
5
4 Hautbois
5
Flute, harpe et violon
5
Saxophone et Orgue
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Trombone (duo)
4
Saxophone et Harpe
4
Clarinette, Basson, Piano (trio)
4
Ensemble à vent
4
Saxophone, Basson (duo)
3
Flûte à Bec, Piano
3
2 Cors Anglais Et Pianoforte
3
Hautbois et alto (duo)
3
2 Clarinettes, Basson
3
Clarinette, Orgue
2
Clarinette, trompette et piano
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Alto et Piano (trio)
2
Clarinette, Harpe (duo)
2
Flûte, Alto et Violoncelle
2
Flûte, Tuba (duo)
2
Flûte, Violon, Guitare
2
Ensemble de Hautbois
2
Flûte et Trio à cordes
2
Flûte, trombone et piano
2
Hautbois, Harpe
2
Clarinette, Tuba
1
Hautbois, Violoncelle et Piano
1
Flûte à bec, Guitare (duo)
1
Flûte, Hautbois, Violon
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Harpe et Violoncelle
1
Hautbois, trombone (duo)
1
2 Flûtes à bec, Guitare
1
Melodica
1
Flûte de Pan
1
Flûte irlandaise
1
Hautbois, Basson et Piano
1
2 Hautbois et Cor anglais
1
Flûte à bec Alto, Basse continue
1
2 Hautbois, Piano
1
Harmonica, Piano
1
Flûte traversière, Basse continue
1
2 Harmonicas
1
Flute, Cor (duo)
1
2 Flûtes à bec, Piano
1
Flûte, Clarinette, Violon (trio)
1
Cornemuse
1
+ 143 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 148
Trompette
654
Trompette, Piano
479
Trompette (partie séparée)
467
Trombone
460
Trombone et Piano
460
Trombone (partie séparée)
440
Cor
394
Quatuor de Cuivres : 2 trompettes, trombone, tuba
348
Cor et Piano
318
2 Trompettes (duo)
232
Quatuor de Cuivres
214
2 Trombones (duo)
205
Cor (partie séparée)
204
Tuba
183
Tuba et Piano
171
Tuba (partie séparée)
151
Quatuor de Cuivres: 2 trompettes, Cor, trombone
143
Trompette, Trombone (duo)
117
Trompette, Saxophone (duo)
108
2 Cors (duo)
103
Euphonium, Piano (duo)
83
Quatuor de cuivres: 4 trombones
81
Ensemble de Trompettes
66
Cor anglais, Piano
60
Quatuor de cuivres: 4 cors
60
Ensemble de Trombones
60
Euphonium
48
Trompette, Cor (duo)
48
2 Tubas (duo)
43
2 Euphoniums et 2 Tubas
43
Ensemble de Cors
38
Quatuor de cuivres: 4 trompettes
29
3 Trompettes (trio)
27
4 Tubas
25
Instruments en Sib
25
Trio de Cuivres
24
Bass Clef Instruments
24
Trombone, Tuba (duo)
23
3 Trombones (trio)
23
Quatuor de cuivres: 2 trompettes, 2 trombones
22
Tuba et Orgue
20
Tuba ou Euphonium ou Saxhorn
18
Cor Anglais
18
2 Euphoniums (duo)
12
Trompette, Tuba (duo)
12
Trombone, Cor (duo)
11
Trombone basse
11
Trombone basse et Piano
11
Trompette, Basson (duo)
11
Instruments en Fa
10
Cor, Violoncelle (duo)
10
Trombone, violoncelle (duo)
8
Trompette, violon (duo)
8
3 Cors (trio)
7
Cor, Tuba (duo)
7
Trompette, Violoncelle (duo)
6
Euphonium, Tuba (duo)
6
Cor anglais, Guitare (duo)
5
Cornet A Pistons
4
Clarinette, Cor (duo)
4
Cor et Basson (duo)
4
2 Cors Anglais Et Pianoforte
3
Cor et Harpe
3
Cornet et Piano
3
Trombone, Violon (duo)
3
Trombone, Orgue
3
3 Euphoniums
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor, Trompette, Trombone (trio)
2
2 Cors, Piano
2
3 Tubas (trio)
2
Trompette, Orchestre
2
Cor et Orgue
1
Trombone et orchestre
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
Cornet et orchestre
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle et Piano
1
Cor, Orchestre
1
2 Trombones, Piano
1
+ 77 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 905
Violon
1 038
Violon et Piano
849
Violoncelle
642
Violoncelle, Piano
604
Alto seul
483
Violon (partie séparée)
465
Alto, Piano
449
Violon, Violoncelle (duo)
