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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Tim
Non classifié
21 511
Piano & claviers
Piano seul
39 548
Piano, Voix
7 714
Piano, Voix et Guitare
4 989
Piano Facile
4 671
Accordéon
2 352
Instruments en Do
1 278
Orgue
819
Accompagnement Piano
484
1 Piano, 4 mains
482
Piano Trio: piano, violon, violoncelle
217
Piano grosses notes
206
2 Pianos, 4 mains
130
Piano (partie séparée)
116
Orgue, Trompette (duo)
78
Piano Quatuor: piano, violon, alto, violoncelle
59
Piano Quatuor: piano, 2 violons, violoncelle
56
Piano Quintette: piano, 2 violons, alto, violoncelle
26
Orgue, Piano (duo)
21
Clavecin
19
Ligne De Mélodie, Piano
13
1 Piano, 6 mains
12
2 Pianos, 8 mains
7
2 Accordéons
5
Accordéon, Voix
3
Orgue, Voix
3
Clavier
2
Ensemble de Pianos
2
Instrument seul et Orgue
2
Ensemble d'Accordéons
2
Accordéon et Orchestre
1
Tous Les Instruments
1
Orgue et Orchestre
1
+ 27 instrumentations
Retracter
Guitares
Guitare
5 348
Basse electrique
3 638
Guitare notes et tablatures
3 113
Ligne De Mélodie, (Paroles) et Accords
1 364
Ukulele
655
Paroles et Accords
576
Guitare (partie séparée)
164
2 Guitares (duo)
162
Mandoline
92
Banjo
58
Dulcimer
48
4 Guitares (Quatuor)
48
Piano, Guitare (duo)
47
Basse électrique (partie séparée)
37
3 Guitares (trio)
20
Ensemble de guitares
15
Mandoline, Guitare (duo)
13
Dobro
5
Partitions De Groupes
5
Ensemble de Ukulélés
5
Guitare, Violon, Violoncelle (trio)
4
2 Dulcimers (duo)
4
Guitare Pedal Steel
3
Guitare, Flûte, Clarinette
3
2 Ukuleles
3
Mandoline, Piano (duo)
2
Cithare
1
Guitare, Orchestre
1
2 Mandolines (duo)
1
Bouzouki
1
Guitare Tab, Voix, Basse, Batterie
1
Ukulele Baryton
1
+ 27 instrumentations
Retracter
Voix
Chorale SATB
6 742
Voix seule
5 826
Chorale 2 parties
2 359
Chorale 3 parties
2 249
Chorale TTBB
1 218
Chorale Unison
1 149
Pack Instrumental pour Chorale
1 035
Voix duo, Piano
908
Chorale SSAA
575
Voix duo
310
Chorale
187
Voix Soprano, Piano
152
Voix Tenor, Piano
147
Voix Alto, Piano
124
Voix Baryton, Piano
101
Voix haute
79
Chorale SSAATTBB
32
Voix moyenne, Piano
31
Voix basse, Piano
25
Voix Tenor
16
Chorale SSATB
15
Voix, Guitare
11
Soli, choeur mixte et accompagnement
10
Voix basse
9
Voix Mezzo-Soprano, Piano
6
Chorale SSAB, Piano
5
Voix Soprano
5
Voix Soprano, Orchestre
4
Chorale SATTBB A Cappella
4
Chorale SSAB a cappella
4
Chorale SSATTB
4
Chorale SAATB A Cappella
3
Voix haute, Piano
2
Voix et basse continue
2
Chorale SSAATB
2
Voix Moyenne
2
Male Voice
2
Chorale SATBB
1
Chorale SSATBB
1
+ 34 instrumentations
Retracter
Vents
Saxophone
16 661
Flûte traversière
8 403
Clarinette
7 839
Saxophone Alto
1 953
Saxophone Tenor
1 771
Quatuor de Saxophones: 4 saxophones
1 687
2 Saxophones (duo)
1 449
Flûte traversière et Piano
1 421
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 319
Flûte, Hautbois, Clarinette, Basson
1 282
Flûte à Bec
1 236
Clarinette et Piano
1 206
Saxophone (partie séparée)
971
Saxophone Alto et Piano
938
Hautbois
903
Hautbois, Piano (duo)
889
Quatuor de Clarinettes: 4 clarinettes
881
2 Flûtes traversières (duo)
800
Quintette de Saxophone: 5 saxophones
789
Saxophone Tenor et Piano
752
2 Clarinettes (duo)
717
Saxophone Soprano
654
Saxophone Soprano et Piano
586
Saxophone, Clarinette (duo)
431
Ensemble de saxophones
386
Flûte, Clarinette (duo)
370
Quatuor de Flûtes : 4 flûtes
368
Hautbois (partie séparée)
364
Ensemble de Clarinettes
337
Clarinette, Violon (duo)
323
2 Hautbois (duo)
311
3 Saxophones (trio)
