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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Can
Sheetmusicplus
Non classifié
14 795
Piano & claviers
Piano seul
11 163
Piano, Voix
4 617
Piano Facile
3 013
Orgue
2 149
Piano, Voix et Guitare
1 714
Piano grosses notes
1 044
Instruments en Do
639
1 Piano, 4 mains
362
Accompagnement Piano
311
Accordéon
177
2 Pianos, 4 mains
93
Piano Trio: piano, violon, violoncelle
92
Clavier
69
Piano Quatuor: piano, violon, alto, violoncelle
39
Piano (partie séparée)
31
Orgue, Piano (duo)
24
Piano Quintette: piano, 2 violons, alto, violoncelle
24
Orgue, Trompette (duo)
20
Piano Quatuor: piano, 2 violons, violoncelle
16
Clavecin
9
1 Piano, 6 mains
6
2 Pianos, 8 mains
6
Accordéon, Corde(s)
1
Accordéon, Piano
1
+ 19 instrumentations
Retracter
Guitares
Guitare
737
Guitare notes et tablatures
672
Basse electrique
395
Ukulele
391
Ligne De Mélodie, (Paroles) et Accords
340
Piano, Guitare (duo)
207
2 Guitares (duo)
71
Ukulele Baryton
70
Mandoline
63
Guitare (partie séparée)
56
4 Guitares (Quatuor)
52
Banjo
52
Dulcimer
46
Paroles et Accords
44
Ensemble de guitares
14
3 Guitares (trio)
13
Mandoline, Piano (duo)
10
2 Dulcimers (duo)
7
Dobro
4
Guitare Pedal Steel
4
Mandoline, Guitare (duo)
3
2 Mandolines (duo)
2
Guitare, Violon, Violoncelle (trio)
2
2 Ukuleles
1
Basse électrique (partie séparée)
1
Orchestre à Plectres
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
4 894
Chorale 3 parties
1 455
Chorale 2 parties
1 040
Pack Instrumental pour Chorale
817
Chorale Unison
608
Chorale TTBB
555
Chorale SSAA
346
Voix duo, Piano
225
Voix duo
105
Voix haute
65
Voix seule
60
Voix Alto, Piano
54
Voix Soprano, Piano
52
Voix Baryton, Piano
29
Voix basse, Piano
27
Voix Tenor, Piano
27
Chorale
23
Voix moyenne, Piano
20
Voix Tenor
16
Chorale SSATB
11
Chorale SSAATTBB
10
Soli, choeur mixte et accompagnement
9
Voix Soprano
8
Chorale SSATTB
8
Voix basse
7
Voix Mezzo-Soprano, Piano
7
Chorale SSAB, Piano
2
Chorale SATBB
2
Chorale SSAB a cappella
2
Voix, Guitare
1
Chorale SATTBB A Cappella
1
Chorale SAATB A Cappella
1
Chorale SSAATB
1
Voix duo, Orgue
1
+ 29 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 308
Hautbois, Piano (duo)
935
Clarinette et Piano
889
2 Saxophones (duo)
837
Quatuor de Saxophones: 4 saxophones
747
Saxophone Alto et Piano
740
Flûte traversière
653
Clarinette
626
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
603
Quatuor de Clarinettes: 4 clarinettes
559
Saxophone (partie séparée)
539
Saxophone Tenor et Piano
513
Flûte, Hautbois, Clarinette, Basson
484
2 Flûtes traversières (duo)
441
2 Clarinettes (duo)
439
Saxophone Alto
403
Saxophone Tenor
342
Quintette de Saxophone: 5 saxophones
316
Hautbois (partie séparée)
305
Flûte à bec Soprano
295
Quatuor de Flûtes : 4 flûtes
266
Saxophone Soprano et Piano
261
Flûte, Clarinette (duo)
204
3 Clarinettes (trio)
204
3 Saxophones (trio)
199
2 Flûte à bec (duo)
192
Saxophone, Clarinette (duo)
188
Ensemble de Clarinettes
164
2 Hautbois (duo)
162
Saxophone Baryton, Piano
160
Clarinette, Violon (duo)
153
Hautbois, Basson (duo)
143
Ensemble de Flûtes
139
Trio de Flûtes: 3 flûtes
129
Clarinette, Trompette (duo)
122
Clarinette (partie séparée)
119
Ensemble de saxophones
119
Hautbois, Clarinette (duo)
112
Quintette de Clarinettes: 5 clarinettes
112
Cor anglais, Piano
111
Flûte, Violon
103
Flute (partie séparée)
100
Quintette de Flûte : 5 flûtes
84
Flûte et Guitare
83
Clarinette et Alto
76
Flûte à Bec
75
Flûte à bec Soprano, Piano
73
Flûte, Hautbois, Clarinette (trio)
