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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time And I
Non classifié
3 466
Piano & claviers
Piano seul
3 838
Piano, Voix
1 756
Piano, Voix et Guitare
950
Piano Facile
522
Instruments en Do
401
Orgue
112
Accordéon
91
Accompagnement Piano
58
1 Piano, 4 mains
33
2 Pianos, 4 mains
29
Piano Trio: piano, violon, violoncelle
22
Piano grosses notes
16
Piano Quatuor: piano, 2 violons, violoncelle
9
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano (partie séparée)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
3
Clavecin
1
Ensemble de Pianos
1
Orgue, Trompette (duo)
1
2 Accordéons
1
+ 16 instrumentations
Retracter
Guitares
Guitare
467
Basse electrique
214
Guitare notes et tablatures
173
Ligne De Mélodie, (Paroles) et Accords
156
Ukulele
60
2 Guitares (duo)
42
Paroles et Accords
34
4 Guitares (Quatuor)
20
Guitare (partie séparée)
10
3 Guitares (trio)
9
Ensemble de guitares
8
Mandoline
7
Piano, Guitare (duo)
5
Mandoline, Guitare (duo)
5
Banjo
5
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
Dulcimer
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
961
Chorale 2 parties
324
Voix seule
305
Chorale 3 parties
250
Voix duo, Piano
144
Chorale TTBB
107
Chorale Unison
97
Chorale SSAA
65
Voix Soprano, Piano
59
Voix Alto, Piano
41
Voix Tenor, Piano
40
Voix Baryton, Piano
40
Voix duo
37
Voix haute
13
Chorale
8
Voix basse, Piano
5
Voix Tenor
4
Chorale SSAATTBB
3
Voix moyenne, Piano
3
Voix haute, Piano
1
Voix Soprano
1
Voix basse
1
Chorale SSAB, Piano
1
+ 18 instrumentations
Retracter
Vents
Saxophone
1 050
Flûte traversière
652
Clarinette
496
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
286
Quintette de Saxophone: 5 saxophones
219
Flûte, Hautbois, Clarinette, Basson
193
Quatuor de Saxophones: 4 saxophones
191
Saxophone Alto
155
Saxophone Tenor
142
Flûte traversière et Piano
136
Quatuor de Clarinettes: 4 clarinettes
112
Clarinette et Piano
94
Flûte à Bec
91
Ensemble de saxophones
82
Hautbois, Piano (duo)
81
2 Saxophones (duo)
81
Saxophone (partie séparée)
78
Saxophone Alto et Piano
77
2 Flûtes traversières (duo)
77
Hautbois (partie séparée)
65
Ensemble de Clarinettes
62
Saxophone Tenor et Piano
61
Saxophone Soprano et Piano
54
2 Clarinettes (duo)
47
Flûte et Guitare
45
Hautbois
44
Saxophone Soprano
39
Quatuor de Flûtes : 4 flûtes
39
Ensemble de Flûtes
37
Saxophone Baryton, Piano
29
2 Hautbois (duo)
26
Flûte, Clarinette (duo)
25
Quintette de Flûte : 5 flûtes
23
Quintette de Clarinettes: 5 clarinettes
19
Cor Anglais
17
Cor anglais, Piano
16
Trio de Flûtes: 3 flûtes
16
3 Clarinettes (trio)
16
Saxophone, Clarinette (duo)
14
Clarinette, Guitare (duo)
14
3 Saxophones (trio)
13
Clarinette, Violon (duo)
13
Flûte, Violon
13
Flûte à bec Soprano
11
Clarinette Basse, Piano
11
Flute (partie séparée)
11
Clarinette (partie séparée)
9
Hautbois, Basson (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Hautbois, Clarinette (duo)
8
Clarinette et Alto
8
Clarinette, Trompette (duo)
8
Ensemble De Flûte à bec
8
Saxophone Baryton
8
Hautbois, Flûte
7
2 Cors Anglais Et Pianoforte
7
Flûte, Clarinette, Cor, Basson (Quartet)
7
Flûte, Saxophone (duo)
6
Flûte, Clarinette et Basson
6
Flûte irlandaise
6
Quatuor de Flûtes à bec
5
Clarinette Basse
5
Hautbois, Guitare (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Alto (duo)
5
Flûte, Hautbois, Basson
4
Flûte à bec Alto
4
Flûte, Violon et Violoncelle
4
2 Flûtes traversières, Piano
4
5 Flûtes à bec
4
Hautbois, Violoncelle
3
Cor anglais, Guitare (duo)
3
Piccolo, Piano
3
Flûte à bec Alto, Piano
3
2 Clarinettes, Piano
3
Flûte, Hautbois (duo)
3
Clarinette, Violoncelle (duo)
2
2 Saxophones, Piano
2
Saxophone et Guitare
2
Instruments en Mib
2
Flûte, Basson et Piano
2
2 Flûte à bec (duo)
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Basson (duo)
2
Harmonica
2
Flûte, Clarinette, Violon (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, violon (duo)
1
3 Hautbois
1
Hautbois et alto (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Violon
1
Ocarina
1
Flute, harpe et violon
1
2 Hautbois, Piano
1
Flûte, Violon, Piano
1
Saxophone et Orgue
1
Flûte, Violoncelle
1
Flûte traversière, Orgue (duo)
1
Piccolo
1
Flûte à bec Tenor
1
Flûte et Trio à cordes
1
Hautbois, Violon, Piano
1
+ 98 instrumentations
