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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Ain
Non classifié
14 514
Piano & claviers
Piano, Voix et Guitare
33 418
Piano, Voix
20 760
Piano seul
12 609
Piano Facile
7 954
Piano grosses notes
3 419
Orgue
2 315
1 Piano, 4 mains
2 164
Instruments en Do
806
2 Pianos, 4 mains
325
Accordéon
245
Accompagnement Piano
180
Instrument seul et Orgue
134
Piano Trio: piano, violon, violoncelle
131
Accordéon, Voix
118
Ligne De Mélodie, Piano
113
Clavier
69
Piano Quatuor: piano, violon, alto, violoncelle
66
1 Piano, 6 mains
52
Piano (partie séparée)
32
Piano Quintette: piano, 2 violons, alto, violoncelle
18
2 Pianos, 8 mains
18
Orgue, Piano (duo)
17
Piano Quatuor: piano, 2 violons, violoncelle
11
Orgue, Voix
7
Orgue, Trompette (duo)
7
Ensemble d'Accordéons
2
2 Accordéons
2
Ensemble de Pianos
1
Orgue et Orchestre
1
Clavecin
1
Fake Book
1
+ 26 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10 009
Ligne De Mélodie, (Paroles) et Accords
7 624
Ukulele
1 791
Guitare
1 374
Basse electrique
1 076
Dulcimer
202
Piano, Guitare (duo)
152
2 Guitares (duo)
111
Banjo
93
Mandoline
62
Guitare (partie séparée)
56
Paroles et Accords
46
4 Guitares (Quatuor)
34
3 Guitares (trio)
19
2 Dulcimers (duo)
17
Ensemble de guitares
14
2 Ukuleles
9
Ukulele Baryton
9
Guitare Pedal Steel
5
Dobro
3
Guitare, Violon, Violoncelle (trio)
3
2 Mandolines (duo)
2
Orchestre à Plectres
1
Guitare Tab, Voix, Basse, Batterie
1
Mandoline, Guitare (duo)
1
Guitare, Orchestre
1
Mandoline, Piano (duo)
1
+ 22 instrumentations
Retracter
Voix
Chorale SATB
5 364
Chorale 3 parties
1 997
Chorale 2 parties
852
Chorale TTBB
785
Pack Instrumental pour Chorale
493
Chorale SSAA
403
Chorale Unison
400
Voix seule
231
Voix duo, Piano
191
Voix, Guitare
116
Voix Soprano, Piano
87
Voix Tenor, Piano
72
Voix haute
70
Voix duo
62
Voix Alto, Piano
56
Voix Baryton, Piano
53
Voix moyenne, Piano
42
Voix basse, Piano
25
Chorale SSATBB
24
Chorale SSAATTBB
17
Chorale SSATTB
14
Chorale SSATB
13
Chorale
13
Voix Tenor
9
Voix Mezzo-Soprano, Piano
8
Chorale SATTB
7
Chorale SSAB, Piano
6
Chorale SAATB A Cappella
6
Voix basse
6
Soli, choeur mixte et accompagnement
4
Chorale SATTBB A Cappella
2
Voix Soprano
2
Voix haute, Piano
2
Chorale SSAATB
2
Chorale SSAB a cappella
2
Male Voice
2
Chorale SATBB
1
+ 32 instrumentations
Retracter
Vents
Flûte traversière
1 741
Clarinette
1 700
Saxophone Alto
1 340
Flûte traversière et Piano
1 228
Clarinette et Piano
1 044
Saxophone Tenor
1 022
Saxophone (partie séparée)
920
Saxophone
909
Quatuor de Saxophones: 4 saxophones
782
Hautbois, Piano (duo)
735
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
725
Saxophone Alto et Piano
631
2 Saxophones (duo)
630
Flûte, Hautbois, Clarinette, Basson
571
Saxophone Tenor et Piano
489
Clarinette (partie séparée)
450
Quatuor de Clarinettes: 4 clarinettes
432
2 Flûtes traversières (duo)
425
Quintette de Saxophone: 5 saxophones
406
2 Clarinettes (duo)
350
Flute (partie séparée)
335
Hautbois (partie séparée)
323
Saxophone Soprano et Piano
261
Quatuor de Flûtes : 4 flûtes
232
3 Saxophones (trio)
196
Ensemble de Clarinettes
180
Saxophone Baryton, Piano
176
Ensemble de saxophones
167
Flûte, Clarinette (duo)
162
3 Clarinettes (trio)
137
Harmonica
135
2 Hautbois (duo)
133
2 Flûte à bec (duo)
124
Instruments en Mib
122
Flûte et Guitare
119
Hautbois
117
Ensemble de Flûtes
117
Flûte à Bec
116
Saxophone, Clarinette (duo)
