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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time
Sheetmusicplus
Non classifié
15 195
Piano & claviers
Piano seul
13 440
Piano, Voix
6 052
Piano Facile
3 864
Piano, Voix et Guitare
2 196
Instruments en Do
1 050
Orgue
563
Accompagnement Piano
438
1 Piano, 4 mains
382
Piano Trio: piano, violon, violoncelle
187
Piano grosses notes
95
2 Pianos, 4 mains
93
Piano (partie séparée)
72
Accordéon
65
Piano Quatuor: piano, 2 violons, violoncelle
53
Piano Quatuor: piano, violon, alto, violoncelle
48
Piano Quintette: piano, 2 violons, alto, violoncelle
22
Orgue, Piano (duo)
17
Orgue, Trompette (duo)
16
Clavecin
14
1 Piano, 6 mains
11
2 Pianos, 8 mains
6
2 Accordéons
4
Ensemble de Pianos
2
Clavier
2
Ensemble d'Accordéons
2
Accordéon et Orchestre
1
Tous Les Instruments
1
+ 22 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 097
Guitare
767
Ligne De Mélodie, (Paroles) et Accords
534
Ukulele
253
Paroles et Accords
227
Basse electrique
158
Guitare (partie séparée)
144
2 Guitares (duo)
143
Mandoline
85
Banjo
53
Dulcimer
44
Piano, Guitare (duo)
38
4 Guitares (Quatuor)
37
3 Guitares (trio)
17
Mandoline, Guitare (duo)
13
Ensemble de guitares
10
Basse électrique (partie séparée)
8
Guitare, Violon, Violoncelle (trio)
4
Dobro
4
2 Dulcimers (duo)
4
Ensemble de Ukulélés
3
Guitare Pedal Steel
3
2 Ukuleles
3
Guitare, Flûte, Clarinette
3
Mandoline, Piano (duo)
2
2 Mandolines (duo)
1
Ukulele Baryton
1
Bouzouki
1
Guitare Tab, Voix, Basse, Batterie
1
Guitare, Orchestre
1
Cithare
1
+ 26 instrumentations
Retracter
Voix
Chorale SATB
4 933
Chorale 2 parties
2 150
Chorale 3 parties
1 745
Chorale Unison
1 070
Voix duo, Piano
879
Chorale TTBB
739
Chorale SSAA
461
Voix duo
302
Pack Instrumental pour Chorale
147
Voix Tenor, Piano
137
Voix Soprano, Piano
136
Voix Alto, Piano
115
Voix Baryton, Piano
99
Voix seule
72
Voix haute
57
Chorale
34
Voix moyenne, Piano
24
Voix basse, Piano
17
Chorale SSAATTBB
16
Voix Tenor
14
Chorale SSATB
10
Soli, choeur mixte et accompagnement
6
Voix Mezzo-Soprano, Piano
5
Voix basse
5
Voix Soprano, Orchestre
4
Chorale SSAB, Piano
4
Voix, Guitare
3
Chorale SSAB a cappella
3
Voix Soprano
3
Male Voice
2
Voix haute, Piano
2
Voix Moyenne
2
Chorale SATTBB A Cappella
2
Chorale SAATB A Cappella
1
Chorale SSAATB
1
Chorale SATBB
1
+ 31 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
1 477
2 Saxophones (duo)
1 333
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 202
Flûte traversière et Piano
1 172
Flûte, Hautbois, Clarinette, Basson
1 152
Clarinette et Piano
1 001
Quatuor de Clarinettes: 4 clarinettes
791
Saxophone Alto et Piano
779
Hautbois, Piano (duo)
777
Quintette de Saxophone: 5 saxophones
739
Saxophone (partie séparée)
737
2 Flûtes traversières (duo)
714
2 Clarinettes (duo)
646
Flûte traversière
640
Clarinette
638
Saxophone Tenor et Piano
610
Saxophone Soprano et Piano
545
Saxophone Alto
497
Saxophone, Clarinette (duo)
422
Saxophone Tenor
378
Ensemble de saxophones
367
Flûte, Clarinette (duo)
354
Clarinette, Violon (duo)
316
Ensemble de Clarinettes
308
Hautbois (partie séparée)
293
2 Hautbois (duo)
293
Quatuor de Flûtes : 4 flûtes
286
Saxophone Baryton, Piano
256
3 Saxophones (trio)
251
Clarinette, Trompette (duo)
251
Hautbois, Clarinette (duo)
231
Hautbois, Basson (duo)
228
2 Flûte à bec (duo)
217
3 Clarinettes (trio)
198
Flûte, Violon
185
Hautbois
181
Trio de Flûtes: 3 flûtes
169
Clarinette (partie séparée)
161