401
2 Violons (duo)
348
2 Violoncelles (duo)
295
Harpe
267
Trio à Cordes: violon, alto, violoncelle
259
Quintette à cordes: 2 violons, alto, violoncelle, basse
222
2 Altos (duo)
195
Violon, Alto (duo)
183
Contrebasse (partie séparée)
182
Contre Basse
158
Alto (partie séparée)
158
Contrebasse, Piano (duo)
126
Violoncelle (partie séparée)
123
Trio à Cordes: 2 violons, violoncelle
112
Alto, Violoncelle (duo)
82
4 Violoncelles
58
Piano Trio: Violon, Alto, Piano
57
Trio à Cordes: 3 violoncelles
41
Violon, Guitare (duo)
36
Trio à cordes: 3 violins
35
Trio à cordes: 3 altos
32
2 Harpes (duo)
24
Quatuor à cordes: 4 violons
24
Trio à Cordes: 2 violons, alto
22
2 Contrebasses (duo)
21
Violoncelle , Guitare (duo)
21
Quatuor à cordes : 4 altos
21
Trio à cordes
18
Violon, Basson (duo)
17
Violoncelle, Contrebasse (duo)
17
Alto, Guitare (duo)
13
Alto et Basson
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
Harpe, Voix
11
Ensemble de Violons
9
Harpe, Violon (duo)
9
Harpe, Flûte (duo)
8
Ensemble de Violoncelles
7
Ensemble d'Altos
7
Flûte, Contrebasse (duo)
6
4 Contrebasses
6
2 Violons, Piano
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violon, Clarinette, Piano (trio)
5
Violoncelle, Orchestre
5
2 Violoncelles, Piano
5
Violon, Orgue
3
Harpe, Violoncelle (duo)
3
Alto et Harpe
2
Harpe (partie séparée)
2
Violoncelle, Orgue
2
Violon, Tuba (duo)
1
Harpe et mandoline
1
Harpe et Piano
1
Alto, Orgue
1
4 Harpes
1
Violon, Violoncelle, Clarinette
1
2 Altos, Piano
1
Harpe, Trombone (duo)
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
5 586
Orchestre à Cordes
1 343
Orchestre
1 314
Fanfare
921
Ensemble Jazz
459
Ensemble de cuivres
455
Cloches
410
Percussion (partie séparée)
314
Orchestre de chambre
209
Batterie
155
Jazz combo
121
Percussion
106
Ensemble de Percussions
84
Timbales (partie séparée)
63
Batterie (partie séparée)
50
Marimba
39
Xylophone, Piano
22
Vibraphone
21
Xylophone
20
Timbales
17
2 Xylophones
14
Quintette à Vent
12
Piano et Orchestre
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Ensemble d'École
8
Instrumentation Flexible
7
Quintette de Cuivres: autres combinaisons
6
Big band
3
Vibraphone et Marimba
2
Caisse Claire
1
Xylophone ou Marimba ou Vibraphone
1
Vibraphone (partie séparée)
1
Marimba, Piano (duo)
1
3 Marimbas
1
Marimba ou Xylophone et Piano
1
Orchestre, Violon
1
+ 31 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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PIANO
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SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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JEUX VIDEOS
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LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - ROCK CLAS…
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PUNK
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Voix Soprano, Piano
Partitions à imprimer
53 partitions trouvées
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51
The Ballad of Little Boy Blue, Eugene Field, poet
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Voix Soprano, Piano
#
FACILE
#
Mary Ann Joyce
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The Ballad of Little Boy Blue,
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Mary Ann Joyce-Walter
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.989229 Composed by Mary Ann Joyce. Celtic,Concert. 8 pages. Mary Ann Joyce-Walter #6207001. Published by Ma...