106
Hautbois, Basson (duo)
103
Clarinette, Violon (duo)
102
Cor anglais, Piano
97
Trio de Flûtes: 3 flûtes
96
Quintette de Clarinettes: 5 clarinettes
92
Hautbois, Clarinette (duo)
87
Saxophone Soprano
80
Clarinette, Guitare (duo)
71
Flûte à bec Soprano
71
Clarinette Basse, Piano
70
Quatuor de Flûtes à bec
69
Quintette de Flûte : 5 flûtes
66
Clarinette, Trompette (duo)
65
Clarinette, Basson (duo)
58
Flûte, Alto (duo)
54
Saxophone Baryton
49
Clarinette et Alto
49
Flûte, Violon
49
Flûte à bec Soprano, Piano
46
Flûte à bec Alto
45
Flûte, Violoncelle
45
Hautbois, Clarinette, Basson (trio d'anches)
41
Hautbois, Flûte
39
Clarinette, Violoncelle (duo)
38
Flûte, Clarinette et Basson
38
Hautbois, Guitare (duo)
38
Ensemble De Flûte à bec
36
Flûte, Saxophone (duo)
36
Hautbois, Violoncelle
36
Flûte, Hautbois, Clarinette (trio)
35
Flûte, Hautbois (duo)
34
3 Flûtes à bec (trio)
34
Ocarina
32
Flûte, Trompette (duo)
30
Flûte, Violon, Piano
30
Flûte, Trombone (duo)
27
Flûte, Hautbois, Basson
24
Flûte à bec Alto, Piano
23
5 Flûtes à bec
23
Cor Anglais
22
Flûte à bec Tenor
22
Flûte, Clarinette, Piano (trio)
22
Hautbois et alto (duo)
21
Flûte, Hautbois, Piano (trio)
19
Flûte, Violoncelle, Piano (trio)
19
Clarinette, Harpe (duo)
15
Flûte, Tuba (duo)
15
2 Clarinettes, Piano
13
2 Flûtes traversières, Piano
13
Piccolo, Piano
11
Flûte, Violon et Violoncelle
11
Clarinette, Tuba
11
Cornemuse
10
Hautbois, trombone (duo)
9
Flûte, trombone et piano
9
Clarinette, Violoncelle, Piano (trio)
7
Flûte, Clarinette, Cor, Basson (Quartet)
7
Saxophone et Guitare
7
Clarinette, Trombone (duo)
7
Hautbois, violon (duo)
6
Flûte, Alto et Piano
6
Flûte à bec Alto, Basse continue
6
Saxophone et Orgue
6
Flûte, Basson et Piano
5
Flûte, Clarinette, Violon (trio)
5
Flute, harpe et violon
5
Flûte et Trio à cordes
5
2 Saxophones, Piano
5
Flûte traversière, Orgue (duo)
5
Flûte irlandaise
5
Clarinette, Basson, Piano (trio)
5
Flûte traversière, Basse continue
4
Piccolo
4
4 Hautbois
4
Flûte, Violoncelle, Guitare
4
Cor anglais, Guitare (duo)
4
Clarinette, Orgue
4
Clarinette Basse
3
Hautbois, Clarinette et Piano (Trio)
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Flûte, Violon, Violoncelle et Piano
3
Ensemble à vent
3
Saxophone et Harpe
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Harpe et Violoncelle
3
Hautbois, Harpe
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Ensemble de Hautbois
2
Flûte de Pan
2
2 Cors Anglais Et Pianoforte
2
2 Clarinettes, Basson
2
3 Hautbois
2
Hautbois, Basson et Piano
2
Clarinette, trompette et piano
2
Cor anglais et Harpe (duo)
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Contrebasse (duo)
1
Flûte, Violon, Guitare
1
Flûte, alto et harpe
1
Flûte à Bec, Piano
1
Hautbois, Violoncelle et Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Saxophone, Tuba (duo)
1
Flûte à bec Soprano, Basse continue
1
Flûte, Hautbois, Violon
1
Hautbois, Violon, Piano
1
Flûte et Quatuor à Cordes
1
+ 141 instrumentations
Retracter
Cuivres
Trompette
1 754
Trombone
1 381
Cor
976
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
958
Trombone et Piano
597
Trompette, Piano
576
Trompette (partie séparée)
554
Quatuor de Cuivres : 2 trompettes, trombone, tuba
540
Trombone (partie séparée)
427
Cor et Piano
407
Tuba
258
Quatuor de Cuivres
227
Tuba et Piano
222
Bass Clef Instruments
213
2 Trombones (duo)
201
Cor (partie séparée)
197
Quatuor de Cuivres: 2 trompettes, Cor, trombone
171