292
Saxophone Baryton, Piano
284
Clarinette (partie séparée)
281
Clarinette, Trompette (duo)
252
Hautbois, Clarinette (duo)
244
Hautbois, Basson (duo)
242
3 Clarinettes (trio)
238
2 Flûte à bec (duo)
230
Trio de Flûtes: 3 flûtes
220
Flûte, Violon
196
Flute (partie séparée)
188
Quintette de Clarinettes: 5 clarinettes
170
Clarinette et Alto
163
Cor anglais, Piano
161
Ensemble de Flûtes
160
Flûte, Saxophone (duo)
156
Hautbois, Flûte
150
Clarinette Basse, Piano
140
Flûte, Alto (duo)
136
Flûte, Trompette (duo)
120
Flûte et Guitare
106
Flûte, Violon, Piano
104
Flûte, Clarinette et Basson
103
Flûte à bec Soprano
96
Quintette de Flûte : 5 flûtes
94
Clarinette, Basson (duo)
87
Flûte irlandaise
82
Flûte, Violoncelle
76
Flûte, Hautbois, Clarinette (trio)
73
Hautbois, Clarinette, Basson (trio d'anches)
73
Quatuor de Flûtes à bec
71
Saxophone Baryton
69
Hautbois, Violoncelle
67
Flûte, Hautbois (duo)
67
Clarinette, Violoncelle (duo)
63
Cor Anglais
57
Clarinette, Guitare (duo)
49
Ensemble De Flûte à bec
48
Flûte, Hautbois, Basson
47
Flûte à bec Alto
43
Piccolo, Piano
41
Flûte, Violoncelle, Piano (trio)
38
2 Clarinettes, Piano
35
3 Flûtes à bec (trio)
32
Harmonica
31
Flûte, Hautbois, Piano (trio)
30
Flûte à bec Soprano, Piano
30
Hautbois, violon (duo)
28
2 Flûtes traversières, Piano
27
Flûte, Clarinette, Piano (trio)
27
5 Flûtes à bec
27
Flûte, Trombone (duo)
26
Ocarina
26
Instruments en Mib
25
Flûte, Violon et Violoncelle
24
Clarinette, Violoncelle, Piano (trio)
23
Flûte à bec Tenor
23
Clarinette, Trombone (duo)
22
Flûte à bec Alto, Piano
20
Hautbois et alto (duo)
19
Clarinette Basse
19
Flûte, Clarinette, Cor, Basson (Quartet)
17
Flûte, Alto et Piano
17
Flûte, Basson et Piano
14
2 Saxophones, Piano
14
Flûte à Bec, Piano
13
Saxophone et Orgue
13
Piccolo
12
Cor anglais, Guitare (duo)
11
Clarinette, Alto et Piano (trio)
10
Clarinette, Harpe (duo)
10
Hautbois, trombone (duo)
9
2 Cors Anglais Et Pianoforte
9
Saxophone et Guitare
9
Hautbois, Guitare (duo)
8
Hautbois, Violoncelle et Piano
7
Saxophone et violoncelle
6
Clarinette, Basson, Piano (trio)
6
Hautbois, Clarinette et Piano (Trio)
6
Flûte traversière, Orgue (duo)
6
3 Hautbois
6
Flûte, Violon, Violoncelle et Piano
5
Hautbois, Trompette (duo)
5
Clarinette, Tuba
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Flûte, trombone et piano
5
Clarinette, trompette et piano
5
Hautbois, Basson et Piano
5
Clarinette, Contrebasse (duo)
4
Saxophone, Violon (duo)
4
Ensemble à vent
4
Flûte à bec Alto, Basse continue
4
Flûte à bec, Guitare (duo)
4
2 Clarinettes, Basson
4
Flûte traversière, Basse continue
4
Hautbois, Harpe
3
Hautbois, Violon, Piano
3
Flûte et Trio à cordes
3
Flute, harpe et violon
3
Flûte, Hautbois, Violon
3
Flûte, Tuba (duo)
3
Flûte, Clarinette, Violon (trio)
3
Saxophone et Piano
3
2 Hautbois, Piano
3
Clarinette, Orchestre
3
Clarinette, Orgue
3
Flûte, Violon, Guitare
3
Cornemuse
2
Flûte, Harpe et Violoncelle
2
Flûte, Alto et Violoncelle
2
Ensemble de Hautbois
2
Flûte, alto et harpe
2
Flute, Cor (duo)
2
Cor anglais et Harpe (duo)
2
4 Hautbois
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violoncelle, Guitare
1
Flûte de Pan
1
Flûte traversière, Orchestre
1
Saxophone et Orchestre
1
Hautbois et Orchestre
1
Saxophone, Basson (duo)
1
Flûte à bec, Harpe
1
+ 149 instrumentations
Retracter
Cuivres
Trompette
6 926
Trombone
6 321
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 911
Cor
969
Trombone et Piano
944
Trompette, Piano
938
Quatuor de Cuivres : 2 trompettes, trombone, tuba