71
Hautbois
70
Quatuor de Flûtes à bec
67
Flûte irlandaise
67
Flûte, Saxophone (duo)
66
Flûte, Alto (duo)
65
Hautbois, Flûte
62
Cor Anglais
58
Flûte, Clarinette et Basson
56
Clarinette Basse, Piano
55
Flûte, Violon et Violoncelle
54
Flûte à bec Alto
54
Clarinette, Basson (duo)
50
Flûte, Trompette (duo)
47
Flûte, Harpe et Violoncelle
46
2 Flûtes traversières, Piano
44
Flûte, Violoncelle
43
Flûte, Violon, Piano
42
Flûte, Hautbois, Basson
42
Hautbois, Clarinette, Basson (trio d'anches)
40
Saxophone Soprano
38
Saxophone Baryton
38
3 Flûtes à bec (trio)
38
Harmonica
37
Ocarina
36
Clarinette, Harpe (duo)
35
Clarinette, Guitare (duo)
30
Flûte, Hautbois (duo)
26
Clarinette, Violoncelle (duo)
23
2 Clarinettes, Basson
21
Flûte, Clarinette, Piano (trio)
21
Hautbois, Violoncelle
20
Ensemble De Flûte à bec
19
Clarinette, Violoncelle, Piano (trio)
18
5 Flûtes à bec
17
Flûte à bec Tenor
17
Flûte, Hautbois, Piano (trio)
16
2 Clarinettes, Piano
15
Hautbois, Guitare (duo)
15
Flûte, Violoncelle, Piano (trio)
14
2 Saxophones, Piano
13
Piccolo, Piano
12
4 Hautbois
10
Flûte à bec Soprano, Basse continue
10
Flute, harpe et violon
10
Flûte, Hautbois, Violon
9
Flûte, Alto et Piano
8
Flûte, Basson et Piano
8
Flûte à bec Alto, Piano
8
Saxophone et Guitare
7
Hautbois et alto (duo)
7
Piccolo
6
Cor anglais, Guitare (duo)
6
Flûte et Trio à cordes
6
Ensemble de Hautbois
6
Flûte, Clarinette, Violon (trio)
6
Flûte, trombone et piano
6
Clarinette, trompette et piano
6
Saxophone
5
Hautbois, violon (duo)
5
Clarinette Basse
5
Hautbois, Clarinette et Piano (Trio)
5
Flûte, Trombone (duo)
5
Hautbois, Basson et Piano
4
Saxophone et Orgue
4
Flûte traversière, Basse continue
4
Flûte à bec Alto, Basse continue
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Clarinette, Alto et Piano (trio)
4
Hautbois, Harpe
4
Flûte à bec, Guitare (duo)
3
Flûte, Violoncelle, Guitare
3
Clarinette, Trombone (duo)
3
Clarinette, Tuba
3
Flûte, Violon, Guitare
2
Flûte de Pan
2
Hautbois, trombone (duo)
2
Flûte, alto et harpe
2
Flûte traversière, Orgue (duo)
2
2 Hautbois, Piano
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Ensemble à vent
2
Cornemuse
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Contrebasse (duo)
2
Instruments en Mib
2
Cor anglais et Harpe (duo)
1
Hautbois, Trompette (duo)
1
Flûte à Bec, Piano
1
Flute, alto, violoncelle et guitare
1
Clarinette, Basson, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte et Quatuor à Cordes
1
Saxophone et Harpe
1
2 Flûtes traversières, Harpe
1
Flute, Cor (duo)
1
2 Flûtes à bec, Piano
1
Flûte, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
3 Hautbois
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Violoncelle et Piano
1
+ 144 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 209
Trombone et Piano
597
Trompette
596
Trompette, Piano
591
Trompette (partie séparée)
466
Quatuor de Cuivres : 2 trompettes, trombone, tuba
426
Cor et Piano
426
Trombone
424
Cor
317
Trombone (partie séparée)
298
2 Trombones (duo)
242
Tuba et Piano
220
2 Trompettes (duo)
207
Quatuor de Cuivres
206
Tuba
185
Quatuor de Cuivres: 2 trompettes, Cor, trombone
157
Trompette, Trombone (duo)
156
Trompette, Saxophone (duo)
134
Cor (partie séparée)
115
Quatuor de cuivres: 4 trombones
113
Cor anglais, Piano
111
2 Cors (duo)
100
Ensemble de Trombones
88
Tuba (partie séparée)
87
Euphonium, Piano (duo)
84
Ensemble de Trompettes
70
Cor Anglais
58
Quatuor de cuivres: 4 cors
56
Euphonium
51
2 Tubas (duo)
41
2 Euphoniums et 2 Tubas
37
Quatuor de cuivres: 4 trompettes
