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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What If...
Non classifié
474
Piano & claviers
Piano, Voix et Guitare
489
Piano seul
330
Piano, Voix
169
Piano Facile
109
Instruments en Do
31
Orgue
26
1 Piano, 4 mains
9
2 Pianos, 4 mains
9
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
2
Piano grosses notes
2
Piano (partie séparée)
2
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
+ 13 instrumentations
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Guitares
Guitare notes et tablatures
66
Ukulele
57
Guitare
33
Ligne De Mélodie, (Paroles) et Accords
22
Paroles et Accords
12
Basse electrique
7
Guitare (partie séparée)
4
Banjo
4
4 Guitares (Quatuor)
2
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
2 Guitares (duo)
1
Mandoline
1
Ensemble de guitares
1
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
+ 11 instrumentations
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Voix
Chorale SATB
126
Chorale 3 parties
39
Chorale TTBB
26
Chorale 2 parties
20
Chorale SSAA
10
Chorale Unison
9
Voix Soprano, Piano
5
Chorale
4
Voix haute
4
Voix seule
4
Voix Tenor, Piano
3
Voix duo
2
Voix Baryton, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
Voix basse
1
Voix Alto, Piano
1
Voix Tenor
1
Voix duo, Piano
1
+ 14 instrumentations
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Vents
Flûte traversière
22
Quatuor de Saxophones: 4 saxophones
18
Quintette de Saxophone: 5 saxophones
16
Clarinette et Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Clarinette
16
Saxophone (partie séparée)
15
Quatuor de Clarinettes: 4 clarinettes
15
Hautbois (partie séparée)
14
2 Saxophones (duo)
14
Flûte traversière et Piano
13
Ensemble de Clarinettes
13
Ensemble de saxophones
12
Hautbois, Piano (duo)
12
Flûte, Hautbois, Clarinette, Basson
10
3 Clarinettes (trio)
10
Ensemble de Flûtes
10
Saxophone Alto et Piano
8
Flûte et Guitare
8
Quatuor de Flûtes : 4 flûtes
8
2 Flûtes traversières (duo)
8
Flute (partie séparée)
7
Clarinette (partie séparée)
7
Quintette de Flûte : 5 flûtes
6
2 Clarinettes (duo)
6
Saxophone Soprano et Piano
5
Saxophone Alto
5
Saxophone Tenor et Piano
5
Flûte irlandaise
4
Clarinette, Trompette (duo)
4
3 Saxophones (trio)
4
Clarinette, Violon (duo)
4
Saxophone Tenor
4
Cor anglais, Piano
4
Saxophone, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
2 Hautbois (duo)
2
Saxophone Baryton, Piano
2
Clarinette et Alto
2
Cor anglais, Guitare (duo)
2
Flûte, Violon, Piano
2
Flûte, Clarinette (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Alto (duo)
2
Flûte, trombone et piano
1
Flûte, Hautbois, Basson
1
Flûte à bec Tenor
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Violon et Violoncelle
1
Clarinette, Alto et Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Guitare
1
Hautbois, Guitare (duo)
1
Flûte, Basson et Piano
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
Cor Anglais
1
Flûte à bec Alto, Piano
1
Flûte à bec, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
+ 59 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trombone (partie séparée)
17
Trompette (partie séparée)
15
Trompette, Piano
14
Trombone et Piano
9
Trompette
8
Ensemble de Trombones
6
Cor (partie séparée)
6
Cor
5
Trombone
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trompettes
5
Tuba (partie séparée)
4
Cor et Piano
4
Quatuor de Cuivres
4
Cor anglais, Piano
4
Trompette, Trombone (duo)
3
Tuba
3
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
2
Tuba et Piano
2
Cor anglais, Guitare (duo)
2
2 Euphoniums et 2 Tubas
2
4 Tubas
2
Euphonium
1
Trio de Cuivres
1
Ensemble de Cors
1
Euphonium, Piano (duo)
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon
30
Violon et Piano
27
Violoncelle
21
Harpe
21
Violoncelle, Piano
14
Alto, Piano
13
Trio à Cordes: violon, alto, violoncelle
13
Violon, Violoncelle (duo)
10
Violon, Alto (duo)
6
Alto seul
6
Violoncelle , Guitare (duo)
5
Ensemble de Violons
5
Violon, Guitare (duo)
5
Alto (partie séparée)
5
Violon (partie séparée)
4
Contre Basse
4
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, alto
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
2
Ensemble d'Altos
2
Harpe, Trombone (duo)
1
4 Violoncelles
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Harpe, Voix
1
2 Violons (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
213
Ensemble Jazz
55
Orchestre
39
Orchestre à Cordes
27
Ensemble de cuivres
17
Cloches
15
Orchestre de chambre
14
Jazz combo
10
Ensemble de Percussions
6
Percussion (partie séparée)
5
Batterie
5
Fanfare
4
Vibraphone
2
Batterie (partie séparée)
2
Piano et Orchestre
1
Xylophone
1
Xylophone, Piano
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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Vous avez sélectionné:
What If...
Voix Soprano, Piano
Partitions à imprimer
5 partitions trouvées
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What if . . . (Downloadable)
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Voix Soprano, Piano
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Tom Cipullo
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What if . . .
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.9128-11E Composed by Tom Cipullo. 5 pages. E. C. Schirmer Music Company - Digital #9128-11E. Pu...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.9128-11E Composed by Tom Cipullo. 5 pages. E. C. Schirmer Music Company - Digital #9128-11E. Published by E. C. Schirmer Music Company - Digital (MQ.9128-11E). English.
$5.00
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
A Woman's Work
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Voix Soprano, Piano
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Contemporain
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Abigail Gilson
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A Woman's Work
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Abigail Gilson
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1...
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Soprano voice,Vocal Solo - SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1024943). The final piece in the three-part song cycle, the young girl has grown up and has taken on the role of a woman. The piece itself is very slow moving, as the woman’s life has significantly slowed down, she’s no longer the young girl filled with hope, she knows what her duty is. The piano itself is always rising, sometimes in major thirds but then followed by clunky seconds and thirds. With a feeling of rush but also as if the whole piece is about to end and resolve, yet it continues in this cycle. Still, there’s reward in her work, a woman gets to see her child grow, and their dreams become her own. As any woman can tell you, there is a reward to being a good mother, wife, and woman. But it is only one that a woman can recognize.
$4.99
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