772
Trompette (partie séparée)
684
Cor et Piano
667
Trombone (partie séparée)
627
Tuba
615
2 Trompettes (duo)
425
Euphonium
416
Tuba et Piano
382
2 Trombones (duo)
379
Trompette, Saxophone (duo)
323
Trompette, Trombone (duo)
308
Quatuor de Cuivres
294
Quatuor de Cuivres: 2 trompettes, Cor, trombone
293
2 Euphoniums et 2 Tubas
234
Euphonium, Piano (duo)
189
2 Cors (duo)
168
Cor anglais, Piano
161
Cor (partie séparée)
150
Tuba (partie séparée)
135
Ensemble de Trompettes
117
Quatuor de cuivres: 4 trombones
108
Trompette, Cor (duo)
100
2 Tubas (duo)
79
4 Tubas
78
Ensemble de Trombones
73
Quatuor de cuivres: 4 cors
70
Cor Anglais
57
Trio de Cuivres
51
3 Trombones (trio)
47
Trombone basse et Piano
41
3 Trompettes (trio)
40
Quatuor de cuivres: 4 trompettes
36
Ensemble de Cors
33
Bass Clef Instruments
31
Trombone, Cor (duo)
30
Cor, Violoncelle (duo)
30
Tuba ou Euphonium ou Saxhorn
27
Tuba et Orgue
26
Trompette, Violoncelle (duo)
23
Instruments en Sib
21
Cor et Basson (duo)
18
Trombone basse
16
2 Euphoniums (duo)
16
Trombone, Tuba (duo)
15
Trombone, Orgue
14
Trompette, Tuba (duo)
14
Trompette, Basson (duo)
13
2 Trompettes, Clavier (piano ou orgue)
12
Quatuor de cuivres: 2 trompettes, 2 trombones
12
Cor anglais, Guitare (duo)
11
2 Cors Anglais Et Pianoforte
9
Trombone, Violon (duo)
9
Trompette, violon (duo)
8
Euphonium, Tuba (duo)
8
Cor, Tuba (duo)
8
3 Cors (trio)
7
3 Tubas (trio)
7
Trompette et Guitare
6
Trombone, Alto (duo)
6
Trompette, Trombone, Piano
6
Trompette, Violoncelle et Piano
6
Trombone, violoncelle (duo)
4
Cor et Orgue
3
2 Trombones, Piano
3
Trompette, Euphonium (duo)
3
Ensemble de Tubas
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
2 Cors, Piano
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Trombone et orchestre
2
Instruments en Fa
2
Cor anglais et Harpe (duo)
2
Cor et Harpe
2
3 Euphoniums
1
Trompette, Harpe
1
Cornet et Piano
1
Trompette, Orchestre
1
Clarinette, Cor (duo)
1
Cor, Violoncelle et Piano
1
+ 80 instrumentations
Retracter
Cordes
Violon
5 701
Quatuor à cordes: 2 violons, alto, violoncelle
4 086
Violoncelle
3 667
Alto seul
2 885
Violon et Piano
1 782
Violoncelle, Piano
1 259
Alto, Piano
1 180
Violon, Violoncelle (duo)
1 059
Trio à Cordes: violon, alto, violoncelle
742
2 Violons (duo)
593
Quintette à cordes: 2 violons, alto, violoncelle, basse
539
Harpe
532
Contre Basse
508
2 Violoncelles (duo)
448
Violon, Alto (duo)
414
2 Altos (duo)
357
Contrebasse, Piano (duo)
324
Violon (partie séparée)
286
Trio à Cordes: 2 violons, violoncelle
258
Contrebasse (partie séparée)
231
Alto (partie séparée)
181
Alto, Violoncelle (duo)
144
Piano Trio: Violon, Alto, Piano
103
4 Violoncelles
80
Trio à cordes: 3 violins
76
Violoncelle (partie séparée)
74
2 Harpes (duo)
72
Violon, Guitare (duo)
71
2 Contrebasses (duo)
65
Trio à Cordes: 3 violoncelles
63
Violon, Basson (duo)
62
Violoncelle , Guitare (duo)
42
Quatuor à cordes : 4 altos
39
Harpe, Flûte (duo)
39
Quintette à cordes: 2 violons, 2 altos, violoncelle
38
Trio à Cordes: 2 violons, alto
36
2 Violons, Piano
32
Quintette à cordes : 2 violons, alto et 2 violoncelles
31
Quatuor à cordes: 4 violons
31
Alto et Basson
31
Ensemble de Violons
22
Trio à cordes: 3 altos
22
Alto, Guitare (duo)
20
Violoncelle, Contrebasse (duo)
19
Ensemble d'Altos
19
Violoncelle, Orgue
17
Harpe, Violon (duo)
16
Trio à cordes
14
Harpe, Voix
12
Violon, Clarinette, Piano (trio)
10
Ensemble de Violoncelles
8
Violoncelle, Orchestre
8
Harpe, Violon, Violoncelle
7