36
Trompette, Cor (duo)
35
Ensemble de Cors
27
3 Trombones (trio)
26
Trombone, Tuba (duo)
24
4 Tubas
21
Trio de Cuivres
19
Euphonium, Tuba (duo)
18
3 Trompettes (trio)
14
Trombone, Cor (duo)
13
Trompette, Tuba (duo)
12
2 Euphoniums (duo)
11
3 Tubas (trio)
9
Tuba et Orgue
8
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Cor et Harpe
7
3 Cors (trio)
7
Cor, Violoncelle (duo)
7
Trompette, Harpe
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Cor anglais, Guitare (duo)
6
Trombone basse
5
Trompette, Trombone, Piano
5
Bass Clef Instruments
5
Trompette, violon (duo)
5
Trompette, Basson (duo)
4
Instruments en Sib
4
Cor, Tuba (duo)
4
Trompette, Violoncelle et Piano
4
Trombone, Orgue
2
Trompette, Violoncelle (duo)
2
Trompette et Guitare
2
2 Cors, Piano
2
Trombone basse et Piano
2
Trombone et orchestre
2
Cornet et orchestre
2
Tuba ou Euphonium ou Saxhorn
1
Cor anglais et Harpe (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Euphonium (duo)
1
Cor, Violoncelle et Piano
1
Euphonium (partie séparée)
1
Cor et Orgue
1
Trombone, Violon (duo)
1
4 Euphoniums
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Cor (duo)
1
3 Euphoniums
1
+ 74 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 977
Harpe
1 839
Violon et Piano
1 545
Violoncelle, Piano
848
Alto, Piano
826
Violon
813
Violoncelle
622
Violon, Violoncelle (duo)
505
2 Violons (duo)
407
Trio à Cordes: violon, alto, violoncelle
363
Alto seul
339
Harpe, Flûte (duo)
293
2 Violoncelles (duo)
278
Violon, Alto (duo)
263
Violon (partie séparée)
245
2 Altos (duo)
218
Trio à Cordes: 2 violons, violoncelle
197
2 Harpes (duo)
187
Contrebasse, Piano (duo)
178
Quintette à cordes: 2 violons, alto, violoncelle, basse
174
Contre Basse
155
Harpe, Violon (duo)
138
Alto (partie séparée)
134
Contrebasse (partie séparée)
102
Trio à cordes: 3 violins
79
Alto, Violoncelle (duo)
77
4 Violoncelles
55
Quatuor à cordes: 4 violons
42
Harpe et Piano
42
Violon, Guitare (duo)
39
Violoncelle (partie séparée)
35
Trio à Cordes: 3 violoncelles
34
2 Contrebasses (duo)
33
Violoncelle , Guitare (duo)
30
Violoncelle, Contrebasse (duo)
30
Piano Trio: Violon, Alto, Piano
29
Trio à Cordes: 2 violons, alto
27
Trio à cordes: 3 altos
23
Harpe, Violoncelle (duo)
17
Violon, Basson (duo)
16
2 Violons et Basse continue
14
Quatuor à cordes : 4 altos
14
Alto, Guitare (duo)
14
Flûte, Contrebasse (duo)
12
Harpe, Voix
12
Alto et Harpe
11
2 Violons, Piano
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Ensemble de Violons
10
Harpe et mandoline
10
Alto et Basson
10
Violon, Orgue
9
Ensemble d'Altos
7
Violon, Clarinette, Piano (trio)
7
Violoncelle, Orgue
6
2 Violoncelles, Piano
6
Ensemble de Violoncelles
5
Autoharp
5
3 Harpes
5
4 Contrebasses
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Violon, Violoncelle
4
Violoncelle, Basse continue
4
2 Altos, Piano
3
Violoncelle, Orchestre
3
Alto, Orgue
3
5 Harpes
2
Violon, Basse continue
2
Violon, Tuba (duo)
2
4 Harpes
1
Harpe, Trombone (duo)
1
3 Contrebasses
1
Violon, Violoncelle, Clarinette
1
+ 68 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 860
Orchestre à Cordes
1 186
Orchestre
848
Cloches
829
Ensemble Jazz
647
Ensemble de cuivres
575
Fanfare
371
Orchestre de chambre
323
Ensemble de Percussions
160
Jazz combo
160
Batterie
139
Percussion (partie séparée)
102
Marimba
69
Vibraphone
47
Batterie (partie séparée)
44
Xylophone, Piano
23
Xylophone
14
Percussion
13
Timbales (partie séparée)
9
Ensemble d'École
8
3 Marimbas
6
2 Xylophones
4
Piano et Orchestre
4
Orchestre, Violon
3