Clarinette et Alto
160
Quintette de Clarinettes: 5 clarinettes
156
Cor anglais, Piano
154
Flûte, Saxophone (duo)
152
Ensemble de Flûtes
151
Hautbois, Flûte
149
Flûte, Alto (duo)
135
Clarinette Basse, Piano
116
Flûte, Trompette (duo)
115
Flute (partie séparée)
107
Flûte, Clarinette et Basson
98
Flûte et Guitare
98
Saxophone Soprano
91
Flûte à bec Soprano
90
Flûte irlandaise
82
Quintette de Flûte : 5 flûtes
79
Clarinette, Basson (duo)
76
Flûte, Hautbois, Clarinette (trio)
69
Flûte, Violon, Piano
64
Saxophone Baryton
64
Hautbois, Clarinette, Basson (trio d'anches)
63
Flûte, Violoncelle
61
Flûte, Hautbois (duo)
59
Hautbois, Violoncelle
58
Quatuor de Flûtes à bec
55
Cor Anglais
53
Clarinette, Violoncelle (duo)
53
Clarinette, Guitare (duo)
43
Flûte, Hautbois, Basson
43
Flûte à Bec
39
Flûte à bec Alto
38
Flûte, Violoncelle, Piano (trio)
35
2 Clarinettes, Piano
33
Ensemble De Flûte à bec
32
Flûte, Hautbois, Piano (trio)
28
2 Flûtes traversières, Piano
27
Piccolo, Piano
27
Saxophone
25
3 Flûtes à bec (trio)
25
5 Flûtes à bec
24
Flûte à bec Soprano, Piano
24
Flûte, Violon et Violoncelle
24
Hautbois, violon (duo)
23
Flûte, Clarinette, Piano (trio)
23
Clarinette, Violoncelle, Piano (trio)
22
Harmonica
20
Flûte à bec Tenor
19
Flûte à bec Alto, Piano
19
Hautbois et alto (duo)
18
Clarinette, Trombone (duo)
17
Flûte, Clarinette, Cor, Basson (Quartet)
16
2 Saxophones, Piano
13
Saxophone et Orgue
13
Ocarina
12
Flûte, Basson et Piano
12
Flûte, Trombone (duo)
12
Cor anglais, Guitare (duo)
11
Flûte, Alto et Piano
11
Flûte à Bec, Piano
11
Clarinette Basse
10
2 Cors Anglais Et Pianoforte
9
Clarinette, Harpe (duo)
9
Saxophone et Guitare
9
Hautbois, Guitare (duo)
8
Piccolo
8
Hautbois, Violoncelle et Piano
7
Clarinette, Basson, Piano (trio)
6
Hautbois, Clarinette et Piano (Trio)
6
Flûte traversière, Orgue (duo)
6
Clarinette, Alto et Piano (trio)
6
Instruments en Mib
6
Flûte, Violon, Violoncelle et Piano
5
Flûte, trombone et piano
5
Clarinette, Tuba
5
3 Hautbois
5
Clarinette, Contrebasse (duo)
4
2 Clarinettes, Basson
4
Hautbois, trombone (duo)
4
Flûte à bec Alto, Basse continue
4
Hautbois, Basson et Piano
4
Clarinette, trompette et piano
4
Flûte, Tuba (duo)
3
Flûte à bec, Guitare (duo)
3
Flute, harpe et violon
3
Flûte traversière, Basse continue
3
Hautbois, Violon, Piano
3
Clarinette, Orchestre
3
Ensemble à vent
3
Flûte et Trio à cordes
3
Flûte, Violon, Guitare
3
2 Hautbois, Piano
3
Flûte, Hautbois, Violon
3
Ensemble de Hautbois
2
Cornemuse
2
Cor anglais et Harpe (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Clarinette, Violon (trio)
2
Flute, Cor (duo)
2
Flûte, Harpe et Violoncelle
2
Flûte, alto et harpe
2
Hautbois, Harpe
2
4 Hautbois
2
Saxophone et Piano
2
Clarinette, Orgue
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte de Pan
1
Hautbois, Trompette (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte traversière, Orchestre
1
Flûte à bec, Harpe
1
+ 143 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 700
Trompette, Piano
777
Trombone et Piano
763
Quatuor de Cuivres : 2 trompettes, trombone, tuba
671
Trompette
651
Cor et Piano
536
Trombone (partie séparée)
483
Trompette (partie séparée)
452
Trombone
442
2 Trompettes (duo)
366
Cor
358
Tuba et Piano
338
2 Trombones (duo)
335
Trompette, Saxophone (duo)
306
Trompette, Trombone (duo)
275
Quatuor de Cuivres: 2 trompettes, Cor, trombone
272
Tuba
270
Quatuor de Cuivres
247
Euphonium, Piano (duo)
160
Cor anglais, Piano
154
2 Cors (duo)
151