Violon, Orgue
6
Harpe, Violoncelle (duo)
6
Alto et Harpe
5
Flûte, Contrebasse (duo)
5
2 Violoncelles, Piano
5
Alto, Orgue
5
2 Altos, Piano
4
4 Contrebasses
4
Violon, Tuba (duo)
3
Violoncelle, Basse continue
3
4 Harpes
3
Alto et orchestre
3
Violon, Violoncelle, Clarinette
3
Harpe, Trombone (duo)
2
Harpe et mandoline
1
Autoharp
1
3 Harpes
1
Harpe et Orgue
1
+ 66 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
8 587
Batterie
6 136
Orchestre
3 476
Timbales (partie séparée)
2 283
Orchestre à Cordes
1 536
Ensemble Jazz
1 267
Fanfare
1 055
Ensemble de cuivres
906
Cloches
607
Timbales
544
Orchestre de chambre
535
Percussion
284
Jazz combo
219
Ensemble de Percussions
213
Percussion (partie séparée)
187
Batterie (partie séparée)
164
Marimba
56
Xylophone
49
Xylophone, Piano
35
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
24
Vibraphone
21
Quintette à Vent
21
Quintette de Cuivres: autres combinaisons
10
Piano et Orchestre
10
Caisse Claire
9
Orchestre, Violon
7
Ensemble d'École
6
Vibraphone (partie séparée)
4
2 Xylophones
4
Batterie-Fanfare
3
Instrumentation Flexible
3
Big band
3
2 Caisses Claires (duo)
2
Quatuor à Vent : 4 instruments à vents
2
Vibraphone et Marimba
2
Voix Mezzo-Soprano, Orchestre
2
2 Marimbas
1
Conga
1
Bodhran
1
Marimba ou Xylophone et Piano
1
Marimba, Piano (duo)
1
Xylophone (partie séparée)
1
Trio à Vent: 3 instruments à vents
1
+ 38 instrumentations
Retracter
Autres
Formation musicale - Solfège
41
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
9
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
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Partitions Numériques
152
ACCUEIL
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NOUVEAUTÉS
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PIANO
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Partitions Piano
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Piano facile
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INSTRUMENTAL
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Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
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Trompette
Cor
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Tuba
Guitare
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Piano, Voix, Guitare
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Banjo
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Ukulélé
Mandoline
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Crtitères actifs :
Tim
Voix Soprano, Piano
Partitions à imprimer
152 partitions trouvées
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Ave Maria - Bach/Timofeev (for Soprano and Piano)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Johann Sebastian Bach, Alexa
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Ave Maria - Bach/Timofeev
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Timofeev.org
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SheetMusicPlus
Composed by Johann Sebastian Bach, Alexander Timofeev. Romantic Period, Baroque Period, Spiritual, Sacred. 5 pages. Published by Timofeev.org ...
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Composed by Johann Sebastian Bach, Alexander Timofeev. Romantic Period, Baroque Period, Spiritual, Sacred. 5 pages. Published by Timofeev.org
$4.50
Time Arranged for Soprano soloist and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Salvador Rojo Gamón
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Salvador Rojo Gamón