Timbales
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Quintette à Vent
2
Cajon
2
Instrumentation Flexible
1
Conga
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Bongos
1
Caisse Claire
1
Vibraphone et Marimba
1
Voix et Orchestre
1
Quatuor à Vent : 4 instruments à vents
1
+ 32 instrumentations
Retracter
Autres
Formation musicale - Solfège
9
Théorie de la musique
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Partitions à imprimer
52 partitions trouvées
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1
26
51
Aria e Canzona
#
Voix Soprano, Piano
#
Aribert Reimann
#
Aria e Canzona
#
Schott Music - Digital
#
SheetMusicPlus
Soprano voice and piano - SKU: S9.Q6384 Texte von Friedrich Hölderlin und Friedrich von Schiller. Composed by Aribert Reimann. This edition: S...
(+)
Soprano voice and piano - SKU: S9.Q6384 Texte von Friedrich Hölderlin und Friedrich von Schiller. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 18 minutes. Schott Music - Digital #Q6384. Published by Schott Music - Digital (S9.Q6384). German.
$22.99
All I Can Do Is Dream (Rehearsal Track)
#
Voix Soprano, Piano
#
Stephen DeCesare
#
All I Can Do Is Dream
#
Exultet Music
#
SheetMusicPlus
Piano,Soprano voice - SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. Duration 161. Ex...
(+)
Piano,Soprano voice - SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. Duration 161. Exultet Music #3213729. Published by Exultet Music (A0.1052247). Dramatic love musical-theatre power ballad from the musical The Competition (which is available on this site), that is scored for a Soprano Solo and Piano accompaniment. Accessible and appropriate for any concert or audition setting.
$3.99
This Woman's Heart
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Jenny McKinney
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Rebecca Brinkerhoff
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This Woman's Heart
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Jennifer McKinney
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.958065 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Spiritual. 4 pag...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.958065 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Spiritual. 4 pages. Jennifer McKinney #3222359. Published by Jennifer McKinney (A0.958065). (for Jo and Natalie) Taken from the Empty Arms Companion Songbook, this song is written for the woman who lost the love of her life, be that a sweetheart or a child. It is appropriate for both situations. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymckinneymusic.com. Thank you for your honesty. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
Si yo nunca desapareciera (HIGH VOICE)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191597. Published by Kristian S. Rodriguez (A0.1023335). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
O Holy Night (for SAB - High Key - Soprano Part Rehearsal Track)
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Voix Soprano, Piano
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Musique Sacrée
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Adolphe-Charles Adam
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Stephen DeCesare
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O Holy Night
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Exultet Music
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1052342 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accom...