Retracter
Cuivres
Trompette
433
Trombone
398
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
354
Quatuor de Cuivres : 2 trompettes, trombone, tuba
148
Quatuor de Cuivres
101
Ensemble de Trompettes
94
Cor
82
Trompette, Piano
75
Trombone et Piano
74
Cor et Piano
51
Tuba
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
46
Trompette (partie séparée)
44
Trombone (partie séparée)
40
Ensemble de Trombones
35
Euphonium
29
Tuba et Piano
25
2 Trombones (duo)
22
Euphonium, Piano (duo)
22
Trompette, Trombone (duo)
20
2 Trompettes (duo)
20
Cor Anglais
17
2 Cors (duo)
17
Trio de Cuivres
16
Cor anglais, Piano
16
Ensemble de Cors
11
Trompette, Saxophone (duo)
9
Trompette, Cor (duo)
8
Cor (partie séparée)
8
2 Tubas (duo)
7
2 Cors Anglais Et Pianoforte
7
Tuba (partie séparée)
6
Tuba et Orgue
5
Quatuor de cuivres: 4 trombones
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 cors
3
Cor anglais, Guitare (duo)
3
Bass Clef Instruments
3
Quatuor de cuivres: 4 trompettes
2
Euphonium, Tuba (duo)
2
3 Trompettes (trio)
2
3 Trombones (trio)
2
2 Cors, Piano
2
Instruments en Sib
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Trombone basse
1
2 Euphoniums (duo)
1
Trompette, violon (duo)
1
Cor et Basson (duo)
1
Trompette, Euphonium (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
Trombone basse et Piano
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
857
Violon
714
Violon, Violoncelle (duo)
384
Trio à Cordes: violon, alto, violoncelle
356
Violoncelle
344
Alto seul
236
Quintette à cordes: 2 violons, alto, violoncelle, basse
232
Violon et Piano
171
Harpe
94
Alto, Piano
84
Violoncelle, Piano
83
2 Violons (duo)
76
Contre Basse
72
Violon, Alto (duo)
45
Trio à Cordes: 2 violons, violoncelle
38
2 Harpes (duo)
37
2 Violoncelles (duo)
36
Alto (partie séparée)
27
Alto, Violoncelle (duo)
26
2 Altos (duo)
24
Ensemble de Violons
20
Ensemble d'Altos
18
Contrebasse, Piano (duo)
17
Trio à cordes: 3 violins
15
4 Violoncelles
12
Piano Trio: Violon, Alto, Piano
12
Violon, Guitare (duo)
11
Contrebasse (partie séparée)
10
Violon (partie séparée)
9
Trio à Cordes: 2 violons, alto
9
Trio à Cordes: 3 violoncelles
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Harpe, Voix
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
2 Contrebasses (duo)
4
Quatuor à cordes : 4 altos
4
2 Violons, Piano
3
Harpe, Violon, Violoncelle
3
Quatuor à cordes: 4 violons
3
4 Contrebasses
3
Violoncelle, Orchestre
2
2 Altos, Piano
2
Violon, Basson (duo)
2
Violoncelle, Contrebasse (duo)
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
2
Alto et Harpe
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
1
Violoncelle, Orgue
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Alto et Basson
1
Harpe, Flûte (duo)
1
3 Harpes
1
Ensemble de Violoncelles
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre
417
Orchestre d'harmonie
396
Batterie
382
Orchestre à Cordes
314
Ensemble Jazz
151
Ensemble de cuivres
119
Orchestre de chambre
80
Cloches
63
Jazz combo
57
Fanfare
28
Marimba
28
Ensemble de Percussions
28
Xylophone
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Xylophone, Piano
8
Batterie (partie séparée)
5
Vibraphone
3
Percussion (partie séparée)
3
Percussion
3
Caisse Claire
3
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Crtitères actifs :
Time And I
Voix Soprano, Piano
Partitions à imprimer
59 partitions trouvées
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1
26
51
I Knew The Time Would Come
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Voix Soprano, Piano
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INTERMÉDIAIRE
#
Music by Helen MacCulloch & Ly
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I Knew The Time Would Come
#
Optimistic Music Company
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008223 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. 20th Century,Musical/Show. 7...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008223 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. 20th Century,Musical/Show. 7 pages. Optimistic Music Company #5337541. Published by Optimistic Music Company (A0.1008223). I Knew The Time Would Come is a poignant ballad in which the leading lady, Yvonne, mourns the loss of her husband. This song is from the musical Amber Avenues which is set in 1964. Suitable for general audiences such as high schools and community theatres.