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Strings.
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Time Arranged for Soprano solo
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Salvador Rojo-Gamon
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemp...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
I Knew The Time Would Come
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch & Ly
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I Knew The Time Would Come
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008223 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. 20th Century,Musical/Show. 7...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008223 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. 20th Century,Musical/Show. 7 pages. Optimistic Music Company #5337541. Published by Optimistic Music Company (A0.1008223). I Knew The Time Would Come is a poignant ballad in which the leading lady, Yvonne, mourns the loss of her husband. This song is from the musical Amber Avenues which is set in 1964. Suitable for general audiences such as high schools and community theatres.
$3.50
If I Find the Time
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch & Ly
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If I Find the Time
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008239 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Concert,Jazz,Musical/Show. 6...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008239 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Concert,Jazz,Musical/Show. 6 pages. Optimistic Music Company #5374919. Published by Optimistic Music Company (A0.1008239). If I Find the Time Is a romantic ballad from the musical Under the Same Sky which is set in 1964. Suitable for general audiences including high schools and community theatres.
$3.50
SONGS FOR ROSIE
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Voix Soprano, Piano
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Contemporain
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Tim Jones music, Karen Armst
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SONGS FOR ROSIE
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Black Cockatoo Music
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SheetMusicPlus
Soprano Voice, Piano. - Advanced - Composed by Tim Jones music, Karen Armstrong lyrics. 21st Century. Score. 23 pages. Published by Black Cockatoo M...
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Soprano Voice, Piano. - Advanced - Composed by Tim Jones music, Karen Armstrong lyrics. 21st Century. Score. 23 pages. Published by Black Cockatoo Music
5 Songs for Soprano and Piano about Love and overcoming Adversity.
Composed by Tim Jones with Lyrics by Karen Armstrong
Exquisite Art Music for sopranos of all vocal genres.
Range Bb3 to G5
$14.99
Frühlingsstimmen-Walzer
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Voix Soprano, Piano
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Classique
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Johann Strauss Jr
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Frühlingsstimmen-Walzer
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Edition Cranz
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SheetMusicPlus
Coloratura soprano and Piano - Composed by Johann Strauss Jr. (1825-1899). This edition: Sheet music. Downloadable. Op. 410. Edition Cranz #Q1194. P...