(+)
Soprano voice,Vocal Solo - Level 2 - SKU: A0.989229 Composed by Mary Ann Joyce. Celtic,Concert. 8 pages. Mary Ann Joyce-Walter #6207001. Published by Mary Ann Joyce-Walter (A0.989229). A familiar 19th century Irish ballad by the Irish poet, Eugene Field. The poem and the music are touching and sad: there are toys in the attic covered with dust, and the little toy soldier is red with rust, and his musket molds in his hands. There was a time when the toys were new and Little Boy Blue kissed them and put them there. He told them not to leave until he came to get them, but - an angel song awakened Little Boy Blue, and the years past. The faithful toys stayed in the place where he put them, but they wondered sorrowfully what happened to their Little Boy Blue..
$4.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
#
Classique
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Richard Strauss
#
Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Take My Life, and Let It Be - soprano solo, organ
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Todd Marchand
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it shall be thy royal throne
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Take My Life, and Let It Be -
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Con Spirito Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con S...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con Spirito Music (A0.726103). Frances Ridley Havergal (1836-1879) published several volumes of poems and hymns, devotions, and other prose writings. She is best known for the consecration hymn text, Take My Life and Let It Be, which here receives a new setting for soprano and organ. Take my life, and let it be consecrated, Lord, to thee;take my moments and my days, let them flow in ceaseless praise.Take my hands, and let them move at the impulse of thy love;take my heart, it is thine own; it shall be thy royal throne. Take my voice, and let me sing always, only, for my King;take my intellect, and use every power as thou shalt choose.Take my will and make it thine; it shall be no longer mine.Take myself, and I will be ever, only, all for thee. Thus my life will truly be consecrated, Lord, to Thee. Amen. ©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Six Songs
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Voix Soprano, Piano
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AVANCÉ
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Heinz Holliger
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Six Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced to difficult - SKU: S9.Q5809 After Poems of Christian Morgenstern. Composed by Heinz Holliger. This edition: S...
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Soprano voice and piano - advanced to difficult - SKU: S9.Q5809 After Poems of Christian Morgenstern. Composed by Heinz Holliger. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q5809. Published by Schott Music - Digital (S9.Q5809). German.Comparable to Alban Berg whose 'Seven Early Songs' show through in the music, Heinz Holliger has picked out some truly rapturous youth songs, set them up in easy arrangements and scored them for orchestra. Apart from being used as piano reduction, the original meaning of this edition remains evident: another piece in the great tradition of the German lied for voice and piano.