Ensemble de Trompettes
105
Cor (partie séparée)
101
Tuba (partie séparée)
90
Quatuor de cuivres: 4 trombones
87
Trompette, Cor (duo)
83
2 Tubas (duo)
73
Ensemble de Trombones
65
Quatuor de cuivres: 4 cors
58
Cor Anglais
53
Trio de Cuivres
39
2 Euphoniums et 2 Tubas
37
Euphonium
33
Quatuor de cuivres: 4 trompettes
32
3 Trombones (trio)
30
Ensemble de Cors
27
Trombone basse et Piano
27
3 Trompettes (trio)
24
Tuba et Orgue
22
4 Tubas
21
Cor, Violoncelle (duo)
21
Trombone, Cor (duo)
16
Trompette, Violoncelle (duo)
15
Trombone basse
14
Bass Clef Instruments
14
2 Euphoniums (duo)
14
Trompette, Tuba (duo)
14
Cor anglais, Guitare (duo)
11
Trompette, Basson (duo)
11
Cor et Basson (duo)
9
2 Cors Anglais Et Pianoforte
9
Trombone, Orgue
9
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Cor, Tuba (duo)
7
3 Tubas (trio)
7
Trompette et Guitare
6
Trompette, Violoncelle et Piano
6
2 Trompettes, Clavier (piano ou orgue)
6
Trompette, Trombone, Piano
6
Euphonium, Tuba (duo)
6
Trombone, Tuba (duo)
5
Instruments en Sib
5
3 Cors (trio)
4
Cor et Orgue
3
2 Trombones, Piano
3
Trompette, violon (duo)
3
Tuba ou Euphonium ou Saxhorn
3
Cor anglais et Harpe (duo)
2
Cor et Harpe
2
2 Cors, Piano
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Trombone, Violon (duo)
2
Cornet et Piano
1
Cor, Violoncelle et Piano
1
Ensemble de Tubas
1
Trompette, Harpe
1
Trompette, Orchestre
1
3 Euphoniums
1
Clarinette, Cor (duo)
1
Trompette, Euphonium (duo)
1
Trombone et orchestre
1
+ 77 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 096
Violon et Piano
1 429
Violon
1 168
Violoncelle, Piano
1 013
Alto, Piano
974
Violon, Violoncelle (duo)
962
Violoncelle
734
Trio à Cordes: violon, alto, violoncelle
682
2 Violons (duo)
503
Quintette à cordes: 2 violons, alto, violoncelle, basse
492
Alto seul
491
Harpe
399
2 Violoncelles (duo)
383
Violon, Alto (duo)
377
2 Altos (duo)
320
Contrebasse, Piano (duo)
274
Contre Basse
263
Trio à Cordes: 2 violons, violoncelle
235
Violon (partie séparée)
181
Contrebasse (partie séparée)
148
Alto (partie séparée)
134
Alto, Violoncelle (duo)
111
Piano Trio: Violon, Alto, Piano
98
2 Harpes (duo)
72
4 Violoncelles
71
Trio à cordes: 3 violins
67
2 Contrebasses (duo)
64
Violon, Guitare (duo)
59
Trio à Cordes: 3 violoncelles
57
Violon, Basson (duo)
53
Violoncelle (partie séparée)
39
Quatuor à cordes : 4 altos
38
Violoncelle , Guitare (duo)
38
Quintette à cordes: 2 violons, 2 altos, violoncelle
37
Harpe, Flûte (duo)
36
Trio à Cordes: 2 violons, alto
36
Quintette à cordes : 2 violons, alto et 2 violoncelles
31
Quatuor à cordes: 4 violons
30
Alto et Basson
23
Ensemble de Violons
22
Trio à cordes: 3 altos
20
Ensemble d'Altos
19
Violoncelle, Contrebasse (duo)
18
Alto, Guitare (duo)
16
Violoncelle, Orgue
14
Harpe, Violon (duo)
13
2 Violons, Piano
12
Trio à cordes
11
Harpe, Voix
11
Violon, Clarinette, Piano (trio)
9
Violoncelle, Orchestre
8
Ensemble de Violoncelles
7
Harpe, Violon, Violoncelle
7
Alto, Orgue
5
Flûte, Contrebasse (duo)
5
2 Violoncelles, Piano
5
Harpe, Violoncelle (duo)
4
Alto et Harpe
4
2 Altos, Piano
4
4 Contrebasses
4
Violon, Orgue
3
Violon, Violoncelle, Clarinette
3
Alto et orchestre
3
Violoncelle, Basse continue
3
Violon, Tuba (duo)
3
4 Harpes
3
Harpe, Trombone (duo)
2
Harpe et Orgue
1
Harpe et mandoline
1
Autoharp
1
3 Harpes
1
+ 66 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
4 007
Orchestre à Cordes
1 211
Ensemble Jazz
930
Orchestre
911
Fanfare
746
Ensemble de cuivres
659