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Coloratura soprano and Piano - Composed by Johann Strauss Jr. (1825-1899). This edition: Sheet music. Downloadable. Op. 410. Edition Cranz #Q1194. Published by Edition Cranz
$7.99
Here is the Time
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Voix Soprano, Piano
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INTERMÉDIAIRE
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G
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Here is the Time
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George Skipworth
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962582 Composed by G.F. Skipworth. Concert. 4 pages. George Skipworth #6672785. Published by George Skipwor...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.962582 Composed by G.F. Skipworth. Concert. 4 pages. George Skipworth #6672785. Published by George Skipworth (A0.962582). On a text by William Moore, for soprano or mezzo and piano - moderate difficulty.
$3.50
Unknown Poets from the Full-Time Jungle
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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William Ortiz
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Unknown Poets from the Full-Ti
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William Ortiz
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008997 Composed by William Ortiz. 20th Century,Contemporary. 56 pages. William Ortiz #6131473. Published b...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008997 Composed by William Ortiz. 20th Century,Contemporary. 56 pages. William Ortiz #6131473. Published by William Ortiz (A0.1008997). A bilingual song cycle (English/Spanish). Nine songs by different poets for Soprano and Piano.
$30.00
The Birds
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
Who shall ascend
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Tim Attride
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Who shall ascend
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Tim Attride
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1382302 Composed by Tim Attride. Christian,Religious,Sacred. 2 pages. Tim Attride #966819. Published by Tim...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1382302 Composed by Tim Attride. Christian,Religious,Sacred. 2 pages. Tim Attride #966819. Published by Tim Attride (A0.1382302). Based on the well known words from Psalm 24, this short 14-bar Soprano solo (optionally for two voices in dialogue) would be suitable for either an Introit or Benediction when the Psalm is set for the day, or during Communion. With a range from middle C up to couple of top F, this should be within the capability of most Sopranos.N.B. the cost is for a single copy, however, please feel free to make up to two more for performance purposes. P1. is for reference only - to save paper, print just P2. which contains the full work.
$5.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Three Songs
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Dominique Le Gendre
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Three Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa l...
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Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa lorca - flamenco - love - nature - shakespeare - water. Downloadable, Score. Duration 5'. Schott Music - Digital #Q585120. Published by Schott Music - Digital (S9.Q585120). English â?¢ Spanish.Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeareâ??s play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico GarcÃa Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablaoâ??s of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorcaâ??s poetry vibrated daily and as casually as the music, songs and rhythms that peppered and punctuated conversations, discussions, exchanges of opinions, mealtimes in homes and bars and the precious moments of just hanging out. © 2023 Dominique Le Gendre.
$5.99
Whispering Hope
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Voix Soprano, Piano
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FACILE
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Septimus Winner
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Sandy McIntire
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Whispering Hope
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Sandy McIntire
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.697594 Composed by Septimus Winner. Arranged by Sandy McIntire. Folk,Instructional,Sacred,Standards,Traditi...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.697594 Composed by Septimus Winner. Arranged by Sandy McIntire. Folk,Instructional,Sacred,Standards,Traditional. 3 pages. Sandy McIntire #5888025. Published by Sandy McIntire (A0.697594). Whispering Hope is a well-known hymn by Septimus Winner published under the name of Alice Hawthorne in 1868. The first line of the lyrics is Soft as the voice of an angel. This arrangement is for Soprano Solo with a piano accompaniment and is appropriate for worship services, programs and recitals.
$5.50
Poems of Queen Mary Stuart
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Voix Soprano, Piano
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AVANCÉ
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Robert Schumann
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Robert Schumann
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Aribert Reimann
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Poems of Queen Mary Stuart
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edi...