$3.50
Time Arranged for Soprano soloist and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Salvador Rojo Gamón
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Salvador Rojo Gamón
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Strings.
#
Time Arranged for Soprano solo
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Salvador Rojo-Gamon
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemp...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange
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Voix Soprano, Piano
#
DÉBUTANT
#
Judith Cloud
#
24 Italian Songs and Arias for
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Judith Cloud
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.981208 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686593. Published by Judit...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.981208 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686593. Published by Judith Cloud (A0.981208). 24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Judith Cloud
#
24 Italian Songs and Arias for
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Judith Cloud
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.981207 Composed by Judith Cloud. Contemporary,Standards. 7 pages. Judith Cloud #6686591. Published by Judit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.981207 Composed by Judith Cloud. Contemporary,Standards. 7 pages. Judith Cloud #6686591. Published by Judith Cloud (A0.981207). 24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio
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Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Judith Cloud
#
24 Italian Songs and Arias for
#
Judith Cloud
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.981213 Composed by Judith Cloud. Contemporary,Standards. 5 pages. Judith Cloud #6686605. Published by Judit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.981213 Composed by Judith Cloud. Contemporary,Standards. 5 pages. Judith Cloud #6686605. Published by Judith Cloud (A0.981213). 24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
If I Find the Time
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Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Music by Helen MacCulloch & Ly
#
If I Find the Time
#
Optimistic Music Company
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008239 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Concert,Jazz,Musical/Show. 6...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008239 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Concert,Jazz,Musical/Show. 6 pages. Optimistic Music Company #5374919. Published by Optimistic Music Company (A0.1008239). If I Find the Time Is a romantic ballad from the musical Under the Same Sky which is set in 1964. Suitable for general audiences including high schools and community theatres.
$3.50
The Man I Love
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Voix Soprano, Piano
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AVANCÉ
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instruct...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
Then Will I Truly Know - MS Solo with Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Bill Fortenberry, Jordan Grigg
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Then Will I Truly Know - MS So
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Bill Fortenberry
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.997118 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Praise & Worship,Sacred. 9 pages....
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.997118 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Praise & Worship,Sacred. 9 pages. Bill Fortenberry #6683091. Published by Bill Fortenberry (A0.997118). In his letter to the Corinthians, Paul expressed his longing for a time when he would see God face to face and know the Lord as much as the Lord knows us. Then Will I Truly Know by Bill Fortenberry and Jordan Grigg captures that longing in an enchanting melody that unites all of us in a desire for our heavenly home.Choir version, orchestral score, and backing track are also available.