Cloches
496
Orchestre de chambre
278
Batterie
182
Jazz combo
181
Ensemble de Percussions
123
Percussion (partie séparée)
106
Batterie (partie séparée)
103
Marimba
54
Xylophone, Piano
33
Xylophone
30
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
24
Percussion
19
Vibraphone
17
Quintette à Vent
14
Timbales (partie séparée)
11
Orchestre, Violon
7
Quintette de Cuivres: autres combinaisons
7
Caisse Claire
6
Ensemble d'École
5
Vibraphone (partie séparée)
4
Piano et Orchestre
4
Instrumentation Flexible
3
2 Xylophones
3
2 Caisses Claires (duo)
2
Quatuor à Vent : 4 instruments à vents
2
Voix Mezzo-Soprano, Orchestre
2
Vibraphone et Marimba
2
Big band
1
Marimba, Piano (duo)
1
Marimba ou Xylophone et Piano
1
Trio à Vent: 3 instruments à vents
1
Timbales
1
Bodhran
1
2 Marimbas
1
+ 35 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Time Arranged for Soprano soloist and Piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Salvador Rojo Gamón
#
Salvador Rojo Gamón
#
Strings.
#
Time Arranged for Soprano solo
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemp...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
I Knew The Time Would Come
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch & Ly
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I Knew The Time Would Come
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008223 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. 20th Century,Musical/Show. 7...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008223 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. 20th Century,Musical/Show. 7 pages. Optimistic Music Company #5337541. Published by Optimistic Music Company (A0.1008223). I Knew The Time Would Come is a poignant ballad in which the leading lady, Yvonne, mourns the loss of her husband. This song is from the musical Amber Avenues which is set in 1964. Suitable for general audiences such as high schools and community theatres.
$3.50
If I Find the Time
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch & Ly
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If I Find the Time
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008239 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Concert,Jazz,Musical/Show. 6...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008239 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Concert,Jazz,Musical/Show. 6 pages. Optimistic Music Company #5374919. Published by Optimistic Music Company (A0.1008239). If I Find the Time Is a romantic ballad from the musical Under the Same Sky which is set in 1964. Suitable for general audiences including high schools and community theatres.
$3.50
Here is the Time
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Voix Soprano, Piano
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INTERMÉDIAIRE
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G
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Here is the Time
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George Skipworth
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962582 Composed by G.F. Skipworth. Concert. 4 pages. George Skipworth #6672785. Published by George Skipwor...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.962582 Composed by G.F. Skipworth. Concert. 4 pages. George Skipworth #6672785. Published by George Skipworth (A0.962582). On a text by William Moore, for soprano or mezzo and piano - moderate difficulty.