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Piano,Soprano voice - SKU: A0.1052342 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 235. Exultet Music #4980689. Published by Exultet Music (A0.1052342). (French: Cantique de Noël) One of the most popular and beloved Christmas carols ever written. This is the Soprano part only (computer generated) with the Piano accompaniment. Accessible for all levels of singing and can be easily used in any church or concert setting. (Key of Db).
$3.99
O Holy Night (for SAB - Medium/Low Key - Soprano Part Rehearsal Track)
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Voix Soprano, Piano
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Musique Sacrée
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Adolphe-Charles Adam
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Stephen DeCesare
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O Holy Night
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Exultet Music
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1052337 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accom...
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Piano,Soprano voice - SKU: A0.1052337 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 235. Exultet Music #4980679. Published by Exultet Music (A0.1052337). (French: Cantique de Noël) One of the most popular and beloved Christmas carols ever written. This is the Soprano part only (computer generated) with the Piano accompaniment. Accessible for all levels of singing and can be easily used in any church or concert setting. (Key of Bb).
$3.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Some World Far From Ours
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Some World Far From Ours
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitw...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitwell (A0.873021). Composer’s Note - Some World Far From OursA principle source of inspiration for composers is surely a performer of great talent and skill. Percy Bysshe Shelley proves that this is true not only for composers but for poets as well. His dear friend Jane Williams -- the never proven conjecture is that she was actually his lover -- could sing like a bird and also play flute, harp and guitar. In S​ ome World Far From Ours,​ I so enjoyed bringing some musical life to a text that praises a musician from a poet who understands how a singing voice can transport a listener in a was that speech cannot.-- Sally Whitwell
$1.99
They Say That Hope Is Happiness
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Brian S
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They Say That Hope Is Happines
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G. Meredith Publications
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.843770 Composed by Brian S. Wilson. Contemporary. 10 pages. G. Meredith Publications #2025123. Published by...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.843770 Composed by Brian S. Wilson. Contemporary. 10 pages. G. Meredith Publications #2025123. Published by G. Meredith Publications (A0.843770). This is the fourth of six songs from the Song Cycle Byron Songs based on poems of Lord Byron's collection of poems entitled Hebrew Melodies. There is an optional flute descant (part sold separately). There is also an arrangement of this song with strings and piano (sold separately). They Say That Hope Is Happiness TEXT They say that Hope is happiness-  But genuine Love must prize the past;And mem'ry wakes the thoughts that bless  They rose the first-they set the last.And all that mem'ry loves the most  Was once our only hope to be:And all that hope adored and lostHath melted into memory.Alas! it is delusion all-  The future cheats us from afar,Nor can we be what we recall,  Nor dare we think on what we are.
$7.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
#
Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Liriche
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Voix Soprano, Piano
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Nino Rota
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Liriche
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Schott Music - Digital
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SheetMusicPlus
Soprano voice or tenor voice and piano - SKU: S9.Q44807 For voice and piano. Composed by Nino Rota. This edition: single sheet. Downloadable, sin...
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Soprano voice or tenor voice and piano - SKU: S9.Q44807 For voice and piano. Composed by Nino Rota. This edition: single sheet. Downloadable, single sheet. Duration 13 minutes. Schott Music - Digital #Q44807. Published by Schott Music - Digital (S9.Q44807). Italian.Between 1921 and 1938 Nino Rota composed twenty-one pieces for voice and piano, five of which he approved for printing. These early works made him known in the music world. The lyrics are of different origin: poems by the Indian Nobel Prize winner Tagore, a sonnet by Petrarch as well as a Tuscan folksong which was at the same time his last vocal chamber music work. Three of the songs contained in this new edition are printed in different keys, as can already be found in Rota's manuscripts.