$2.99
24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.981211 Composed by Judith Cloud. Contemporary. 4 pages. Judith Cloud #6686601. Published by Judith Cloud (A...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.981211 Composed by Judith Cloud. Contemporary. 4 pages. Judith Cloud #6686601. Published by Judith Cloud (A0.981211). 24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
What Child is This, for soprano solo and piano, D minor
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Voix Soprano, Piano
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FACILE
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Noël
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Musique Sacrée
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Traditional
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Ivana Tuskan
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What Child is This, for sopran
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Ivana Tuskan
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.793868 Composed by Traditional. Arranged by Ivana Tuskan. Christmas,Concert,Sacred. 5 pages. Ivana Tuskan #...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.793868 Composed by Traditional. Arranged by Ivana Tuskan. Christmas,Concert,Sacred. 5 pages. Ivana Tuskan #3885627. Published by Ivana Tuskan (A0.793868). In this arrangement I've added piano accompaniment to traditional melody (Greensleeves) from the 16th century. First and second verses are written in D minor, and third in A minor. Vocal range: A3 to G5 The sound sample is an electronic preview. The pdf file contains score (5 pages) Performance Time approx. 2:20 NOTE: You are allowed 2 print copies with one purchase of this title. Further distribution or forwarding of this sheet music is prohibited. Thank you! - Ivana Tuskan
$5.00
What Child is This, for soprano and piano, G minor/ A minor
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Voix Soprano, Piano
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FACILE
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Noël
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English Traditional
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Ivana Tuskan
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What Child is This, for sopran
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Ivana Tuskan
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.793897 Composed by English Traditional. Arranged by Ivana Tuskan. Christmas. 5 pages. Ivana Tuskan #3915855...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.793897 Composed by English Traditional. Arranged by Ivana Tuskan. Christmas. 5 pages. Ivana Tuskan #3915855. Published by Ivana Tuskan (A0.793897). In this arrangement I've added piano accompaniment to traditional melody (Greensleeves) from the 16th century. First and second verses are written in G minor, and third in A minor. Vocal range: D4 to G5 The sound sample is an electronic preview. The pdf file contains score (5 pages) Performance Time approx. 2:20
$5.00
All I Need
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Voix Soprano, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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All I Need
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Exultet Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.617959 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 8 pages. Exultet Music #2004977. Pu...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.617959 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 8 pages. Exultet Music #2004977. Published by Exultet Music (A0.617959). Tender and moving Praise and Worship hymn for Soprano solo and Piano that deals with the topic of All I need is to know Christ. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.CCLI Song Number: 7119080
$4.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Birds
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
Peace on Earth
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Voix Soprano, Piano
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Juliana Hall
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Peace on Earth
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.9230-E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #9230-E. Publ...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.9230-E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #9230-E. Published by E. C. Schirmer Music Company - Digital (MQ.9230-E). English.Peace on Earth was commissioned by Richard Lee and Karen Lerner as a gift for their daughter, Katherine Lerner Lee, a beautiful soprano. My husband and I had known Richard and Karen from our time as fellow graduate students at the Yale School of Music; Richard had studied composition and Karen piano, both very talented musicians and lovely people, so I was touched to be asked and very happy to write Peace on Earth as a gift for their daughter Katie, who was graduating from Oberlin Conservatory. Katie patiently waited out the coronavirus pandemic and on April 16, 2023 she and pianist Nomin Samdan premiered Peace on Earth on her masters degree recital at the Bard College Conservatory, where she was wrapping up her studies in the Vocal Arts Program. She wrote about Peace on Earth in her recital program notes that, “Hall responds to Williams’ catalog of constellations through slowly shifting harmonies and smooth, swung rhythms. The composer imagines the night sky as though one is dreaming it, ‘...whether it’s really up there above us or just taking place within the sleeping person’s soul.’ Through this luscious song, we are invited to daydream collectively and to come into a more unified consciousness.â€.
$10.95
Three Songs
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Dominique Le Gendre
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Three Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa l...
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Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa lorca - flamenco - love - nature - shakespeare - water. Downloadable, Score. Duration 5'. Schott Music - Digital #Q585120. Published by Schott Music - Digital (S9.Q585120). English â?¢ Spanish.Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeareâ??s play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico GarcÃa Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablaoâ??s of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorcaâ??s poetry vibrated daily and as casually as the music, songs and rhythms that peppered and punctuated conversations, discussions, exchanges of opinions, mealtimes in homes and bars and the precious moments of just hanging out. © 2023 Dominique Le Gendre.
$5.99
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Home on the Range
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Voix Soprano, Piano
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DÉBUTANT
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Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447249 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1447249 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027029. Published by JLVPartitura (A0.1447249). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in E + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
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Time And I