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Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
Warm Where Snowflakes Lie
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Warm Where Snowflakes Lie
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitw...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitwell (A0.873026). Composer’s Note - Warm Where Snowflakes LieThrough my music, I try to bring to people a sense of optimism about the world. Music has the power to uplift, to exalt, to fill people with joy and hope, so I am drawn to texts that do a similar thing. Christina Rossetti’s poem ​The Key-Note​ has this optimism, even with a gentle sting in the proverbial tail. She appreciated that everything has a season, that life happens in cycles, that in the face of the darkest Winter there is always the hope of Spring, a hope made real by the appearance of the red-breasted robin in the snow. This song is for anyone who has ever felt hopeless, disenfranchised, or unable to see the light at the end of the tunnel.-- Sally Whitwell
$2.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
Jasmine Flowers for Low Voice
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Voix Soprano, Piano
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AVANCÉ
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Julia Tsien
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Jasmine Flowers for Low Voice
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Julia Tsien
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
Jasmine Flowers for High Voice
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Voix Soprano, Piano
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AVANCÉ
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Julia Tsien
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Jasmine Flowers for High Voice
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Julia Tsien
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien (A0.944857). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
THE BELLS. For voice and piano. High voice.
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Gabriel Ruiz-Bernal
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THE BELLS. For voice and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by Gabriel Ruiz-Bernal (A0.893949). Music set to the poem 'THE BELLS by Edgar Allan Poe (public domain).Award nominated at the 2019 International Edgar Allan Poe Festival. Baltimore, Maryland.1- Silver Bells2- Golden Bells3- Brazen Bells4- Iron BellsMore information about the composition, original poem, perusal score, and The making of 'The Bells' at:https://www.gabrielruizbernal.com/the-bells.html
$9.99
HERMIT THRUSH SONG Soprano with Pianoforte
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Voix Soprano, Piano
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Contemporain
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Alan Edgar and Jane Tims
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HERMIT THRUSH SONG Soprano wit
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Alan Edgar Ted Moon
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.903801 Composed by Alan Edgar and Jane Tims. Contemporary. 4 pages. Alan Edgar Ted Moon #6598567. Published by Alan E...
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Soprano voice,Vocal Solo - SKU: A0.903801 Composed by Alan Edgar and Jane Tims. Contemporary. 4 pages. Alan Edgar Ted Moon #6598567. Published by Alan Edgar Ted Moon (A0.903801). I searched for animals singing the harmonic series--this led me to the Hermit Thrush, a native of north America. The singer imitates the bird and sings a setting of a poem about the bird by Jane Tims, who writes: I think your score is as delightful as the bird it is written for. It also helped me see my poetry in a whole different way. Makes me proud to be a poet.
$6.00
Night-Leaves, a Song for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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Night-Leaves, a Song for Sopra
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939815 Composed by Richard St. Clair. 20th Century,Concert. 7 pages. Richard St. Clair #4776077. Published ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939815 Composed by Richard St. Clair. 20th Century,Concert. 7 pages. Richard St. Clair #4776077. Published by Richard St. Clair (A0.939815). This 2-minute neo-impressionistic song is a sentimental setting of a short poem by William C. Mullen. It was composed in the winter of 1969.
$12.95
Due liriche (CM 2015)
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Voix Soprano, Piano
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Carmelo Mantione
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Due liriche
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Carmelo Mantione
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699....
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Soprano voice,Vocal Solo - SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699. Published by Carmelo Mantione (A0.1012954). These two pieces are based on texts by the great twentieth century poet Eugenio Montale, from Le occasioni and Ossi di seppia collections. The first Non recidere forbice tries to evoke the drama of the text through a melodic line with an articulate profile characterized by taglient intervallari jumps, and a harmony often scarce as thin and desolate is sometimes the poetic text. Antico sono ubriacato della voce is the second text, more extensive, on which the other lyric develops, characterized by the presence of an almost continuous rhythmic movement in the piano part in order to make the one, incessant and deep, of the waters of the sea , protagonist of this poetic song. There are numerous madrigalisms and musical devices designed to underline the expressive climate of each single text expression while trying to maintain a basic unity for the whole composition.
$3.99
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