$3.50
Unknown Poets from the Full-Time Jungle
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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William Ortiz
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Unknown Poets from the Full-Ti
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William Ortiz
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008997 Composed by William Ortiz. 20th Century,Contemporary. 56 pages. William Ortiz #6131473. Published b...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008997 Composed by William Ortiz. 20th Century,Contemporary. 56 pages. William Ortiz #6131473. Published by William Ortiz (A0.1008997). A bilingual song cycle (English/Spanish). Nine songs by different poets for Soprano and Piano.
$30.00
The Birds
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Three Songs
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Dominique Le Gendre
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Three Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa l...
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Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa lorca - flamenco - love - nature - shakespeare - water. Downloadable, Score. Duration 5'. Schott Music - Digital #Q585120. Published by Schott Music - Digital (S9.Q585120). English â?¢ Spanish.Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeareâ??s play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico GarcÃa Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablaoâ??s of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorcaâ??s poetry vibrated daily and as casually as the music, songs and rhythms that peppered and punctuated conversations, discussions, exchanges of opinions, mealtimes in homes and bars and the precious moments of just hanging out. © 2023 Dominique Le Gendre.
$5.99
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
Daybreak (Downloadable)
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Voix Soprano, Piano
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Tawnie Olson
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Daybreak
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8701-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8701-3E). English.Commissioned by the Canadian Art Song Project for soprano Magali Simard-Galdès, winner of the Jeunesses Musicales Maureen Forrester Tour. This piece won second prize in the 2018 NATS Art Song Composition Competition.This song cycle is, in part, a meditation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in time from evening to mid-day to dawn. Images from each poem are woven into the music; the first movement is full of sewing imagery, so in places the pianist imitates the ebb and flow of a sewing machine's ostinato. The playful second movement depicts icicles melting, opening with their unpredictable drips. In the third movement, clouds bloom. Duration: 14:15Contents:I. DuskII. Hubbard's CoveIII. Daybreak.
$9.00
Three Love Songs
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Peteris Vasks
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Three Love Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate - SKU: S9.Q585126 For soprano and piano. Composed by Peteris Vasks. Downloadable, Separate edition. Durati...
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Soprano voice and piano - intermediate - SKU: S9.Q585126 For soprano and piano. Composed by Peteris Vasks. Downloadable, Separate edition. Duration 9 minutes. Schott Music - Digital #Q585126. Published by Schott Music - Digital (S9.Q585126). Latvian.Vom speziellen Herbstlicht an der baltischen Küste bis zu den grünen Wiesen und Bachläufen des Hinterlandes â?? Vasks Drei Liebeslieder auf Texte des 2013 verstorbenen lettischen Dichters Imants Ziedonis sind eine leise und intime Liebeserklärung an die Heimat des Komponisten.
$15.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
A Faithful Shepherd Is My Lord
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Voix Soprano, Piano
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FACILE
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Johann Georg Nägeli
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Phyllis Hopper
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A Faithful Shepherd Is My Lord
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HopSez Productions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1507467 Composed by Johann Georg Nägeli. Arranged by Phyllis Hopper. 19th Century,Christian,Religious,Sacr...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.1507467 Composed by Johann Georg Nägeli. Arranged by Phyllis Hopper. 19th Century,Christian,Religious,Sacred,Traditional. 3 pages. HopSez Productions #1082870. Published by HopSez Productions (A0.1507467). A fresh arrangement of this 17th century German hymn paraphrasing Psalm 23, lyrics in English. I have also released an SATB arrangement of this piece, one with piano accompaniment, and another designed for a capella choir. Time: 2:30.I'd love to hear from you! Feel free to direct feedback, suggestions and requests to phroglis@tutanota.com ... and after you're familiar with the arrangement, it would be very helpful to other musicians if you'd leave a review on this site. Thanks!
$4.99
The Last Rose of Summer - Soprano with piano and chords in Db
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492602 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069280....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492602 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069280. Published by Alex Rodrigues (A0.1492602). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in A
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492609 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069287....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492609 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069287. Published by Alex Rodrigues (A0.1492609). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Eb
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492604 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069282....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492604 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069282. Published by Alex Rodrigues (A0.1492604). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Bb
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492599 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069277....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492599 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069277. Published by Alex Rodrigues (A0.1492599). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in A
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492596 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069274....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492596 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069274. Published by Alex Rodrigues (A0.1492596). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in Bb
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492612 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069290....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492612 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069290. Published by Alex Rodrigues (A0.1492612). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Ab
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492597 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069275....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492597 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069275. Published by Alex Rodrigues (A0.1492597). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
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