$21.99
BLOW THE WIND SOUTHERLY FOR SOPRANO VOICE AND PIANO
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Voix Soprano, Piano
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FACILE
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Garth Williams
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Garth Williams
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BLOW THE WIND SOUTHERLY FOR SO
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Garth M. Williams
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1187249 By Garth Williams. By Garth Williams. Arranged by Garth Williams. Celtic,Contest,Festival,Folk,Inst...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.1187249 By Garth Williams. By Garth Williams. Arranged by Garth Williams. Celtic,Contest,Festival,Folk,Instructional,Irish,Traditional. 8 pages. Garth M. Williams (Socan) #786885. Published by Garth M. Williams (Socan) (A0.1187249). This arrangement includes soprano voice and keyboard accompaniment.
$21.95
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
A Woman's Work
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Voix Soprano, Piano
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Contemporain
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Abigail Gilson
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A Woman's Work
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Abigail Gilson
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1...
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Soprano voice,Vocal Solo - SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1024943). The final piece in the three-part song cycle, the young girl has grown up and has taken on the role of a woman. The piece itself is very slow moving, as the woman’s life has significantly slowed down, she’s no longer the young girl filled with hope, she knows what her duty is. The piano itself is always rising, sometimes in major thirds but then followed by clunky seconds and thirds. With a feeling of rush but also as if the whole piece is about to end and resolve, yet it continues in this cycle. Still, there’s reward in her work, a woman gets to see her child grow, and their dreams become her own. As any woman can tell you, there is a reward to being a good mother, wife, and woman. But it is only one that a woman can recognize.
$4.99
Stillness (High)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jocelyn Scofield
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Stillness
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Bilsco Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.992611 Composed by Jocelyn Scofield. Contemporary,Standards. 6 pages. Bilsco Music #3500763. Published by B...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.992611 Composed by Jocelyn Scofield. Contemporary,Standards. 6 pages. Bilsco Music #3500763. Published by Bilsco Music (A0.992611). Description: Stillness is a classical art song by Los Angeles-based composer, Jocelyn Scofield. It was premiered in Los Angeles, CA in 2018.Range: F4-Ab6, Key: Fminor, Length: 2:50, Tempo: 105bpmText: Around me Is a storm of chaos and pain Around me Is a battle of hate and blameAnd I am lost in this war I am searching, desperate forStillness StillnessInside me Is a space where chaos can not breathe Inside me Is a grace where hate can not feedWhen I close my eyes When I calm my wearied mindI am breath I am body I am peace I amStillness Stillness
$4.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Holy Holy Holy--vocal soprano solo
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritua...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
I Heard the Bells on Christmas Day--vocal solo
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Voix Soprano, Piano
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INTERMÉDIAIRE
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John Baptiste Calkin
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Beka Wilson
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I Heard the Bells on Christmas
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 page...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Vocalise for soprano voice and piano
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Voix Soprano, Piano
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AVANCÉ
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Stefano Olcese
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Vocalise for soprano voice and
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Stefano Olcese
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.934331 Composed by Stefano Olcese. 20th Century,Contemporary,Wedding. 5 pages. Stefano Olcese #6381613. Pub...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.934331 Composed by Stefano Olcese. 20th Century,Contemporary,Wedding. 5 pages. Stefano Olcese #6381613. Published by Stefano Olcese (A0.934331). This is an arrangement for soprano voice and piano of my own composition for violin and orchestra Skåne, which you can listen to on YouTube. Feel free to contact me if you wish me to write an arrangement of this Vocalise for voice and orchestra :)I would like this piece to be sung on the vowel ah or the vowel oh.Voice range required: B3 - C6
$2.99
Breaking
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Abigail Gilson
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Breaking
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Abigail Gilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1024940 Composed by Abigail Gilson. Contemporary. 5 pages. Abigail Gilson #3675473. Published by Abigail Gi...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1024940 Composed by Abigail Gilson. Contemporary. 5 pages. Abigail Gilson #3675473. Published by Abigail Gilson (A0.1024940). The main feeling of this poem is hope, just hope to make the world a better place, to help someone in need. A young girl, so naive and innocent, who believes that she can live a good life by making the lives of others better. But as the song cycle continues we see that for some women, their dreams will never become a reality. We see hints of this in this piece, as in the second section, the piece dips into a minor key. Suggesting that the woman girl has started to give up on her dreams. But the girl keeps singing, saying that she’ll help a fainting robin. She has not given up yet, and will not let her dreams fade.
$4.99
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