Instruments en Sib
168
2 Trompettes (duo)
161
Trompette, Trombone (duo)
136
Euphonium, Piano (duo)
108
2 Cors (duo)
106
Ensemble de Trompettes
101
Quatuor de cuivres: 4 trombones
97
Cor anglais, Piano
97
Euphonium
88
Tuba (partie séparée)
84
Ensemble de Trombones
79
Trompette, Saxophone (duo)
74
Quatuor de cuivres: 4 cors
63
2 Tubas (duo)
43
Quatuor de cuivres: 4 trompettes
40
Trompette, Cor (duo)
35
3 Trombones (trio)
34
2 Euphoniums et 2 Tubas
32
Ensemble de Cors
29
4 Tubas
27
Trio de Cuivres
25
Trompette, Tuba (duo)
24
Cor Anglais
22
Quatuor de cuivres: 2 trompettes, 2 trombones
19
Trombone, Tuba (duo)
18
Trombone, Cor (duo)
17
Euphonium, Tuba (duo)
16
Tuba et Orgue
15
3 Trompettes (trio)
14
3 Tubas (trio)
13
Euphonium (partie séparée)
13
Trombone basse
12
Trombone, Violon (duo)
12
2 Euphoniums (duo)
12
Trombone basse et Piano
10
Cor, Violoncelle (duo)
9
Cor, Tuba (duo)
9
3 Cors (trio)
7
Cor et Harpe
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Trompette, violon (duo)
5
Trompette, Violoncelle et Piano
4
Cor et Basson (duo)
4
Cor anglais, Guitare (duo)
4
Bugle
3
Trompette et Guitare
3
Trompette, Harpe
2
Trombone et orchestre
2
2 Cors Anglais Et Pianoforte
2
Trombone, Orgue
2
Trompette, Violoncelle (duo)
2
Trompette, Trombone, Piano
2
Trompette, Basson (duo)
2
Cor anglais et Harpe (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor et Orgue
1
Trombone, Alto (duo)
1
3 Euphoniums
1
Clarinette, Cor (duo)
1
+ 71 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 047
Violon
1 626
Violon et Piano
1 521
Violoncelle
1 344
Alto seul
1 215
Harpe
1 210
Violoncelle, Piano
1 129
Alto, Piano
961
Alto (partie séparée)
467
Violon, Violoncelle (duo)
440
Violon (partie séparée)
429
2 Violons (duo)
402
Trio à Cordes: violon, alto, violoncelle
320
2 Violoncelles (duo)
299
Violon, Alto (duo)
218
2 Altos (duo)
215
Contrebasse, Piano (duo)
213
Quintette à cordes: 2 violons, alto, violoncelle, basse
194
Contre Basse
168
Violoncelle (partie séparée)
167
Trio à Cordes: 2 violons, violoncelle
146
Contrebasse (partie séparée)
109
Alto, Violoncelle (duo)
102
2 Harpes (duo)
92
Trio à cordes: 3 violins
65
4 Violoncelles
54
Violon, Guitare (duo)
54
Violoncelle , Guitare (duo)
51
Harpe, Flûte (duo)
44
Trio à Cordes: 3 violoncelles
44
Alto, Guitare (duo)
43
Quatuor à cordes: 4 violons
42
Violon, Basson (duo)
33
Quatuor à cordes : 4 altos
32
2 Contrebasses (duo)
29
Ensemble de Violons
29
Violoncelle, Contrebasse (duo)
28
Ensemble d'Altos
28
Trio à cordes: 3 altos
28
Piano Trio: Violon, Alto, Piano
24
Trio à Cordes: 2 violons, alto
19
Harpe, Violon (duo)
14
Violon, Tuba (duo)
13
Trio à cordes
12
Harpe, Voix
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Violon, Basse continue
10
Alto et Basson
9
Harpe, Violoncelle (duo)
9
2 Violons, Piano
7
Violoncelle, Orchestre
4
Ensemble de Violoncelles
4
Flûte, Contrebasse (duo)
4
Alto et Harpe
4
Violoncelle, Orgue
4
Harpe, Trombone (duo)
3
Harpe et Piano
3
Violon, Orgue
3
Harpe, Violon, Violoncelle
3
4 Contrebasses
3
Violon, Clarinette, Piano (trio)
2
Harpe et mandoline
2
2 Violoncelles, Piano
2
Autoharp
2
Violoncelle, Basse continue
2
2 Violons et Basse continue
1
Alto, Orgue
1
5 Harpes
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
3 Harpes
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
5 247
Orchestre à Cordes
1 083
Orchestre
865
Ensemble Jazz
507
Ensemble de cuivres
484
Cloches
450
Batterie
404
Fanfare
403