$19.99
Kindertodtenlieder (2020) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Kindertodtenlieder
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5751651. Published by Thomas Oboe Lee (A0.869653). I am not a huge fan of Mahler's music but his Kindertotenlieder is a cultural gem! I inadvertently discovered that the poet Friedrich Rückert who penned Kindertodtenlieder (yes, with a d ... LOL!) wrote 400-plus of these KTL poems after his two youngest children died of scarlet fever. I bought the book @ Amazon. After plowing through 442 of them, I winnowed it down to ten poems for my song cycle. It is scored for soprano and piano. NB: I cannot afford an orchestra, and it would be too much unnecessary work. LOL!!! The entire song cycle has a duration of ca. 35 minutes. It ends like a mechanical music box while the soprano sings a lullaby. Sleep is of course a perfect metaphor for being dead. Enjoy!!!https://thomasoboelee.bandcamp.com/album/kindertodtenlieder-2020
$9.99
Two Life-Spring Songs for Coloratura Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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Two Life-Spring Songs for Colo
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939818 Composed by Richard St. Clair. 20th Century,Contemporary. 16 pages. Richard St. Clair #4791651. Publ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939818 Composed by Richard St. Clair. 20th Century,Contemporary. 16 pages. Richard St. Clair #4791651. Published by Richard St. Clair (A0.939818). This set of two lyrical songs on poems by the late Aureet Bar-Yam (to whose memory the songs are dedicated) are completely tonal, in F major, and in simple 3/4 meter, though the voice line and piano part are rather intricate requiring much preparation for performance. The poems were given to the composer with permission to set them to music. These two songs would make a fine addition to a chamber concert of vocal music. The combined duration is about 5 minutes.
$16.50
MOABIT LIEDERBUCH, 9 Lieder for Soprano and Piano (New Edition 2020)
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Voix Soprano, Piano
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AVANCÉ
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Richard St
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MOABIT LIEDERBUCH, 9 Lieder fo
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.939834 Composed by Richard St. Clair. 20th Century,Contemporary. 34 pages. Richard St. Clair #5215959. Publ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.939834 Composed by Richard St. Clair. 20th Century,Contemporary. 34 pages. Richard St. Clair #5215959. Published by Richard St. Clair (A0.939834). These songs are settings of 9 powerful sonnets by Albrecht Haushofer, who wrote them while interned at Moabit, a Nazi prison for political prisoners, for his activities in the Resistance during World War II. All songs are set in the original German, with English translations appended. Total performance time: ca. 20 minutes. For a soprano with a wide range. The tonal language is mostly traditional, but with intense chromaticism alternating with simple harmonies.
$25.00
When I am an Old Woman (Downloadable)
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Voix Soprano, Piano
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FACILE
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Libby Larsen
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When I am an Old Woman
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Moderately Easy - SKU: MQ.4827-E Composed by Libby Larsen. 7 pages. E. C. Schirmer Music Company - Digital #4827-E. Publishe...
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Soprano voice solo, piano - Moderately Easy - SKU: MQ.4827-E Composed by Libby Larsen. 7 pages. E. C. Schirmer Music Company - Digital #4827-E. Published by E. C. Schirmer Music Company - Digital (MQ.4827-E). English.In When I am an Old Woman, the character, a soprano, talks about all the different things she will do when she's old including picking flowers from other people's gardens and spitting on them as well. She concludes,I'd better practice a little now, so that people who know me are not too shocked and surprised when suddenly I am old..
$7.75
The Last Rose of Summer - Soprano with piano and chords in Db
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492602 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069280....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492602 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069280. Published by Alex Rodrigues (A0.1492602). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in A
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492609 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069287....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492609 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069287. Published by Alex Rodrigues (A0.1492609). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Eb
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492604 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069282....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492604 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069282. Published by Alex Rodrigues (A0.1492604). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Bb
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492599 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069277....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492599 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069277. Published by Alex Rodrigues (A0.1492599). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in A
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492596 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069274....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492596 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069274. Published by Alex Rodrigues (A0.1492596). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in Bb
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492612 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069290....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492612 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069290. Published by Alex Rodrigues (A0.1492612). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Ab
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492597 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069275....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492597 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069275. Published by Alex Rodrigues (A0.1492597). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in Db
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492615 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069293....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492615 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069293. Published by Alex Rodrigues (A0.1492615). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in E
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492603 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069281....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492603 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069281. Published by Alex Rodrigues (A0.1492603). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in F#
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492618 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069296....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492618 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069296. Published by Alex Rodrigues (A0.1492618). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in G
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492607 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069285....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492607 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069285. Published by Alex Rodrigues (A0.1492607). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
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