Orchestre de chambre
258
Percussion (partie séparée)
140
Jazz combo
122
Ensemble de Percussions
78
Batterie (partie séparée)
45
Marimba
43
Xylophone, Piano
38
Timbales (partie séparée)
26
Vibraphone
21
Percussion
15
Xylophone
9
Ensemble d'École
7
2 Xylophones
6
Piano et Orchestre
5
Orchestre, Violon
5
2 Marimbas
3
Quintette de Cuivres: autres combinaisons
3
Caisse Claire
2
Vibraphone et Marimba
2
Vibraphone (partie séparée)
2
Instrumentation Flexible
1
Quintette à Vent
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Xylophone (partie séparée)
1
Big band
1
Bongos
1
3 Marimbas
1
Bodhran
1
+ 31 instrumentations
Retracter
Autres
Formation musicale - Solfège
3
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Voix Soprano, Piano
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76
Chansons de Verlaine
#
Voix Soprano, Piano
#
AVANCÉ
#
John Casken
#
Chansons de Verlaine
#
Schott Music - Digital
#
SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
I Won't See Him Again
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch
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I Won't See Him Again
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008220 Composed by Music by Helen MacCulloch. Lyrics by Alastair MacCulloch. Musical/Show,Pop. 6 pages. Op...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008220 Composed by Music by Helen MacCulloch. Lyrics by Alastair MacCulloch. Musical/Show,Pop. 6 pages. Optimistic Music Company #5337359. Published by Optimistic Music Company (A0.1008220). I Won't See Him Again is an emotional love ballad from the musical, Amber Avenues, which is set in 1964. The main character, Yvonne, is regretting breaking up with her younger lover, Matthew. This song is suitable for general audiences, including high schools and community theatres.
$3.50
Cinq fragments français de Rainer Maria Rilke
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Voix Soprano, Piano
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FACILE
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Aribert Reimann
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Cinq fragments français
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - easy to intermediate - SKU: S9.Q41951 For soprano and piano. Composed by Aribert Reimann. This edition: Sheet music. Do...
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Soprano voice and piano - easy to intermediate - SKU: S9.Q41951 For soprano and piano. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q41951. Published by Schott Music - Digital (S9.Q41951). French.Das fünfsätzige Werk für Sopran und Klavier nach Gedichtsfragmenten von Rainer Maria Rilke verbindet eine anspruchsvolle Gesangspartie mit teils zurückhaltender, teils zupackender Klavierbegleitung. In französischer Sprache.
$15.99
This Is All Very New To Me (from Plain and Fancy)
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Voix Soprano, Piano
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Comédie Musicale
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This Is All Very New To Me
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449300 Edited by Richard Walters. This edition: Interactive Dow...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449300 Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Musical/Show. Score. 9 pages. Hal Leonard - Digital #835407. Published by Hal Leonard - Digital (HX.449300).
$4.99
What Child is This, for soprano solo and piano, D minor
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Voix Soprano, Piano
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FACILE
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Noël
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Musique Sacrée
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Traditional
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Ivana Tuskan
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What Child is This, for sopran
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Ivana Tuskan
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.793868 Composed by Traditional. Arranged by Ivana Tuskan. Christmas,Concert,Sacred. 5 pages. Ivana Tuskan #...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.793868 Composed by Traditional. Arranged by Ivana Tuskan. Christmas,Concert,Sacred. 5 pages. Ivana Tuskan #3885627. Published by Ivana Tuskan (A0.793868). In this arrangement I've added piano accompaniment to traditional melody (Greensleeves) from the 16th century. First and second verses are written in D minor, and third in A minor. Vocal range: A3 to G5 The sound sample is an electronic preview. The pdf file contains score (5 pages) Performance Time approx. 2:20 NOTE: You are allowed 2 print copies with one purchase of this title. Further distribution or forwarding of this sheet music is prohibited. Thank you! - Ivana Tuskan
$5.00
What Child is This, for soprano and piano, G minor/ A minor
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Voix Soprano, Piano
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FACILE
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Noël
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English Traditional
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Ivana Tuskan
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What Child is This, for sopran
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Ivana Tuskan
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.793897 Composed by English Traditional. Arranged by Ivana Tuskan. Christmas. 5 pages. Ivana Tuskan #3915855...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.793897 Composed by English Traditional. Arranged by Ivana Tuskan. Christmas. 5 pages. Ivana Tuskan #3915855. Published by Ivana Tuskan (A0.793897). In this arrangement I've added piano accompaniment to traditional melody (Greensleeves) from the 16th century. First and second verses are written in G minor, and third in A minor. Vocal range: D4 to G5 The sound sample is an electronic preview. The pdf file contains score (5 pages) Performance Time approx. 2:20
$5.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Italian Opera Arias
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Italian Opera Arias
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate to difficult - This edition: Sheet music. Schott VOCAL. Downloadable. Schott Music - Digital #Q11090. Publish...
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Soprano voice and piano - intermediate to difficult - This edition: Sheet music. Schott VOCAL. Downloadable. Schott Music - Digital #Q11090. Published by Schott Music - Digital
Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume each. A cross-section of the art of singing over three centuries.
$19.99
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
He Shall Wipe Away Every Tear (arranged for Soprano Solo)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Robert E
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He Shall Wipe Away Every Tear
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Robert E. Benton, Jr.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1460437 Composed by Robert E. Benton, Jr. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. R...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1460437 Composed by Robert E. Benton, Jr. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. Robert E. Benton, Jr. #1039368. Published by Robert E. Benton, Jr. (A0.1460437). This vocal soprano solo arrangement of the hymn catalogs many of the most precious promises from Revelation 21 and 22. The text is especially meaningful for any that have lost loved ones. We can be certain of our hope in Christ. He has promised.The soprano arrangement is appropriate for vocal performance at the high school or collegiate level or above with piano accompaniment. The bright accompaniment builds interest as each new promise is embraced and explained in lyrics expressed by a beautiful melody. Vocal Range: Soprano: D4 – G5For more information…Website: https://TRUSTHYMN.wordpress.comEmail: TRUSTHYMN@yahoo.comFacebook: https://www.facebook.com/TrustHymnInstagram: https://www.instagram.com/trust_hymn/.
$3.99
The Man I Love
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Voix Soprano, Piano
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AVANCÉ
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instruct...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
The Last Rose of Summer - Soprano with piano and chords in Db
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492602 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069280....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492602 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069280. Published by Alex Rodrigues (A0.1492602). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in A
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492609 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069287....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492609 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069287. Published by Alex Rodrigues (A0.1492609). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Eb
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492604 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069282....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492604 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069282. Published by Alex Rodrigues (A0.1492604). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Bb
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492599 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069277....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492599 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069277. Published by Alex Rodrigues (A0.1492599). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in A
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492596 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069274....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492596 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069274. Published by Alex Rodrigues (A0.1492596). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in Bb
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492612 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069290....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492612 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069290. Published by Alex Rodrigues (A0.1492612). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Ab
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492597 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069275....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492597 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069275. Published by Alex Rodrigues (A0.1492597). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in Db
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492615 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069293....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492615 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069293. Published by Alex Rodrigues (A0.1492615). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
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